O welche Lust: Berühmte Opernchöre

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Aida: “Gloria all'Egitto”
choir vocals:
Coro del Teatro alla Scala di Milano
orchestra:
Orchestra del Teatro alla Scala di Milano
conductor:
Claudio Abbado (conductor)
recording of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi3:28
2Aida: Triumphmarsch
orchestra:
Orchestra del Teatro alla Scala di Milano
conductor:
Claudio Abbado (conductor)
performer:
Coro del Teatro alla Scala di Milano
recording of:
Aida: Atto II, scena 2. Marcia trionfale (orchestra) (Triumphal march, Triumphmarsch)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
Giuseppe Verdi1:39
3Don Carlo: Spuntato ecco il di“
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1974-11)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1974-11)
conductor:
Claudio Abbado (conductor) (in 1974-11)
chorus master:
Romano Gandolfi (chorus master and conductor)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (in 1974-11)
recording of:
Don Carlo: Atto II, scena 2. N°5 “Spuntato ecco il dì d’esultanza” (coro) (Autodafé scene) (in 1974-11)
composer:
Giuseppe Verdi (Italian opera composer) (in 1867)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto II (III)
Giuseppe Verdi6:25
4macbeth: “Patria oppressa“
choir vocals:
Chor der Deutschen Oper Berlin
orchestra:
Orchester der Deutschen Oper Berlin
conductor:
Giuseppe Sinopoli (conductor)
recording of:
Macbeth: Atto IV. N°12 Coro “Patria oppressa! il dolce nome” (Profughi scozzesi) (Chorus of Scottish Exiles)
composer:
Giuseppe Verdi (Italian opera composer) (in 1847)
librettist:
Andrea Maffei (19th century poet, translator and librettist) and Francesco Maria Piave
part of:
Macbeth: Atto IV
Giuseppe Verdi7:23
5Fidelio: “O welche Lust“
choir vocals:
Chor der Deutschen Oper Berlin
orchestra:
Orchester der Deutschen Oper Berlin
conductor:
Giuseppe Sinopoli (conductor)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10a. Prisoner’s Chorus „O welche Lust, in freier Luft“ (Chor, 1st Prisoner, 2nd Prisoner)
composer:
Ludwig van Beethoven (German composer) (in 1805, in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven7:47
6Die Zauberflöte: “O Isis und Osiris!“
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Berliner Philharmoniker
conductor:
Karl Böhm (Austrian conductor)
recording of:
Die Zauberflöte: Akt II. No. 18 Chor der Priester „O Isis und Osiris, welche Wonne!” (Priester)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:08
7Cavalleria rusticana: “Gli aranci olezzano sui verdi margini”
choir vocals:
Chorus of the Royal Opera House, Covent Garden
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Giuseppe Sinopoli (conductor)
recording of:
Cavalleria rusticana: N°4. Coro d'introduzione “Gli aranci olezzano” (Peasant's Chorus)
composer:
Pietro Mascagni (composer & conductor)
part of:
Cavalleria rusticana
Pietro Mascagni5:12
8Il trovatore: “Vedi! Le fosche notturne spoglie”
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (in 1984)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1984)
conductor:
Carlo Maria Giulini (conductor) (in 1984)
recording of:
Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne” (zingari) (“Anvil Chorus”) (in 1984)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi2:54
9Giglielmo Tell: “Gloria e onore al giovinetto”
choir vocals:
Coro del Teatro alla Scala di Milano
orchestra:
Orchestra del Teatro alla Scala di Milano
conductor:
Riccardo Muti (conductor)
recording of:
Guglielmo Tell: Atto I, scena 8. “Gloria e onore al giovinetto”
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
translator:
Calisto Bassi
part of:
Guglielmo Tell: Atto I
Gioachino Rossini3:50
10Der fliegende Holländer: “Freudig begrüßen wir die edle Halle”
choir vocals:
Chor der Deutschen Oper Berlin
orchestra:
Orchester der Deutschen Oper Berlin
conductor:
Giuseppe Sinopoli (conductor)
recording of:
Excerpt from Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug II, Scene IV. Festmarsch (Grand March)
composer:
Richard Wagner (composer)
part of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug II, Scene IV. "Freudig begrüssen wir die edle Halle" (Einzug der Gäste)
Richard Wagner8:46
11Der fliegende Holländer: “Steuermann, lass die Wacht!”
choir vocals:
Rundfunkchor Leipzig
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Silvio Varviso (conductor)
recording of:
Der fliegende Holländer, WWV 63: Akt III, Nr. 7. Chor der Norvegischen Matrosen und Ensemble "Steuermann! Lass die Wacht!"
composer:
Richard Wagner (composer) (from 1840 until 1841)
librettist:
Richard Wagner (composer)
part of:
Der fliegende Holländer, WWV 63: Akt III
Richard Wagner2:31
12Nabucco: “Va pensiero sull'ali dorate”
producer:
Hans Hirsch (producer at Deutsche Grammophon) and Wolfgang Stengel (in 1982-05)
choir vocals:
Chor der Deutschen Oper Berlin (in 1982-05)
orchestra:
Orchester der Deutschen Oper Berlin (in 1982-05)
conductor:
Giuseppe Sinopoli (conductor) (in 1982-05)
balance engineer:
Klaus Hiemann (German audio) (in 1982-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1983)
recorded at:
Haus des Rundfunks: Großer Sendesaal in Berlin, Germany (in 1982-05)
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves) (in 1982-05)
composer:
Giuseppe Verdi (Italian opera composer) (in 1841)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
Giuseppe Verdi4:57
13Lohengrin: “Treulich geführt, ziehet dahin”
choir vocals:
Chor des Bayerischen Rundfunks
orchestra:
Symphonieorchester des Bayerischen Rundfunks
conductor:
Rafael Kubelík (conductor)
recording of:
Lohengrin, WWV 75: Akt III, Szene I. „Treulich geführt ziehet dahin“ (Chor)
composer:
Richard Wagner (composer) (from 1846 until 1848)
librettist:
Richard Wagner (composer)
part of:
Lohengrin, WWV 75: Akt III
Richard Wagner4:56
14Madama Butterfly: Coro a bocca chiusa
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Giuseppe Sinopoli (conductor)
recording of:
Madama Butterfly: Atto II. Coro a bocca chiusa (Humming Chorus)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini3:07
15Der Freischütz: “Was gleicht wohl auf Erden”
choir vocals:
Rundfunkchor Leipzig
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1973-02)
conductor:
Carlos Kleiber (conductor) (in 1973-02)
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany (in 1973-02)
recording of:
Der Freischütz: Akt III. Nr. 15. Jägerchor „Was gleicht wohl auf Erden dem Jägervergnügen?“ (Chor) (in 1973-02)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt III
Carl Maria von Weber2:30
16Carmen : « Les voici! Voici la quadrille! »
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
London Symphony Orchestra
conductor:
Claudio Abbado (conductor)
recording of:
Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte IV
Georges Bizet3:50

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ASIN:DE: B001MWKTCO [info]