Pomp & Circumstance: An English Festival

~ Release by Academy of St Martin in the Fields, BBC Concert Orchestra, Royal Philharmonic Orchestra, Marriner, Wordsworth, Previn (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Pomp and Circumstance: March no. 1
orchestra:
Royal Philharmonic Orchestra (in 1985-07)
conductor:
André Previn (pianist, conductor, composer, arranger) (in 1985-07)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1987)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1985-07)
recording of:
Pomp and Circumstance Military Marches, op. 39: March no. 1 in D major (in 1985-07)
premiered in:
Liverpool, Merseyside, England, United Kingdom (on 1901-10-19)
publisher:
Sir Edward Elgar (dec’d) (composer)
composer:
Edward Elgar (composer) (in 1901)
publisher:
Boosey & Co. Ltd. (music publisher founded in the 1760s, forebear of Boosey & Hawkes)
part of:
Pomp and Circumstance Military Marches, op. 39
Edward Elgar6:36
2I Vow to Thee, My Country
recording engineer:
Jean‐Marie Geijsen (in 1996-01) and Cees Heijkoop (recording engineer) (in 1996-01)
producer:
Anna Barry (classical producer) (in 1996-01)
choir vocals:
Royal Choral Society (in 1996-01)
mezzo-soprano vocals:
Della Jones (mezzo-soprano) (in 1996-01)
orchestra:
BBC Concert Orchestra (in 1996-01)
conductor:
Barry Wordsworth (conductor) (in 1996-01)
chorus master:
Richard Cooke (chorus master/conductor) (in 1996-01)
choir vocals arranger:
Royal Choral Society
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1996)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-01)
recording of:
I Vow to Thee, My Country (in 1996-01)
lyricist:
Sir Cecil Spring-Rice (in 1918)
composer:
Gustav Holst (composer) (in 1921)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Rive Droite Music Ltd.
part of:
A thematic catalogue of Gustav Holst’s music (number: H. 148)
Gustav Holst4:43
3Coronation Anthems: Zadok the Priest
organ:
Alastair Ross (organist and harpsichordist)
choir vocals:
Academy of St Martin in the Fields Chorus (in 1984-06)
orchestra:
Academy of St. Martin in the Fields (in 1984-06)
conductor:
Sir Neville Marriner (conductor) (in 1984-06)
chorus master:
László Heltay (British/Hungarian conductor and composer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1984-06)
recording of:
The Four Coronation Anthems: “Zadok the Priest”, HWV 258 (in 1984-06)
composer:
George Frideric Handel (German‐British baroque composer) (in 1727)
premiered at:
Westminster Abbey in London (Greater London), England, United Kingdom (on 1727-10-11)
part of:
Händel-Werke-Verzeichnis (number: HWV 258)
part of:
The Four Coronation Anthems
George Frideric Handel5:32
4Orb and Sceptre: Coronation March
orchestra:
Bournemouth Symphony Orchestra (from 1991-05-14 until 1991-05-17)
conductor:
David Hill (organist and conductor) (from 1991-05-14 until 1991-05-17)
recorded at:
Winchester Cathedral in Winchester, Hampshire, England, United Kingdom (from 1991-05-14 until 1991-05-17)
recording of:
Orb and Sceptre (from 1991-05-14 until 1991-05-17)
composer:
William Walton (composer and conductor)
publisher:
Oxford University Press
Sir William Walton7:41
5I Was Glad
brass:
Philip Jones Brass Ensemble (in 1983-10)
organ:
David Flood (in 1983-10)
choir vocals:
The Choir of Canterbury Cathedral (in 1983-10)
conductor:
Allan Wicks (in 1983-10)
recorded at:
Canterbury Cathedral in Canterbury, City of Canterbury, Kent, England, United Kingdom (in 1983-10)
recording of:
I was glad (Psalm 122) (in 1983-10)
lyricist:
[anonymous] (special purpose artist)
composer:
Hubert Parry (English composer) (in 1902)
Sir Hubert Parry6:24
6English Folksong Suite: Seventeen come Sunday
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (from 1980-02-12 until 1980-02-13)
conductor:
Neville Marriner (conductor) (from 1980-02-12 until 1980-02-13)
balance engineer:
Stanley Goodall (engineer) (in 1980-02)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1981)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1980-02-12 until 1980-02-13)
recording of:
English Folk Song Suite: I. March “Seventeen Come Sunday” (orchestrated by Jacob) (from 1980-02-12 until 1980-02-13)
orchestrator:
Gordon Jacob (composer) (in 1924)
composer:
Ralph Vaughan Williams (English composer) (in 1923)
publisher:
Boosey & Hawkes Music Publishers, Ltd
arrangement of:
English Folk Song Suite: I. March “Seventeen Come Sunday” (for military band)
part of:
English Folk Song Suite (orch. Jacob)
Ralph Vaughan Williams3:24
7English Folksong Suite: Folk Songs from Somerset
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (from 1980-02-12 until 1980-02-13)
conductor:
Neville Marriner (conductor) (from 1980-02-12 until 1980-02-13)
balance engineer:
Stanley Goodall (engineer) (in 1980-02)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1981)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1980-02-12 until 1980-02-13)
recording of:
English Folk Song Suite: III. March “Folk Songs From Somerset” (orchestrated by Jacob) (from 1980-02-12 until 1980-02-13)
orchestrator:
Gordon Jacob (composer) (in 1924)
composer:
Ralph Vaughan Williams (English composer) (in 1923)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
English Folk Song Suite (orch. Jacob)
Ralph Vaughan Williams3:55
8London - Suite (London Every Day): 3. Knightsbridge
recording engineer:
Jean‐Marie Geijsen (in 1996-01) and Cees Heijkoop (recording engineer) (in 1996-01)
producer:
Anna Barry (classical producer) (in 1996-01)
orchestra:
BBC Concert Orchestra (in 1996-01)
conductor:
Barry Wordsworth (conductor) (in 1996-01)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1996)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-01)
recording of:
London Suite: III. Knightsbridge (March) (in 1996-01)
composer:
Eric Coates (composer)
publisher:
Chappell & Co. and Chappell Music Ltd.
part of:
London Suite
Eric Coates4:12
9The Planets: Jupiter, the Bringer of Jollity
orchestra:
London Philharmonic Orchestra (LPO) (in 1970-03)
conductor:
Bernard Haitink (conductor) (in 1970-03)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, United Kingdom (in 1970-03)
recording of:
The Planets, op. 32: IV. Jupiter, the Bringer of Jollity (in 1970-03)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: IV. Jupiter, the Bringer of Jollity (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst8:02
10Judas Maccabaeus: See the Conquering Hero Comes
choir vocals:
Academy of St Martin in the Fields Chorus (in 1984-06)
orchestra:
Academy of St Martin in the Fields (in 1984-06)
conductor:
Sir Neville Marriner (conductor) (in 1984-06)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1984-06)
recording of:
Judas Maccabaeus, HWV 63: Act III, no. 58: “See the Conqu’ring Hero Comes” (Chorus of Youths, Chorus of Virgins) (in 1984-06)
composer:
George Frideric Handel (German‐British baroque composer) (in 1746)
librettist:
Thomas Morell
part of:
Judas Maccabaeus, HWV 63: Act III
George Frideric Handel2:11
11Judas Maccabaeus: Marsch
choir vocals:
Academy of St Martin in the Fields Chorus (in 1984-06)
orchestra:
Academy of St Martin in the Fields (in 1984-06)
conductor:
Sir Neville Marriner (conductor) (in 1984-06)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1984-06)
recording of:
Judas Maccabaeus, HWV 63: Act III, no. 59: March (in 1984-06)
composer:
George Frideric Handel (German‐British baroque composer) (in 1746)
librettist:
Thomas Morell
part of:
Judas Maccabaeus, HWV 63: Act III
George Frideric Handel1:35
12Fantasia on British Sea Songs
orchestra:
BBC Concert Orchestra (in 1996-01)
conductor:
Barry Wordsworth (conductor) (in 1996-01)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-01)
partial recording of:
Fantasia on British Sea Songs (in 1996-01)
arranger:
Sir Henry Wood (English conductor) (in 1905)
publisher:
Chappell & Co., Ltd.
Sir Henry Wood2:09
13Fantasia on "Greensleeves"
orchestra:
Academy of St Martin in the Fields (in 1986-04)
conductor:
Sir Neville Marriner (conductor) (in 1986-04)
arranger:
Ralph Greaves (in 1934)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1986-04)
recording of:
Fantasia on “Greensleeves” (in 1986-04)
composer:
Ralph Vaughan Williams (English composer) (from 1924 until 1928)
arranger:
Ralph Greaves (in 1934)
publisher:
Oxford University Press (in 1936)
is based on:
Greensleeves (generic entry for traditional and unknown arrangements)
is based on:
Lovely Joan (traditional English folk song)
is based on:
Sir John in Love
Ralph Vaughan Williams4:47
14Jerusalem
recording engineer:
Jean‐Marie Geijsen (in 1996-01) and Cees Heijkoop (recording engineer) (in 1996-01)
producer:
Anna Barry (classical producer) (in 1996-01)
choir vocals:
Royal Choral Society (in 1996-01)
orchestra:
BBC Concert Orchestra (in 1996-01)
conductor:
Barry Wordsworth (conductor) (in 1996-01)
chorus master:
Richard Cooke (chorus master/conductor) (in 1996-01)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1996)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-01)
recording of:
Jerusalem (orchestrated by Elgar) (in 1996-01)
orchestrator:
Edward Elgar (composer)
lyricist:
William Blake (English poet, painter, and printmaker)
composer:
Hubert Parry (English composer)
orchestration of:
Jerusalem (anthem by Hubert Parry)
Sir Hubert Parry2:38
15Pomp and Circumstance: March no. 4
orchestra:
Royal Philharmonic Orchestra (in 1985-07)
conductor:
André Previn (pianist, conductor, composer, arranger) (in 1985-07)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1987)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1985-07)
recording of:
Pomp and Circumstance Military Marches, op. 39: March no. 4 in G major (in 1985-07)
composer:
Edward Elgar (composer) (in 1907)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1907-08-24)
part of:
Pomp and Circumstance Military Marches, op. 39
Edward Elgar5:02
16Rule Britannia!
recording engineer:
Jean‐Marie Geijsen (in 1996-01) and Cees Heijkoop (recording engineer) (in 1996-01)
producer:
Anna Barry (classical producer) (in 1996-01)
choir vocals:
Royal Choral Society (in 1996-01)
mezzo-soprano vocals:
Della Jones (mezzo-soprano) (in 1996-01)
orchestra:
BBC Concert Orchestra (in 1996-01)
conductor:
Barry Wordsworth (conductor) (in 1996-01)
chorus master:
Richard Cooke (chorus master/conductor) (in 1996-01)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1996)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-01)
recording of:
Rule, Britannia! (orchestrated by Sargent) (in 1996-01)
orchestrator:
Sir Malcolm Sargent (conductor)
lyricist:
James Thomson (Scottish poet, 1700-1748)
composer:
Thomas Arne (composer) (in 1740)
publisher:
Oxford University Press
orchestration of:
Rule, Britannia!
Thomas Arne4:51
17The National Anthem
recording engineer:
Jean‐Marie Geijsen (in 1996-01) and Cees Heijkoop (recording engineer) (in 1996-01)
producer:
Anna Barry (classical producer) (in 1996-01)
choir vocals:
Royal Choral Society (in 1996-01)
orchestra:
BBC Concert Orchestra (in 1996-01)
conductor:
Barry Wordsworth (conductor) (in 1996-01)
chorus master:
Richard Cooke (chorus master/conductor) (in 1996-01)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1996)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-01)
recording of:
God Save the Queen (arranged by Jacob) (in 1996-01)
composer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
arranger:
Gordon Jacob (composer)
arrangement of:
God Save the King (national anthem of several countries in the British Commonwealth)
[unknown]0:54