Tracklist

CD 1
#TitleArtistRatingLength
1Carmen Suite no. 1: Les Toréadors. Allegro giocoso (Introduction to Act I)
producer:
Richard Killough and John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1967-05-15)
conductor:
Leonard Bernstein (on 1967-05-15)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!)
recorded at:
Lincoln Center, Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1967-05-15)
recording of:
Carmen Suite no. 1: VI. Les Toréadors. Allegro giocoso (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! ») (on 1967-05-15)
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès)
is based on:
Carmen : Prélude
part of:
Carmen Suite no. 1
Bizet2:33
2Carmen Suite no. 1: Prélude. Andante moderato (Prelude to Act I)
producer:
Richard Killough and John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1967-05-15)
conductor:
Leonard Bernstein (on 1967-05-15)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!)
recorded at:
Lincoln Center, Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1967-05-15)
recording of:
Carmen Suite no. 1: I. Prélude. Allegro giocoso – Andante moderato (on 1967-05-15)
composer:
Georges Bizet (composer)
part of:
Carmen Suite no. 1
Bizet1:12
3Carmen Suite no. 1: Aragonaise. Allegro vivo (Prélude to Act IV)
producer:
Richard Killough and John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1967-05-15)
conductor:
Leonard Bernstein (on 1967-05-15)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!)
recorded at:
Lincoln Center, Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1967-05-15)
recording of:
Carmen Suite no. 1: II. Aragonaise. Allegro vivo (based on Carmen: Entr’acte between Acts III and IV) (on 1967-05-15)
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte III. Entr’acte (intermission between Acts III & IV)
part of:
Carmen Suite no. 1
Bizet2:26
4Carmen Suite no. 1: Intermezzo. Andantino quasi allegretto (Prélude to Act III)
producer:
Richard Killough and John McClure (recording engineer and record producer)
flute:
Julius Baker (flautist) (on 1967-05-15)
orchestra:
New York Philharmonic (on 1967-05-15)
conductor:
Leonard Bernstein (on 1967-05-15)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!)
recorded at:
Lincoln Center, Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1967-05-15)
recording of:
Carmen Suite no. 1: III. Intermezzo. Andantino quasi allegretto (based on Carmen: Entr’acte between Acts II and III) (on 1967-05-15)
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte II. Entr’acte (intermission between Acts II & III)
part of:
Carmen Suite no. 1
Bizet2:46
5Carmen Suite no. 1: Séguedille. Allegretto (Act I)
engineer:
Larry Keyes (engineer) and John McClure (recording engineer and record producer)
producer:
Richard Killough and John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1967-05-15)
conductor:
Leonard Bernstein (on 1967-05-15)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!)
recorded at:
Lincoln Center, Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1967-05-15)
recording of:
Carmen Suite no. 1 : IV. Séguedille. Allegretto (based on Carmen: Act I. Séguedille et Duo « Près des remparts de Séville ») (on 1967-05-15)
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José)
part of:
Carmen Suite no. 1
recording of:
Carmen Fantasy: II. Seguidilla
composer:
Georges Bizet (composer)
arranger:
Robert Elkjer
part of:
Carmen Fantasy
Bizet1:58
6Carmen Suite no. 1: Les Dragons d’Acala. Allegro moderato (Prélude to Act II)
producer:
Richard Killough and John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1967-05-15)
conductor:
Leonard Bernstein (on 1967-05-15)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!)
recorded at:
Lincoln Center, Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1967-05-15)
recording of:
Carmen Suite no. 1: V. Les Dragons d’Alcala. Allegro moderato (based on Carmen: Entr’acte between Acts I and II) (on 1967-05-15)
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte I. Entr’acte (intermission between Acts I & II)
part of:
Carmen Suite no. 1
Bizet1:47
7Carmen Suite no. 2: Marche des contrebandiers. Allegro moderato (Act III)
producer:
Richard Killough and John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1967-05-15, on 1967-05-20)
conductor:
Leonard Bernstein (on 1967-05-15, on 1967-05-20)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!)
recorded at:
Lincoln Center, Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1967-05-15, on 1967-05-20)
recording of:
Carmen Suite no. 2: I. Marche des contrebandiers (on 1967-05-15)
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte III, No. 19. Sextuor et Chœur « Écoute, écoute, compagnon, écoute » (Les contrebandiers, Le Dancaïre, Le Remendado, Don José, Carmen, Mercédès, Frasquita) (Chœur des contrebandiers)
part of:
Carmen Suite no. 2
Bizet4:19
8Carmen Suite no. 2: Habanera. Allegretto quasi andantino (Act I)
producer:
Richard Killough and John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1967-05-15, on 1967-05-20)
conductor:
Leonard Bernstein (on 1967-05-15, on 1967-05-20)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!)
recorded at:
Lincoln Center, Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1967-05-15, on 1967-05-20)
recording of:
Carmen Suite no. 2: II. Habanera (on 1967-05-15)
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte I. No. 5 Havanaise « L’amour est un oiseau rebelle » (Carmen, chœur) (Habanera)
part of:
Carmen Suite no. 2
recording of:
Habanera (from Carmen) (catch-all for arrangements)
composer:
Georges Bizet (composer)
arrangement of:
Carmen : Acte I. No. 5 Havanaise « L’amour est un oiseau rebelle » (Carmen, chœur) (Habanera)
is based on:
Carmen : Acte I. No. 5 Havanaise « L’amour est un oiseau rebelle » (Carmen, chœur) (Habanera)
Bizet2:04
9Carmen Suite no. 2: Nocturne. Andantino molto (Act III)
producer:
Richard Killough and John McClure (recording engineer and record producer)
violin:
David Nadien (from 1967-05-15 until 1967-05-20)
orchestra:
New York Philharmonic (from 1967-05-15 until 1967-05-20)
conductor:
Leonard Bernstein (from 1967-05-15 until 1967-05-20)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973)
recorded at:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1967-05-15 until 1967-05-20)
recording of:
Carmen Suite no. 2: III. Nocturne (from 1967-05-15 until 1967-05-20)
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte III. No. 22. Air « Je dis que rien ne m’épouvante » (Micaëla)
part of:
Carmen Suite no. 2
Bizet5:45
10Carmen Suite no. 2: Chanson du toréador (Act III)
producer:
Richard Killough and John McClure (recording engineer and record producer)
cornet:
William Vacchiano (trumpet player) (on 1967-05-15, on 1967-05-20)
orchestra:
New York Philharmonic (on 1967-05-15, on 1967-05-20)
conductor:
Leonard Bernstein (on 1967-05-15, on 1967-05-20)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!)
recorded at:
Lincoln Center, Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1967-05-15, on 1967-05-20)
recording of:
Carmen Suite no. 2: IV. Chanson du toréador (on 1967-05-15)
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Escamillo, Mercédès, Frasquita, Carmen, Moralès, Zuniga, Lillas Pastia, chœur d’hommes) (“Chanson du toréador”)
part of:
Carmen Suite no. 2
Bizet2:55
11Carmen Suite no. 2: La Garde montante. Allegro (Act I)
producer:
Richard Killough and John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1967-05-15, on 1967-05-20)
conductor:
Leonard Bernstein (on 1967-05-15, on 1967-05-20)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!)
recorded at:
Lincoln Center, Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1967-05-15, on 1967-05-20)
recording of:
Carmen Suite no. 2: V. La Garde montante (on 1967-05-15)
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte I. No. 3 Marche et chœur des gamins : « Avec la garde montante » (Chœur des gamins, Zuniga)
part of:
Carmen Suite no. 2
Bizet3:44
12Carmen Suite no. 2: Danse bohême. Andante quasi allegretto (Act II)
producer:
Richard Killough and John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1967-05-15, on 1967-05-20)
conductor:
Leonard Bernstein (on 1967-05-15, on 1967-05-20)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!)
recorded at:
Lincoln Center, Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1967-05-15, on 1967-05-20)
recording of:
Carmen Suite no. 2: VI. Danse bohème (on 1967-05-15)
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte II. No. 12 Chanson bohème « Les tringles des sistres tintaient » (Frasquita, Mercédès, Carmen)
part of:
Carmen Suite no. 2
Bizet4:26
13L’Arlésienne Suite no. 1: I. Prélude. Allegro deciso (Tempo di marcia) – Andantino
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1968-03-05)
conductor:
Leonard Bernstein (on 1968-03-05)
recorded at:
Philharmonic Hall, Lincoln Center (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1968-03-05)
partial recording of:
L’Arlésienne Suite no. 1: I. Prélude, Allegro deciso – Andante molto (for orchestra) (on 1968-03-05)
composer:
Georges Bizet (composer) (in 1872)
part of:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
Bizet3:23
14L’Arlésienne Suite no. 1: I. Andante molto
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1968-03-05)
conductor:
Leonard Bernstein (on 1968-03-05)
recorded at:
Philharmonic Hall, Lincoln Center (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1968-03-05)
partial recording of:
L’Arlésienne Suite no. 1: I. Prélude, Allegro deciso – Andante molto (for orchestra) (on 1968-03-05)
composer:
Georges Bizet (composer) (in 1872)
part of:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
Bizet3:41
15L’Arlésienne Suite no. 1: II. Menuet. Allegro giocoso
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1968-03-05)
conductor:
Leonard Bernstein (on 1968-03-05)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973)
recorded at:
Philharmonic Hall, Lincoln Center (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1968-03-05)
recording of:
L’Arlésienne Suite no. 1: II. Minuet, Allegro giocoso (for orchestra) (on 1968-03-05)
composer:
Georges Bizet (composer) (in 1872)
part of:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
Bizet3:05
16L’Arlésienne Suite no. 1: III. Adagietto. Adagio
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1968-03-05)
conductor:
Leonard Bernstein (on 1968-03-05)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973)
recorded at:
Philharmonic Hall, Lincoln Center (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1968-03-05)
recording of:
L’Arlésienne Suite no. 1: III. Adagietto (for orchestra) (on 1968-03-05)
composer:
Georges Bizet (composer) (in 1872)
part of:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
Bizet3:52
17L’Arlésienne Suite no. 1: IV. Carillon. Allegro moderato – Andantino – Tempo I
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1968-03-05)
conductor:
Leonard Bernstein (on 1968-03-05)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973)
recorded at:
Philharmonic Hall, Lincoln Center (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1968-03-05)
recording of:
L’Arlésienne Suite no. 1: IV. Carillon, Allegro moderato (for orchestra) (on 1968-03-05)
composer:
Georges Bizet (composer) (in 1872)
part of:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
Bizet4:28
18L’Arlésienne Suite no. 2: I. Pastorale. Andante sostenuto assai – Andantino – Tempo I
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1968-02-02)
conductor:
Leonard Bernstein (on 1968-02-02)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973)
recorded at:
Philharmonic Hall, Lincoln Center (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1968-02-02)
recording of:
L’Arlésienne Suite no. 2: I. Pastorale (for orchestra) (on 1968-02-02)
composer:
Georges Bizet (composer) (in 1872)
arranger:
Ernest Guiraud
part of:
L’Arlésienne Suite no. 2 (for orchestra)
Bizet, arr. Guiraud5:07
19L’Arlésienne Suite no. 2: II. Intermezzo. Andante moderato ma con moto – Allegro moderato
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1968-02-02)
conductor:
Leonard Bernstein (on 1968-02-02)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973)
recorded at:
Philharmonic Hall, Lincoln Center (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1968-02-02)
recording of:
L’Arlésienne Suite no. 2: II. Intermezzo (for orchestra) (on 1968-02-02)
composer:
Georges Bizet (composer) (in 1872)
arranger:
Ernest Guiraud
part of:
L’Arlésienne Suite no. 2 (for orchestra)
Bizet, arr. Guiraud4:42
20L’Arlésienne Suite no. 2: III. Menuet. Andantino quasi allegretto
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1968-02-02)
conductor:
Leonard Bernstein (on 1968-02-02)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973)
recorded at:
Philharmonic Hall, Lincoln Center (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1968-02-02)
recording of:
L’Arlésienne Suite no. 2: III. Menuet (for orchestra) (on 1968-02-02)
composer:
Georges Bizet (composer) (in 1872)
arranger:
Ernest Guiraud
part of:
L’Arlésienne Suite no. 2 (for orchestra)
Bizet, arr. Guiraud4:07
21L’Arlésienne Suite no. 2: IV. Farandole. Allegro deciso (Tempo di marcia) – Allegro vivo e deciso
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1968-02-02)
conductor:
Leonard Bernstein (on 1968-02-02)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973)
recorded at:
Philharmonic Hall, Lincoln Center (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1968-02-02)
recording of:
L’Arlésienne Suite no. 2: IV. Farandole (for orchestra) (on 1968-02-02)
composer:
Georges Bizet (composer) (in 1872)
arranger:
Ernest Guiraud
part of:
L’Arlésienne Suite no. 2 (for orchestra)
Bizet, arr. Guiraud3:06

Credits

Release

printed in:Holland, Kingdom of the Netherlands
art direction:Allen Weinberg (art director and designer)
photography:Don Hunstein (photographer)
engineer:Tim Tiedemann
producer:Andrew Kazdin (American record producer)
design:Pentagram Design Services Inc. (design studio)
copyrighted (©) by:Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1997)
part of:Bernstein Century (Sony Classical) (order: 4)
ASIN:DE: B000025UF0 [info]