| # | Title | Rating | Length |
|---|
| 1 | Burn- additional recording engineer:
- Ted Tuthill
- recording engineer and engineer:
- Ted Tuthill
- assistant engineer:
- Cameron Alexander , Brandon Bost, Jeff Citron, Owen Mulholland and Adam Tilzer
- co-producer:
- Sarah Oda
- producer:
- Norah Jones and Eli Wolf
- assistant mixer:
- Joe Visciano
- mixer:
- Tom Elmhirst
- acoustic bass guitar [acoustic bass]:
- John Patitucci
- drums (drum set):
- Brian Blade
- Hammond organ [Hammond B-3 organ]:
- Pete Remm
- piano:
- Norah Jones
- soprano saxophone:
- Wayne Shorter
- vocals:
- Norah Jones
- phonographic copyright (℗) by:
- Blue Note Records (in 2016)
- additionally recorded at:
- Brooklyn Recording in Brooklyn, New York, New York, United States
- recorded at and engineered at:
- Sear Sound in New York, New York, United States
- mixed at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- recording of:
- Burn
- writer:
- Norah Jones and Sarah Oda
- publisher:
- EMI Blackwood Music Inc. (in 2016), Muthajones Music (in 2016) and One Eye Oda Music (in 2016)
| 4 | 4:38 |
| 2 | Tragedy- additional recording engineer:
- Ted Tuthill
- recording engineer and engineer:
- Ted Tuthill
- assistant engineer:
- Cameron Alexander , Brandon Bost, Jeff Citron, Owen Mulholland and Adam Tilzer
- co-producer:
- Sarah Oda
- producer:
- Norah Jones and Eli Wolf
- assistant mixer:
- Joe Visciano
- mixer:
- Tom Elmhirst
- drums (drum set):
- Brian Blade
- electric bass guitar [electric bass]:
- Chris Thomas
- electric guitar:
- Tony Scherr
- Hammond organ [Hammond B-3 organ]:
- Pete Remm
- percussion:
- Danny Sadownick
- piano:
- Norah Jones
- vocals:
- Norah Jones
- phonographic copyright (℗) by:
- Blue Note Records (in 2016)
- additionally recorded at:
- Brooklyn Recording in Brooklyn, New York, New York, United States
- recorded at and engineered at:
- Sear Sound in New York, New York, United States
- mixed at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- recording of:
- Tragedy
- writer:
- Norah Jones and Sarah Oda
- publisher:
- EMI Blackwood Music Inc. (in 2016), Muthajones Music (in 2016) and One Eye Oda Music (in 2016)
| 3 | 4:14 |
| 3 | Flipside- additional recording engineer:
- Ted Tuthill
- recording engineer and engineer:
- Ted Tuthill
- assistant engineer:
- Cameron Alexander , Brandon Bost, Jeff Citron, Owen Mulholland and Adam Tilzer
- co-producer:
- Sarah Oda
- producer:
- Norah Jones and Eli Wolf
- assistant mixer:
- Joe Visciano
- mixer:
- Tom Elmhirst
- drums (drum set):
- Brian Blade
- electric bass guitar [electric bass]:
- Chris Thomas
- Hammond organ [Hammond B-3 organ]:
- Norah Jones and Dr. Lonnie Smith
- percussion:
- Danny Sadownick
- piano and Wurlitzer electric piano [Wurlitzer]:
- Norah Jones
- vocals:
- Norah Jones
- phonographic copyright (℗) by:
- Blue Note Records (in 2016)
- additionally recorded at:
- Brooklyn Recording in Brooklyn, New York, New York, United States
- recorded at and engineered at:
- Sear Sound in New York, New York, United States
- mixed at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- recording of:
- Flipside
- writer:
- Norah Jones and Pete Remm
- publisher:
- Space Person Music, EMI Blackwood Music Inc. (in 2016) and Muthajones Music (in 2016)
| 3 | 3:41 |
| 4 | It’s a Wonderful Time for Love- additional recording engineer:
- Ted Tuthill
- recording engineer and engineer:
- Ted Tuthill
- assistant engineer:
- Cameron Alexander , Brandon Bost, Jeff Citron, Owen Mulholland and Adam Tilzer
- co-producer:
- Sarah Oda
- producer:
- Norah Jones and Eli Wolf
- assistant mixer:
- Joe Visciano
- mixer:
- Tom Elmhirst
- acoustic bass guitar [acoustic bass]:
- Chris Thomas
- drums (drum set):
- Brian Blade
- piano:
- Norah Jones
- vocals:
- Norah Jones
- phonographic copyright (℗) by:
- Blue Note Records (in 2016)
- additionally recorded at:
- Brooklyn Recording in Brooklyn, New York, New York, United States
- recorded at and engineered at:
- Sear Sound in New York, New York, United States
- mixed at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- recording of:
- It’s a Wonderful Time for Love
- writer:
- Norah Jones and Sarah Oda
- publisher:
- EMI Blackwood Music Inc. (in 2016), Muthajones Music (in 2016) and One Eye Oda Music (in 2016)
| 3 | 3:53 |
| 5 | And Then There Was You- additional recording engineer:
- Ted Tuthill
- recording engineer and engineer:
- Ted Tuthill
- assistant engineer:
- Cameron Alexander , Brandon Bost, Jeff Citron, Owen Mulholland and Adam Tilzer
- co-producer:
- Sarah Oda
- producer:
- Norah Jones and Eli Wolf
- assistant mixer:
- Joe Visciano
- mixer:
- Tom Elmhirst
- acoustic bass guitar [acoustic bass]:
- Chris Thomas
- bass:
- Tony Maceli
- cello:
- Dave Eggar
- drums (drum set):
- Brian Blade
- piano:
- Norah Jones
- viola:
- Todd Low
- violin:
- Katie Kresek and Max Moston
- vocals:
- Norah Jones
- conductor:
- Chuck Palmer
- strings [string] arranger:
- Dave Eggar and Chuck Palmer
- orchestrator:
- Phil Faconti
- phonographic copyright (℗) by:
- Blue Note Records (in 2016)
- additionally recorded at:
- Brooklyn Recording in Brooklyn, New York, New York, United States
- recorded at and engineered at:
- Sear Sound in New York, New York, United States
- mixed at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- recording of:
- And Then There Was You
- writer:
- Norah Jones and Pete Remm
- publisher:
- Space Person Music, EMI Blackwood Music Inc. (in 2016) and Muthajones Music (in 2016)
| 3 | 3:05 |
| 6 | Don’t Be Denied- additional recording engineer:
- Ted Tuthill
- recording engineer and engineer:
- Ted Tuthill
- assistant engineer:
- Cameron Alexander , Brandon Bost, Jeff Citron, Owen Mulholland and Adam Tilzer
- co-producer:
- Sarah Oda
- producer:
- Norah Jones and Eli Wolf
- assistant mixer:
- Joe Visciano
- mixer:
- Tom Elmhirst
- acoustic bass guitar [acoustic bass]:
- Vicente Archer
- drums (drum set):
- Karriem Riggins
- electric guitar:
- Norah Jones and Tony Scherr
- Hammond organ [Hammond B-3 organ]:
- Pete Remm
- piano:
- Norah Jones
- tenor saxophone:
- Leon Michels
- trombone:
- J. Walter Hawkes
- trumpet:
- Dave Guy
- background vocals:
- Sasha Dobson, Sarah Oda, Catherine Popper, Tony Scherr and Petter Ericson Stakee
- vocals:
- Norah Jones
- phonographic copyright (℗) by:
- Blue Note Records (in 2016)
- additionally recorded at:
- Brooklyn Recording in Brooklyn, New York, New York, United States
- recorded at and engineered at:
- Sear Sound in New York, New York, United States
- mixed at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- cover recording of:
- Don’t Be Denied
- lyricist and composer:
- Neil Young
- publisher:
- Silver Fiddle Music (in 1973)
| 4 | 5:36 |
| 7 | Day Breaks- additional recording engineer:
- Ted Tuthill
- recording engineer and engineer:
- Ted Tuthill
- assistant engineer:
- Cameron Alexander , Brandon Bost, Jeff Citron, Owen Mulholland and Adam Tilzer
- co-producer:
- Sarah Oda
- producer:
- Norah Jones and Eli Wolf
- assistant mixer:
- Joe Visciano
- mixer:
- Tom Elmhirst
- bass:
- Tony Maceli
- cello:
- Dave Eggar
- drums (drum set):
- Brian Blade
- electric bass guitar [electric bass]:
- Chris Thomas
- electric guitar:
- Chris Thomas and Pete Remm
- Hammond organ [Hammond B-3 organ]:
- Pete Remm
- pedal steel guitar:
- Dan Iead
- piano:
- Norah Jones
- soprano saxophone:
- Wayne Shorter
- viola:
- Todd Low
- violin:
- Katie Kresek and Max Moston
- vocals:
- Norah Jones
- conductor:
- Chuck Palmer
- strings [string] arranger:
- Dave Eggar and Chuck Palmer
- orchestrator:
- Phil Faconti
- phonographic copyright (℗) by:
- Blue Note Records (in 2016)
- additionally recorded at:
- Brooklyn Recording in Brooklyn, New York, New York, United States
- recorded at and engineered at:
- Sear Sound in New York, New York, United States
- mixed at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- recording of:
- Day Breaks
- writer:
- Norah Jones and Pete Remm
- publisher:
- Space Person Music, EMI Blackwood Music Inc. (in 2016) and Muthajones Music (in 2016)
| 3 | 3:57 |
| 8 | Peace- additional recording engineer:
- Ted Tuthill
- recording engineer and engineer:
- Ted Tuthill
- assistant engineer:
- Cameron Alexander , Brandon Bost, Jeff Citron, Owen Mulholland and Adam Tilzer
- co-producer:
- Sarah Oda
- producer:
- Norah Jones and Eli Wolf
- assistant mixer:
- Joe Visciano
- mixer:
- Tom Elmhirst
- acoustic bass guitar [acoustic bass]:
- John Patitucci
- drums (drum set):
- Brian Blade
- piano:
- Norah Jones
- soprano saxophone:
- Wayne Shorter
- vocals:
- Norah Jones
- phonographic copyright (℗) by:
- Blue Note Records (in 2016)
- additionally recorded at:
- Brooklyn Recording in Brooklyn, New York, New York, United States
- recorded at and engineered at:
- Sear Sound in New York, New York, United States
- mixed at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- cover recording of:
- Peace
- composer:
- Horace Silver
- publisher:
- Ecaroh Music, Inc. (in 1970)
| 3 | 5:15 |
| 9 | Once I Had a Laugh- additional recording engineer:
- Ted Tuthill
- recording engineer and engineer:
- Ted Tuthill
- assistant engineer:
- Cameron Alexander , Brandon Bost, Jeff Citron, Owen Mulholland and Adam Tilzer
- co-producer:
- Sarah Oda
- producer:
- Norah Jones and Eli Wolf
- assistant mixer:
- Joe Visciano
- mixer:
- Tom Elmhirst
- acoustic bass guitar [acoustic bass]:
- Vicente Archer
- drums (drum set):
- Karriem Riggins
- piano:
- Norah Jones
- tenor saxophone:
- Leon Michels
- trombone:
- J. Walter Hawkes
- trumpet:
- Dave Guy
- vocals:
- Norah Jones
- phonographic copyright (℗) by:
- Blue Note Records (in 2016)
- additionally recorded at:
- Brooklyn Recording in Brooklyn, New York, New York, United States
- recorded at and engineered at:
- Sear Sound in New York, New York, United States
- mixed at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- recording of:
- Once I Had a Laugh
- lyricist and composer:
- Norah Jones
- publisher:
- EMI Blackwood Music Inc. (in 2016) and Muthajones Music (in 2016)
| 3 | 3:12 |
| 10 | Sleeping Wild- additional recording engineer:
- Ted Tuthill
- recording engineer and engineer:
- Ted Tuthill
- assistant engineer:
- Cameron Alexander , Brandon Bost, Jeff Citron, Owen Mulholland and Adam Tilzer
- co-producer:
- Sarah Oda
- producer:
- Norah Jones and Eli Wolf
- assistant mixer:
- Joe Visciano
- mixer:
- Tom Elmhirst
- acoustic bass guitar [acoustic bass]:
- Chris Thomas
- bass:
- Tony Maceli
- cello:
- Dave Eggar
- drums (drum set):
- Brian Blade
- piano:
- Norah Jones
- viola:
- Todd Low
- violin:
- Katie Kresek and Max Moston
- vocals:
- Norah Jones
- orchestra:
- Phil Faconti
- conductor:
- Chuck Palmer
- strings [string] arranger:
- Dave Eggar and Chuck Palmer
- phonographic copyright (℗) by:
- Blue Note Records (in 2016)
- additionally recorded at:
- Brooklyn Recording in Brooklyn, New York, New York, United States
- recorded at and engineered at:
- Sear Sound in New York, New York, United States
- mixed at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- recording of:
- Sleeping Wild
- lyricist and composer:
- Sarah Oda
- publisher:
- One Eye Oda Music (in 2016)
| 3 | 3:07 |
| 11 | Carry On- additional recording engineer:
- Ted Tuthill
- recording engineer and engineer:
- Ted Tuthill
- assistant engineer:
- Cameron Alexander , Brandon Bost, Jeff Citron, Owen Mulholland and Adam Tilzer
- co-producer:
- Sarah Oda
- producer:
- Norah Jones and Eli Wolf
- assistant mixer:
- Joe Visciano
- mixer:
- Tom Elmhirst
- acoustic bass guitar [acoustic bass]:
- Chris Thomas
- drums (drum set):
- Brian Blade
- Hammond organ [Hammond B-3 organ]:
- Jon Cowherd
- piano:
- Norah Jones
- background vocals:
- Dr. Lonnie Smith
- vocals:
- Norah Jones
- phonographic copyright (℗) by:
- Blue Note Records (in 2016)
- additionally recorded at:
- Brooklyn Recording in Brooklyn, New York, New York, United States
- recorded at and engineered at:
- Sear Sound in New York, New York, United States
- mixed at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- recording of:
- Carry On
- lyricist and composer:
- Norah Jones
- publisher:
- EMI Blackwood Music Inc. (in 2016) and Muthajones Music (in 2016)
| 3 | 2:48 |
| 12 | Fleurette Africaine (African Flower)- additional recording engineer:
- Ted Tuthill
- recording engineer and engineer:
- Ted Tuthill
- assistant engineer:
- Cameron Alexander , Brandon Bost, Jeff Citron, Owen Mulholland and Adam Tilzer
- co-producer:
- Sarah Oda
- producer:
- Norah Jones and Eli Wolf
- assistant mixer:
- Joe Visciano
- mixer:
- Tom Elmhirst
- acoustic bass guitar [acoustic bass]:
- John Patitucci
- drums (drum set):
- Brian Blade
- piano:
- Norah Jones
- soprano saxophone:
- Wayne Shorter
- vocals:
- Norah Jones
- phonographic copyright (℗) by:
- Blue Note Records (in 2016)
- additionally recorded at:
- Brooklyn Recording in Brooklyn, New York, New York, United States
- recorded at and engineered at:
- Sear Sound in New York, New York, United States
- mixed at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- cover recording of:
- Fleurette Africaine
- composer:
- Duke Ellington
- publisher:
- Sony/ATV Harmony and Tempo Music Inc
| 2 | 5:21 |
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