A Great Panorama of Classical Music

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1Concerto in E major, Op. 8 No. 1, RV 269 "La primavera": I. Allegro
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch (in 1981-10)
editor:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
harpsichord:
Trevor Pinnock (conductor / harpsichord) (from 1981-10-20 until 1981-10-23)
violin:
Simon Standage (violinist and conductor) (from 1981-10-20 until 1981-10-23)
orchestra:
The English Concert (from 1981-10-20 until 1981-10-23)
conductor:
Trevor Pinnock (conductor / harpsichord) (from 1981-10-20 until 1981-10-23)
balance engineer:
Hans-Peter Schweigmann (in 1981-10)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1981-10-20 until 1981-10-23)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro (from 1981-10-20 until 1981-10-23)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”
Antonio Vivaldi3:23
2Water Music, Suites II & III in D/G, HWV 349/350: I. Allegro
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch
violin:
Simon Standage (violinist and conductor) (in 1983-04) and Elizabeth Wilcock (violinist) (in 1983-04)
orchestra:
The English Concert (in 1983-04)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1983-04)
balance engineer:
Hans-Peter Schweigmann
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1983-04)
recording of:
Water Music, Suite no. 3 in G major, HWV 350: 16: (Minuet) (no tempo marking) (in 1983-04)
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 3 in G major, HWV 350
Georg Friedrich Händel2:16
3Brandenburg Concerto No. 1 in F major, BWV 1046: I. Allegro
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Wolfgang Mitlehner
violin:
Reinhard Goebel (violinist and conductor) (in 1986-06)
orchestra:
Musica Antiqua Köln (in 1986-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 1986-06)
recorded at:
Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Germany (in 1986-06)
recording of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: I. (Allegro) (in 1986-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046
Johann Sebastian Bach3:42
4Symphony No. 41 in C major, K. 551 "Jupiter": IV. Molto allegro
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
orchestra:
Berliner Philharmoniker (in 1962-03)
conductor:
Karl Böhm (Austrian conductor) (in 1962-03)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1962) and Polydor International GmbH (not for release label use!) (in 1962)
recorded at:
Jesus-Christus-Kirche (Dahlem) in Berlin, Germany (in 1962-03)
recording of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”: IV. Molto allegro (in 1962-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-08-10)
part of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”
Wolfgang Amadeus Mozart6:34
5Piano Quintet in A major, D 667 "The Trout": IV. Thema - Andantino - Variazioni I-V - Allegretto
recording engineer:
Klaus Scheibe (editor/engineer)
producer:
Günther Breest (producer for classical music)
cello:
Martin Lovett (cellist) (from 1975-08 until 1975-09)
double bass:
Rainer Zepperitz (German double bass player) (from 1975-08 until 1975-09)
piano:
Emil Gilels (pianist) (from 1975-08 until 1975-09)
string trio:
Amadeus Quartet (from 1975-08 until 1975-09)
viola:
Peter Schidlof (violist) (from 1975-08 until 1975-09)
violin:
Norbert Brainin (violinist) (from 1975-08 until 1975-09)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon")
recorded at:
Turun konserttitalo in Turku, Varsinais-Suomi, Finland (from 1975-08 until 1975-09)
recording of:
Quintett A-Dur, D. 667 „Forellenquintett“: IV. Theme con variazioni. Andantine - Allegretto (from 1975-08 until 1975-09)
composer:
Franz Schubert (composer) (in 1819)
publisher:
G. Henle Verlag
part of:
Quintett A-Dur, D. 667 „Forellenquintett“
Franz Schubert8:05
6Concerto for Violin and Orchestra in D major, Op. 61: III. Rondo. Allegro
producer:
Michel Glotz
violin:
Anne‐Sophie Mutter (violinist) (from 1979-09-24 until 1979-12-18)
orchestra:
Berliner Philharmoniker (from 1979-09-24 until 1979-12-18)
conductor:
Herbert von Karajan (conductor) (from 1979-09-24 until 1979-12-18)
balance engineer:
Günter Hermanns (producer/engineer) (from 1979-09-24 until 1979-12-18)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1979-09-24 until 1979-12-18)
recording of:
Concerto for Violin and Orchestra in D major, op. 61: III. Rondo. Allegro (from 1979-09-24 until 1979-12-18)
composer:
Ludwig van Beethoven (German composer) (in 1806)
part of:
Concerto for Violin and Orchestra in D major, op. 61
Ludwig van Beethoven10:27
7Symphonie fantastique: II. Valse. Allegro non troppo "Un Bal"
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (from 1974-10-14 until 1975-02-21)
conductor:
Herbert von Karajan (conductor) (from 1974-10-14 until 1975-02-21)
balance engineer:
Günter Hermanns (producer/engineer) (from 1974-10-14 until 1975-02-21)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1974-10-14 until 1975-02-21)
recording of:
Symphonie fantastique, op. 14: II. Un bal (from 1974-10-14 until 1975-02-21)
composer:
Hector Berlioz (composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz6:23
8Symphony No. 4 in A major, Op. 90 "Italian": IV. Saltarello. Presto
sound engineer:
Günter Hermanns (producer/engineer)
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (from 1971-01-02 until 1971-02-17)
conductor:
Herbert von Karajan (conductor) (from 1971-01-02 until 1971-02-17)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-01-02 until 1971-02-17)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-01-02 until 1971-02-17)
recording of:
Symphony no. 4 in A major, op. 90 “Italian”: IV. Saltarello. Presto (from 1971-01-02 until 1971-02-17)
composer:
Felix Mendelssohn (composer) (in 1833)
part of:
Symphony no. 4 in A major, op. 90 “Italian”
Felix Mendelssohn5:45
9Kinderszenen, Op. 15: VII. Träumerei
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon) and Cord Garben (pianist and conductor)
piano:
Wilhelm Kempff (pianist) (in 1971-03)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Beethovensaal (Hannover) in Hannover, Niedersachsen, Germany (in 1971-03)
recording of:
Kinderszenen, op. 15: No. 7. Träumerei (for piano) (in 1971-03)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Kinderszenen, op. 15
Robert Schumann2:35
10Der fliegende Holländer: Ouverture
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon) and Dr. Hans Hirsch (producer at Deutsche Grammophon)
orchestra:
Wiener Philharmoniker (from 1971-07 until 1971-08)
conductor:
Karl Böhm (Austrian conductor) (from 1971-07 until 1971-08)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Bayreuther Festspiele 1971
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!)
recorded at:
Richard-Wagner-Festspielhaus in Bayreuth, Bayern, Germany (from 1971-07 until 1971-08) and Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1971-07 until 1971-08)
live recording of:
Der fliegende Holländer, WWV 63: Ouvertüre (from 1971-07 until 1971-08)
composer:
Richard Wagner (composer) (from 1840 until 1841)
part of:
Der fliegende Holländer, WWV 63
Richard Wagner10:34
11Nabucco: Act III. Coro: Introduzione - "Va pensiero, sull'ali dorate"
producer:
Hans Hirsch (producer at Deutsche Grammophon) and Wolfgang Stengel (in 1982-05)
choir vocals:
Chor der Deutschen Oper Berlin (in 1982-05)
orchestra:
Orchester der Deutschen Oper Berlin (in 1982-05)
conductor:
Giuseppe Sinopoli (conductor) (in 1982-05)
balance engineer:
Klaus Hiemann (German audio) (in 1982-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1983)
recorded at:
Haus des Rundfunks: Großer Sendesaal in Berlin, Germany (in 1982-05)
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves) (in 1982-05)
composer:
Giuseppe Verdi (Italian opera composer) (in 1841)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
Giuseppe Verdi5:01
12Frühlingsstimmen, Op. 410
producer:
John Culshaw and Christopher Raeburn (producer)
orchestra:
Wiener Philharmoniker (in 1959-09)
conductor:
Willi Boskovsky (violinist and conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1959-09)
recording of:
Frühlingsstimmen, op. 410 (in 1959-09)
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1882)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 410)
Johann Strauss II6:03
▼ CD 2
#TitleArtistRatingLength
1Carmen: Act I. "L'amour est un oiseau rebelle" (Havanaise)
recording engineer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1977-08) and George Watson’s College Boys’ Chorus (in 1977-08)
mezzo-soprano vocals [Carmen]:
Teresa Berganza (mezzo-soprano) (in 1977-08)
orchestra:
London Symphony Orchestra (in 1977-08)
conductor:
Claudio Abbado (conductor) (in 1977-08)
chorus master:
Patrick Criswell (chorusmaster) (in 1977-08) and John McCarthy (British choral conductor, scholar, composer and arranger) (in 1977-08)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recording of:
Carmen : Acte I. No. 5 Havanaise « L’amour est un oiseau rebelle » (Carmen, chœur) (Habanera) (in 1977-08)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
is based on:
El arreglito
part of:
Carmen : Acte I
Georges Bizet4:27
2Carmen: Act II. La fleur que tu m'avais jetée (Don José)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
tenor vocals [Don José, un brigadier]:
Plácido Domingo (tenor) (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte II. No. 17 Duo : « La fleur que tu m’avais jetée » (Carmen, Don José) (Flower Song) (from 1977-08 until 1977-09)
composer:
Georges Bizet (composer) (in 1875)
librettist:
Ludovic Halévy (French librettist) (in 1875) and Henri Meilhac (in 1875)
part of:
Carmen : Acte II
Georges Bizet4:19
3Pictures at an Exhibition: The Great Gate of Kiev
producer:
Günther Breest (producer for classical music)
orchestra:
Chicago Symphony Orchestra (in 1976-04)
conductor:
Carlo Maria Giulini (conductor) (in 1976-04)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Medinah Temple in Chicago, Illinois, United States (in 1976-04)
recording of:
Tableaux d’une exposition: X. La grande porte de Kiev (orchestrated by Ravel) (in 1976-04)
orchestrator:
Maurice Ravel (classical composer) (in 1922)
composer:
Модест Петрович Мусоргский (composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 10 “Богатырскія ворота” (Въ стольномъ городѣ Кіевѣ) (original piano version)
part of:
Tableaux d’une exposition (orchestrated by Ravel)
Модест Петрович Мусоргский5:51
4Symphony No. 9 in E minor, Op. 95 "From the New World": II. Largo
executive producer:
Otto Gerdes (conductor and producer)
producer:
Otto Ernst Wohlert
orchestra:
Berliner Philharmoniker (from 1964-03-04 until 1964-03-05)
conductor:
Herbert von Karajan (conductor) (from 1964-03-04 until 1964-03-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1964-03-04 until 1964-03-05)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1964-03-04 until 1964-03-05)
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo (from 1964-03-04 until 1964-03-05)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“
Antonín Dvořák13:17
5Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (from 1982-01-27 until 1982-02-18)
conductor:
Herbert von Karajan (conductor) (from 1982-01-27 until 1982-02-18)
balance engineer:
Günter Hermanns (producer/engineer) (from 1982-01-27 until 1982-02-18)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1982-01-27 until 1982-02-18)
recording of:
Peer Gynt Suite no. 1, op. 46: IV. I Dovregubbens hall (from 1982-01-27 until 1982-02-18)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 2. akt: I Dovregubbens hall
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg2:17
6The Tale of Tsar Saltan: Act III. The Flight of the Bumblebee
sound engineer and engineer:
John Dunkerley (engineer)
producer:
Andrew Cornall (engineer / producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1985-10)
conductor:
Vladimir Ashkenazy (Russian-Icelandic conductor and pianist) (in 1985-10)
recorded at:
Walthamstow Assembly Hall, London in London (Greater London), England, United Kingdom (in 1985-10)
recording of:
Полёт шмеля (Flight of the Bumblebee; orchestral interlude between Tableaus 1 & 2 in Act III of The Tale of Tsar Saltan) (in 1985-10)
composer:
Николай Андреевич Римский‐Корсаков (Russian composer) (from 1899 until 1900)
part of:
The Tale of Tsar Saltan: Act III
Николай Андреевич Римский‐Корсаков1:21
7Préludes, Book I: VIII. La fille aux cheveux de lin
producer:
Karl Faust (producer) and Cord Garben (pianist and conductor)
piano:
Arturo Benedetti Michelangeli (pianist) (in 1978-06)
balance engineer:
Klaus Hiemann (German audio)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
Laeiszhalle in Hamburg, Germany (in 1978-06)
recording of:
Préludes, Livre I, L. 117, CD 125: VIII. La fille aux cheveux de lin. Très calme et doucement expressif (in 1978-06)
composer:
Claude Debussy (composer) (from 1909-12 until 1910-02)
premiered at:
[concert] (1910-06-02)
part of:
Préludes, Livre I, L. 117, CD 125
Claude Debussy2:58
8Also sprach Zarathustra, Op. 30
producer:
Hans Weber (producer/engineer)
violin:
Michel Schwalbé (Polish violinist) (from 1973-01-26 until 1973-03-06)
orchestra:
Berliner Philharmoniker (from 1973-01-26 until 1973-03-06)
conductor:
Herbert von Karajan (conductor) (from 1973-01-26 until 1973-03-06)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-01-06 until 1973-03-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1973-01-26 until 1973-03-06)
recording of:
Also sprach Zarathustra, op. 30: I. Einleitung (Sonnenaufgang) (from 1973-01-26 until 1973-03-06)
composer:
Richard Strauss (German composer) (in 1896)
part of:
Also sprach Zarathustra (op 30; TrV 176)
Richard Strauss1:56
9Karelia Suite, Op. 11: I. Intermezzo. Moderato
executive producer:
Cord Garben (pianist and conductor)
orchestra:
Radio-Sinfonie-Orchester Helsinki (in 1975-10)
conductor:
Okko Kamu (conductor) (in 1975-10)
balance engineer:
Klaus Hiemann (German audio) (in 1975-10)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Finlandia‐talo in Helsinki, Uusimaa, Finland (in 1975-10)
recording of:
Karelia-sarja, op. 11: I. Intermezzo (for orchestra) (in 1975-10)
composer:
Jean Sibelius (Finnish composer) (in 1893)
part of:
Karelia-sarja, op. 11
Jean Sibelius4:10
10Piano Concerto No. 2 in C minor, Op. 18: I. Moderato
producer:
Hans Weber (producer/engineer)
editor:
Helmut Najda
piano:
Sviatoslav Richter (Sviatoslav Richter, pianist) (from 1959-04-26 until 1959-05-02)
orchestra:
Warsaw National Philharmonic Orchestra (from 1959-04-26 until 1959-05-02)
conductor:
Stanisław Wisłocki (conductor) (from 1959-04-26 until 1959-05-02)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Philharmonic Hall in Warsaw, Mazowieckie, Poland (from 1959-04-26 until 1959-05-02)
recording of:
Piano Concerto no. 2 in C minor, op. 18: I. Moderato (from 1959-04-26 until 1959-05-02)
premiered in:
Moscow, Russia (on 1900-12-15)
composer:
Сергей Рахманинов (Russian composer) (from 1900 until 1901-04)
part of:
Piano Concerto no. 2 in C minor, op. 18
Сергей Васильевич Рахманинов4.511:14
11Rapsodie espagnole: IV. Feria: assez animé
orchestra:
Boston Symphony Orchestra (in 1974-03)
conductor:
Seiji Ozawa (conductor and composer) (in 1974-03)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1974-03)
recording of:
Rapsodie espagnole: IV. Feria. Assez animé (orchestrated by Ravel) (in 1974-03)
orchestrator:
Maurice Ravel (classical composer)
composer:
Maurice Ravel (classical composer) (from 1907 until 1908)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
orchestration of:
Rapsodie espagnole: IV. Feria. Assez animé (for piano duo)
part of:
Rapsodie espagnole (orchestrated by Ravel)
Maurice Ravel6:18
12Symphony No. 1 in D major, Op. 25 "Classical": I. Allegro
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Chamber Orchestra of Europe (in 1986-12)
conductor:
Claudio Abbado (conductor) (in 1986-12)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Konzerthaus: Schubertsaal in Landstraße, Wien, Austria (in 1986-12)
recording of:
Symphony no. 1 in D major, op. 25 “Classical”: I. Allegro (in 1986-12)
composer:
Сергей Сергеевич Прокофьев (Russian composer) (in 1917)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Symphony no. 1 in D major, op. 25 “Classical”
Сергей Сергеевич Прокофьев4:24
13Piano Concerto in F major: III. Allegro agitato
piano:
André Previn (pianist, conductor, composer, arranger) (in 1984-05)
orchestra:
Pittsburgh Symphony Orchestra (in 1984-05)
conductor:
André Previn (pianist, conductor, composer, arranger) (in 1984-05)
recorded at:
Heinz Hall for the Performing Arts in Pittsburgh, Pennsylvania, United States (in 1984-05)
recording of:
Concerto for Piano and Orchestra in F major: III. Allegro agitato (in 1984-05)
composer:
George Gershwin (composer) (in 1925)
publisher:
Chappell Music Ltd.
part of:
Concerto for Piano and Orchestra in F major
George Gershwin6:48

Credits

Release

part of:Panorama (Deutsche Grammophon) (order: 20)
ASIN:US: B00004XN6I [info]
discography entry:https://www.deutschegrammophon.com/en/cat/4691002 [info]