The no. 1 Classical Album

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

The rear cover-art has this release having been previously released as Commercial Classics.
That release however is only one CD whereas this is a 2CD release. "Commercial Classics" corresponds to only CD1 of this release.

Annotation last modified on 2017-11-03 05:23 UTC.

Tracklist

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▼ CD 1: The no. 1 Classical Album Disc 1
#TitleArtistRatingLength
1La Rejouissance
engineer:
Stanley Goodall (engineer) (in 1981-05)
producer:
Michael Haas (classical music producer) (in 1981-05)
orchestra:
Stuttgart Chamber Orchestra (in 1981-05)
conductor:
Karl Münchinger (German conductor) (in 1981-05)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1981-05)
recording of:
Music for the Royal Fireworks, HWV 351: IV. La Réjouissance (in 1981-05)
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
part of:
Music for the Royal Fireworks, HWV 351
George Frideric Handel1:25
2Che farò senza Eurydice?
mezzo-soprano vocals [Orfeo]:
Teresa Berganza (mezzo-soprano)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Alexander Gibson (conductor)
recording of:
Orfeo ed Euridice, Wq. 30: Atto III. Aria “Che farò senza Euridice?” (Orfeo)
composer:
Christoph Willibald Gluck (composer)
librettist:
Ranieri de’ Calzabigi
part of:
Orfeo ed Euridice, Wq. 30: Atto III (Italian version)
Christoph Willibald Gluck3:51
3Eine kleine Nachtmusik: Allegro
orchestra:
Vienna Mozart Ensemble (recorded for Decca) (in 1968)
conductor:
Willi Boskovsky (violinist and conductor) (in 1968)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1969)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (in 1968)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart5:38
4Dies Irae
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1966)
orchestra:
Vienna Philharmonic Orchestra (in 1966)
conductor:
István Kertész (conductor) (in 1966)
chorus master:
Wilhelm Pitz (chorus master) (in 1966)
recording of:
Requiem in D minor, K. 626: III. Sequenz: a. Dies irae (Süßmayr Edition; choir) (in 1966)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
recording of:
Requiem in D minor, K. 626: III. Sequenz: a. Dies irae (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
Wolfgang Amadeus Mozart1:49
5La donna è mobile
sound engineer:
Stanley Goodall (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer) and Michael Woolcock (producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1972)
tenor vocals [Duca]:
Luciano Pavarotti (tenor) (on 1971-06-28)
vocals:
Luciano Pavarotti (tenor)
orchestra:
London Symphony Orchestra (on 1971-06-28)
conductor:
Richard Bonynge (conductor and pianist) (on 1971-06-28)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1971-06-28)
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca) (on 1971-06-28)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Giuseppe Verdi2:22
6The Swan's Dance. Allegro moderato
engineer:
James Lock (engineer) (in 1975-08)
producer:
Michael Woolcock (producer) (in 1975-08)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1975-08-04 until 1975-08-08)
conductor:
Richard Bonynge (conductor and pianist) (from 1975-08-04 until 1975-08-08)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1975-08-04 until 1975-08-08)
recording of:
Swan Lake, op. 20: Act II, no. 13: Danses des cygnes: IV. Allegro moderato (Popularly known as "Dance of the Little Swans") (from 1975-08-04 until 1975-08-08)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer)
part of:
Swan Lake, op. 20: Act II, no. 13: Danses des cygnes
Пётр Ильич Чайковский1:30
7Baïlèro
producer:
Paul Myers (classical record producer)
soprano vocals:
Kiri Te Kanawa (soprano) (in 1982-08)
orchestra:
English Chamber Orchestra (in 1982-08)
conductor:
Jeffrey Tate (conductor) (in 1982-08)
balance engineer:
John Dunkerley (engineer) (in 1982-08)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1982-08)
recording of:
Chants d'Auvergne: Première Série: No. 2. Baïlèro (in 1982-08)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Joseph Canteloube
part of:
Chants d'Auvergne: Première Série
Joseph Canteloube6:44
8“The New World” Symphony no. 9: Largo
producer:
Ray Minshull (record producer)
orchestra:
London Symphony Orchestra (in 1966-12)
conductor:
István Kertész (conductor) (in 1966-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1966-12)
edit of:
Symphony no. 9 in E minor, op. 95 “From the New World”: II. Largo by London Symphony Orchestra, István Kertész (conductor)
partial recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo (in 1966-12)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“
Antonín Dvořák2:17
9Soave sia il vento
recording engineer:
Gordon Parry (engineer) (in 1971-10)
producer:
Christopher Raeburn (producer)
bass vocals [Don Alfonso]:
Tom Krause (bass-baritone) (in 1971-10)
soprano vocals [Dorabella]:
Brigitte Fassbaender (mezzo-soprano) (in 1971-10)
soprano vocals [Fiordiligi]:
Lucia Popp (soprano) (in 1971-10)
orchestra:
Vienna Haydn Orchestra (in 1971-10)
conductor:
István Kertész (conductor) (in 1971-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1972)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1971-10)
recording of:
Così fan tutte: Atto I. No. 10 Terzettino “Soave sia il vento” (Fiordligi, Dorabella, Don Alfonso) (in 1971-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart2:40
10Va pensiero
producer:
Erik Smith (British producer, pianist and harpsichordist) (in 1965-09)
choir vocals:
Konzertvereinigung Wiener Volksopernchor, Chor der Wiener Staatsoper (in 1965) and Konzertvereinigung Wiener Staatsopernchor (in 1965-09, in 1965-10)
orchestra:
Wiener Opernorchester (see annotation before use), Wiener Staatsopernorchester (in 1965, in 1965-09) and Wiener Opernorchester (in 1965-10)
conductor:
Lamberto Gardelli (conductor) (in 1965, in 1965-09, in 1965-10)
chorus master:
Roberto Benaglio (conductor)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1965) and The Decca Record Company Limited (for copyrights use only!) (in 1965)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1965-09, in 1965-10)
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves) (in 1965-09)
composer:
Giuseppe Verdi (Italian opera composer) (in 1841)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves) (in 1965-10)
composer:
Giuseppe Verdi (Italian opera composer) (in 1841)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves) (in 1965)
composer:
Giuseppe Verdi (Italian opera composer) (in 1841)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
Giuseppe Verdi4:45
11Viens, Mallika
engineer:
Michael Mailes (engineer) and Kenneth Wilkinson (engineer)
producer:
John Mordler (producer)
mezzo-soprano vocals and mezzo-soprano vocals [Mallika]:
Jane Berbié (mezzo-soprano) (on 1967-10-12)
soprano vocals and soprano vocals [Lakmé]:
Joan Sutherland (soprano) (on 1967-10-12)
vocals:
Jane Berbié (mezzo-soprano) and Joan Sutherland (soprano)
orchestra:
Orchestre National de lʼOpéra de Monte‐Carlo (on 1967-10-12)
conductor:
Richard Bonynge (conductor and pianist) (on 1967-10-12)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1968)
recorded at:
Salle Alcazar in Monte-Carlo, Monaco (on 1967-10-12)
recording of:
Lakmé : Acte I. No. 2 Duetto « Viens, Mallika, les lianes en fleurs … Dôme épais le jasmin » (Lakmé, Mallika) (on 1967-10-12)
composer:
Léo Delibes (composer)
librettist:
Philippe Gille and Edmond Gondinet
publisher:
Jenkinsongs Ltd.
part of:
Lakmé : Acte I
Léo Delibes6:06
12Claire de lune
producer:
Richard Beswick
piano:
Pascal Rogé (pianist) (in 1977-05)
balance engineer:
Colin Moorfoot (engineer) (in 1977-05)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-05)
recording of:
Suite bergamasque, L. 75, CD 82a : III. Clair de lune (for piano) (in 1977-05)
composer:
Claude Debussy (composer) (from 1890 until 1905)
part of:
Suite bergamasque, L. 75, CD 82a (for piano)
Claude Debussy5:31
13Humming Chorus
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia
conductor:
Carlo Franci (Conductor, composer)
recording of:
Madama Butterfly: Atto II. Coro a bocca chiusa (Humming Chorus)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini3:20
14Rondo alla Turca
piano:
Wilhelm Backhaus (pianist)
recording of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”: III. Rondo alla Turca. Allegretto
composed in:
Paris, Île-de-France, France (in 1778)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1783)
part of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”
Wolfgang Amadeus Mozart3:13
15The Anvil Chorus
choir vocals:
Maggio Musicale Fiorentino Chorus (in 1956-07)
orchestra:
Orchestra of the Grand Theatre, Geneva (OSR) (in 1956-07)
conductor:
Alberto Erede (conductor) (in 1956-07)
recorded at:
Victoria Hall (Geneva) in Genève, Genève, Switzerland (in 1956-07)
recording of:
Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne” (zingari) (“Anvil Chorus”) (in 1956-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi3:03
16Nessun dorma!
choir vocals:
The John Alldis Choir (from 1972-08-10 until 1972-08-25) and Wandsworth School Boys’ Choir (from 1972-08-10 until 1972-08-25)
tenor vocals [Calaf]:
Luciano Pavarotti (tenor) (from 1972-08-10 until 1972-08-25)
orchestra:
London Philharmonic Orchestra (LPO) (from 1972-08-10 until 1972-08-25, on 1972-08-25)
conductor:
Zubin Mehta (conductor) (from 1972-08-10 until 1972-08-25)
chorus master:
John Alldis (chorusmaster and conductor)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1973)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1972-08-10 until 1972-08-25)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf) (from 1972-08-10 until 1972-08-25)
composer:
Giacomo Puccini (Italian composer) (from 1921-03 until 1924-03)
librettist:
Giuseppe Adami and Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. and Ed. G. Ricordi & Cia. SpA
part of:
Turandot: Atto III
Giacomo Puccini53:01
17The Marriage of Figaro: Overture
orchestra:
Vienna Haydn Orchestra (in 1971-10)
conductor:
István Kertész (conductor) (in 1971-10)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1971-10)
recording of:
Le nozze di Figaro, K. 492: Sinfonia (in 1971-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Die Hochzeit des Figaro (German translation)
part of:
Le nozze di Figaro, K. 492
Wolfgang Amadeus Mozart4:18
18O fortuna
engineer:
Arthur Lilley (engineer) and Kenneth Wilkinson (engineer)
producer:
Tony D’Amato
choir vocals:
Brighton Festival Chorus
orchestra:
Royal Philharmonic Orchestra
conductor:
Antal Doráti (conductor)
chorus master:
László Heltay (British/Hungarian conductor and composer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
O Fortuna (Poem, CB 17)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff52:26
19Toreadors: Prelude Act 1
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Charles Munch (conductor and violinist)
recording of:
Carmen : Prélude
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen (Italian lyrics)
part of:
Carmen (english lyrics, David Parry)
part of:
Carmen (German translation, Julius Hopp)
part of:
Carmen, WD 31 (opera by Georges Bizet)
Georges Bizet2:28
201812 Overture: Finale
producer:
Ray Minshull (record producer) (in 1969-08)
orchestra:
Los Angeles Philharmonic Orchestra (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
recorded at:
Royce Hall in Los Angeles, California, United States (in 1969-08)
partial recording of:
The Year 1812, Festival Overture in E-flat major, op. 49 (in 1969-08)
premiered in:
Moscow, Russia (on 1882-08-20)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (from 1880-09 until 1880-11)
part of:
The Tchaikovsky Handbook (number: TH 49), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 46) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 49)
is based on:
Боже, Царя храни!
Пётр Ильич Чайковский3:48
▼ CD 2: The no. 1 Classical Album Disc 2
#TitleArtistRatingLength
1Barber of Seville: Overture (excerpt)
orchestra:
London Symphony Orchestra
conductor:
Piero Gamba (conductor and pianist)
partial recording of:
Il barbiere di Siviglia: Sinfonia
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Der Barbier von Sevilla (german lyrics)
part of:
Il barbiere di Siviglia
part of:
Le Barbier de Séville (french lyrics)
part of:
The Barber of Seville (english lyrics)
Gioachino Rossini2:22
2Miserere (excerpt)
choir vocals:
Choir of King’s College, Cambridge
treble vocals:
Roy Goodman (conductor and violinist)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor)
partial recording of:
Miserere mei, Deus
composer:
Gregorio Allegri (composer)
Gregorio Allegri2:21
3Pictures at an Exhibition: Promenade
orchestra:
Chicago Symphony Orchestra
conductor:
Sir Georg Solti (conductor)
recording of:
Pictures at an Exhibition: Promenade (unspecified promenade)
composer:
Модест Петрович Мусоргский (composer) (from 1874-06-02 until 1874-06-22)
Модест Петрович Мусоргский1:45
4The Planets: Mars (excerpt)
orchestra:
London Philharmonic Orchestra (LPO)
conductor:
Sir Georg Solti (conductor)
partial recording of:
The Planets, op. 32: I. Mars, the Bringer of War
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: I. Mars, the Bringer of War (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst2:28
5Pavane: Finale
orchestra:
London Philharmonic Orchestra (LPO)
conductor:
Bernard Herrmann (composer)
partial recording of:
Pavane in F-sharp minor, op. 50 (for orchestra and (optional) chorus)
lyricist:
Robert de Montesquiou
composer:
Gabriel Fauré (French composer) (in 1887)
arrangement of:
Pavane, op. 50 (for piano and chorus)
Gabriel Fauré3:15
6Funiculi-Funicula
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Teatro Communale Orchestra of Bologna
conductor:
Anton Guadagno (conductor)
arranger:
Giancarlo Chiaramello
recording of:
Funiculì, funiculà
composed in:
Castellammare di Stabia, Napoli, Campania, Italy (in 1880)
lyricist:
Peppino Turco
composer:
Luigi Denza (composer) (in 1880)
publisher:
PolyGram Music Publishing Ltd. and Robbins Music Corp.
Peppino Turco & Luigi Denza2:48
7Piano Concerto no. 21 (Elvira Madigan Theme): Andante
producer:
James Mallinson (producer) (from 1974-03 to present)
piano:
Radu Lupu (Romanian concert pianist) (in 1974-03)
orchestra:
English Chamber Orchestra (in 1974-03)
conductor:
Uri Segal (Uri Segal) (in 1974-03)
balance engineer:
Kenneth Wilkinson (engineer) (from 1974-03 to present, in 1974-03)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1975) and The Decca Record Company Limited (for copyrights use only!) (in 1975)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1974-03)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante (in 1974-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart7:24
8William Tell Overture: Finale
orchestra:
London Symphony Orchestra
conductor:
Piero Gamba (conductor and pianist)
recording of:
William Tell Overture: Finale, March of the Swiss Soldiers (allegro vivace) (Lone Ranger theme)
composer:
Gioachino Rossini (composer)
part of:
Guillaume Tell : Ouverture
Gioachino Rossini3:10
9Spartacus: Adagio
orchestra:
Vienna Philharmonic Orchestra
conductor:
Aram Khatchaturian (Soviet-Armenian composer, Aram Khachaturian)
partial recording of:
Spartacus: Adagio of Spartacus & Phrygia
composer:
Aram Khachaturian (Soviet-Armenian composer, Aram Khachaturian) (in 1955)
part of:
Spartacus, op. 82
Արամ Խաչատրյան3:12
10The Sorcerer's Apprentice (excerpt)
orchestra:
London Philharmonic Orchestra (LPO)
conductor:
Bernard Herrmann (composer)
partial recording of:
L’Apprenti sorcier
composer:
Paul Dukas (composer) (from 1896 until 1897)
part of:
Fantasia (Disney soundtrack)
Paul Dukas4:22
11Clarinet Concerto: Adagio (excerpt)
clarinet:
Gervase de Peyer (clarinetist)
orchestra:
London Symphony Orchestra
conductor:
Peter Maag (conductor)
partial recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
Wolfgang Amadeus Mozart2:39
12O mio babbino caro
soprano vocals and soprano vocals [Lauretta]:
Felicia Weathers (soprano)
orchestra:
Vienna Opera Orchestra
conductor:
Argeo Quadri (conductor)
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. and G. Ricordi & Co. (London) Ltd.
part of:
Gianni Schicchi
Giacomo Puccini2:15
13Ride of the Valkyries (excerpt)
orchestra:
London Symphony Orchestra
conductor:
Leopold Stokowski (conductor)
partial recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt
composer:
Richard Wagner (composer) (from 1854 until 1856)
publisher:
Schott Music International (publisher; do not use as label)
part of:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
Richard Wagner1:27
14Swan Lake: Act I Waltz
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Richard Bonynge (conductor and pianist)
recording of:
Swan Lake: Act I. Waltz
composer:
Пётр Ильич Чайковский (Russian romantic composer)
Пётр Ильич Чайковский7:00
15Adagio (excerpt)
orchestra:
Richard Hickox Orchestra
conductor:
Richard Hickox (conductor)
partial recording of:
Adagio for Strings and Organ in G minor
composer:
Remo Giazotto
previously attributed to:
Tomaso Giovanni Albinoni (Italian Baroque composer)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music)
Tomaso Giovanni Albinoni3:53
16Wine, Women and Song, Waltz op. 333 (excerpt)
orchestra:
Vienna Philharmonic Orchestra
conductor:
Willi Boskovsky (violinist and conductor)
partial recording of:
Wein, Weib und Gesang, op. 333
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 333)
Johann Strauss1:08
17Carmen: Prelude to Act 1
orchestra:
Orchestra of the Suisse Romande (OSR)
conductor:
Thomas Schippers (conductor and composer)
recording of:
Carmen : Prélude
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen (Italian lyrics)
part of:
Carmen (english lyrics, David Parry)
part of:
Carmen (German translation, Julius Hopp)
part of:
Carmen, WD 31 (opera by Georges Bizet)
Georges Bizet3:33
18Canon
orchestra:
tuttgart Chamber Orchestra
conductor:
Karl Münchinger (German conductor)
arranger:
Karl Münchinger (German conductor)
recording of:
Canon and Gigue in D major, T. 377: I. Canon (catch-all for arrangements)
composer:
Johann Pachelbel (composer)
arrangement of:
Canon and Gigue in D major, T. 377: I. Canon
Johann Pachelbel4:38
19Symphony no. 35 “Haffner”: Finale/Presto
orchestra:
Vienna Philharmonic Orchestra
conductor:
István Kertész (conductor)
recording of:
Symphony no. 35 for Orchestra in D major, K. 385 “Haffner”: IV. Presto
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1782)
part of:
Symphony no. 35 for Orchestra in D major, K. 385 “Haffner”
Wolfgang Amadeus Mozart3:55
20Pomp & Circumstance March no. 1 “Land of Hope & Glory”
orchestra:
London Philharmonic Orchestra (LPO)
conductor:
Sir Georg Solti (conductor)
recording of:
Pomp and Circumstance Military Marches, op. 39: March no. 1 in D major
premiered in:
Liverpool, Merseyside, England, United Kingdom (on 1901-10-19)
publisher:
Sir Edward Elgar (dec’d) (composer)
composer:
Edward Elgar (composer) (in 1901)
publisher:
Boosey & Co. Ltd. (music publisher founded in the 1760s, forebear of Boosey & Hawkes)
part of:
Pomp and Circumstance Military Marches, op. 39
Edward Elgar1:37
21Polovtsian Dances (excerpt)
orchestra:
Orchestra of the Suisse Romande (OSR)
conductor:
Ernest Ansermet (conductor)
partial recording of:
Polovtsian Dances (from Prince Igor, completed after Borodin's death, ca. 1890)
composer:
Александр Порфирьевич Бородин (Russian composer)
arranger:
Александр Константинович Глазунов (Russian composer, 1865–1936) and Николай Андреевич Римский‐Корсаков (Russian composer)
Александр Порфирьевич Бородин2:10