100 Hits: 60s

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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CD 1
#TitleArtistRatingLength
1It’s Now or Never
bass:
Bob Moore (U.S. bassist and bandleader) (on 1960-04-03)
drums (drum set):
D.J. Fontana (on 1960-04-03) and Buddy Harman (on 1960-04-03)
guitar:
Hank Garland (on 1960-04-03), Scotty Moore (American guitarist and recording engineer) (on 1960-04-03) and Elvis Presley (“The King of Rock and Roll”) (on 1960-04-03)
piano:
Floyd Cramer (on 1960-04-03)
saxophone:
Boots Randolph (on 1960-04-03)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1960-04-03)
vocals:
The Jordanaires (on 1960-04-03) and Elvis Presley (“The King of Rock and Roll”) (on 1960-04-03)
additional performer:
The Jordanaires (on 1960-04-03)
phonographic copyright (℗) by:
BMG Entertainment (in 1960), BMG Music (in 1960), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1960) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, United States (on 1960-04-03)
cover recording of:
It’s Now or Never (on 1960-04-03)
lyricist:
Wally Gold and Aaron Schroeder (1950s~1960s US songwriter)
composer:
Eduardo Di Capua
publisher:
A. Schroeder, Carlin Music Corporation, Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music Inc., Rachel’s Own Music and Williamson Music Company
version of:
’O sole mio
Elvis Presley3.73:17
2Hang On SloopyThe McCoys33:53
3Young Girl
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1968)
recording of:
Young Girl
lyricist and composer:
Jerry Fuller
publisher:
EMI Music Publishing (S.E. Asia) Ltd.
Gary Puckett & the Union Gap43:04
4Captain of Your Ship
recording of:
Captain of Your Ship
writer:
Ben Yardley (Co-writer of Doing The Do (1990) by Betty Boo) and Kenny Young
Reparata & The Delrons2:29
5Breaking Up Is Hard to DoNeil Sedaka3.252:17
6Both Sides NowJudy Collins3:18
7Saturday Night at the MoviesThe Drifters2:30
859th Street Bridge Song (Feelin’ Groovy)
cover recording of:
The 59th Street Bridge Song (Feelin’ Groovy)
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
Harpers Bizarre2:38
9Working in the Coalmine
Lee Dorsey2:45
10Just Like Eddie
guitar:
Ritchie Blackmore
vocals:
Heinz (German/English singer and bassist)
recording of:
Just Like Eddie
lyricist and composer:
Geoff Goddard (1960s UK musician & songwriter)
dedicated to:
Eddie Cochran (US rock and roll musician active in 1950s)
Heinz2:39
11Bless You
recording of:
Bless You
writer:
Barry Mann and Cynthia Weil
publisher:
Dyad Music Ltd. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Tony Orlando2:09
12If I Were a Carpenter
Bobby Darin2:22
13Biff Bang Pow
producer:
Shel Talmy
recording of:
Biff, Bang, Pow
writer:
Eddie Phillips and Kenny Pickett
The Creation52:26
14Standing on the Corner
recording of:
Standing on the Corner (The Most Happy Fella)
lyricist and composer:
Frank Loesser
part of:
The Most Happy Fella (full musical)
The Four Lads2:52
15Simon Says1910 Fruitgum Company2:16
16Land of 1000 Dances
baritone saxophone:
Floyd Newman (from 1966-05-08 until 1966-05-11)
bass:
Tommy Cogbill (from 1966-05-08 until 1966-05-11)
drums (drum set):
Roger Hawkins (from 1966-05-08 until 1966-05-11)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1966-05-08 until 1966-05-11) and Chips Moman (from 1966-05-08 until 1966-05-11)
piano:
Spooner Oldham (from 1966-05-08 until 1966-05-11)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1966-05-08 until 1966-05-11) and Andrew Love (from 1966-05-08 until 1966-05-11)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (from 1966-05-08 until 1966-05-11)
vocals:
Wilson Pickett (from 1966-05-08 until 1966-05-11)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1966-05-08 until 1966-05-11)
cover recording of:
Land of 1000 Dances (from 1966-05-08 until 1966-05-11)
lyricist and composer:
Chris Kenner
additional writer:
Antoine Domino
publisher:
Anatole, EMI Longitude Music and Tune-Kel
Wilson Pickett42:27
17I Thank You
recording of:
I Thank You
writer:
Isaac Hayes and David Porter (US soul musician, producer & songwriter)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Cotillion Music Inc. (BMI), Irving Music, Inc., Walden Music, Inc., WB Music Corp. (1929–2019) and Birdees Music (in 1968)
Sam & Dave2:54
18If I Had a Hammer
Trini Lopez3:00
19Kookie Kookie (Lend Me Your Comb)
Connie Stevens2:06
20In the Year 2525Zager & Evans3.753:16
CD 2
#TitleArtistRatingLength
1Dance to the Music
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 223)
recording of:
Dance to the Music
lyricist and composer:
Sylvester Stewart
publisher:
Mijac Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Sly & the Family Stone43:01
2Save the Last Dance for Me
recorded in:
New York, New York, United States (on 1960-05-19)
guitar:
Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (on 1960-05-19)
baritone vocals:
Dock Green and Doc Green (on 1960-05-19)
bass vocals:
Elsbeary Hobbs (on 1960-05-19)
lead vocals:
Benny Nelson (on 1960-05-19)
tenor vocals:
Charlie Thomas (The Drifters) (on 1960-05-19) and Johnny Williams (soul/blues vocalist) (on 1960-05-19)
conductor:
Stan Applebaum (US composer, arranger and conductor) (on 1960-05-19)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1960 (number: 12) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 182)
recording of:
Save the Last Dance for Me (on 1960-05-19)
writer:
Doc Pomus and Mort Shuman (US singer, pianist & songwriter)
publisher:
Hill and Range Songs, Inc., Hill and Range Southwind Mus S A (BMI-affiliated), Pomus Songs Inc., Progressive Music Publishing Company Inc., Rumbalero Music Inc., Trio Music Co., Inc., Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部, Hill & Range (publisher) (in 1974) and Trio Music (publisher) (in 1974)
The Drifters52:27
3Spanish Harlem
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 350)
recording of:
Spanish Harlem
lyricist:
Jerry Leiber
composer:
Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Carlin Music Corporation, Mother Bertha Music Inc., Sony/ATV Songs LLC, Trio Music Co., Inc. and Unichappell Music
Ben E. King4.52:54
4Chain of Fools
recorded in:
New York, New York, United States
recording engineer and mixer:
Tom Dowd
producer:
Jerry Wexler
bass guitar:
Tommy Cogbill (on 1967-06-23)
drums (drum set):
Roger Hawkins (on 1967-06-23)
electric piano:
Spooner Oldham (on 1967-06-23)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-06-23) and Joe South (on 1967-06-23)
piano:
Aretha Franklin (on 1967-06-23)
choir vocals:
Carolyn Franklin (on 1967-06-23), Erma Franklin (on 1967-06-23), Ellie Greenwich (on 1967-06-23) and The Sweet Inspirations (on 1967-06-23)
vocals:
Aretha Franklin (on 1967-06-23)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-06-23)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 249) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 306)
recording of:
Chain of Fools (on 1967-06-23)
lyricist and composer:
Don Covay
publisher:
14th Hour Music, Fourteenth Hour Music, Inc., Pronto Music, Springtime Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner-Tamerlane Publishing Co. (publisher; do NOT use as release label)
Aretha Franklin4.252:47
5I Can’t Turn You Loose
recording of:
I Can’t Turn You Loose
lyricist and composer:
Otis Redding
publisher:
Irving Music, Inc., East/Memphis Music Corp. (from 1969 to ????) and Time Music (from 1969 to ????)
Otis Redding2:37
6Warm and Tender Love
cover recording of:
Warm and Tender Love
lyricist and composer:
Bobby Robinson
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell North America
Percy Sledge3:21
7Baby I’m Yours
remaster of:
Baby, I’m Yours by Barbara Lewis
samples from:
Hello Stranger: The Best of Barbara Lewis by Barbara Lewis
recording of:
Baby, I’m Yours
lyricist and composer:
Van McCoy
publisher:
EMI Blackwood Music Inc. (1989-07-24–present) and Van McCoy Music
Barbara Lewis2:32
8A Tribute to a KingWilliam Bell2:54
9Release Me
cover recording of:
Release Me
additional writer:
W.S. Stevenson
writer:
Eddie Miller (US country music songwriter), Dub Williams (pseudonym used by James Pebworth) and Robert Yount (songwriter)
publisher:
Acuff-Rose Music Limited (UK), Four Star Sales, Roschelle Publishing and Sony/ATV Music Publishing Ltd.
Esther Phillips3:19
10634–5789
Wilson Pickett2:57
11Soul Serenade
Willie Mitchell2:20
12Take a Letter Maria
recording of:
Take a Letter Maria
lyricist and composer:
R.B. Greaves
R.B. Greaves42:43
13Nothing Can Stop Me
Gene Chandler2:55
14When Something Is Wrong With My Baby
recorded in:
Memphis, Tennessee, United States (on 1966-11-15)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
vocals:
Dave Prater (soul artist) (on 1966-11-15) and Sam Moore (singer, ex "Sam and Dave") (on 1966-11-15)
recording of:
When Something Is Wrong With My Baby (on 1966-11-15)
composer:
Isaac Hayes and David Porter (US soul musician, producer & songwriter)
Sam & Dave43:17
15Last Night
recorded in:
Memphis, Tennessee, United States (in 1961-09)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Don Nix (in 1961-09)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1961-09)
drums (drum set):
Terry Johnson (drums) (in 1961-09)
guitar:
Steve Cropper (in 1961-09)
organ:
Booker T. Jones (in 1961-09)
tenor saxophone:
Charles Axton (in 1961-09)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1961-09)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 28)
recording of:
Last Night (in 1961-09)
writer:
Charles Axton, Chip Moman, Gilbert Caple, Jerald Smith and Floyd Newman
composer:
The Mar‐Keys
The Mar‐Keys42:36
16Get Out of My Life Woman
Lee Dorsey2:28
17SavedLaVern Baker2:57
18Stay
double bass:
Albert Hill (double bassist)
drums (drum set) [drums]:
Willie Morrow
baritone vocals:
Charles Thomas (The Zodiacs)
lead vocals:
Maurice Williams (US singer/songwriter, played with The Zodiacs)
tenor vocals:
Wiley Bennett
tenor vocals [falsetto tenor]:
Henry Gaston
part of:
Dave Marsh: The Best of the Top 40 Singles: 1960 (number: 1)
recording of:
Stay
lyricist and composer:
Maurice Williams (US singer/songwriter, played with The Zodiacs)
publisher:
Cherio Music Publishers, Inc., J. Albert & Son Pty. Ltd. and Cherio Corp. (in 1960)
Maurice Williams and the Zodiacs51:36
19Just One LookDoris Troy2:31
20Don’t Make Me OverDionne Warwick3:23
CD 3
#TitleArtistRatingLength
1Everlasting LoveLove Affair43:04
2I Got You Babe
vocals:
Sonny Bono (in 1965) and Cher (in 1965)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1965)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 444)
recording of:
I Got You Babe (in 1965)
lyricist and composer:
Sonny Bono
publisher:
Carlin Music, Chris Marc Music and Cotillion Music (BMI)
Sonny & Cher4.153:12
3Daydream
recording of:
Daydream (in 1966-02)
lyricist and composer:
John Sebastian
publisher:
Robbins Music Corp. Ltd.
The Lovin’ Spoonful3.652:20
4Yummy Yummy Yummy
producer:
Jerry Kasenetz, Jeff Katz (music producer), Joey Levine and Arthur Resnick (songwriter, producer)
bass guitar and background vocals:
Dean Kastran
lead vocals:
Joey Levine
recording of:
Yummy Yummy Yummy (in 1968)
writer:
Joey Levine and Arthur Resnick (songwriter, producer)
publisher:
T. M. Music (publisher) (in 1968)
Ohio Express42:22
5The Lion Sleeps Tonight
recording of:
The Lion Sleeps Tonight (in 1961)
lyricist:
George David Weiss (in 1961)
writer:
Luigi Creatore, Hugo Peretti and Albert Stanton (pseudonym for Al Brackman)
composer:
Solomon Linda
publisher:
Abilene Music Inc. and Luigi Creatore Music (ASCAP)
is based on:
Mbube
is based on:
Wimoweh
version of:
Wimoweh
part of:
The Lion King (stage musical)
part of:
The Lion King (2019 film soundtrack)
The Tokens2:43
6WindyThe Association52:58
7Come Back and Shake Me
Clodagh Rodgers2:38
8He’ll Have to Go
producer:
Chet Atkins
vocals:
Jim Reeves (US country & pop singer)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1959)
recording of:
He’ll Have to Go (on 1959-10-15)
writer:
Audrey Allison and Joe Allison
publisher:
Campbell Connelly & Co. Ltd. and Central Songs
Jim Reeves52:25
9Maria Elena
Los Índios Tabajaras3:08
10Aquarius / Let the Sunshine In
sound engineer, engineer and producer:
Bones Howe
assistant producer:
Ann McClelland
bass:
Joe Osborne (American bass guitar player, session musician and songwriter)
drums (drum set) and percussion:
Hal Blaine (U.S. Studio drummer and percussionist)
performer:
Billy Davis, Jr., Florence LaRue, Lamonte McLemore, Marilyn McCoo and Ron Townson
arranger:
Bill Holman, Bob Alcivar and Bones Howe
vocals arranger:
Bob Alcivar
music videos:
Age of Aquarius / Let the Sunshine In by The 5th Dimension (1960’s group)
medley including a recording of:
Aquarius (from “Hair”)
lyricist:
James Rado (US actor, playwright, director, writer & composer) and Gerome Ragni
composer:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
publisher:
EMI United Partnership Ltd. and United Artist Music Publishing
part of:
Hair (1967 musical)
recording of:
Aquarius / Let the Sunshine In (The Flesh Failures)
writer:
Gerome Ragni, James Rado (US actor, playwright, director, writer & composer) and Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
arranger:
Bill Holman, Bob Alcivar and Bones Howe
publisher:
United Artists Music Co., Inc.
medley of:
Aquarius (from “Hair”)
medley of:
The Flesh Failures (Let the Sunshine In) (from “Hair”)
medley including a recording of:
Let the Sunshine In
lyricist:
James Rado (US actor, playwright, director, writer & composer) and Gerome Ragni
composer:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
publisher:
EMI Music Publishing Scandinavia AB and United Artists Music Co., Inc.
The 5th Dimension4.44:50
11Walk Right Back
recording of:
Walk Right Back
lyricist and composer:
Sonny Curtis
The Everly Brothers2:20
12Black Coffee
Bobby Darin3:53
13Over Under Sideways Down
recording of:
Over Under Sideways Down
writer:
Jeff Beck (English rock guitarist), Chris Dreja, Jim McCarty (UK drummer), Keith Relf and Paul Samwell-Smith
publisher:
Glenwood Music Corp. and Henrees Music co.
The Yardbirds2:25
14Respect
recording engineer:
Tom Dowd
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Floyd Newman (in 1965-07)
bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1965-07)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) (in 1965-07)
guitar:
Steve Cropper (in 1965-07)
keyboard:
Isaac Hayes (in 1965-07) and Booker T. Jones (in 1965-07)
tenor saxophone:
Andrew Love (in 1965-07)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1965-07) and Gene “Bowlegs” Miller (American trumpeter) (in 1965-07)
background vocals:
Earl Sims (in 1965-07)
recording of:
Respect (in 1965-07)
lyricist and composer:
Otis Redding
publisher:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd. and Warner/Chappell North America
Otis Redding4.22:08
15Tribute to Buddy Holly
recording of:
Tribute to Buddy Holly
lyricist and composer:
Geoff Goddard (1960s UK musician & songwriter)
dedicated to:
Buddy Holly (1950s rock & roll singer‐songwriter)
Mike Berry3:00
16Let’s Go to San Francisco
recording of:
Let’s Go to San Francisco
writer:
John Carter (songwriter & producer, b. 1942) and Ken Lewis (manager/songwriter for 60s groups, incl. Flower Pot Men)
publisher:
Peermusic Ltd. (BMI)
The Flower Pot Men33:36
17Ain’t Got No / I Got Life
recording engineer:
Ed Begley (sound engineer in RCA Victor) (on 1968-05-13)
producer:
Joe René
piano and lead vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (on 1968-05-13)
phonographic copyright (℗) by:
BMG Music (in 1968)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
recorded at:
RCA Studio B (New York) in New York, New York, United States (on 1968-05-13)
recording of:
Ain’t Got No, I Got Life (on 1968-05-13)
lyricist:
James Rado (US actor, playwright, director, writer & composer) and Gerome Ragni
composer:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
publisher:
EMI U Catalog (publisher; do NOT use as release label) and EMI United Partnership Ltd.
medley of:
Ain’t Got No (from “Hair”)
medley of:
I Got Life (from “Hair”)
Nina Simone42:17
18Judy in Disguise (With Glasses)
part of:
TV Cream: Real 100 Best Singles Ever (number: 96)
recording of:
Judy in Disguise (With Glasses) (in 1967)
writer:
Andrew Bernard and John Fred (John Fred Gourrier)
publisher:
Bug Music Ltd., Fanfare Music Corp., Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) and MCS Music Ltd.
John Fred & His Playboy Band42:58
19Do You Know the Way to San José
recording of:
Do You Know the Way to San Jose
lyricist:
Hal David (in 1968)
composer:
Burt Bacharach (in 1968)
publisher:
Blue Seas Music, Inc. and JAC Music Co., Inc.
Dionne Warwick3:01
20I’m Gonna Make You Mine
recording of:
I’m Gonna Make You Mine
lyricist and composer:
Tony Romeo
Lou Christie2:42
CD 4
#TitleArtistRatingLength
1Alone Again Or
engineer:
Bruce Botnick
producer:
Bruce Botnick and Arthur Lee
bass guitar:
Ken Forssi
drums (drum set):
Michael Stuart-Ware (US drummer for Love)
lead vocals:
Bryan MacLean
recorded at:
Sunset Sound in Hollywood, Los Angeles, California, United States (from 1967-06-09 until 1967-09-25)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 436)
recording of:
Alone Again Or
lyricist and composer:
Bryan MacLean
Love4.253:15
2All I Really Want to Do
producer:
Terry Melcher
12 string guitar:
Jim McGuinn (on 1965-03-08)
bass:
Chris Hillman (on 1965-03-08)
drums (drum set):
Michael Clarke (drummer for the 1960s rock group The Byrds) (on 1965-03-08)
guitar:
David Crosby (on 1965-03-08)
vocals:
David Crosby (on 1965-03-08), Chris Hillman (on 1965-03-08) and Jim McGuinn (on 1965-03-08)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1965) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1965)
cover recording of:
All I Really Want to Do (on 1965-03-08)
lyricist and composer:
Bob Dylan (in 1964)
publisher:
M. Witmark & Sons, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing, LLC (1995–2020), Special Rider Music and Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
The Byrds32:07
3It Ain’t Me Babe
recorded in:
Nashville, Tennessee, United States (on 1964-08-27)
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
performer:
June Carter Cash (American Country singer and songwriter)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1970)
cover recording of:
It Ain’t Me, Babe (on 1964-08-27)
lyricist and composer:
Bob Dylan (in 1964-05)
publisher:
Sony Music Publishing (worldwide except Japan, ended 1995), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell (from 1964 until 1992) and Special Rider Music (from 1992 to present)
Johnny Cash3:05
4The Letter
producer:
Dan Penn
phonographic copyright (℗) by:
Arista Records (not an imprint, use "Arista" for release labels) (in 1967)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 364)
recording of:
The Letter (in 1967)
lyricist and composer:
Wayne Carson Thompson
publisher:
Bike Music, Budde Songs Inc., Lovolar Music and Sony Music Publishing (Japan) Inc. (song publisher, never a release label)
The Box Tops4.351:56
5Green TambourineThe Lemon Pipers42:25
6San Francisco (Be Sure to Wear Some Flowers in Your Hair)
producer:
Lou Adler and John Phillips (The Mamas & The Papas)
vocals:
Scott McKenzie (in 1967-05)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1967) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1967)
recording of:
San Francisco (Be Sure to Wear Flowers in Your Hair) (in 1967-05)
lyricist and composer:
John Phillips (The Mamas & The Papas)
publisher:
MCA Music Ltd., Universal Music Corp. (USA, affiliated with ASCAP) and Universal‐MCA Music Publishing (US)
Scott McKenzie43:00
7Summer in the City
additional electric piano:
Artie Schroeck
lead vocals:
John Sebastian
conductor:
Michael Kamen (American score composer)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 393)
recording of:
Summer in the City
writer:
Steve Boone, John Sebastian and Mark Sebastian
The Lovin’ Spoonful4.752:43
8For What It’s Worth
producer:
Charles Greene (producer) and Brian Stone (producer)
background vocals:
Richie Furay and Dewey Martin
vocals:
Stephen Stills
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1969)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 63)
recording of:
For What It’s Worth (on 1966-12-05)
lyricist and composer:
Stephen Stills
publisher:
Cotillion, Cotillion Music Inc. (BMI), Richie Furay Music (BMI), Springalo Toones (BMI), Ten East and Ten‐East Music (BMI)
Buffalo Springfield4.452:37
9Race With the DevilThe Gun4.353:37
10Cathy’s Clown
recording of:
Cathy’s Clown
lyricist and composer:
Don Everly
writer:
Don Everly and Phil Everly
The Everly Brothers2:27
11Time for Livin’
The Association2:46
12Happening Ten Years Time Ago
recording of:
Happenings Ten Years Time Ago
lyricist:
Keith Relf
composer:
Jeff Beck (English rock guitarist), Jim McCarty (UK drummer) and Jimmy Page
publisher:
Glenwood Music Corp.
The Yardbirds2:58
13Painter Man
producer:
Shel Talmy
recording of:
Painter Man
writer:
Eddie Phillips and Kenny Pickett
The Creation2:53
14Pushin’ Too Hard
The Seeds2:36
15No Mule’s Fool
Family3:15
16Don’t You Think It’s Time
recording of:
Don’t You Think It’s Time
writer:
Geoff Goddard (1960s UK musician & songwriter) and Joe Meek
Mike Berry & The Outlaws1:42
17Country Boy
vocals:
Heinz (German/English singer and bassist)
recording of:
Country Boy
writer:
Geoff Goddard (1960s UK musician & songwriter)
Heinz2:02
18I Can’t See You
Tim Buckley2:42
19I’d Rather Go Blind
cover recording of:
I’d Rather Go Blind
lyricist:
Billy Foster (American singer, member of The Medallions and songwriter)
composer:
Ellington Jordan
publisher:
The Jewel Music Co. Ltd.
Chicken Shack3:17
20Need Your Love So Bad
cover recording of:
Need Your Love So Bad
lyricist and composer:
Little Willie John and Mertis John Jr. (older brother of Little Willie John)
publisher:
Fort Knox Music Co and Peter Maurice Music Co.
Fleetwood Mac6:15
CD 5
#TitleArtistRatingLength
1The Good Life
cover recording of:
The Good Life
lyricist:
Jack Reardon
composer:
Sacha Distel (in 1962)
publisher:
Intersong USA, Inc. (publisher) and Prosadis
version of:
Marina
Tony Bennett2:19
2Move Over DarlingDoris Day2:23
3Only the Lonely (Know the Way I Feel)Roy Orbison2:28
4Delaware
recording of:
Delaware
lyricist and composer:
Irving Gordon (US songwriter) (in 1959)
Perry Como2:23
5The Rebound
Floyd Cramer2:09
6Big Bad John
recorded at:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1961-08-18)
recording of:
Big Bad John (1961 song) (on 1961-08-18)
lyricist and composer:
Jimmy Dean
Jimmy Dean43:01
7Dance With the Guitar Man
phonographic copyright (℗) by:
BMG Music (in 1962)
recording of:
(Dance With The) Guitar Man
writer:
Duane Eddy and Lee Hazlewood
publisher:
Twangy Music Ltd.
Duane Eddy32:42
8Misty
producer:
Al Ham and Mitch Miller
vocals:
Johnny Mathis (US pop/soul singer) (in 1959)
conductor:
Glenn Osser (in 1959)
arranger:
Glenn Osser
recording of:
Misty
lyricist:
Johnny Burke (American lyricist, 1908-1964)
composer:
Erroll Garner
publisher:
Marke Music Publishing Co., Inc., My Dad’s Songs, Inc., Octave Music Publishing Corp., Pocketful of Dreams Music, Reganesque Music Company, The Songwriters Guild, Vernon Music Inc., Warner/Chappell Music Ltd. (1996–2019) and WB Music Corp. (1929–2019)
is based on:
Misty (original instrumental work)
Johnny Mathis3:36
9The Ballad of Bonnie & Clyde
producer:
Mike Smith (60’s & 70’s UK Producer)
phonographic copyright (℗) by:
CBS Records (manufacturer/distributor, not for release label use!) (in 1967)
recording of:
The Ballad of Bonnie and Clyde
lyricist:
Peter Callander
composer:
Mitch Murray
publisher:
Intune Ltd. (publisher)
Georgie Fame3:11
10Think
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1968-04-15) and Floyd Newman (on 1968-04-15)
bass guitar:
Jerry Jemmott (on 1968-04-15)
drums (drum set):
Roger Hawkins (on 1968-04-15)
guitar:
Tommy Cogbill (on 1968-04-15) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1968-04-15)
organ:
Spooner Oldham (on 1968-04-15)
piano and lead vocals:
Aretha Franklin (on 1968-04-15)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1968-04-15) and Andrew Love (on 1968-04-15)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1968-04-15)
background vocals:
The Sweet Inspirations (on 1968-04-15)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1968-04-15)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 6) (number: 10)
recording of:
Think (on 1968-04-15)
writer:
Aretha Franklin and Ted White (husband & co-songwriter of Aretha Franklin)
publisher:
14th Hour Music, EMI Songs Ltd., Fourteenth Hour Music, Inc., フジパシフィック音楽出版 SBK事業部 (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (from 2015-01-01 to present)
Aretha Franklin3.652:18
11Take Five
performer:
Carmen McRae
recording of:
Take Five (song version)
lyricist:
Dave Brubeck and Iola Brubeck
composer:
Paul Desmond
version of:
Take Five (original instrumental version)
Carmen McRae & Dave Brubeck2:19
12Hold Me Tight
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1968)
recording of:
Hold Me Tight
lyricist and composer:
Johnny Nash
Johnny Nash2:45
13Can’t Get Used to Losing You
producer:
Robert Mersey
conductor:
Robert Mersey (on 1962-12-02)
arranger:
Robert Mersey
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1963) and Rarity Music (in 2013)
recording of:
Can’t Get Used to Losing You (on 1962-12-02)
writer:
Doc Pomus and Mort Shuman (US singer, pianist & songwriter)
publisher:
Carlin Music Corporation
Andy Williams2:24
14Roses Are Red (My Love)
producer:
Bob Morgan (American A&R director and producer. Occasionally, bass player.)
vocals:
Bobby Vinton
conductor:
Robert Mersey
arranger:
Robert Mersey
recording of:
Roses Are Red (in 1962)
writer:
Al Byron and Paul Evans (50s US rock n roll singer/songwriter)
Bobby Vinton2:40
15Distant Drums
engineer:
Jim Malloy
producer:
Chet Atkins
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1966)
recording of:
Distant Drums (1961 song) (on 1966-02-09)
lyricist and composer:
Cindy Walker (US songwriter, singer and dancer)
Jim Reeves2:52
16The Very Thought of You
cover recording of:
The Very Thought of You
lyricist, writer and composer:
Ray Noble
publisher:
Quartet Music Inc., Range Road Music, Redwood Music Ltd. (Carlin) and Warner Bros. Music (publisher; do NOT use as release label)
Tony Bennett4:33
17As Time Goes By
Jimmy Durante2:29
18The Good, the Bad and the UglyHugo Montenegro and His Orchestra2:48
19Oh Happy Day
recording of:
Oh Happy Day (Hawkins' 1967 gospel arrangement)
lyricist:
Philip Doddridge
composer:
Edward Francis Rimbault (in 1854)
arranger:
Edwin Hawkins (in 1967)
publisher:
Edwin R Hawkins Music Co, EMI U Catalog Inc. (publisher; do NOT use as release label) and EMI United Partnership Ltd.
arrangement of:
Oh Happy Day
version of:
O Happy Day, That Fixed My Choice (mid‐19th century version, with new melody and a chorus by Rimbault)
Edwin Hawkins Singers45:09
20There’s a Hole in My Bucket
recording of:
There’s a Hole in the Bucket
lyricist, writer and composer:
[traditional] (special purpose artist)
arranger:
Harry Belafonte and Odetta Gordon (American singer Odetta Holmes)
Harry Belafonte & Odetta4:20

Credits

Release

copyrighted (©) by and phonographic copyright (℗) by:Demon Music Group Ltd. (for release labels, use "Demon Music Group"; subsidiary of BBC Studios Distribution) (in 2007)
Discogs:https://www.discogs.com/release/2551168 [info]
ASIN:UK: B000VT2NRI [info]

Release group

part of:100 Hits (UK Demon Music Group) (number: 1) (order: 54)