Tracklist

CD 1
# Title Artist Rating Length
1 Symphony no. 5 in C minor, op. 67: I. Allegro con brio
Ludwig van Beethoven 7:13
2 Symphony no. 5 in C minor, op. 67: II. Andante con moto
Ludwig van Beethoven 9:16
3 Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro
Ludwig van Beethoven 5:01
4 Symphony no. 5 in C minor, op. 67: IV. Allegro
Ludwig van Beethoven 9:01
5 Symphony no. 7 in A major, op. 92: I. Poco sostenuto – Vivace
Ludwig van Beethoven 12:05
6 Symphony no. 7 in A major, op. 92: II. Allegretto
Ludwig van Beethoven 8:44
7 Symphony no. 7 in A major, op. 92: III. Presto
Ludwig van Beethoven 9:12
8 Symphony no. 7 in A major, op. 92: IV. Allegro con brio
Ludwig van Beethoven 6:39
9 Egmont, op. 84: Overture. Sostenuto, ma non troppo
Ludwig van Beethoven 9:05
CD 2
# Title Artist Rating Length
1 Symphony no. 2 in D major, op. 36: I. Adagio molto - Allegro con brio
Ludwig van Beethoven 10:05
2 Symphony no. 2 in D major, op. 36: II. Larghetto
Ludwig van Beethoven 11:01
3 Symphony no. 2 in D major, op. 36: III. Scherzo & Trio. Allegro
Ludwig van Beethoven 3:28
4 Symphony no. 2 in D major, op. 36: IV. Allegro molto
Ludwig van Beethoven 6:42
5 Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace
Ludwig van Beethoven 12:42
6 Symphony no. 4 in B-flat major, op. 60: II. Adagio
Ludwig van Beethoven 9:22
7 Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace & Trio (Un Poco Meno Allegro)
Ludwig van Beethoven 5:49
8 Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo
Ludwig van Beethoven 6:40
9 King Stephen Overture, op. 117
Ludwig van Beethoven 7:26

Credits

CD 1

premiered in:
Wien, Austria (1810-06-15) (track 9)
composer:
Ludwig van Beethoven (1804 – 1808) (tracks 1–4)
Ludwig van Beethoven (1809-10 – 1810-06) (track 9)
Ludwig van Beethoven (1811 – 1812) (tracks 5–8)
conductor:
Pierre Monteux (tracks 1–9)
orchestra:
London Symphony Orchestra (tracks 1–9)
arrangements:
Egmont, op. 84: Overture (for brass, Frackenpohl) (track 9)
Finale from Symphony no. 5 (arr. Woodhouse) (track 4)
Ouvertüre zu "Egmont" (arr. Posch for band) (track 9)
Symphony no. 5 in C minor, S. 464 no. 5: IV. Allegro (for piano solo, Liszt) (track 4)
Symphony no. 5 in C minor, op. 67: I. Allegro con brio (for brass, Frackenpohl) (track 1)
Symphony no. 5 in C minor, op. 67: I. Allegro con brio (catch all for arrangements) (track 1)
Symphony no. 5 in C minor, op. 67: II. Andante con moto (for brass, Frackenpohl) (track 2)
Symphony no. 5 in C minor, op. 67: III. Allegro (for brass, Frackenpohl) (track 3)
Symphony no. 5 in C minor, op. 67: IV. Allegro (for brass, Frackenpohl) (track 4)
Symphony no. 7 in A major, S. 463d: II. Allegretto (for piano solo, Liszt) (track 6)
Symphony no. 7 in A major, op. 92: I. Poco sostenuto (for piano solo, Beethoven (fragment)) (track 5)
Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace (catch-all for arrangements) (track 5)
Symphony no. 7 in A major, op. 92: II. Allegretto (catch-all for arrangements) (track 6)
Symphony no. 7 in A major, op. 92: III. Presto (catch-all for arrangements) (track 7)
Symphony no. 7 in A major, op. 92: IV. Allegro con brio (catch-all for arrangements) (track 8)
The 5th (track 1)
is the basis for:
Acid Serum (Electronic derivative of Beethoven's 7th) (track 6)
Dieron las doce (track 6)
Figlio perduto (track 6)
Regeneration (track 9)
クライシス第4楽章 (Parodius) (track 4)
ゴルイ (track 9)
later versions:
Symphony no. 7 in A major, op. 92: II. Allegretto (for piano four hands) (track 6)
Symphony no. 7 in A major, op. 92: III. Presto (for piano four hands) (track 7)
part of:
Egmont, op. 84 (track 9)
Symphony no. 7 in A major, op. 92 (movement) (tracks 5–8)
recording of:
referred to in medleys:

CD 2

composer:
Ludwig van Beethoven (1801 – 1802) (tracks 1–4)
Ludwig van Beethoven (1806) (tracks 5–8)
Ludwig van Beethoven (1811) (track 9)
conductor:
Pierre Monteux (tracks 1–9)
orchestra:
London Symphony Orchestra (tracks 1–9)
arrangements:
later versions:
part of:
Symphony no. 2 in D major, op. 36 (movement) (tracks 1–4)
Symphony no. 4 in B-flat major, op. 60 (movement) (tracks 5–8)
recording of: