Shrek: Original Motion Picture Score

~ Release by Harry Gregson‐Williams & John Powell (see all versions of this release, 2 available)

Annotation

VSD-6308

Annotation last modified on 2012-03-31 04:37 UTC.

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Fairytale
recording engineer:
Nick Wollage
producer:
Harry Gregson‐Williams (English score composer) and John Powell (English score composer)
mixer:
Alan Meyerson
editor:
Brian Richards (engineer)
conductor:
Gavin Greenaway
orchestrator:
Bruce L. Fowler (American trombonist and composer)
phonographic copyright (℗) by:
Dreamworks L.L.C.
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
mixed at:
Media Ventures in Santa Monica, California, United States
recording of:
Fairytale
composer:
Harry Gregson‐Williams (English score composer) and John Powell (English score composer)
Harry Gregson‐Williams & John Powell31:27
2Ogre Hunters / Fairytale Deathcamp
Harry Gregson‐Williams & John Powell2.751:36
3Donkey Meets Shrek
recording engineer:
Nick Wollage
producer:
Harry Gregson‐Williams (English score composer) and John Powell (English score composer)
mixer:
Alan Meyerson
editor:
Brian Richards (engineer)
conductor:
Gavin Greenaway
orchestrator:
Bruce L. Fowler (American trombonist and composer)
phonographic copyright (℗) by:
Dreamworks L.L.C.
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
mixed at:
Media Ventures in Santa Monica, California, United States
recording of:
Donkey Meets Shrek
composer:
Harry Gregson‐Williams (English score composer) and John Powell (English score composer)
Harry Gregson‐Williams & John Powell2.52:38
4Eating Alone
recording engineer:
Nick Wollage
producer:
Harry Gregson‐Williams (English score composer) and John Powell (English score composer)
mixer:
Alan Meyerson
editor:
Brian Richards (engineer)
conductor:
Gavin Greenaway
orchestrator:
Bruce L. Fowler (American trombonist and composer)
phonographic copyright (℗) by:
Dreamworks L.L.C.
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
mixed at:
Media Ventures in Santa Monica, California, United States
recording of:
Eating Alone
composer:
Harry Gregson‐Williams (English score composer) and John Powell (English score composer)
Harry Gregson‐Williams & John Powell2.751:18
5Uninvited Guests
recording engineer:
Nick Wollage
producer:
Harry Gregson‐Williams (English score composer) and John Powell (English score composer)
mixer:
Alan Meyerson
editor:
Brian Richards (engineer)
conductor:
Gavin Greenaway
orchestrator:
Bruce L. Fowler (American trombonist and composer)
phonographic copyright (℗) by:
Dreamworks L.L.C.
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
mixed at:
Media Ventures in Santa Monica, California, United States
recording of:
Uninvited Guests
composer:
Harry Gregson‐Williams (English score composer) and John Powell (English score composer)
Harry Gregson‐Williams & John Powell2.52:09
6March of Farquad
recording engineer:
Nick Wollage
producer:
Harry Gregson‐Williams (English score composer) and John Powell (English score composer)
mixer:
Alan Meyerson
editor:
Brian Richards (engineer)
conductor:
Gavin Greenaway
orchestrator:
Bruce L. Fowler (American trombonist and composer)
phonographic copyright (℗) by:
Dreamworks L.L.C.
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
mixed at:
Media Ventures in Santa Monica, California, United States
recording of:
March of Farquad
composer:
Harry Gregson‐Williams (English score composer) and John Powell (English score composer)
Harry Gregson‐Williams & John Powell2.50:39
7The Perfect King
recording engineer:
Nick Wollage
producer:
Harry Gregson‐Williams (English score composer) and John Powell (English score composer)
mixer:
Alan Meyerson
editor:
Brian Richards (engineer)
conductor:
Gavin Greenaway
orchestrator:
Bruce L. Fowler (American trombonist and composer)
phonographic copyright (℗) by:
Dreamworks L.L.C.
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
mixed at:
Media Ventures in Santa Monica, California, United States
recording of:
The Perfect King
composer:
Harry Gregson‐Williams (English score composer) and John Powell (English score composer)
Harry Gregson‐Williams & John Powell2.751:18
8Welcome to Duloc
performer:
Jill Bogard and Hope Levy
recording of:
Welcome to Duloc
writer:
Eric Darnell and Mike Himelstein
Hope Levy & Jill Bogard2.50:34
9Tournament Speech
recording engineer:
Nick Wollage
producer:
Harry Gregson‐Williams (English score composer) and John Powell (English score composer)
mixer:
Alan Meyerson
editor:
Brian Richards (engineer)
conductor:
Gavin Greenaway
orchestrator:
Bruce L. Fowler (American trombonist and composer)
phonographic copyright (℗) by:
Dreamworks L.L.C.
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
mixed at:
Media Ventures in Santa Monica, California, United States
recording of:
Tournament Speech
composer:
Harry Gregson‐Williams (English score composer) and John Powell (English score composer)
Harry Gregson‐Williams & John Powell20:51
10What Kind of Quest
recording engineer:
Nick Wollage
producer:
Harry Gregson‐Williams (English score composer) and John Powell (English score composer)
mixer:
Alan Meyerson
editor:
Brian Richards (engineer)
conductor:
Gavin Greenaway
orchestrator:
Bruce L. Fowler (American trombonist and composer)
phonographic copyright (℗) by:
Dreamworks L.L.C.
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
mixed at:
Media Ventures in Santa Monica, California, United States
recording of:
What Kind of Quest
composer:
Harry Gregson‐Williams (English score composer) and John Powell (English score composer)
Harry Gregson‐Williams & John Powell2.752:23
11Dragon! / Fiona Awakens
recording engineer:
Nick Wollage
producer:
Harry Gregson‐Williams (English score composer) and John Powell (English score composer)
mixer:
Alan Meyerson
editor:
Brian Richards (engineer)
conductor:
Gavin Greenaway
orchestrator:
Bruce L. Fowler (American trombonist and composer)
phonographic copyright (℗) by:
Dreamworks L.L.C.
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
mixed at:
Media Ventures in Santa Monica, California, United States
recording of:
Dragon! / Fiona Awakens
composer:
Harry Gregson‐Williams (English score composer) and John Powell (English score composer)
Harry Gregson‐Williams & John Powell2.52:06
12One of a Kind Knight
Harry Gregson‐Williams & John Powell2.751:19
13Saving Donkey’s Ass
Harry Gregson‐Williams & John Powell20:43
14Escape From the Dragon
recording engineer:
Nick Wollage
producer:
Harry Gregson‐Williams (English score composer) and John Powell (English score composer)
mixer:
Alan Meyerson
editor:
Brian Richards (engineer)
conductor:
Gavin Greenaway
orchestrator:
Bruce L. Fowler (American trombonist and composer)
phonographic copyright (℗) by:
Dreamworks L.L.C.
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
mixed at:
Media Ventures in Santa Monica, California, United States
recording of:
Escape From the Dragon
composer:
Harry Gregson‐Williams (English score composer) and John Powell (English score composer)
Harry Gregson‐Williams & John Powell31:58
15Helmet Hair
recording engineer:
Nick Wollage
producer:
Harry Gregson‐Williams (English score composer) and John Powell (English score composer)
mixer:
Alan Meyerson
editor:
Brian Richards (engineer)
conductor:
Gavin Greenaway
orchestrator:
Bruce L. Fowler (American trombonist and composer)
phonographic copyright (℗) by:
Dreamworks L.L.C.
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
mixed at:
Media Ventures in Santa Monica, California, United States
recording of:
Helmet Hair
composer:
Harry Gregson‐Williams (English score composer) and John Powell (English score composer)
Harry Gregson‐Williams & John Powell2.752:08
16Delivery Boy Shrek / Making Camp
recording engineer:
Nick Wollage
producer:
Harry Gregson‐Williams (English score composer) and John Powell (English score composer)
mixer:
Alan Meyerson
editor:
Brian Richards (engineer)
conductor:
Gavin Greenaway
orchestrator:
Bruce L. Fowler (American trombonist and composer)
phonographic copyright (℗) by:
Dreamworks L.L.C.
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
mixed at:
Media Ventures in Santa Monica, California, United States
recording of:
Delivery Boy Shrek / Making Camp
composer:
Harry Gregson‐Williams (English score composer) and John Powell (English score composer)
Harry Gregson‐Williams & John Powell2.50:48
17Friends Journey to Duloc
recording engineer:
Nick Wollage
producer:
Harry Gregson‐Williams (English score composer) and John Powell (English score composer)
mixer:
Alan Meyerson
editor:
Brian Richards (engineer)
conductor:
Gavin Greenaway
orchestrator:
Bruce L. Fowler (American trombonist and composer)
phonographic copyright (℗) by:
Dreamworks L.L.C.
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
mixed at:
Media Ventures in Santa Monica, California, United States
recording of:
Friends Journey to Duloc
composer:
Harry Gregson‐Williams (English score composer) and John Powell (English score composer)
Harry Gregson‐Williams & John Powell2.752:42
18Starry Night
recording engineer:
Nick Wollage
producer:
Harry Gregson‐Williams (English score composer) and John Powell (English score composer)
mixer:
Alan Meyerson
editor:
Brian Richards (engineer)
conductor:
Gavin Greenaway
orchestrator:
Bruce L. Fowler (American trombonist and composer)
phonographic copyright (℗) by:
Dreamworks L.L.C.
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
mixed at:
Media Ventures in Santa Monica, California, United States
recording of:
Starry Night
composer:
Harry Gregson‐Williams (English score composer) and John Powell (English score composer)
Harry Gregson‐Williams & John Powell2.750:58
19Singing Princess
recording engineer:
Nick Wollage
producer:
Harry Gregson‐Williams (English score composer) and John Powell (English score composer)
mixer:
Alan Meyerson
editor:
Brian Richards (engineer)
conductor:
Gavin Greenaway
orchestrator:
Bruce L. Fowler (American trombonist and composer)
phonographic copyright (℗) by:
Dreamworks L.L.C.
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
mixed at:
Media Ventures in Santa Monica, California, United States
recording of:
Singing Princess
composer:
Harry Gregson‐Williams (English score composer) and John Powell (English score composer)
Harry Gregson‐Williams & John Powell31:35
20Better Out Than In / Sunflower / I’ll Tell Him
recording engineer:
Nick Wollage
producer:
Harry Gregson‐Williams (English score composer) and John Powell (English score composer)
mixer:
Alan Meyerson
editor:
Brian Richards (engineer)
conductor:
Gavin Greenaway
orchestrator:
Bruce L. Fowler (American trombonist and composer)
phonographic copyright (℗) by:
Dreamworks L.L.C.
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
mixed at:
Media Ventures in Santa Monica, California, United States
recording of:
Better Out Than In / Sunflower / I'll Tell Him
composer:
Harry Gregson‐Williams (English score composer) and John Powell (English score composer)
Harry Gregson‐Williams & John Powell2.752:11
21Merry Men
performer:
Guillaume Aretos, John Bisom, Vincent Cassel, Matthew Gonder, Calvin Remsberg and Jean-Paul Vignon (actor, singer)
recording of:
Merry Men
writer:
Andrew Adamson, Kirby Tepper and Conrad Vernon
Vincent Cassel, Guillaume Aretos, Calvin Remsberg, John Bisom, Matthew Gonder & Jean-Paul Vignon2.750:43
22Fiona Kicks Ass
recording engineer:
Nick Wollage
producer:
Harry Gregson‐Williams (English score composer) and John Powell (English score composer)
mixer:
Alan Meyerson
editor:
Brian Richards (engineer)
conductor:
Gavin Greenaway
orchestrator:
Bruce L. Fowler (American trombonist and composer)
phonographic copyright (℗) by:
Dreamworks L.L.C.
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
mixed at:
Media Ventures in Santa Monica, California, United States
recording of:
Fiona Kicks Ass
composer:
Harry Gregson‐Williams (English score composer) and John Powell (English score composer)
Harry Gregson‐Williams & John Powell2.50:29
23Fiona’s Secret
recording engineer:
Nick Wollage
producer:
Harry Gregson‐Williams (English score composer) and John Powell (English score composer)
mixer:
Alan Meyerson
editor:
Brian Richards (engineer)
conductor:
Gavin Greenaway
orchestrator:
Bruce L. Fowler (American trombonist and composer)
phonographic copyright (℗) by:
Dreamworks L.L.C.
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
mixed at:
Media Ventures in Santa Monica, California, United States
recording of:
Fiona's Secret
composer:
Harry Gregson‐Williams (English score composer) and John Powell (English score composer)
Harry Gregson‐Williams & John Powell2.753:02
24Why Wait to Be Wed / You Thought Wrong
recording engineer:
Nick Wollage
producer:
Harry Gregson‐Williams (English score composer) and John Powell (English score composer)
mixer:
Alan Meyerson
editor:
Brian Richards (engineer)
conductor:
Gavin Greenaway
orchestrator:
Bruce L. Fowler (American trombonist and composer)
phonographic copyright (℗) by:
Dreamworks L.L.C.
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
mixed at:
Media Ventures in Santa Monica, California, United States
recording of:
Why Wait to Be Wed / You Thought Wrong
composer:
Harry Gregson‐Williams (English score composer) and John Powell (English score composer)
Harry Gregson‐Williams & John Powell2.51:59
25Ride the Dragon
recording engineer:
Nick Wollage
producer:
Harry Gregson‐Williams (English score composer) and John Powell (English score composer)
mixer:
Alan Meyerson
editor:
Brian Richards (engineer)
conductor:
Gavin Greenaway
orchestrator:
Bruce L. Fowler (American trombonist and composer)
phonographic copyright (℗) by:
Dreamworks L.L.C.
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
mixed at:
Media Ventures in Santa Monica, California, United States
recording of:
Ride the Dragon
composer:
Harry Gregson‐Williams (English score composer) and John Powell (English score composer)
Harry Gregson‐Williams & John Powell1:37
26I Object
recording engineer:
Nick Wollage
producer:
Harry Gregson‐Williams (English score composer) and John Powell (English score composer)
mixer:
Alan Meyerson
editor:
Brian Richards (engineer)
conductor:
Gavin Greenaway
orchestrator:
Bruce L. Fowler (American trombonist and composer)
phonographic copyright (℗) by:
Dreamworks L.L.C.
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
mixed at:
Media Ventures in Santa Monica, California, United States
recording of:
I Object
composer:
Harry Gregson‐Williams (English score composer) and John Powell (English score composer)
Harry Gregson‐Williams & John Powell2.51:51
27Transformation / The End
recording engineer:
Nick Wollage
producer:
Harry Gregson‐Williams (English score composer) and John Powell (English score composer)
mixer:
Alan Meyerson
editor:
Brian Richards (engineer)
conductor:
Gavin Greenaway
orchestrator:
Bruce L. Fowler (American trombonist and composer)
phonographic copyright (℗) by:
Dreamworks L.L.C.
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
mixed at:
Media Ventures in Santa Monica, California, United States
recording of:
Shrek: Transformation / The End
composer:
Harry Gregson‐Williams (English score composer) and John Powell (English score composer)
Harry Gregson‐Williams & John Powell2.753:27