Tracklist

CD 1
# Title Artist Rating Length
1 San Francisco (Be Sure to Wear Flowers in Your Hair)
Scott McKenzie 3.65 2:59
2 Somebody to Love
Jefferson Airplane 4.25 2:58
3 Creeque Alley
The Mamas & the Papas 3.35 3:50
4 Just Like a Woman
Richie Havens 4:49
5 Let’s Live for Today
The Grass Roots 2:50
6 Not So Sweet Martha Lorraine
Country Joe and the Fish 4:25
7 Changes
Phil Ochs 4:45
8 Society’s Child
Janis Ian 3:17
9 Nothin’ Yet
The Blues Magoos 2:19
10 Sunday Will Never Be the Same
Spanky & Our Gang 3:04
11 I Was Made to Love Her
Stevie Wonder 4.5 2:38
12 Happy Together
The Turtles 5 2:56
13 Incense and Peppermints
Strawberry Alarm Clock 2:51
14 I Think We’re Alone Now
Tommy James & the Shondells 2:12
15 Windy
The Association 5 2:56
16 Good Vibrations
The Beach Boys 4.15 3:36
CD 2
# Title Artist Rating Length
1 San Franciscan Nights
Eric Burdon and the Animals 5 3:24
2 Brown Eyed Girl
Van Morrison 2.65 3:07
3 I’m a Man
The Spencer Davis Group 2:42
4 Sock It to Me Baby
Mitch Ryder & The Detroit Wheels 3:14
5 Pushin Too Hard
The Seeds 2:38
6 I’m a Believer
The Monkees 5 2:48
7 Happy
The Sunshine Company 2:00
8 Little Bit O’ Soul
The Music Explosion 2:23
9 Tell It Like It Is
Aaron Neville 2:44
10 Respect
Aretha Franklin 3.7 2:27
11 Let It Out
The Hombres 4 2:11
12 Wake Me Shake Me
The Blues Project 5:22
13 You Keep Me Hanging On
Vanilla Fudge 3:01
14 I Had Too Much to Dream Last Night
The Electric Prunes 3:03
15 A Whiter Shade of Pale
Procol Harum 4.2 4:04

Credits

CD 1

drums (drum set):
Spencer Dryden (1966-10-31 – 1966-11-22) (track 2)
membranophone:
Bill LaVorgna (track 4)
guitar:
Richie Havens (track 4)
guitar [lead guitar]:
Jorma Kaukonen (1966-10-31 – 1966-11-22) (track 2)
guitar [rhythm guitar]:
Paul Kantner (1966-10-31 – 1966-11-22) (track 2)
harmonica:
Stevie Wonder (1967) (track 11)
bass:
Harvey Brooks (track 4)
Jack Casady (1966-10-31 – 1966-11-22) (track 2)
James Jamerson (1967) (track 11)
piano:
Paul Harris (keyboardist/pianist session player) (track 4)
electric sitar:
Eddie Willis (1967) (track 11)
additional writer:
Ed King (US guitarist, bassist & songwriter) (track 13)
Mark Weitz (track 13)
composer:
Janis Ian (track 8)
John Phillips (The Mamas & The Papas) (track 1)
Ritchie Cordell (track 14)
Ruthann Friedman (track 15)
Phil Ochs (track 7)
Darby Slick (track 2)
Brian Wilson (Beach Boys co-founder) (track 16)
Bob Dylan (1966-02 – 1966-03) (track 4)
instruments:
The Funk Brothers (1967) (track 11)
lead vocals:
Carl Wilson (Beach Boys) (track 16)
Grace Slick (1966-10-31 – 1966-11-22) (track 2)
Stevie Wonder (1967) (track 11)
lyricist:
Janis Ian (track 8)
John Phillips (The Mamas & The Papas) (track 1)
Ritchie Cordell (track 14)
Ruthann Friedman (track 15)
Mike Love (Beach Boys) (track 16)
Phil Ochs (track 7)
Darby Slick (track 2)
Brian Wilson (Beach Boys co-founder) (track 16)
Bob Dylan (1966-02 – 1966-03) (track 4)
performer:
The Turtles (late 60s US rock band) (track 12)
producer:
Lou Adler (track 1)
The Beach Boys (track 16)
Henry Cosby (track 11)
John Phillips (The Mamas & The Papas) (track 1)
Rick Jarrard (1966-10-31 – 1966-11-22) (track 2)
recording engineer:
David Hassinger (1966-11-03) (track 2)
vocals:
Richie Havens (track 4)
Marty Balin (1966-10-31 – 1966-11-22) (track 2)
Paul Kantner (1966-10-31 – 1966-11-22) (track 2)
writer:
Garry Bonner (track 12)
John Carter (worked for Capitol Records, relaunched Tina Turner's career with Private Dancer) (track 13)
Terry Cashman (track 10)
Emil Thielhelm (track 9)
Henry Cosby (track 11)
Mike Esposito (track 9)
Ronnie Gilbert (bass player for the Blues Magoos, not the folk singer) (track 9)
Tim Gilbert (track 13)
Alan Gordon (American songwriter who co-wrote The Turtles' hit "Happy Together") (track 12)
Lula Mae Hardaway (track 11)
Michael Julien (British songwriter,) (track 5)
Mogol (track 5)
Sylvia Moy (track 11)
John Phillips (The Mamas & The Papas) (track 3)
Michelle Phillips (track 3)
Eugene Pistilli (track 10)
Ralph Scala (track 9)
Shel Shapiro (track 5)
Stevie Wonder (track 11)
publisher:
Alley Music Corp. (track 12)
Barricade Music (track 7)
EMI Longitude Music (track 14)
Irving Music (BMI) (track 2)
Irving Music, Inc. (track 16)
M. Witmark & Sons (track 4)
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (track 3)
Universal MCA Music Publishing (US film music publisher) (track 1)
Universal Music Corp. (USA, affiliated with ASCAP) (track 1)
Welbeck Music Ltd. (track 15)
ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) (track 2)
Dwarf Music (1966 –) (track 4)
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (1966-10-31 – 1966-11-22) (track 2)
Hitsville (Motown Records) in Detroit, Michigan, United States (1967) (track 11)
additionally sampled by:
has remixes:
karaoke versions:
Happy Together by [unknown] (track 12)
mash-ups:
Love Exploder by G3RSt (track 2)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 274) (track 2)
arrangements:
cover recording of:
Just Like a Woman (track 4)
later parody versions:
Ylihärmä (track 1)
later translated parody versions:
later translated versions:
Comme une femme (track 4)
Wie früehner (track 7)
ふたりの世界 (track 14)
比翼鳥 (track 1)
later versions:
recording of:
Changes (track 7)
Creeque Alley (track 3)
Good Vibrations (Love/Wilson lyrics, common version) (track 16)
Happy Together (track 12)
Society's Child (track 8)
Windy (track 15)
Somebody to Love (Jefferson Airplane song) (1966-10-31 – 1966-11-22) (track 2)
I Was Made to Love Her (1967) (track 11)
referred to in medleys:
More Stars ("More Stars" (12" Mix) - 11:53) (track 1)
version of:
Good Vibrations (Tony Asher lyrics) (track 16)

CD 2

recorded in:
New York, New York, United States (1966-10-15) (track 6)
New York, New York, United States (1966-10-23) (track 6)
acoustic guitar:
Neil Diamond (track 6)
Hammond organ:
Matthew Fisher (UK organist for Procol Harum/Prairie Madness) (track 15)
drums (drum set):
Buddy Salzman (track 6)
Roger Hawkins (1967-02-14) (track 10)
bass guitar:
David Knights (track 15)
Tommy Cogbill (1967-02-14) (track 10)
Eric Gale (1967-03-28) (track 2)
cornet:
Melvin Lastie (1967-02-14) (track 10)
membranophone:
Gary Chester (studio drummer and educator) (1967-03-28) (track 2)
tambourine:
Jeff Barry (track 6)
organ:
Artie Butler (track 6)
Spooner Oldham (1967-02-14) (track 10)
Garry Sherman (arranger & conductor) (1967-03-28) (track 2)
guitar:
Sal Ditroia (track 6)
Al Gorgoni (track 6)
Robin Trower (track 15)
Jimmy Johnson (Muscle Shoals rhythm section (guitar/producer)) (1967-02-14) (track 10)
Al Gorgoni (1967-03-28) (track 2)
Hugh McCracken (1967-03-28) (track 2)
Van Morrison (1967-03-28) (track 2)
bass:
Dick Romoff (track 6)
percussion:
B. J. Wilson (track 15)
piano:
Jeff Barry (track 6)
Aretha Franklin (1967-02-14) (track 10)
baritone saxophone:
Willie Bridges (1967-02-14) (track 10)
tenor saxophone:
Charles Chalmers (1967-02-14) (track 10)
King Curtis (saxophonist) (1967-02-14) (track 10)
arranger:
Jeff Barry (track 6)
Al Kooper (track 12)
Arif Mardin (track 10)
Tom Dowd (track 10)
background vocals:
Davy Jones (The Monkees member) (track 6)
Peter Tork (track 6)
Carolyn Franklin (1967-02-14) (track 10)
Erma Franklin (1967-02-14) (track 10)
The Sweet Inspirations (1967-03-28) (track 2)
background vocals and lead vocals:
Micky Dolenz (track 6)
composer:
Gary Brooker (track 15)
Lamont Dozier (track 13)
Matthew Fisher (UK organist for Procol Harum/Prairie Madness) (track 15)
Brian Holland (US motown producer & songwriter) (track 13)
Van Morrison (track 2)
Otis Redding (track 10)
Sky Saxon (track 5)
[traditional] (Special Purpose Artist) (track 12)
Neil Diamond (1966) (tracks 6, 6)
conductor:
Tom Dowd (1967-02-14) (track 10)
lead vocals:
Van Morrison (1967-03-28) (track 2)
lyricist:
Otis Redding (track 10)
Sky Saxon (track 5)
Edward Holland, Jr. (Motown songwriter) (track 13)
Al Kooper (track 12)
Keith Reid (track 15)
Neil Diamond (1966) (tracks 6, 6)
Van Morrison (1967) (track 2)
performer:
Van Morrison (1967-03-28) (track 2)
producer:
Jeff Barry (track 6)
Bert Russell Berns (track 2)
Denny Cordell (track 15)
Jerry Wexler (track 10)
recording engineer:
Brooks Arthur (track 2)
Tom Dowd (track 10)
vocals:
Gary Brooker (track 15)
Aretha Franklin (1967-02-14) (track 10)
writer:
Vic Briggs (track 1)
Lawrence Brown (jazz trombonist) (track 4)
Eric Burdon (track 1)
Bob Crewe (track 4)
B.B. Cunningham Jr. (track 11)
George Davis (US musician & songwriter George Richard Davis Jr.) (track 9)
Lee Diamond (track 9)
John Hunter (track 11)
Barry Jenkins (track 1)
Nancie Mantz (track 14)
Jerry Masters (The Hombres) (track 11)
Danny McCulloch (track 1)
Gary Wayne McEwen (track 11)
Jimmy Miller (producer for Rolling Stones/Nirvana etc) (track 3)
Annette Tucker (track 14)
John Weider (track 1)
Steve Winwood (track 3)
John Carter (songwriter & producer, b. 1942) (1964) (tracks 8, 8)
Ken Lewis (manager/songwriter for 60s groups, incl. Flower Pot Men) (1964) (tracks 8, 8)
phonographic copyright by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004; operated worldwide except in JP) (1967) (track 2)
Charly Records (1968) (track 2)
publisher:
Artist Alliance (track 2)
Colgems - EMI (tracks 6, 6)
Conrad Music (publisher; do NOT use as release label) (track 9)
Foray Music (tracks 6, 6)
Island Music Ltd. (track 3)
Stonebridge Music (tracks 6, 6)
Universal Music Publishing (Use ONLY if no country-specific information is available) (track 2)
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) (track 2)
Web IV Music Inc. (track 2)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (1967-02-14) (track 10)
mash-ups:
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 5) (track 10)
The Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 57) (track 15)
The Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 109) (track 2)
arrangements:
cover recording of:
I’m a Believer (track 6)
Respect (1967-02-14) (track 10)
is based on:
later parody versions:
I'm A Receiver (tracks 6, 6)
later translated parody versions:
later translated versions:
Bruuni Ouge (track 2)
Ein Traum zuviel (track 14)
Errespetua (track 10)
KEEP ME HANGIN’ ON~誘惑を抱きしめて~ (Hiromi Mori translation) (track 13)
キープ・ミー・ハンギン・オン (Junko Sato translation) (track 13)
recording of:
I’m a Man (track 3)
Let It All Hang Out (track 11)
Pushin' Too Hard (track 5)
Tell It Like It Is (track 9)
Wake Me, Shake Me (track 12)
I’m a Believer (1966-10-15 – 1966-10-23) (track 6)
Brown Eyed Girl (1967-03-28) (track 2)