Warning

~ Release by Billy Cobham (see all versions of this release, 3 available)

Tracklist

▼ 12" Vinyl 1
#TitleRatingLength
A1Mozaik
additional assistant recording engineer and assistant mixer:
Josiah Gluck
assistant recording engineer:
Ricki J. Begin (engineer)
recording engineer and mixer:
Joe Jorgenson
editor:
Gus Skinas (audio engineer)
bass:
Baron Browne
drums (drum set):
Billy Cobham
guitar:
Dean Brown (guitar)
keyboard:
Gerry Etkins
percussion:
Sa Davis
additionally recorded at:
The Review Room in New York, New York, United States
recorded at:
BearTracks Studios in New York, United States
mixed at:
The Review Room in New York, New York, United States
edited at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
recording of:
Mozaik
composer:
Billy Cobham
45:07
A2Red & Yellow Cabriolet
additional assistant recording engineer and assistant mixer:
Josiah Gluck
assistant recording engineer:
Ricki J. Begin (engineer)
recording engineer and mixer:
Joe Jorgenson
editor:
Gus Skinas (audio engineer)
bass:
Baron Browne
drums (drum set):
Billy Cobham
guitar:
Dean Brown (guitar)
keyboard:
Gerry Etkins
percussion:
Sa Davis
additionally recorded at:
The Review Room in New York, New York, United States
recorded at:
BearTracks Studios in New York, United States
mixed at:
The Review Room in New York, New York, United States
edited at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
recording of:
Red & Yellow Cabriolet
composer:
Billy Cobham
45:12
A3Slow Body Poppin'
additional assistant recording engineer and assistant mixer:
Josiah Gluck
assistant recording engineer:
Ricki J. Begin (engineer)
recording engineer and mixer:
Joe Jorgenson
editor:
Gus Skinas (audio engineer)
bass:
Baron Browne
drums (drum set):
Billy Cobham
guitar:
Dean Brown (guitar)
keyboard:
Gerry Etkins
percussion:
Sa Davis
additionally recorded at:
The Review Room in New York, New York, United States
recorded at:
BearTracks Studios in New York, United States
mixed at:
The Review Room in New York, New York, United States
edited at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
recording of:
Slow Body Poppin'
composer:
Billy Cobham
45:24
A4Unknown Jeromes
additional assistant recording engineer and assistant mixer:
Josiah Gluck
assistant recording engineer:
Ricki J. Begin (engineer)
recording engineer and mixer:
Joe Jorgenson
editor:
Gus Skinas (audio engineer)
bass:
Baron Browne
drums (drum set):
Billy Cobham
guitar:
Dean Brown (guitar)
keyboard:
Gerry Etkins
percussion:
Sa Davis
additionally recorded at:
The Review Room in New York, New York, United States
recorded at:
BearTracks Studios in New York, United States
mixed at:
The Review Room in New York, New York, United States
edited at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
recording of:
Unknown Jeromies
composer:
Billy Cobham
44:25
B1The Dancer
additional assistant recording engineer and assistant mixer:
Josiah Gluck
assistant recording engineer:
Ricki J. Begin (engineer)
recording engineer and mixer:
Joe Jorgenson
editor:
Gus Skinas (audio engineer)
bass:
Baron Browne
drums (drum set):
Billy Cobham
guitar:
Dean Brown (guitar)
keyboard:
Gerry Etkins
percussion:
Sa Davis
additionally recorded at:
The Review Room in New York, New York, United States
recorded at:
BearTracks Studios in New York, United States
mixed at:
The Review Room in New York, New York, United States
edited at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
recording of:
The Dancers
composer:
Billy Cobham
45:19
B2Stratus
additional assistant recording engineer and assistant mixer:
Josiah Gluck
assistant recording engineer:
Ricki J. Begin (engineer)
recording engineer and mixer:
Joe Jorgenson
editor:
Gus Skinas (audio engineer)
bass:
Baron Browne
drums (drum set):
Billy Cobham
guitar:
Dean Brown (guitar)
keyboard:
Gerry Etkins
percussion:
Sa Davis
additionally recorded at:
The Review Room in New York, New York, United States
recorded at:
BearTracks Studios in New York, United States
mixed at:
The Review Room in New York, New York, United States
edited at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
recording of:
Stratus
composer:
Billy Cobham
44:34
B3Come Join Me
additional assistant recording engineer and assistant mixer:
Josiah Gluck
assistant recording engineer:
Ricki J. Begin (engineer)
recording engineer and mixer:
Joe Jorgenson
editor:
Gus Skinas (audio engineer)
bass:
Baron Browne
drums (drum set):
Billy Cobham
guitar:
Dean Brown (guitar)
keyboard:
Gerry Etkins
percussion:
Sa Davis
additionally recorded at:
The Review Room in New York, New York, United States
recorded at:
BearTracks Studios in New York, United States
mixed at:
The Review Room in New York, New York, United States
edited at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
recording of:
Come on Join Me
composer:
Billy Cobham
45:40
B4Go for It!
additional assistant recording engineer and assistant mixer:
Josiah Gluck
assistant recording engineer:
Ricki J. Begin (engineer)
recording engineer and mixer:
Joe Jorgenson
editor:
Gus Skinas (audio engineer)
bass:
Baron Browne
drums (drum set):
Billy Cobham
guitar:
Dean Brown (guitar)
keyboard:
Gerry Etkins
percussion:
Sa Davis
additionally recorded at:
The Review Room in New York, New York, United States
recorded at:
BearTracks Studios in New York, United States
mixed at:
The Review Room in New York, New York, United States
edited at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
recording of:
Go for It!
composer:
Billy Cobham
44:35