Requiem

~ Release by Brahms, Dvořák, Cherubini, Victoria, Fauré (see all versions of this release, 1 available)

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1Ein deutsches Requiem, op. 45: I. Selig sind, die da Leid tragen
producer:
Hans Weber (producer/engineer) (in 1987-06)
editor:
Klaus Scheibe (editor/engineer)
organ:
Rudolf Scholz (organist) (in 1987-06)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1987-06)
orchestra:
Wiener Philharmoniker (in 1987-06)
conductor:
Carlo Maria Giulini (conductor) (in 1987-06)
chorus master:
Walter Hagen-Groll (chorus master) (in 1987-06)
balance engineer:
Klaus Scheibe (editor/engineer) (in 1987-06)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1987-06)
live recording of:
Ein deutsches Requiem, op. 45: I. “Selig sind, die da Leid tragen” (Chor) (in 1987-06)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms10:31
2Ein deutsches Requiem, op. 45: II. Denn alles Fleisch, es ist wie Gras
producer:
Hans Weber (producer/engineer) (in 1987-06)
editor:
Klaus Scheibe (editor/engineer)
organ:
Rudolf Scholz (organist) (in 1987-06)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1987-06)
orchestra:
Wiener Philharmoniker (in 1987-06)
conductor:
Carlo Maria Giulini (conductor) (in 1987-06)
chorus master:
Walter Hagen-Groll (chorus master) (in 1987-06)
balance engineer:
Klaus Scheibe (editor/engineer) (in 1987-06)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1987-06)
live recording of:
Ein deutsches Requiem, op. 45: II. “Denn alles Fleisch, es ist wie Gras” (Chor) (in 1987-06)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms15:20
3Ein deutsches Requiem, op. 45: III. Herr, lehre doch mich
producer:
Hans Weber (producer/engineer) (in 1987-06)
editor:
Klaus Scheibe (editor/engineer)
organ:
Rudolf Scholz (organist) (in 1987-06)
baritone vocals:
Andreas Schmidt (bass-baritone & teacher) (in 1987-06)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1987-06)
orchestra:
Wiener Philharmoniker (in 1987-06)
conductor:
Carlo Maria Giulini (conductor) (in 1987-06)
chorus master:
Walter Hagen-Groll (chorus master) (in 1987-06)
balance engineer:
Klaus Scheibe (editor/engineer) (in 1987-06)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1987-06)
live recording of:
Ein deutsches Requiem, op. 45: III. “Herr, lehre doch mich” (Chor, Bariton) (in 1987-06)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms10:28
4Ein deutsches Requiem, op. 45: IV. Wie lieblich sind Deine Wohnungen
producer:
Hans Weber (producer/engineer) (in 1987-06)
editor:
Klaus Scheibe (editor/engineer)
organ:
Rudolf Scholz (organist) (in 1987-06)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1987-06)
orchestra:
Wiener Philharmoniker (in 1987-06)
conductor:
Carlo Maria Giulini (conductor) (in 1987-06)
chorus master:
Walter Hagen-Groll (chorus master) (in 1987-06)
balance engineer:
Klaus Scheibe (editor/engineer) (in 1987-06)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1987-06)
live recording of:
Ein deutsches Requiem, op. 45: IV. “Wie lieblich sind Deine Wohnungen” (Chor) (in 1987-06)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms6:10
5Ein deutsches Requiem, op. 45: V. Ihr habt nun Traurigkeit
producer:
Hans Weber (producer/engineer) (in 1987-06)
editor:
Klaus Scheibe (editor/engineer)
organ:
Rudolf Scholz (organist) (in 1987-06)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1987-06)
soprano vocals:
Barbara Bonney (soprano) (in 1987-06)
orchestra:
Wiener Philharmoniker (in 1987-06)
conductor:
Carlo Maria Giulini (conductor) (in 1987-06)
chorus master:
Walter Hagen-Groll (chorus master) (in 1987-06)
balance engineer:
Klaus Scheibe (editor/engineer) (in 1987-06)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1987-06)
live recording of:
Ein deutsches Requiem, op. 45: V. “Ihr habt nun Traurigkeit” (Chor, Sopran) (in 1987-06)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms7:29
6Ein deutsches Requiem, op. 45: VI. Denn wir haben hie keine bleibende Statt
producer:
Hans Weber (producer/engineer) (in 1987-06)
editor:
Klaus Scheibe (editor/engineer)
organ:
Rudolf Scholz (organist) (in 1987-06)
baritone vocals:
Andreas Schmidt (bass-baritone & teacher) (in 1987-06)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1987-06)
orchestra:
Wiener Philharmoniker (in 1987-06)
conductor:
Carlo Maria Giulini (conductor) (in 1987-06)
chorus master:
Walter Hagen-Groll (chorus master) (in 1987-06)
balance engineer:
Klaus Scheibe (editor/engineer) (in 1987-06)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1987-06)
live recording of:
Ein deutsches Requiem, op. 45: VI. “Denn wir haben hie keine bleibende Statt” (Chor, Bariton) (in 1987-06)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms12:08
7Ein deutsches Requiem, op. 45: VII. Selig sind die Toten, die in dem Herrn sterben
producer:
Hans Weber (producer/engineer) (in 1987-06)
editor:
Klaus Scheibe (editor/engineer)
organ:
Rudolf Scholz (organist) (in 1987-06)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1987-06)
orchestra:
Wiener Philharmoniker (in 1987-06)
conductor:
Carlo Maria Giulini (conductor) (in 1987-06)
chorus master:
Walter Hagen-Groll (chorus master) (in 1987-06)
balance engineer:
Klaus Scheibe (editor/engineer) (in 1987-06)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1987-06)
live recording of:
Ein deutsches Requiem, op. 45: VII. “Selig sind die Toten” (Chor) (in 1987-06)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms11:24
▼ CD 2
#TitleArtistRatingLength
1Requiem, op. 89: I. Requiem aeternam
producer:
Christopher Raeburn (producer)
baritone vocals:
Tom Krause (bass-baritone) (from 1968-12-09 until 1968-12-14)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1968-12-09 until 1968-12-14)
mezzo-soprano vocals:
Erszebet Komlossy (from 1968-12-09 until 1968-12-14)
soprano vocals:
Pilar Lorengar (soprano) (from 1968-12-09 until 1968-12-14)
tenor vocals:
Róbert Ilosfalvy (Hungarian tenor) (from 1968-12-09 until 1968-12-14)
orchestra:
London Symphony Orchestra (from 1968-12-09 until 1968-12-14)
conductor:
István Kertész (conductor) (from 1968-12-09 until 1968-12-14)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
balance engineer:
James Lock (engineer) (in 1968-12) and Gordon Parry (engineer) (in 1968-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-12-09 until 1968-12-14)
recording of:
Requiem v B-moll, op. 89, B. 165: I. oddíl: I. Introitus: Requiem aeternam (from 1968-12-09 until 1968-12-14)
composer:
Antonín Dvořák (composer) (from 1890-01-01 until 1890-10-31)
part of:
Requiem v B-moll, op. 89, B. 165: I. oddíl
Antonín Dvořák10:37
2Requiem, op. 89: II. Graduale
producer:
Christopher Raeburn (producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1968-12-09 until 1968-12-14)
soprano vocals:
Pilar Lorengar (soprano) (from 1968-12-09 until 1968-12-14)
orchestra:
London Symphony Orchestra (from 1968-12-09 until 1968-12-14)
conductor:
István Kertész (conductor) (from 1968-12-09 until 1968-12-14)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
balance engineer:
James Lock (engineer) (in 1968-12) and Gordon Parry (engineer) (in 1968-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-12-09 until 1968-12-14)
recording of:
Requiem v B-moll, op. 89, B. 165: I. oddíl: II. Graduale: Requiem aeternam (from 1968-12-09 until 1968-12-14)
composer:
Antonín Dvořák (composer) (from 1890-01-01 until 1890-10-31)
part of:
Requiem v B-moll, op. 89, B. 165: I. oddíl
Antonín Dvořák5:08
3Requiem, op. 89: III. Dies irae
producer:
Christopher Raeburn (producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1968-12-09 until 1968-12-14)
orchestra:
London Symphony Orchestra (from 1968-12-09 until 1968-12-14)
conductor:
István Kertész (conductor) (from 1968-12-09 until 1968-12-14)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
balance engineer:
James Lock (engineer) (in 1968-12) and Gordon Parry (engineer) (in 1968-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-12-09 until 1968-12-14)
recording of:
Requiem v B-moll, op. 89, B. 165: I. oddíl: III. Sequentia: Dies irae (from 1968-12-09 until 1968-12-14)
composer:
Antonín Dvořák (composer) (from 1890-01-01 until 1890-10-31)
part of:
Requiem v B-moll, op. 89, B. 165: I. oddíl: III. Sequentia
Antonín Dvořák2:09
4Requiem, op. 89: IV. Tuba mirum
producer:
Christopher Raeburn (producer)
baritone vocals:
Tom Krause (bass-baritone) (from 1968-12-09 until 1968-12-14)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1968-12-09 until 1968-12-14)
mezzo-soprano vocals:
Erszebet Komlossy (from 1968-12-09 until 1968-12-14)
soprano vocals:
Pilar Lorengar (soprano) (from 1968-12-09 until 1968-12-14)
tenor vocals:
Róbert Ilosfalvy (Hungarian tenor) (from 1968-12-09 until 1968-12-14)
orchestra:
London Symphony Orchestra (from 1968-12-09 until 1968-12-14)
conductor:
István Kertész (conductor) (from 1968-12-09 until 1968-12-14)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
balance engineer:
James Lock (engineer) (in 1968-12) and Gordon Parry (engineer) (in 1968-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-12-09 until 1968-12-14)
recording of:
Requiem v B-moll, op. 89, B. 165: I. oddíl: III. Sequentia: Tuba mirum (from 1968-12-09 until 1968-12-14)
composer:
Antonín Dvořák (composer) (from 1890-01-01 until 1890-10-31)
part of:
Requiem v B-moll, op. 89, B. 165: I. oddíl: III. Sequentia
Antonín Dvořák8:35
5Requiem, op. 89: V. Quid sum miser
producer:
Christopher Raeburn (producer)
baritone vocals:
Tom Krause (bass-baritone) (from 1968-12-09 until 1968-12-14)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1968-12-09 until 1968-12-14)
mezzo-soprano vocals:
Erszebet Komlossy (from 1968-12-09 until 1968-12-14)
soprano vocals:
Pilar Lorengar (soprano) (from 1968-12-09 until 1968-12-14)
tenor vocals:
Róbert Ilosfalvy (Hungarian tenor) (from 1968-12-09 until 1968-12-14)
orchestra:
London Symphony Orchestra (from 1968-12-09 until 1968-12-14)
conductor:
István Kertész (conductor) (from 1968-12-09 until 1968-12-14)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
balance engineer:
James Lock (engineer) (in 1968-12) and Gordon Parry (engineer) (in 1968-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-12-09 until 1968-12-14)
recording of:
Requiem v B-moll, op. 89, B. 165: I. oddíl: III. Sequentia: Quid sum miser (from 1968-12-09 until 1968-12-14)
composer:
Antonín Dvořák (composer) (from 1890-01-01 until 1890-10-31)
part of:
Requiem v B-moll, op. 89, B. 165: I. oddíl: III. Sequentia
Antonín Dvořák6:02
6Requiem, op. 89: VI. Recordare
producer:
Christopher Raeburn (producer)
baritone vocals:
Tom Krause (bass-baritone) (from 1968-12-09 until 1968-12-14)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1968-12-09 until 1968-12-14)
mezzo-soprano vocals:
Erszebet Komlossy (from 1968-12-09 until 1968-12-14)
soprano vocals:
Pilar Lorengar (soprano) (from 1968-12-09 until 1968-12-14)
tenor vocals:
Róbert Ilosfalvy (Hungarian tenor) (from 1968-12-09 until 1968-12-14)
orchestra:
London Symphony Orchestra (from 1968-12-09 until 1968-12-14)
conductor:
István Kertész (conductor) (from 1968-12-09 until 1968-12-14)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1968-12)
balance engineer:
James Lock (engineer) (in 1968-12) and Gordon Parry (engineer) (in 1968-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-12-09 until 1968-12-14)
recording of:
Requiem v B-moll, op. 89, B. 165: I. oddíl: III. Sequentia: Recordare (from 1968-12-09 until 1968-12-14)
composer:
Antonín Dvořák (composer) (from 1890-01-01 until 1890-10-31)
part of:
Requiem v B-moll, op. 89, B. 165: I. oddíl: III. Sequentia
Antonín Dvořák6:59
7Requiem, op. 89: VII. Confutatis maledictis
producer:
Christopher Raeburn (producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1968-12-09 until 1968-12-14)
orchestra:
London Symphony Orchestra (from 1968-12-09 until 1968-12-14)
conductor:
István Kertész (conductor) (from 1968-12-09 until 1968-12-14)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
balance engineer:
James Lock (engineer) (in 1968-12) and Gordon Parry (engineer) (in 1968-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-12-09 until 1968-12-14)
recording of:
Requiem v B-moll, op. 89, B. 165: I. oddíl: III. Sequentia: Confutatis maledictis (from 1968-12-09 until 1968-12-14)
composer:
Antonín Dvořák (composer) (from 1890-01-01 until 1890-10-31)
part of:
Requiem v B-moll, op. 89, B. 165: I. oddíl: III. Sequentia
Antonín Dvořák4:15
8Requiem, op. 89: VIII. Lacrymosa
producer:
Christopher Raeburn (producer)
baritone vocals:
Tom Krause (bass-baritone) (from 1968-12-09 until 1968-12-14)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1968-12-09 until 1968-12-14)
mezzo-soprano vocals:
Erszebet Komlossy (from 1968-12-09 until 1968-12-14)
soprano vocals:
Pilar Lorengar (soprano) (from 1968-12-09 until 1968-12-14)
tenor vocals:
Róbert Ilosfalvy (Hungarian tenor) (from 1968-12-09 until 1968-12-14)
orchestra:
London Symphony Orchestra (from 1968-12-09 until 1968-12-14)
conductor:
István Kertész (conductor) (from 1968-12-09 until 1968-12-14)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
balance engineer:
James Lock (engineer) (in 1968-12) and Gordon Parry (engineer) (in 1968-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-12-09 until 1968-12-14)
recording of:
Requiem v B-moll, op. 89, B. 165: I. oddíl: III. Sequentia: Lacrimosa (from 1968-12-09 until 1968-12-14)
composer:
Antonín Dvořák (composer) (from 1890-01-01 until 1890-10-31)
part of:
Requiem v B-moll, op. 89, B. 165: I. oddíl: III. Sequentia
Antonín Dvořák6:11
9Requiem, op. 89: IX. Offertorium
producer:
Christopher Raeburn (producer)
baritone vocals:
Tom Krause (bass-baritone) (from 1968-12-09 until 1968-12-14)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1968-12-09 until 1968-12-14)
mezzo-soprano vocals:
Erszebet Komlossy (from 1968-12-09 until 1968-12-14)
soprano vocals:
Pilar Lorengar (soprano) (in 1968-12, from 1968-12-09 until 1968-12-14)
tenor vocals:
Róbert Ilosfalvy (Hungarian tenor) (from 1968-12-09 until 1968-12-14)
orchestra:
London Symphony Orchestra (from 1968-12-09 until 1968-12-14)
conductor:
István Kertész (conductor) (from 1968-12-09 until 1968-12-14)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
balance engineer:
James Lock (engineer) (in 1968-12) and Gordon Parry (engineer) (in 1968-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-12-09 until 1968-12-14)
recording of:
Requiem v B-moll, op. 89, B. 165: II. oddíl: IV. Offertorium: Domine Jesu Christe (from 1968-12-09 until 1968-12-14)
composer:
Antonín Dvořák (composer) (from 1890-01-01 until 1890-10-31)
part of:
Requiem v B-moll, op. 89, B. 165: II. oddíl: IV. Offertorium
Antonín Dvořák11:12
10Requiem, op. 89: X. Hostias
producer:
Christopher Raeburn (producer)
baritone vocals:
Tom Krause (bass-baritone) (from 1968-12-09 until 1968-12-14)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1968-12-09 until 1968-12-14)
mezzo-soprano vocals:
Erszebet Komlossy (from 1968-12-09 until 1968-12-14)
soprano vocals:
Pilar Lorengar (soprano) (from 1968-12-09 until 1968-12-14)
tenor vocals:
Róbert Ilosfalvy (Hungarian tenor) (from 1968-12-09 until 1968-12-14)
orchestra:
London Symphony Orchestra (from 1968-12-09 until 1968-12-14)
conductor:
István Kertész (conductor) (from 1968-12-09 until 1968-12-14)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
balance engineer:
James Lock (engineer) (in 1968-12) and Gordon Parry (engineer) (in 1968-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-12-09 until 1968-12-14)
recording of:
Requiem v B-moll, op. 89, B. 165: II. oddíl: IV. Offertorium: Hostias (from 1968-12-09 until 1968-12-14)
composer:
Antonín Dvořák (composer) (from 1890-01-01 until 1890-10-31)
part of:
Requiem v B-moll, op. 89, B. 165: II. oddíl: IV. Offertorium
Antonín Dvořák11:14
▼ CD 3
#TitleArtistRatingLength
1Requiem, op. 89: XI. Sanctus
producer:
Christopher Raeburn (producer)
baritone vocals:
Tom Krause (bass-baritone) (from 1968-12-09 until 1968-12-14)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1968-12-09 until 1968-12-14)
mezzo-soprano vocals:
Erszebet Komlossy (from 1968-12-09 until 1968-12-14)
soprano vocals:
Pilar Lorengar (soprano) (from 1968-12-09 until 1968-12-14)
tenor vocals:
Róbert Ilosfalvy (Hungarian tenor) (from 1968-12-09 until 1968-12-14)
orchestra:
London Symphony Orchestra (from 1968-12-09 until 1968-12-14)
conductor:
István Kertész (conductor) (from 1968-12-09 until 1968-12-14)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
balance engineer:
James Lock (engineer) (in 1968-12) and Gordon Parry (engineer) (in 1968-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-12-09 until 1968-12-14)
recording of:
Requiem v B-moll, op. 89, B. 165: II. oddíl: V. Sanctus - Pie Jesu: Sanctus (from 1968-12-09 until 1968-12-14)
composer:
Antonín Dvořák (composer) (from 1890-01-01 until 1890-10-31)
part of:
Requiem v B-moll, op. 89, B. 165: II. oddíl: V. Sanctus - Pie Jesu
Antonín Dvořák5:51
2Requiem, op. 89: XII. Pie Jesu
producer:
Christopher Raeburn (producer)
baritone vocals:
Tom Krause (bass-baritone) (from 1968-12-09 until 1968-12-14)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1968-12-09 until 1968-12-14)
mezzo-soprano vocals:
Erszebet Komlossy (from 1968-12-09 until 1968-12-14)
soprano vocals:
Pilar Lorengar (soprano) (from 1968-12-09 until 1968-12-14)
tenor vocals:
Róbert Ilosfalvy (Hungarian tenor) (from 1968-12-09 until 1968-12-14)
orchestra:
London Symphony Orchestra (from 1968-12-09 until 1968-12-14)
conductor:
István Kertész (conductor) (from 1968-12-09 until 1968-12-14)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
balance engineer:
James Lock (engineer) (in 1968-12) and Gordon Parry (engineer) (in 1968-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-12-09 until 1968-12-14)
recording of:
Requiem v B-moll, op. 89, B. 165: II. oddíl: V. Sanctus - Pie Jesu: Pie Jesu (from 1968-12-09 until 1968-12-14)
composer:
Antonín Dvořák (composer) (from 1890-01-01 until 1890-10-31)
part of:
Requiem v B-moll, op. 89, B. 165: II. oddíl: V. Sanctus - Pie Jesu
Antonín Dvořák5:12
3Requiem, op. 89: XIII. Agnus Dei
producer:
Christopher Raeburn (producer)
baritone vocals:
Tom Krause (bass-baritone) (from 1968-12-09 until 1968-12-14)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1968-12-09 until 1968-12-14)
mezzo-soprano vocals:
Erszebet Komlossy (from 1968-12-09 until 1968-12-14)
soprano vocals:
Pilar Lorengar (soprano) (from 1968-12-09 until 1968-12-14)
tenor vocals:
Róbert Ilosfalvy (Hungarian tenor) (from 1968-12-09 until 1968-12-14)
orchestra:
London Symphony Orchestra (from 1968-12-09 until 1968-12-14)
conductor:
István Kertész (conductor) (from 1968-12-09 until 1968-12-14)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
balance engineer:
James Lock (engineer) (in 1968-12) and Gordon Parry (engineer) (in 1968-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-12-09 until 1968-12-14)
recording of:
Requiem v B-moll, op. 89, B. 165: II. oddíl: VI. Agnus Dei (from 1968-12-09 until 1968-12-14)
composer:
Antonín Dvořák (composer) (from 1890-01-01 until 1890-10-31)
part of:
Requiem v B-moll, op. 89, B. 165: II. oddíl
Antonín Dvořák10:50
4Requiem, c-Moll: I. Introitus
choir vocals:
Chor des Österreichischen Rundfunks (Austrian Broadcasting Corporation Choir)
orchestra:
Symphonie-Orchester des Österreichischen Rundfunks (previously ORF-Symphonieorchester)
conductor:
Lamberto Gardelli (conductor)
recording of:
Requiem in C minor: I. Introitus et Kyrie
composer:
Luigi Cherubini (composer) (from 1815 until 1816)
part of:
Requiem in C minor (« à la mémoire de Louis XVI »)
Luigi Cherubini7:17
5Requiem, c-Moll: II. Graduale
choir vocals:
Chor des Österreichischen Rundfunks (Austrian Broadcasting Corporation Choir)
orchestra:
Symphonie-Orchester des Österreichischen Rundfunks (previously ORF-Symphonieorchester)
conductor:
Lamberto Gardelli (conductor)
recording of:
Requiem in C minor: II. Graduale
composer:
Luigi Cherubini (composer) (from 1815 until 1816)
part of:
Requiem in C minor (« à la mémoire de Louis XVI »)
Luigi Cherubini1:31
6Requiem, c-Moll: III. Dies irae
choir vocals:
Chor des Österreichischen Rundfunks (Austrian Broadcasting Corporation Choir)
orchestra:
Symphonie-Orchester des Österreichischen Rundfunks (previously ORF-Symphonieorchester)
conductor:
Lamberto Gardelli (conductor)
recording of:
Requiem in C minor: III. Dies irae
composer:
Luigi Cherubini (composer) (from 1815 until 1816)
part of:
Requiem in C minor (« à la mémoire de Louis XVI »)
Luigi Cherubini10:49
7Requiem, c-Moll: IV. Domine Jesu Christe
choir vocals:
Chor des Österreichischen Rundfunks (Austrian Broadcasting Corporation Choir)
orchestra:
Symphonie-Orchester des Österreichischen Rundfunks (previously ORF-Symphonieorchester)
conductor:
Lamberto Gardelli (conductor)
partial recording of:
Requiem in C minor: IV. Offertorium
composer:
Luigi Cherubini (composer) (from 1815 until 1816)
part of:
Requiem in C minor (« à la mémoire de Louis XVI »)
Luigi Cherubini7:31
8Requiem, c-Moll: V. Hostias et preces
choir vocals:
Chor des Österreichischen Rundfunks (Austrian Broadcasting Corporation Choir)
orchestra:
Symphonie-Orchester des Österreichischen Rundfunks (previously ORF-Symphonieorchester)
conductor:
Lamberto Gardelli (conductor)
partial recording of:
Requiem in C minor: IV. Offertorium
composer:
Luigi Cherubini (composer) (from 1815 until 1816)
part of:
Requiem in C minor (« à la mémoire de Louis XVI »)
Luigi Cherubini8:04
9Requiem, c-Moll: VI. Sanctus
choir vocals:
Chor des Österreichischen Rundfunks (Austrian Broadcasting Corporation Choir)
orchestra:
Symphonie-Orchester des Österreichischen Rundfunks (previously ORF-Symphonieorchester)
conductor:
Lamberto Gardelli (conductor)
recording of:
Requiem in C minor: V. Sanctus
composer:
Luigi Cherubini (composer) (from 1815 until 1816)
part of:
Requiem in C minor (« à la mémoire de Louis XVI »)
Luigi Cherubini1:36
10Requiem, c-Moll: VII. Pie Jesu
choir vocals:
Chor des Österreichischen Rundfunks (Austrian Broadcasting Corporation Choir)
orchestra:
Symphonie-Orchester des Österreichischen Rundfunks (previously ORF-Symphonieorchester)
conductor:
Lamberto Gardelli (conductor)
recording of:
Requiem in C minor: VI. Pie Jesu
composer:
Luigi Cherubini (composer) (from 1815 until 1816)
part of:
Requiem in C minor (« à la mémoire de Louis XVI »)
Luigi Cherubini3:36
11Requiem, c-Moll: VIII. Agnus Dei
choir vocals:
Chor des Österreichischen Rundfunks (Austrian Broadcasting Corporation Choir)
orchestra:
Symphonie-Orchester des Österreichischen Rundfunks (previously ORF-Symphonieorchester)
conductor:
Lamberto Gardelli (conductor)
recording of:
Requiem in C minor: VII. Agnus Dei
composer:
Luigi Cherubini (composer) (from 1815 until 1816)
part of:
Requiem in C minor (« à la mémoire de Louis XVI »)
Luigi Cherubini7:08
▼ CD 4
#TitleArtistRatingLength
1Requiem: I. Taedet animam meam
engineer:
Mr Bear (engineer)
producer:
Peter Phillips (British conductor) and Steve C. Smith (engineer/producer)
bass vocals:
Donald Greig (baritone) (in 1987) and Francis Steele (operatic bass) (in 1987)
choir vocals:
The Tallis Scholars (in 1987)
contralto vocals:
Robert Harre-Jones (countertenor) (in 1987) and Caroline Trevor (contralto) (in 1987)
soprano vocals:
Tessa Bonner (soprano) (in 1987), Sally Dunkley (soprano) (in 1987), Ruth Holton (soprano) (in 1987) and Deborah Roberts (soprano) (in 1987)
tenor vocals:
Charles Daniels (tenor) (in 1987), Simon Davies (tenor) (in 1987), Mark Padmore (British tenor) (in 1987) and Nicolas Robertson (Tenor) (in 1987)
conductor:
Peter Phillips (British conductor) (in 1987)
phonographic copyright (℗) by:
Gimell Records Ltd. (copyright) (in 1987)
recorded at:
Church of St. John-at-Hackney in Hackney, London (Greater London), England, United Kingdom (in 1987)
recording of:
Requiem Officium Defunctorem: Taedet animam meam (in 1987)
composer:
Tomás Luis de Victoria (Spanish Renaissance composer)
part of:
Officium Defunctorum (1605) (With chants researched and edited from 16th- and 17th-century Spanish sources by Luis Lozano Virumbrales)
part of:
Officium defunctorum: Misa de Requiem a 6 (Published 1605)
Tomás Luis de Victoria3:19
2Requiem: II. Introitus: Requiem aeternam
engineer:
Mr Bear (engineer)
producer:
Peter Phillips (British conductor) and Steve C. Smith (engineer/producer)
bass vocals:
Donald Greig (baritone) (in 1987) and Francis Steele (operatic bass) (in 1987)
choir vocals:
The Tallis Scholars (in 1987)
contralto vocals:
Robert Harre-Jones (countertenor) (in 1987) and Caroline Trevor (contralto) (in 1987)
soprano vocals:
Tessa Bonner (soprano) (in 1987), Sally Dunkley (soprano) (in 1987), Ruth Holton (soprano) (in 1987) and Deborah Roberts (soprano) (in 1987)
tenor vocals:
Charles Daniels (tenor) (in 1987), Simon Davies (tenor) (in 1987), Mark Padmore (British tenor) (in 1987) and Nicolas Robertson (Tenor) (in 1987)
vocals:
The Tallis Scholars (in 1987)
conductor:
Peter Phillips (British conductor) (in 1987)
phonographic copyright (℗) by:
Gimell Records Ltd. (copyright) (in 1987)
recorded at:
Church of St. John-at-Hackney in Hackney, London (Greater London), England, United Kingdom (in 1987)
recording of:
Requiem Officium Defunctorem: Introitus: Requiem aeternam (in 1987)
lyricist:
[traditional] (special purpose artist)
composer:
Tomás Luis de Victoria (Spanish Renaissance composer)
part of:
Officium Defunctorum (1605) (With chants researched and edited from 16th- and 17th-century Spanish sources by Luis Lozano Virumbrales)
part of:
Officium defunctorum: Misa de Requiem a 6 (Published 1605)
Tomás Luis de Victoria6:13
3Requiem: III. Kyrie
engineer:
Mr Bear (engineer)
producer:
Peter Phillips (British conductor) and Steve C. Smith (engineer/producer)
bass vocals:
Donald Greig (baritone) (in 1987) and Francis Steele (operatic bass) (in 1987)
choir vocals:
The Tallis Scholars (in 1987)
contralto vocals:
Robert Harre-Jones (countertenor) (in 1987) and Caroline Trevor (contralto) (in 1987)
soprano vocals:
Tessa Bonner (soprano) (in 1987), Sally Dunkley (soprano) (in 1987), Ruth Holton (soprano) (in 1987) and Deborah Roberts (soprano) (in 1987)
tenor vocals:
Charles Daniels (tenor) (in 1987), Simon Davies (tenor) (in 1987), Mark Padmore (British tenor) (in 1987) and Nicolas Robertson (Tenor) (in 1987)
vocals:
The Tallis Scholars (in 1987)
conductor:
Peter Phillips (British conductor) (in 1987)
phonographic copyright (℗) by:
Gimell Records Ltd. (copyright) (in 1987)
recorded at:
Church of St. John-at-Hackney in Hackney, London (Greater London), England, United Kingdom (in 1987)
recording of:
Requiem Officium Defunctorem: Kyrie (in 1987)
lyricist:
[traditional] (special purpose artist)
composer:
Tomás Luis de Victoria (Spanish Renaissance composer) (in 1603)
part of:
Officium Defunctorum (1605) (With chants researched and edited from 16th- and 17th-century Spanish sources by Luis Lozano Virumbrales)
part of:
Officium defunctorum: Misa de Requiem a 6 (Published 1605)
Tomás Luis de Victoria2:35
4Requiem: IV. Graduale: Requiem aeternam — In memoria
engineer:
Mr Bear (engineer)
producer:
Peter Phillips (British conductor) and Steve C. Smith (engineer/producer)
bass vocals:
Donald Greig (baritone) (in 1987) and Francis Steele (operatic bass) (in 1987)
choir vocals:
The Tallis Scholars (in 1987)
contralto vocals:
Robert Harre-Jones (countertenor) (in 1987) and Caroline Trevor (contralto) (in 1987)
soprano vocals:
Tessa Bonner (soprano) (in 1987), Sally Dunkley (soprano) (in 1987), Ruth Holton (soprano) (in 1987) and Deborah Roberts (soprano) (in 1987)
tenor vocals:
Charles Daniels (tenor) (in 1987), Simon Davies (tenor) (in 1987), Mark Padmore (British tenor) (in 1987) and Nicolas Robertson (Tenor) (in 1987)
vocals:
The Tallis Scholars (in 1987)
conductor:
Peter Phillips (British conductor) (in 1987)
phonographic copyright (℗) by:
Gimell Records Ltd. (copyright) (in 1987)
recorded at:
Church of St. John-at-Hackney in Hackney, London (Greater London), England, United Kingdom (in 1987)
recording of:
Requiem Officium Defunctorem: Graduale: Requiem aeternam (in 1987)
composer:
Tomás Luis de Victoria (Spanish Renaissance composer) (in 1603)
part of:
Officium Defunctorum (1605) (With chants researched and edited from 16th- and 17th-century Spanish sources by Luis Lozano Virumbrales)
part of:
Officium defunctorum: Misa de Requiem a 6 (Published 1605)
Tomás Luis de Victoria3:08
5Requiem: V. Offertorium: Domine Jesu Christe
engineer:
Mr Bear (engineer)
producer:
Peter Phillips (British conductor) and Steve C. Smith (engineer/producer)
bass vocals:
Donald Greig (baritone) (in 1987) and Francis Steele (operatic bass) (in 1987)
choir vocals:
The Tallis Scholars (in 1987)
contralto vocals:
Robert Harre-Jones (countertenor) (in 1987) and Caroline Trevor (contralto) (in 1987)
soprano vocals:
Tessa Bonner (soprano) (in 1987), Sally Dunkley (soprano) (in 1987), Ruth Holton (soprano) (in 1987) and Deborah Roberts (soprano) (in 1987)
tenor vocals:
Charles Daniels (tenor) (in 1987), Simon Davies (tenor) (in 1987), Mark Padmore (British tenor) (in 1987) and Nicolas Robertson (Tenor) (in 1987)
vocals:
The Tallis Scholars (in 1987)
conductor:
Peter Phillips (British conductor) (in 1987)
phonographic copyright (℗) by:
Gimell Records Ltd. (copyright) (in 1987)
recorded at:
Church of St. John-at-Hackney in Hackney, London (Greater London), England, United Kingdom (in 1987)
recording of:
Requiem Officium Defunctorem: Offerorium: Domine Iesu Christe (in 1987)
lyricist:
[traditional] (special purpose artist)
composer:
Tomás Luis de Victoria (Spanish Renaissance composer) (in 1603)
part of:
Officium Defunctorum (1605) (With chants researched and edited from 16th- and 17th-century Spanish sources by Luis Lozano Virumbrales)
part of:
Officium defunctorum: Misa de Requiem a 6 (Published 1605)
Tomás Luis de Victoria4:35
6Requiem: VI. Sanctus — Benedictus
engineer:
Mr Bear (engineer)
producer:
Peter Phillips (British conductor) and Steve C. Smith (engineer/producer)
bass vocals:
Donald Greig (baritone) (in 1987) and Francis Steele (operatic bass) (in 1987)
choir vocals:
The Tallis Scholars (in 1987)
contralto vocals:
Robert Harre-Jones (countertenor) (in 1987) and Caroline Trevor (contralto) (in 1987)
soprano vocals:
Tessa Bonner (soprano) (in 1987), Sally Dunkley (soprano) (in 1987), Ruth Holton (soprano) (in 1987) and Deborah Roberts (soprano) (in 1987)
tenor vocals:
Charles Daniels (tenor) (in 1987), Simon Davies (tenor) (in 1987), Mark Padmore (British tenor) (in 1987) and Nicolas Robertson (Tenor) (in 1987)
vocals:
The Tallis Scholars (in 1987)
conductor:
Peter Phillips (British conductor) (in 1987)
phonographic copyright (℗) by:
Gimell Records Ltd. (copyright) (in 1987)
recorded at:
Church of St. John-at-Hackney in Hackney, London (Greater London), England, United Kingdom (in 1987)
recording of:
Requiem Officium Defunctorem: Benedictus (in 1987)
lyricist:
[traditional] (special purpose artist)
composer:
Tomás Luis de Victoria (Spanish Renaissance composer) (in 1603)
part of:
Officium Defunctorum (1605) (With chants researched and edited from 16th- and 17th-century Spanish sources by Luis Lozano Virumbrales)
part of:
Requiem Officium Defunctorem: Sanctus & Benedictus
recording of:
Requiem Officium Defunctorem: Sanctus (in 1987)
lyricist:
[traditional] (special purpose artist)
composer:
Tomás Luis de Victoria (Spanish Renaissance composer) (in 1603)
part of:
Officium Defunctorum (1605) (With chants researched and edited from 16th- and 17th-century Spanish sources by Luis Lozano Virumbrales)
part of:
Requiem Officium Defunctorem: Sanctus & Benedictus
Tomás Luis de Victoria2:55
7Requiem: VII. Agnus Dei
engineer:
Mr Bear (engineer)
producer:
Peter Phillips (British conductor) and Steve C. Smith (engineer/producer)
bass vocals:
Donald Greig (baritone) (in 1987) and Francis Steele (operatic bass) (in 1987)
choir vocals:
The Tallis Scholars (in 1987)
contralto vocals:
Robert Harre-Jones (countertenor) (in 1987) and Caroline Trevor (contralto) (in 1987)
soprano vocals:
Tessa Bonner (soprano) (in 1987), Sally Dunkley (soprano) (in 1987), Ruth Holton (soprano) (in 1987) and Deborah Roberts (soprano) (in 1987)
tenor vocals:
Charles Daniels (tenor) (in 1987), Simon Davies (tenor) (in 1987), Mark Padmore (British tenor) (in 1987) and Nicolas Robertson (Tenor) (in 1987)
vocals:
The Tallis Scholars (in 1987)
conductor:
Peter Phillips (British conductor) (in 1987)
phonographic copyright (℗) by:
Gimell Records Ltd. (copyright) (in 1987)
recorded at:
Church of St. John-at-Hackney in Hackney, London (Greater London), England, United Kingdom (in 1987)
recording of:
Requiem Officium Defunctorem: Agnus Dei (in 1987)
lyricist:
[traditional] (special purpose artist)
composer:
Tomás Luis de Victoria (Spanish Renaissance composer) (in 1603)
part of:
Officium Defunctorum (1605) (With chants researched and edited from 16th- and 17th-century Spanish sources by Luis Lozano Virumbrales)
part of:
Officium defunctorum: Misa de Requiem a 6 (Published 1605)
Tomás Luis de Victoria2:47
8Requiem: VIII. Communio: Lux aeterna
engineer:
Mr Bear (engineer)
producer:
Peter Phillips (British conductor) and Steve C. Smith (engineer/producer)
bass vocals:
Donald Greig (baritone) (in 1987) and Francis Steele (operatic bass) (in 1987)
choir vocals:
The Tallis Scholars (in 1987)
contralto vocals:
Robert Harre-Jones (countertenor) (in 1987) and Caroline Trevor (contralto) (in 1987)
soprano vocals:
Tessa Bonner (soprano) (in 1987), Sally Dunkley (soprano) (in 1987), Ruth Holton (soprano) (in 1987) and Deborah Roberts (soprano) (in 1987)
tenor vocals:
Charles Daniels (tenor) (in 1987), Simon Davies (tenor) (in 1987), Mark Padmore (British tenor) (in 1987) and Nicolas Robertson (Tenor) (in 1987)
vocals:
The Tallis Scholars (in 1987)
conductor:
Peter Phillips (British conductor) (in 1987)
phonographic copyright (℗) by:
Gimell Records Ltd. (copyright) (in 1987)
recorded at:
Church of St. John-at-Hackney in Hackney, London (Greater London), England, United Kingdom (in 1987)
recording of:
Requiem Officium Defunctorem: Communio: Lux aeterna (in 1987)
composer:
Tomás Luis de Victoria (Spanish Renaissance composer) (in 1603)
part of:
Officium Defunctorum (1605) (With chants researched and edited from 16th- and 17th-century Spanish sources by Luis Lozano Virumbrales)
part of:
Officium defunctorum: Misa de Requiem a 6 (Published 1605)
Tomás Luis de Victoria3:44
9Requiem: IX. Funeral Motet: Versa est in luctum
engineer:
Mr Bear (engineer)
producer:
Peter Phillips (British conductor) and Steve C. Smith (engineer/producer)
bass vocals:
Donald Greig (baritone) (in 1987) and Francis Steele (operatic bass) (in 1987)
choir vocals:
The Tallis Scholars (in 1987)
contralto vocals:
Robert Harre-Jones (countertenor) (in 1987) and Caroline Trevor (contralto) (in 1987)
soprano vocals:
Tessa Bonner (soprano) (in 1987), Sally Dunkley (soprano) (in 1987), Ruth Holton (soprano) (in 1987) and Deborah Roberts (soprano) (in 1987)
tenor vocals:
Charles Daniels (tenor) (in 1987), Simon Davies (tenor) (in 1987), Mark Padmore (British tenor) (in 1987) and Nicolas Robertson (Tenor) (in 1987)
vocals:
The Tallis Scholars (in 1987)
conductor:
Peter Phillips (British conductor) (in 1987)
phonographic copyright (℗) by:
Gimell Records Ltd. (copyright) (in 1987)
recorded at:
Church of St. John-at-Hackney in Hackney, London (Greater London), England, United Kingdom (in 1987)
recording of:
Requiem Officium Defunctorem: Motectum: Versa est in luctum (in 1987)
composer:
Tomás Luis de Victoria (Spanish Renaissance composer) (in 1603)
part of:
Officium Defunctorum (1605) (With chants researched and edited from 16th- and 17th-century Spanish sources by Luis Lozano Virumbrales)
part of:
Officium defunctorum: Misa de Requiem a 6 (Published 1605)
Tomás Luis de Victoria3:37
10Requiem: X. Responsorium: Libera me
engineer:
Mr Bear (engineer)
producer:
Peter Phillips (British conductor) and Steve C. Smith (engineer/producer)
bass vocals:
Donald Greig (baritone) (in 1987) and Francis Steele (operatic bass) (in 1987)
choir vocals:
The Tallis Scholars (in 1987)
contralto vocals:
Robert Harre-Jones (countertenor) (in 1987) and Caroline Trevor (contralto) (in 1987)
soprano vocals:
Tessa Bonner (soprano) (in 1987), Sally Dunkley (soprano) (in 1987), Ruth Holton (soprano) (in 1987) and Deborah Roberts (soprano) (in 1987)
tenor vocals:
Charles Daniels (tenor) (in 1987), Simon Davies (tenor) (in 1987), Mark Padmore (British tenor) (in 1987) and Nicolas Robertson (Tenor) (in 1987)
vocals:
The Tallis Scholars (in 1987)
conductor:
Peter Phillips (British conductor) (in 1987)
phonographic copyright (℗) by:
Gimell Records Ltd. (copyright) (in 1987)
recorded at:
Church of St. John-at-Hackney in Hackney, London (Greater London), England, United Kingdom (in 1987)
recording of:
Requiem Officium Defunctorem: Absolutio: Libera me, Domine (in 1987)
composer:
Tomás Luis de Victoria (Spanish Renaissance composer) (in 1603)
part of:
Officium Defunctorum (1605) (With chants researched and edited from 16th- and 17th-century Spanish sources by Luis Lozano Virumbrales)
part of:
Officium defunctorum: Misa de Requiem a 6 (Published 1605)
Tomás Luis de Victoria9:05
11Requiem, op. 48: I. Introitus: Requiem aeternam — Kyrie
organ:
Daniel Chorzempa (organist) (in 1975-03)
baritone vocals:
Bernard Kruysen (baritone)
choir vocals:
Groot Omroepkoor (in 1975-03)
soprano vocals:
Elly Ameling (soprano)
orchestra:
Rotterdam Philharmonic Orchestra (in 1975-03)
conductor:
Jean Fournet (conductor) (in 1975-03)
recording of:
Requiem, op. 48: I. Introït et Kyrie (in 1975-03)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
Requiem, op. 48
Gabriel Fauré6:02
12Requiem, op. 48: II. Offertorium: Domine Jesu Christe
organ:
Daniel Chorzempa (organist) (in 1975-03)
baritone vocals:
Bernard Kruysen (baritone) (in 1975-03)
choir vocals:
Groot Omroepkoor (in 1975-03)
soprano vocals:
Elly Ameling (soprano)
orchestra:
Rotterdam Philharmonic Orchestra (in 1975-03)
conductor:
Jean Fournet (conductor) (in 1975-03)
recording of:
Requiem, op. 48: II. Offertoire (in 1975-03)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
Requiem, op. 48
Gabriel Fauré7:48
13Requiem, op. 48: III. Sanctus
organ:
Daniel Chorzempa (organist) (in 1975-03)
baritone vocals:
Bernard Kruysen (baritone)
choir vocals:
Groot Omroepkoor (in 1975-03)
soprano vocals:
Elly Ameling (soprano)
orchestra:
Rotterdam Philharmonic Orchestra (in 1975-03)
conductor:
Jean Fournet (conductor) (in 1975-03)
recording of:
Requiem, op. 48: III. Sanctus (in 1975-03)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
Requiem, op. 48
Gabriel Fauré2:42
14Requiem, op. 48: IV. Pie Jesu
organ:
Daniel Chorzempa (organist) (in 1975-03)
baritone vocals:
Bernard Kruysen (baritone)
choir vocals:
Groot Omroepkoor (in 1975-03)
soprano vocals:
Elly Ameling (soprano) (in 1975-03)
orchestra:
Rotterdam Philharmonic Orchestra (in 1975-03)
conductor:
Jean Fournet (conductor) (in 1975-03)
recording of:
Requiem, op. 48: IV. Pie Jesu (in 1975-03)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
Requiem, op. 48
Gabriel Fauré3:45
15Requiem, op. 48: V. Agnus Dei
organ:
Daniel Chorzempa (organist) (in 1975-03)
baritone vocals:
Bernard Kruysen (baritone)
choir vocals:
Groot Omroepkoor (in 1975-03)
soprano vocals:
Elly Ameling (soprano)
orchestra:
Rotterdam Philharmonic Orchestra (in 1975-03)
conductor:
Jean Fournet (conductor) (in 1975-03)
recording of:
Requiem, op. 48: V. Agnus Dei et Lux Aeterna (in 1975-03)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
Requiem, op. 48
Gabriel Fauré5:11
16Requiem, op. 48: VI. Libera me
organ:
Daniel Chorzempa (organist) (in 1975-03)
baritone vocals:
Bernard Kruysen (baritone) (in 1975-03)
choir vocals:
Groot Omroepkoor (in 1975-03)
soprano vocals:
Elly Ameling (soprano)
orchestra:
Rotterdam Philharmonic Orchestra (in 1975-03)
conductor:
Jean Fournet (conductor) (in 1975-03)
recording of:
Requiem, op. 48: VI. Libera me (in 1975-03)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
Requiem, op. 48
Gabriel Fauré4:48
17Requiem, op. 48: VII. In paradisum
organ:
Daniel Chorzempa (organist) (in 1975-03)
baritone vocals:
Bernard Kruysen (baritone) (in 1975-03)
choir vocals:
Groot Omroepkoor (in 1975-03)
soprano vocals:
Elly Ameling (soprano) (in 1975-03)
orchestra:
Rotterdam Philharmonic Orchestra (in 1975-03)
conductor:
Jean Fournet (conductor) (in 1975-03)
recording of:
Requiem, op. 48: VII. In Paradisum (in 1975-03)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
publisher:
Éditions Durand (1947–present)
part of:
28 Days Later
part of:
Requiem, op. 48
Gabriel Fauré3:13