Missae breves

~ Release by Bach; Elly Ameling, Agnes Giebel, Birgit Finnilä, Gisela Litz, Theo Altmeyer, Hermann Prey, William Reimer, Helmut Winschermann, Kurt Redel (see all versions of this release, 2 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Missa brevis in F, BWV 233: Kyrie
recorded in:
Switzerland (in 1965-10)
choir vocals:
Chœur Pro Arte de Lausanne (in 1965-10)
orchestra:
Kammerorchester Pro Arte München (in 1965-10)
conductor:
Kurt Redel (German flautist and conductor) (in 1965-10)
recording of:
Messe F-Dur, BWV 233: I. Coro "Kyrie eleison" (in 1965-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1738)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kyrie eleison F-Dur, BWV 233a "Christe, du Lamm Gottes"
part of:
Messe F-Dur, BWV 233
Johann Sebastian Bach4:12
2Missa brevis in F, BWV 233: Gloria in excelsis
recorded in:
Switzerland (in 1965-10)
choir vocals:
Chœur Pro Arte de Lausanne (in 1965-10)
orchestra:
Kammerorchester Pro Arte München (in 1965-10)
conductor:
Kurt Redel (German flautist and conductor) (in 1965-10)
recording of:
Messe F-Dur, BWV 233: II. Coro "Gloria in excelsis Deo" (in 1965-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1738)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe F-Dur, BWV 233
Johann Sebastian Bach6:38
3Missa brevis in F, BWV 233: Domine Deus
recorded in:
Switzerland (in 1965-10)
bass vocals:
Hermann Prey (baritone) (in 1965-10)
orchestra:
Kammerorchester Pro Arte München (in 1965-10)
conductor:
Kurt Redel (German flautist and conductor) (in 1965-10)
recording of:
Messe F-Dur, BWV 233: III. Aria (Bass) "Domine Deus" (in 1965-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1738)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe F-Dur, BWV 233
Johann Sebastian Bach3:50
4Missa brevis in F, BWV 233: Qui tollis peccata mundi
recorded in:
Switzerland (in 1965-10)
soprano vocals:
Agnes Giebel (soprano) (in 1965-10)
orchestra:
Kammerorchester Pro Arte München (in 1965-10)
conductor:
Kurt Redel (German flautist and conductor) (in 1965-10)
recording of:
Messe F-Dur, BWV 233: IV. Aria (Soprano) "Qui tollis peccata mundi" (in 1965-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1738)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
part of:
Messe F-Dur, BWV 233
Johann Sebastian Bach5:20
5Missa brevis in F, BWV 233: Quoniam tu solis sanctus
recorded in:
Switzerland (in 1965-10)
violin:
Eduard Melkus (violinist) (in 1965-10)
alto vocals:
Gisela Litz (German contralto) (in 1965-10)
orchestra:
Kammerorchester Pro Arte München (in 1965-10)
conductor:
Kurt Redel (German flautist and conductor) (in 1965-10)
recording of:
Messe F-Dur, BWV 233: V. Aria (Alto) "Quoniam tu solus sanctus" (in 1965-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1738)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
part of:
Messe F-Dur, BWV 233
Johann Sebastian Bach4:40
6Missa brevis in F, BWV 233: Cum Sancto Spiritu
recorded in:
Switzerland (in 1965-10)
choir vocals:
Chœur Pro Arte de Lausanne (in 1965-10)
orchestra:
Kammerorchester Pro Arte München (in 1965-10)
conductor:
Kurt Redel (German flautist and conductor) (in 1965-10)
recording of:
Messe F-Dur, BWV 233: VI. Coro "Cum sancto spiritu" (in 1965-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1738)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes": I. Coro "Darzu ist erschienen der Sohn Gottes"
part of:
Messe F-Dur, BWV 233
Johann Sebastian Bach2:57
7Missa brevis in A, BWV 234: Kyrie
recorded in:
Switzerland (in 1965-10)
choir vocals:
Chœur Pro Arte de Lausanne (in 1965-10)
orchestra:
Kammerorchester Pro Arte München (in 1965-10)
conductor:
Kurt Redel (German flautist and conductor) (in 1965-10)
recording of:
Messe A-Dur, BWV 234: I. Coro "Kyrie eleison" (in 1965-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe A-Dur, BWV 234
Johann Sebastian Bach7:28
8Missa brevis in A, BWV 234: Gloria in excelsis
recorded in:
Switzerland (in 1965-10)
choir vocals:
Chœur Pro Arte de Lausanne (in 1965-10)
orchestra:
Kammerorchester Pro Arte München (in 1965-10)
conductor:
Kurt Redel (German flautist and conductor) (in 1965-10)
recording of:
Messe A-Dur, BWV 234: II. Coro "Gloria in excelsis Deo" (in 1965-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe A-Dur, BWV 234
Johann Sebastian Bach5:29
9Missa brevis in A, BWV 234: Domine Deus
recorded in:
Switzerland (in 1965-10)
violin:
Eduard Melkus (violinist) (in 1965-10)
bass-baritone vocals:
Hermann Prey (baritone) (in 1965-10)
orchestra:
Kammerorchester Pro Arte München (in 1965-10)
conductor:
Kurt Redel (German flautist and conductor) (in 1965-10)
recording of:
Messe A-Dur, BWV 234: III. Aria (Bass) "Domine Deus" (in 1965-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe A-Dur, BWV 234
Johann Sebastian Bach5:09
10Missa brevis in A, BWV 234: Qui tollis peccata mundi
recorded in:
Switzerland (in 1965-10)
soprano vocals:
Agnes Giebel (soprano) (in 1965-10)
orchestra:
Kammerorchester Pro Arte München (in 1965-10)
conductor:
Kurt Redel (German flautist and conductor) (in 1965-10)
recording of:
Messe A-Dur, BWV 234: IV. Aria (Soprano) "Qui tollis peccata mundi" (in 1965-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe A-Dur, BWV 234
Johann Sebastian Bach6:33
11Missa brevis in A, BWV 234: Quoniam tu solus sanctus
recorded in:
Switzerland (in 1965-10)
contralto vocals:
Gisela Litz (German contralto) (in 1965-10)
orchestra:
Kammerorchester Pro Arte München (in 1965-10)
conductor:
Kurt Redel (German flautist and conductor) (in 1965-10)
recording of:
Messe A-Dur, BWV 234: V. Aria (Alto) "Quoniam tu solus sanctus" (in 1965-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe A-Dur, BWV 234
Johann Sebastian Bach3:32
12Missa brevis in A, BWV 234: Cum Sancto Spiritu
recorded in:
Switzerland (in 1965-10)
choir vocals:
Chœur Pro Arte de Lausanne (in 1965-10)
orchestra:
Kammerorchester Pro Arte München (in 1965-10)
conductor:
Kurt Redel (German flautist and conductor) (in 1965-10)
recording of:
Messe A-Dur, BWV 234: VI. Coro "Cum sancto spiritu" (in 1965-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe A-Dur, BWV 234
Johann Sebastian Bach3:58
2▼CD
#TitleArtistRatingLength
1Missa brevis in G minor, BWV 235: Kyrie
recorded in:
Germany (in 1969-03)
choir vocals:
Westphalian Singers, Herford (in 1969-03)
orchestra:
Deutsche Bachsolisten (German Bach Soloists) (in 1969-03)
conductor:
Helmut Winschermann (oboist/conductor) (in 1969-03)
recording of:
Messe g-Moll, BWV 235: I. Coro "Kyrie eleison" (in 1969-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
part of:
Messe g-Moll, BWV 235
Johann Sebastian Bach6:49
2Missa brevis in G minor, BWV 235: Gloria in excelsis
recorded in:
Germany (in 1969-03)
choir vocals:
Westphalian Singers, Herford (in 1969-03)
orchestra:
Deutsche Bachsolisten (German Bach Soloists) (in 1969-03)
conductor:
Helmut Winschermann (oboist/conductor) (in 1969-03)
recording of:
Messe g-Moll, BWV 235: II. Coro "Gloria in excelsis Deo" (in 1969-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 72 "Alles nur nach Gottes Willen"
part of:
Messe g-Moll, BWV 235
Johann Sebastian Bach3:46
3Missa brevis in G minor, BWV 235: Gratias agimus
recorded in:
Germany (in 1969-03)
bass vocals:
William Reimer (bass-baritone) (in 1969-03)
orchestra:
Deutsche Bachsolisten (German Bach Soloists) (in 1969-03)
conductor:
Helmut Winschermann (oboist/conductor) (in 1969-03)
recording of:
Messe g-Moll, BWV 235: III. Aria (Bass) "Gratias agimus tibi" (in 1969-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 187 "Es wartet alles auf dich": IV. Aria (Bass) "Darum sollt ihr nicht sorgen"
part of:
Messe g-Moll, BWV 235
Johann Sebastian Bach3:25
4Missa brevis in G minor, BWV 235: Domine Fili
recorded in:
Germany (in 1969-03)
contralto vocals:
Birgit Finnilä (contralto) (in 1969-03)
orchestra:
Deutsche Bachsolisten (German Bach Soloists) (in 1969-03)
conductor:
Helmut Winschermann (oboist/conductor) (in 1969-03)
recording of:
Messe g-Moll, BWV 235: IV. Aria (Alto) "Domine Fili unigenite" (in 1969-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 187 "Es wartet alles auf dich": III. Aria (Alt) "Du Herr, du krönst allein"
part of:
Messe g-Moll, BWV 235
Johann Sebastian Bach5:06
5Missa brevis in G minor, BWV 235: Qui tollis
recorded in:
Germany (in 1969-03)
oboe:
Helmut Winschermann (oboist/conductor) (in 1969-03)
tenor vocals:
Theo Altmeyer (German tenor) (in 1969-03)
orchestra:
Deutsche Bachsolisten (German Bach Soloists) (in 1969-03)
conductor:
Helmut Winschermann (oboist/conductor) (in 1969-03)
recording of:
Messe g-Moll, BWV 235: V. Aria (Tenor) "Qui tollis peccata mundi" (in 1969-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 187 "Es wartet alles auf dich": V. Aria (Sopran) "Gott versorget alles Leben"
part of:
Messe g-Moll, BWV 235
Johann Sebastian Bach4:09
6Missa brevis in G minor, BWV 235: Cum Sancto Spiritu
recorded in:
Germany (in 1969-03)
choir vocals:
Westphalian Singers, Herford (in 1969-03)
orchestra:
Deutsche Bachsolisten (German Bach Soloists) (in 1969-03)
conductor:
Helmut Winschermann (oboist/conductor) (in 1969-03)
recording of:
Messe g-Moll, BWV 235: VI. Coro "Cum sancto spiritu" (in 1969-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 187 "Es wartet alles auf dich"
part of:
Messe g-Moll, BWV 235
Johann Sebastian Bach5:21
7Missa brevis in G, BWV 236: Kyrie
recorded in:
Germany (in 1969-03)
choir vocals:
Westphalian Singers, Herford (in 1969-03)
orchestra:
Deutsche Bachsolisten (German Bach Soloists) (in 1969-03)
conductor:
Helmut Winschermann (oboist/conductor) (in 1969-03)
recording of:
Messe G-Dur, BWV 236: I. Coro "Kyrie eleison" (in 1969-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe G-Dur, BWV 236
Johann Sebastian Bach4:11
8Missa brevis in G, BWV 236: Gloria in excelsis
recorded in:
Germany (in 1969-03)
choir vocals:
Westphalian Singers, Herford (in 1969-03)
orchestra:
Deutsche Bachsolisten (German Bach Soloists) (in 1969-03)
conductor:
Helmut Winschermann (oboist/conductor) (in 1969-03)
recording of:
Messe G-Dur, BWV 236: II. Coro "Gloria in excelsis Deo" (in 1969-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe G-Dur, BWV 236
Johann Sebastian Bach5:34
9Missa brevis in G, BWV 236: Gratias agimus
recorded in:
Germany (in 1969-03)
bass vocals:
William Reimer (bass-baritone) (in 1969-03)
orchestra:
Deutsche Bachsolisten (German Bach Soloists) (in 1969-03)
conductor:
Helmut Winschermann (oboist/conductor) (in 1969-03)
recording of:
Messe G-Dur, BWV 236: III. Aria (Bass) "Gratias agimus tibi" (in 1969-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe G-Dur, BWV 236
Johann Sebastian Bach5:32
10Missa brevis in G, BWV 236: Domine Deus
recorded in:
Germany (in 1969-03)
choir vocals:
Westphalian Singers, Herford (in 1969-03)
orchestra:
Deutsche Bachsolisten (German Bach Soloists) (in 1969-03)
conductor:
Helmut Winschermann (oboist/conductor) (in 1969-03)
recording of:
Messe G-Dur, BWV 236: IV. Duet (Soprano, Alto) "Domine Deus" (in 1969-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe G-Dur, BWV 236
Johann Sebastian Bach3:54
11Missa brevis in G, BWV 236: Quoniam tu solus sanctus
recorded in:
Germany (in 1969-03)
oboe:
Helmut Winschermann (oboist/conductor) (in 1969-03)
tenor vocals:
Theo Altmeyer (German tenor) (in 1969-03)
orchestra:
Deutsche Bachsolisten (German Bach Soloists) (in 1969-03)
conductor:
Helmut Winschermann (oboist/conductor) (in 1969-03)
recording of:
Messe G-Dur, BWV 236: V. Aria (Tenor) "Quoniam tu solus sanctus" (in 1969-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe G-Dur, BWV 236
Johann Sebastian Bach5:24
12Missa brevis in G, BWV 236: Cum Sancto Spiritu
recorded in:
Germany (in 1969-03)
choir vocals:
Westphalian Singers, Herford (in 1969-03)
orchestra:
Deutsche Bachsolisten (German Bach Soloists) (in 1969-03)
conductor:
Helmut Winschermann (oboist/conductor) (in 1969-03)
recording of:
Messe G-Dur, BWV 236: VI. Coro "Cum sancto spiritu" (in 1969-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich": Teil I, I. Coro "Wer Dank opfert, der preiset mich"
part of:
Messe G-Dur, BWV 236
Johann Sebastian Bach4:28

Credits

Release

art direction:Ton Friesen (art director)
liner notes:Malcolm Boyd
Coralie Fayolle
Andreas Glöckner (classical liner notes author)
Gloria Staffieri (liner notes author)
illustration:Rogier van der Weyden (Flemish 15th century painter)
Discogs:https://www.discogs.com/release/15358214 [info]
ASIN:DE: B00000E4UE [info]