Voices

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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CD 1
#TitleArtistRatingLength
1Va, pensiero
tenor vocals:
Russell Watson (tenor)
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves)
composer:
Giuseppe Verdi (Italian opera composer) (in 1841)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
Russell Watson4:11
2Summertime
recording engineer:
Charles Harbutt (sound engineer and reissue producer)
executive producer:
Jeremy Caulton
producer:
Grace Row (sound engineer and recording producer)
vocals:
Charlotte Church
orchestra:
London Symphony Orchestra
conductor:
Siân Edwards (English conductor)
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1999)
recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
lyricist:
Dorothy Kuhns (playwright), Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Charlotte Church3:05
3Time to Say Goodbye
producer:
Frank Peterson
guitar:
Peter Weihe (in 1996-10)
keyboard:
Peter Murray (pianist and keyboardist) (in 1996-10) and Michael Soltau (in 1996-10)
soprano vocals:
Sarah Brightman (in 1996-10)
conductor:
Mike Reed (UK conductor/arranger for musicals) (in 1996-10)
phonographic copyright (℗) by:
EastWest Records GmbH (not for release label use!) (in 1996)
recorded at:
Nemo Studio (Hamburg) in Hamburg, Germany (in 1996-10)
recording of:
Time to Say Goodbye (version with predominantly Italian lyrics, except for the phrase “time to say goodbye”) (in 1996-10)
additional lyricist:
Frank Peterson
lyricist:
Lucio Quarantotto
composer:
Francesco Sartori
publisher:
Sugar Music MV and Sugar S.r.l. (company credits only; do NOT use as release label)
translated version of:
Con te partirò (completely Italian lyrics; no “time to say goodbye”)
Sarah Brightman44:08
4Theme From Harry’s Game
engineer:
Richard Dodd (mastering engineer, producer and engineer) and Austin Ince (engineer)
producer:
Richard Dodd (mastering engineer, producer and engineer)
conductor:
James Horner (American score composer) (in 1992)
phonographic copyright (℗) by:
RCA Ltd. (UK arm of RCA) (in 1983)
recorded at and mixed at:
Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland
recording of:
Theme From Harry’s Game
lyricist and composer:
Ciarán Ó Braonáin and Pól Ó Braonáin
publisher:
Television Music Ltd.
is based on:
[old text from County Galway]
Clannad4.652:31
5Suicido! In questi fieri momentiMaria Callas4:38
6Mack the Knife
bass:
Wilfred Middlebrooks (jazz bassist) (on 1960-02-13)
drums (drum set):
Gus Johnson (drums) (on 1960-02-13)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (on 1960-02-13)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1960-02-13)
lead vocals:
Ella Fitzgerald (American jazz singer) (on 1960-02-13)
cover recording of:
Mack the Knife (1954 Blitzstein translation) (on 1960-02-13)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Ella Fitzgerald5:08
7Au fond du temple saint
baritone vocals [Zurga]:
Bryn Terfel (bass-baritone opera singer) (on 1996-04-27)
tenor vocals [Nadir]:
Roberto Alagna (tenor) (on 1996-04-27)
orchestra:
Metropolitan Opera Orchestra (on 1996-04-27)
conductor:
James Levine (US conductor and pianist) (on 1996-04-27)
recorded at:
Metropolitan Opera House (Lincoln Center for the Performing Arts) in Manhattan, New York, New York, United States (on 1996-04-27)
live recording of:
Les Pêcheurs de perles : Acte I. No. 2 Duo « Au fond du temple saint » (Zurga, Nadir) (on 1996-04-27)
composer:
Georges Bizet (composer) (from 1863-04 until 1863-08)
librettist:
Michel Carré (librettist) and Eugène Cormon
part of:
Les Pêcheurs de perles : Acte I
Bryn Terfel & Roberto Alagna6:14
8Let the Bright Seraphim
trumpet:
Crispian Steele‐Perkins (classical trumpeter and composer)
soprano vocals:
Kiri Te Kanawa (soprano)
orchestra:
English Chamber Orchestra
conductor:
Barry Rose (organist / choirmaster)
recording of:
Samson, HWV 57: Act III, no. 107. “Let the Bright Seraphim” (Israelite Woman)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act III
Kiri Te Kanawa5:57
9What a Wonderful World
recorded in:
New York, United States (on 1967-08-16)
engineer:
Eddie Brackett and Bob Simpson (US jazz engineer/producer)
producer:
Bob Thiele (producer & songwriter)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
baritone saxophone:
Raymond Stanfield (on 1967-08-16)
clarinet:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16) and Jerome Richardson (on 1967-08-16)
double bass:
Russ Savakus (on 1967-08-16)
drums (drum set):
Grady Tate (on 1967-08-16)
flute:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16), Jerome Richardson (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
guitar:
Allen Hanlon (jazz guitarist) (on 1967-08-16), Art Ryerson (on 1967-08-16) and Willard Suyker (on 1967-08-16)
percussion:
Warren Hard (on 1967-08-16)
piano:
Hank Jones (piano) (on 1967-08-16)
tenor saxophone:
Jerome Richardson (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
trombone:
Urbie Green (on 1967-08-16) and J.J. Johnson (Jazz/bop trombonist/session leader) (on 1967-08-16)
trumpet:
Louis Armstrong (on 1967-08-16), Clark Terry (American swing trumpeter) (on 1967-08-16) and Joe Wilder (on 1967-08-16)
lead vocals:
Louis Armstrong (on 1967-08-16)
orchestra:
Louis Armstrong's Orchestra and Chorus (on 1967-08-16)
conductor and chorus master:
Tommy Goodman (pianist, arranger for Benny Goodman and Duke Ellington) (on 1967-08-16)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 171)
recording of:
What a Wonderful World (on 1967-08-16)
writer:
George Douglas (producer & songwriter) and George David Weiss
publisher:
Abilene Music Inc., Carlin Music Corp., Memory Lane Music (publishing company), Quartet Music Inc. and Range Road Music Inc.
sub-publisher:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部, フジパシフィック音楽出版 (until 2014-12-31) and フジパシフィックミュージック (from 2015-01-01 to present)
part of:
12 Monkeys Soundtrack
part of:
Freaky Friday (2003)
Louis Armstrong3.82:20
10Ikanyezi Nezazi
choir vocals:
Ladysmith Black Mambazo
phonographic copyright (℗) by:
Gallo Record Company (in 1998)
recording of:
Inkanyezi Nezazi
lyricist and composer:
Joseph Shabalala
Ladysmith Black Mambazo4:52
11Kyrie
choir vocals:
Coral Salvé de Laredo (in 1987-07) and Sociedad Coral de Bilbao (in 1987-07)
tenor vocals:
José Carreras (Spanish tenor) (in 1987-07)
orchestra:
Huancara (in 1987-07)
conductor:
José Luis Ocejo
chorus master:
José Luis Ocejo (in 1987-07)
recorded at:
Santuario de la Bien Aparecida in Ampuero, Cantabria, Spain (in 1987-07)
recording of:
Misa Criolla: I. Kyrie (in 1987-07)
composer:
Ariel Ramírez (Argentinian composer, pianist and music director) (in 1964)
part of:
Misa Criolla
José Carreras3:47
12’O sole mio
tenor vocals:
The Three Tenors
live recording of:
’O sole mio
lyricist:
Giovanni Capurro (in 1898)
composer:
Eduardo Di Capua (in 1898) and Alfredo Mazzucchi (in 1898)
publisher:
Bideri CEVEL, Domaine public (refers to works that are in the public domain) and Gennarelli Casa Editrice
arrangement of:
O sole mio
part of:
For the First Time (1959 film)
The Three Tenors2:38
13Be My Love
choir vocals:
The Jeff Alexander Chorus (in 1951)
tenor vocals:
Mario Lanza (tenor) (in 1951)
vocals:
Mario Lanza (tenor) (in 1950)
orchestra:
RCA Victor Orchestra and Ray Sinatra’s Orchestra (in 1950)
conductor:
Ray Sinatra (in 1950)
recording of:
Be My Love (in 1951)
lyricist:
Sammy Cahn
composer:
Nicholas Brodzsky
publisher:
EMI Music Publishing (do not use as a release label!)
part of:
The 23rd Academy Award for Best Original Song (number: 2)
Mario Lanza3:32
14O mio babbino caro
producer:
Michael Haas (classical music producer)
soprano vocals [Lauretta]:
Renée Fleming (soprano) (in 1999-07)
orchestra:
London Philharmonic Orchestra (LPO) (in 1999-07)
conductor:
Charles Mackerras (Australian conductor) (in 1999-07)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 2000)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1999-07)
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta) (in 1999-07)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. and G. Ricordi & Co. (London) Ltd.
part of:
Gianni Schicchi
Renée Fleming4.52:52
15Vieni fra queste bracciaJuan Diego Flórez5:10
16Plaisir d’amour
recording engineer:
Paul Houdebine (engineer) (in 1972)
producer:
André Chapelle
performer:
Nana Mouskouri (in 1972)
arranger:
Alain Goraguer (in 1972)
recorded at:
Studio des Dames in Paris, Île-de-France, France (in 1972)
recording of:
Plaisir d’amour (Romance du chevrier) (in 1972)
lyricist:
Jean-Pierre Claris de Florian
composer:
Jean‐Paul‐Égide Martini (Plaisir d'amour)
publisher:
Warlock Music Ltd.
Nana Mouskouri3:24
17Sanctus
producer:
Harald Baudis (sound engineer)
choir vocals:
Coro de monjes del Monasterio Benedictino de Santo Domingo de Silos (in 1968, from 1968-10-07 until 1968-10-12)
chorus master:
Ismael Fernández de la Cuesta (in 1968, from 1968-10-07 until 1968-10-12)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1969)
recorded at:
Iglesia del Monasterio Benedictino de Santo Domingo de Silos in Santo Domingo de Silos, Burgos, Castilla y León, Spain (in 1968)
The Benedictine Monks of Santo Domingo de Silos1:34
18Exsultate Jubilate
soprano vocals:
Emma Kirkby (soprano)
orchestra:
Academy of Ancient Music
conductor:
Christopher Hogwood (conductor, harpsichordist)
recording of:
Exsultate, jubilate, K. 158a/165: I. Exsultate, jubilate
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Exsultate, jubilate, K. 158a/165
Emma Kirkby4:36
19Veni, Sancte Spiritus
Priory of the Resurrection, New Hall2:39
CD 2
#TitleArtistRatingLength
1The Look of Love
assistant recording engineer:
Aya Takemura (from 2001-01-22 until 2001-01-27), Chris Clark (engineer) (from 2001-03-09 until 2001-03-11) and Richard Lancaster (from 2001-03-09 until 2001-03-11)
recording engineer and mixer:
Al Schmitt
producer:
Tommy LiPuma
assistant mixer:
John Hendrickson (Music engineer, mixer)
drums (drum set):
Peter Erskine (American jazz drummer) (in 2001)
guitar:
Romero Lubambo (in 2001)
percussion:
Luis Conte (percussionist) (in 2001)
piano:
Diana Krall (in 2001)
vocals:
Diana Krall (in 2001)
orchestra:
London Symphony Orchestra (from 2001-03-09 until 2001-03-11)
conductor:
Claus Ogerman (in 2001)
arranger:
Claus Ogerman
recorded at:
Avatar Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States (from 2001-01-22 until 2001-01-27) and Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2001-03-09 until 2001-03-11)
mixed at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (from 2001-03-19 until 2001-03-23)
cover recording of:
The Look of Love (in 2001)
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Colgems Music Corp., Colgems-EMI Music Inc., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
part of:
The 40th Academy Award for Best Original Song (number: 2)
Diana Krall4:44
2CarusoLuciano Pavarotti5:21
3Music of the Night
vocals:
Michael Ball (British actor, singer, and radio and TV presenter)
recording of:
The Music of the Night (The Phantom of the Opera)
additional lyricist:
Richard Stilgoe
lyricist:
Charles Hart (British lyricist)
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
The Really Useful Group Ltd (not for release label use!) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
The Phantom of the Opera (Andrew Lloyd Webber musical)
part of:
The Phantom of the Opera (2004 film soundtrack)
Michael Ball5:23
4Over the Rainbow
cover recording of:
Over the Rainbow (The Wizard of Oz)
lyricist:
Yip Harburg (in 1938)
composer:
Harold Arlen (in 1938)
premiered by:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. and Warner/Chappell
sub-publisher:
EMI Music Publishing (S.E. Asia) Ltd., Taiwan, フジパシフィック音楽出版 SBK事業部 (until 2014-12-31), ヤマハミュージックパブリッシング (until 2017-03-31), フジパシフィックミュージック SBK事業部 (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The 12th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 12)
part of:
The Wizard of Oz (1942 Arlen/Harburg musical)
part of:
The Wizard of Oz (1939 film soundtrack)
Eva Cassidy5:03
5Bridge Over Troubled Water
cover recording of:
Bridge Over Troubled Water
lyricist:
Paul Simon (of Simon & Garfunkel)
composer:
Paul Simon (of Simon & Garfunkel) (in 1969)
publisher:
Charing Cross Music, Pattern Music Ltd (publisher), Paul Simon Music, Universal/MCA Music Ltd. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
Russell Watson4:55
6Lascia ch’io pianga
audio engineer:
Mike Ross‐Trevor (engineer) (in 1992)
soprano vocals:
Lesley Garret (soprano)
orchestra:
The Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Ivor Bolton (conductor and harpsichordist)
recording of:
Rinaldo, HWV 7a: Atto II, Scene IV, no. 22. Aria “Lascia ch’io pianga mia cruda sorte” (Almirena)
composer:
George Frideric Handel (German‐British baroque composer) (in 1711)
librettist:
Giacomo Rossi
part of:
Rinaldo, HWV 7a: Atto II
Lesley Garrett4:03
7This Is the Moment
recording of:
This Is the Moment (Jekyll & Hyde)
lyricist and composer:
Leslie Bricusse and Frank Wildhorn
part of:
Jekyll & Hyde (Frank Wildhorn/Steve Cuden musical)
Adam Watkiss3:35
8September Song
recorded in:
Hollywood, Los Angeles, California, United States (on 1946-07-30)
bass:
Phil Stephens (bass and tuba player) (on 1946-07-30)
cello:
Fred Goerner (on 1946-07-30), John Sewell (on 1946-07-30) and Julius Tannenbaum (on 1946-07-30)
drums (drum set):
Ray Hagan (on 1946-07-30)
French horn:
Richard Perissi (on 1946-07-30)
guitar:
Dave Barbour (on 1946-07-30)
harp:
Ann Mason (American harpist) (on 1946-07-30)
piano:
Mark McIntyre (American pianist, orchestra leader and songwriter.) (on 1946-07-30)
saxophone:
Fred Dornbach (on 1946-07-30), Herbert Haymer (on 1946-07-30), Jules Kinsler (on 1946-07-30) and Harry Klee (on 1946-07-30)
trombone:
Hoyt Bohannon (on 1946-07-30), Edward Kuczborski (on 1946-07-30) and George Jenkins (Trombonist) (on 1946-07-30)
trumpet:
Clyde Hurley (on 1946-07-30), Manny Klein (on 1946-07-30) and Rubin "Zeke" Zarchy (on 1946-07-30)
viola:
Abe Hochstein (on 1946-07-30), Alexander Neiman (violist) (on 1946-07-30) and Stanley Spiegelman (on 1946-07-30)
violin:
William Bloom (violinist, worked with Frank Sinatra) (on 1946-07-30), Werner Callies (on 1946-07-30), Walter Edelstein (on 1946-07-30), Sam Freed (on 1946-07-30), David Frisina (on 1946-07-30), Howard Halbert (on 1946-07-30), Sol Kindler (on 1946-07-30), Morris King (on 1946-07-30), Eugene Lamas (on 1946-07-30), Dan Lube (on 1946-07-30), Mischa Russell (violinist) (on 1946-07-30) and Gerald Vinci (American violinist and strings conductor) (on 1946-07-30)
lead vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1946-07-30)
conductor:
Axel Stordahl (on 1946-07-30)
arranger:
Axel Stordahl
recording of:
Knickerbocker Holiday: September Song (on 1946-07-30)
lyricist:
Maxwell Anderson
composer:
Kurt Weill (composer)
publisher:
Hampshire House Publishing Corp., Warner/Chappell, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部, Chappell & Co. (in 1938), TRO-Hampshire House Publishing Corp. (in 1938) and Crawford Music Corp. (on 1938-09-24)
part of:
Knickerbocker Holiday (Kurt Weill musical)
Frank Sinatra3:10
9Ebben?…Ne andrò lontana
soprano vocals:
Angela Gheorghiu (Romanian soprano)
orchestra:
Orchestra del Teatro Regio di Torino
conductor:
John Mauceri (conductor)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1996)
recording of:
La Wally: Atto I. “Ebben? Ne andrò lontana” (Wally)
composer:
Alfredo Catalani (composer)
librettist:
Luigi Illica
publisher:
Lam Larghetto Music (from 1993 to present)
part of:
La Wally: Atto I
Angela Gheorghiu3:39
10World in UnionBryn Terfel & Shirley Bassey3:44
11Granada
producer:
Günther Breest (producer for classical music) and Bobby Schmidt
tenor vocals:
Plácido Domingo (tenor) (in 1975-10)
orchestra:
London Symphony Orchestra (in 1975-10)
conductor:
Marcel Peeters (Belgian orchestra-leader and clarinetist) (in 1975-10)
arranger:
Marcel Peeters (Belgian orchestra-leader and clarinetist)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1975-10)
recording of:
Granada (original Spanish version) (in 1975-10)
lyricist and composer:
Agustín Lara (in 1932)
publisher:
Latin-American Music, Southern Music Co. and Peer International Corporation (BMI) (from 1932 to present)
Plácido Domingo3:54
12When I Am Laid in Earth
soprano vocals:
Barbara Bonney (soprano) (in 2001)
orchestra:
Academy of Ancient Music
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 2001)
performer:
Academy of Ancient Music (in 2001)
recording of:
Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido) (in 2001)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Barbara Bonney24:39
13Che farò senza EuridiceAndreas Scholl3:43
14Calon LânThe Black Mountain Male Chorus3:16
15An Silvia
piano:
Bengt Forsberg (pianist) (in 1996-06)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1996-06)
recording of:
An Sylvia, D. 891 (for voice and piano) (in 1996-06)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Franz Schubert (composer) (in 1826)
translator:
Eduard von Bauernfeld (Austrian dramatist)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 891)
Anne Sofie von Otter2:55
16Voi che sapete
mezzo-soprano vocals [Cherubino]:
Magdalena Kožená (mezzo-soprano) (in 2001-09)
orchestra:
Prague Philharmonia (in 2001-09)
conductor:
Michel Swierczewski (in 2001-09)
recorded at:
Dvořákova síň Rudolfina in Praha, Czechia (in 2001-09)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino) (in 2001-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II
Magdalena Kožená2:47
17The Blue BirdAnúna2:38
18Ave verum corpus
producer:
Christopher Hazell
organ:
James Vivian (organist) (from 1996-07-01 until 1996-07-05)
choir vocals:
Choir of King’s College, Cambridge (from 1996-07-01 until 1996-07-05)
conductor:
Stephen Cleobury (organist, conductor) (from 1996-07-01 until 1996-07-05)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1996-07-01 until 1996-07-05)
recording of:
Ave verum corpus, K. 618 (for chorus, string and organ) (from 1996-07-01 until 1996-07-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Köchelverzeichnis (original numbering) (number: 618) and Köchelverzeichnis (sixth edition, 1964, K⁶) (number: 618)
Choir of King’s College, Cambridge3:35
19Weightless
arranger:
Jørn Dahl
Sissel Kyrkjebø4:30

Credits

Release

manufactured in:EC
printed in:the EC
copyrighted (©) by:Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 2002)
Discogs:https://www.discogs.com/release/12354867 [info]
ASIN:UK: B000063BHH [info]