Rock Times, Volume 14: 1981-1982

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Who Can It Be Now
additional engineer:
Paul Ray (70s/80s US engineer)
engineer:
Jim Barbour and Peter McIan
producer:
Peter McIan
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982)
recorded at:
Richmond Recorders in Melbourne, Victoria, Australia
recording of:
Who Can It Be Now?
lyricist and composer:
Colin Hay
publisher:
EMI Music (do not use as release label! this is a music publisher)
Men at Work4.43:24
2Bette Davis Eyes
recording engineer and producer:
Val Garay
electric guitar:
Waddy Wachtel
lead vocals:
Kim Carnes (in 1981-01)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981) and EMI America Records, Inc. (holding - file NO releases here!) (in 1981)
recorded at:
Record One in Sherman Oaks, Los Angeles, California, United States
cover recording of:
Bette Davis Eyes (in 1981-01)
writer:
Jackie DeShannon and Donna Weiss
publisher:
Donna Weiss Music Inc., Plain and Simple Music, Warner Brothers Inc. and Warner Chappell Music, Inc.
Kim Carnes3.93:47
3Come On Eileen
recording of:
Come On Eileen (in 1982)
writer:
Kevin Adams, James Mitchell Paterson and Kevin Rowland
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Dexys Midnight Runners33:28
4Kids in America
recording engineer:
Jeo
programming:
Jörn‐Uwe Fahrenkrog‐Petersen and Derek von Krogh
engineer:
Steve Stewart (engineer, guitarist of The Enid)
producer:
Jörn‐Uwe Fahrenkrog‐Petersen and Ricky Wilde
additional keyboard:
Nick Priessnitz
bass guitar:
Derek von Krogh and Martin Russell (recording engineer, producer, composer & musician) (from 1980 until 1981)
drums (drum set):
Bernhard Hahn, Tobias Wörner and Chris North (UK drummer of The Enid) (from 1980 until 1981)
guitar:
Thomas Hahn, Charlotte Hatherley, Francis Lickerish (from 1980 until 1981), Steve Stewart (engineer, guitarist of The Enid) (from 1980 until 1981), James Stevenson (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
keyboard:
Jörn‐Uwe Fahrenkrog‐Petersen, Derek von Krogh, Robert John Godfrey (member of The Enid) (from 1980 until 1981), Calvin Hayes (Actor, keyboard player and drummer with 80s pop band, Johnny Hates Jazz) (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
background vocals:
D. Janz, M. Janz, N. Janz and Ricky Wilde (from 1980 until 1981)
lead vocals:
Charlotte Hatherley and Kim Wilde (from 1980 until 1981)
vocals:
Kim Wilde
phonographic copyright (℗) by:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only), EMI France (in 1993), EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1996, in 2001) and EMI Records Limited (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 2006)
recorded at:
Amira Studio, RAK Studios in London (Greater London), England, United Kingdom, Soundmastaz Studios, Studio 77 in Stuttgart, Baden-Württemberg, Germany and The Lodge Recording Studio in Northampton, Northamptonshire, England, United Kingdom (from 1980 until 1981)
mixed at:
Jeopark in Buchholz, Niedersachsen, Germany, RAK Studios in London (Greater London), England, United Kingdom and Studio 77 in Stuttgart, Baden-Württemberg, Germany
part of:
TV Cream: Real 100 Best Singles Ever (number: 55)
recording of:
Kids in America (in 1980)
writer:
Marty Wilde and Ricky Wilde
publisher:
Finchley Music Corp.
Kim Wilde4.453:27
5Vienna
producer:
Conny Plank (German producer and sound engineer) and Ultravox
bass:
Chris Cross (UK bassist for Ultravox)
drums (drum set):
Warren Cann
guitar:
Midge Ure
keyboard and violin:
Billy Currie
vocals:
Midge Ure
recording of:
Vienna
writer:
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie and Midge Ure
publisher:
Hot Food Music Ltd., Jump Jet Music Ltd., Mood Music Ltd. (publisher) and Sing Sing Songs Ltd.
Ultravox34:40
6Abacab
engineer:
Hugh Padgham
producer:
Genesis (English rock band)
bass guitar and guitar:
Mike Rutherford (from 1981-05 until 1981-06)
drums (drum set) and lead vocals:
Phil Collins (of Genesis) (from 1981-05 until 1981-06)
keyboard:
Tony Banks (Genesis) (from 1981-05 until 1981-06)
phonographic copyright (℗) by:
Charisma Records Ltd.
recorded at:
The Farm (of Genesis fame) in Surrey, England, United Kingdom (from 1981-05 until 1981-06)
recording of:
Abacab (from 1981-05 until 1981-06)
lyricist:
Mike Rutherford
composer:
Tony Banks (Genesis), Phil Collins (of Genesis) and Mike Rutherford
publisher:
Concord Music GmbH, Concord Sounds, Imagem CV, Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Imagem Sounds Banks, Imagem Sounds Collins, Imagem Sounds Rutherford, Michael Rutherford Ltd., Philip Collins Ltd. and Hit & Run Music (Publishing) Ltd (in 1981)
Genesis4.257:04
7Do You Really Want to Hurt Me
engineer and producer:
Steve Levine
mixer:
Steve Levine and Jon Moss
bass guitar:
Mikey Craig (Culture Club bassist)
membranophone and percussion:
Jon Moss
additional vocals:
Helen Terry (UK singer)
lead vocals:
Boy George
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982)
music videos:
Do You Really Want to Hurt Me by Culture Club (English pop group)
recording of:
Do You Really Want to Hurt Me
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) and Jon Moss
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!) and Virgin Music (Publishers) Ltd.
Culture Club3.954:24
8More Than This
producer:
Rhett Davies and Roxy Music
mixer:
Bob Clearmountain
bass guitar:
Alan Spenner (in 1982)
drums (drum set):
Andy Newmark (in 1982)
guitar:
Neil Hubbard (in 1982) and Phil Manzanera (in 1982)
keyboard:
Bryan Ferry (in 1982)
percussion:
Jimmy Maelen (Percussion) (in 1982)
saxophone:
Andy Mackay (of Roxy Music) (in 1982)
background vocals:
Fonzi Thornton (in 1982)
vocals:
Bryan Ferry (in 1982)
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1982) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1999)
recording of:
More Than This (in 1982)
lyricist and composer:
Bryan Ferry
publisher:
BMG Platinum Songs US, E.G. Music Inc., EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Songs, Inc., Virgin Songs Inc. and E.G. Music Ltd. (publisher) (in 1982)
Roxy Music44:32
9Slow Hand
associate producer:
Trevor Lawrence (70s-90s saxophonist & producer, father of Trevor Lawrence Jr.)
producer:
Richard Perry (producer)
mixer:
Bill Schnee
bass guitar:
Nate Watts
drums (drum set):
John Robinson (session drummer)
guitar:
Paul Jackson, Jr. and Tim May (session/jazz guitarist)
organ:
William Smith (organist/keyboardist)
percussion:
Paulinho da Costa (Brazilian percussionist)
lead vocals:
Anita Pointer
vocals arranger:
The Pointer Sisters
phonographic copyright (℗) by:
Planet Records (holding company, parent of the Planet imprint - file NO releases here!) (in 1981)
mixed at:
Studio 55 in Los Angeles, California, United States
recording of:
Slow Hand
lyricist:
John Bettis
composer:
Michael Clark (songwriter, composer)
publisher:
Flying Dutchman Music Co., Sweet Harmony Music Inc. (US work publisher), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
The Pointer Sisters53:54
10I Don't Wanna Dance
recording of:
I Don’t Wanna Dance
lyricist and composer:
Eddy Grant
Eddy Grant3:42
11Oh Julie
recording of:
Oh Julie (1982 song)
lyricist and composer:
Shakin’ Stevens
publisher:
SM Limited, イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Shakin’ Stevens42:34
12A Town Called Malice
producer:
The Jam (late 70s/early 80s UK punk/mod revival band) and Peter Wilson (UK Producer)
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use! aka Polydor Ltd. or Polydor Ltd. (London), fka Polydor Records Ltd.)
recorded at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, United Kingdom (in 1981-12)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 151)
recording of:
Town Called Malice
lyricist and composer:
Paul Weller (English singer-songwriter and musician)
publisher:
Notting Hill Music (UK) Ltd. and Stylist Music Ltd.
The Jam4.752:56
13Tainted Love
engineer:
Paul Hardiman
producer:
Mike Thorne (UK producer & keyboardist)
mixer:
Harvey Goldberg
electronic instruments and other instruments:
Dave Ball (UK electronic musician, part of Soft Cell)
background vocals:
Vicious Pink
vocals:
Marc Almond (English pop singer and songwriter)
phonographic copyright (℗) by:
Mercury Records Ltd. (London) (for copyrights use only) (in 1981)
recorded at:
Advision Studios in Fitzrovia, Camden, Westminster, London (Greater London), England, United Kingdom
music videos:
Tainted Love by Soft Cell
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 8), New York Post: 100 Greatest Covers (2007) (number: 10) and Pitchfork: The Story of Goth in 33 Songs
cover recording of:
Tainted Love
lyricist and composer:
Ed Cobb
publisher:
Burlington Music Co., Ltd. and Embassy Music Corporation
sub-publisher:
ミュージック・セールス (Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.92:43
14Steppin' Out
engineer:
Michael Ewasko
co-producer and co-mixer:
Joe Jackson (English musician) and David Kershenbaum
lead vocals:
Joe Jackson (English musician)
arranger:
Joe Jackson (English musician)
recorded at:
Blue Rock Studio in New York, New York, United States (from 1982-03 until 1982-06)
recording of:
Steppin’ Out
dedicated to:
New York, New York, United States
lyricist and composer:
Joe Jackson (English musician)
publisher:
Albion Music
Joe Jackson54:23
15Chariots of Fire
engineer:
Raphael Preston, Raine Shine and John Walker (technical)
producer:
Vangelis (Greek composer of electronic, new age and classical)
performer:
Vangelis (Greek composer of electronic, new age and classical)
arranger:
Vangelis (Greek composer of electronic, new age and classical)
phonographic copyright (℗) by:
Spheric B.V. (in 1981) and Warner Bros., Inc. (not for release label use!) (in 1981)
recorded at:
Nemo Studios (Vangelis' Studio) in London (Greater London), England, United Kingdom
recording of:
Chariots of Fire (title theme of the 1981 film)
composer:
Vangelis (Greek composer of electronic, new age and classical)
publisher:
EMI Music Publishing (do not use as a release label!)
Vangelis3.63:32
16Sexual Healing
producer:
Marvin Gaye
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1982) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1982)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 198) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 231)
recording of:
Sexual Healing
writer:
Odell Brown, Marvin Gaye and David Ritz (American author)
publisher:
EMI Songs Ltd. and April Music Inc. (in 1982)
Marvin Gaye3.84:01
17Love in the First Degree
part of:
The Downloader’s Music Source Book (number: 314)
recording of:
Love in the First Degree
writer:
Tim DuBois (music executive) and Jim Hurt (country music songwriter)
Alabama53:19
18Centerfold
engineer:
Dave Thoener
producer:
Seth Justman
arranger:
Seth Justman
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1981) and EMI Catalog (in 2006)
recorded at:
Long View Farm in North Brookfield, Massachusetts, United States
mixed at:
Mix Room, Record Plant (NYC) in New York, New York, United States
part of:
TV Cream: Real 100 Best Singles Ever (number: 38)
recording of:
Centerfold (song by The J. Geils Band)
lyricist and composer:
Seth Justman
publisher:
Rondor Music (London) Ltd. and Warner/Chappell Music Ltd. (1996–2019)
The J. Geils Band4.13:35
19Deja vu
engineer:
Imre Sereg (in 1981)
producer:
Reinhold Heil (in 1981), Herwig Mitteregger (in 1981), Potsch Potschka (in 1981) and Manfred Praeker (in 1981)
mixer:
Udo Arndt (in 1981)
drums (drum set) and lead vocals:
Herwig Mitteregger (in 1981)
electric bass guitar and background vocals:
Manfred Praeker (in 1981)
guitar:
Potsch Potschka (in 1981)
keyboard:
Reinhold Heil (in 1981)
arranger:
Reinhold Heil (in 1981), Herwig Mitteregger (in 1981), Potsch Potschka (in 1981) and Manfred Praeker (in 1981)
recorded at:
Spliff Studio in Berlin, Germany (in 1981)
mixed at:
Audio Studios in Berlin, Germany (in 1981)
recording of:
Déjà vu (in 1981)
lyricist and composer:
Herwig Mitteregger
Spliff54:08

Credits

Release group

part of:Rock Times (number: 14) (order: 14)