Rocking All Over the World (Daily Mail)

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1Rockin’ All Over the World
assistant engineer:
Kevin Whyte
engineer:
John Eden (Producer), Barry Hammond and Simon Sullivan
producer:
Status Quo (UK boogie rock band) and Pip Williams (producer)
phonographic copyright (℗) by:
Mercury Records Ltd. (London) (for copyrights use only) (in 1977), Mercury Records Ltd. (UK) (in 1977), Phonogram Ltd. (in 1977), Phonogram Ltd. (London) (company name, NOT a label!) (in 1977, in 1988) and Polydor Ltd. (UK) (not for release label use! aka Polydor Ltd. or Polydor Ltd. (London), fka Polydor Records Ltd.) (in 1992)
recorded at:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, United Kingdom (on 1992-08-30), Studio Bohus in Kungälv Municipality, Västra Götaland, Sweden (on 1992-08-30) and Sutton Park in Birmingham, West Midlands, England, United Kingdom (on 1992-08-30)
mixed at:
Mayfair Studios (England) in London (Greater London), England, United Kingdom
music videos:
Rockin All Over the World by Status Quo (UK boogie rock band)
cover recording of:
Rockin’ All Over the World (on 1992-08-30)
lyricist and composer:
John Fogerty
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Greasy King Music, Hornall Brothers Music (limited company), Intersong (publisher), Intersong Music Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Wenaha Music and Intersong Ltd. (publisher) (in 1977)
Status Quo43:35
2More Than a Feeling
producer:
John Boylan and Tom Scholz
acoustic guitar, bass and electric guitar:
Tom Scholz (from 1975-10 until 1976-04)
drums (drum set):
Sib Hashian (from 1975-10 until 1976-04)
vocals:
Brad Delp (from 1975-10 until 1976-04)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1976)
recording of:
More Than a Feeling (from 1975-10 until 1976-04)
lyricist and composer:
Tom Scholz
publisher:
Screen Gems–EMI Music Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Pure Songs (in 1976)
Boston4.753:24
3You Took the Words Right Out of My Mouth
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1977)
edit of:
You Took the Words Right Out of My Mouth (Hot Summer Night) by Meat Loaf
recording of:
You Took the Words Right Out of My Mouth (Hot Summer Night)
lyricist and composer:
Jim Steinman
publisher:
Carlin Music Corporation
Meat Loaf44:13
4Going Underground
producer:
Vic Coppersmith‐Heaven
bass:
Bruce Foxton (on 1980-01-16)
drums (drum set):
Rick Buckler (on 1980-01-16)
guitar:
Paul Weller (English singer-songwriter and musician) (on 1980-01-16)
vocals:
Bruce Foxton (on 1980-01-16) and Paul Weller (English singer-songwriter and musician) (on 1980-01-16)
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use! aka Polydor Ltd. or Polydor Ltd. (London), fka Polydor Records Ltd.) (in 1980)
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (on 1980-01-16)
recording of:
Going Underground (on 1980-01-16)
lyricist and composer:
Paul Weller (English singer-songwriter and musician)
publisher:
BMG Music Publishing Ltd. and Stylist Music Ltd.
The Jam4.252:55
5Is She Really Going Out With Him?
recording of:
Is She Really Going Out With Him?
lyricist and composer:
Joe Jackson (English musician)
publisher:
Kobalt Music and Pokazuka Limited
Joe Jackson3:38
6All Day and All of the Night
producer:
Ted Hayton and The Stranglers
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1987)
music videos:
All Day and All of the Night by The Stranglers
cover recording of:
All Day and All of the Night
lyricist and composer:
Ray Davies (UK singer/songwriter, member of The Kinks)
publisher:
Edward Kassner Music Co. Ltd., Jay Boy and Kassner Associated Publishers Ltd.
The Stranglers42:31
7Gimme Some Lovin’
producer:
Chris Blackwell (Island Records) and Jimmy Miller (producer for Rolling Stones/Nirvana etc)
phonographic copyright (℗) by:
Island Records Ltd. (UK) (in 1966)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 244)
recording of:
Gimme Some Lovin’
writer:
Spencer Davis, Muff Winwood (bass player, songwriter, producer) and Steve Winwood
publisher:
Kobalt Music Publishing Ltd. (UK), Shinko Music Entertainment Co., Ltd., Songs of Kobalt Music Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music Publishing, Synch Division, Universal–Songs of PolyGram International, Inc., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Yamaha Music EH(CM) and Island Music Ltd. (from 1966 to ????)
The Spencer Davis Group4.62:55
8The Final Countdown
recording engineer and mixer:
Wally Buck and Kevin Elson
producer:
Kevin Elson
bass guitar [bass]:
John Levén
drums (drum set) [drums]:
Ian Haugland
guitar:
John Norum
keyboard:
Mic Michaeli
lead vocals:
Joey Tempest (Swedish singer)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1986) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1986)
produced for:
Elson Music Vision, Inc.
recorded at and mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States, Powerplay Studios in Maur, Zürich, Switzerland and Soundtrade Studios in Solna City, Stockholms län, Sweden
recording of:
The Final Countdown
lyricist and composer:
Joey Tempest (Swedish singer)
publisher:
EMI (EMI Records, since 1972), EMI Music Publishing Ltd. (PRS‐affiliated) and Seven Doors Music
parody version of:
The Final Sound
Europe4.15:10
9Sweet Home Alabama
miscellaneous support:
Ronnie Van Zant
engineer and producer:
Al Kooper
drums (drum set):
Bob Burns (Lynyrd Skynyrd drummer) (in 1973-07)
electric bass guitar:
Leon Wilkeson (in 1973-07)
electric guitar:
Allen Collins (in 1973-07), Ed King (US guitarist, bassist & songwriter) (in 1973-07) and Gary Rossington (in 1973-07)
keyboard:
Billy Powell (in 1973-07)
background vocals:
Merry Clayton (in 1973-07) and Clydie King (in 1973-07)
lead vocals:
Ronnie Van Zant (in 1973-07)
phonographic copyright (℗) by:
Geffen Records (in 1974), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1974) and Universal Music (plain logo: “Universal Music”) (in 1974)
produced for:
Sounds of the South Productions
recorded at:
Studio One (Doraville, GA) in Doraville, Georgia, United States (in 1973-07)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 398)
recording of:
Sweet Home Alabama (in 1973-07)
miscellaneous support:
Ronnie Van Zant
writer:
Ed King (US guitarist, bassist & songwriter), Gary Rossington and Ronnie Van Zant
publisher:
Hustler Inc., Leeds Music Corp., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal/MCA Music Ltd. (not for release label use!)
Lynyrd Skynyrd4.34:45
10I Want You to Want Me
engineer:
Antonio Reale
producer:
Tom Werman
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977), Sony Music Entertainment (not for release label use! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1977)
recorded at:
Kendun Recorders in Burbank, California, United States (in 1977)
mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (in 1977)
recording of:
I Want You to Want Me (in 1977)
lyricist and composer:
Rick Nielsen
publisher:
Gil Music Corporation, Adult Music (in 1977, in 1978), Screen Gems-EMI Music Incorporated (USA, affiliated with BMI) (in 1977) and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (in 1978)
part of:
10 Things I Hate About You
Cheap Trick4.353:10
11Maggie May
producer:
Rod Stewart
12 string guitar, bass guitar and electric guitar:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood) (in 1971)
acoustic guitar:
Martin Quittenton (in 1971)
celesta:
Pete Sears (in 1971)
cymbal and membranophone:
Micky Waller (in 1971)
Hammond organ:
Ian McLagan (in 1971)
mandolin:
Ray Jackson (in 1971) and David Lindley (in 1971)
lead vocals:
Rod Stewart (in 1971)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1971) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1971)
recording of:
Maggie May (in 1971)
writer:
Martin Quittenton and Rod Stewart
publisher:
Chappell Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), H. G. Music Inc, Rightsong Music Inc. and Unichappell Music, Inc.
Rod Stewart4.255:15
12Little Miss Can’t Be Wrong
engineer:
Peter Denenberg
producer and mixer:
Peter Denenberg, Frankie LaRocka and Spin Doctors
bass:
Mark White (Spin Doctors)
drums (drum set), Hammond organ and percussion and background vocals:
Aaron Comess
guitar:
Eric Schenkman
vocals:
Chris Barron
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1991)
recording of:
Little Miss Can’t Be Wrong
writer:
Chris Barron, Aaron Comess, Eric Schenkman and Mark White (Spin Doctors)
publisher:
Sony Music Publishing (worldwide except Japan, ended 1995)
Spin Doctors3.83:54
13Jingo
engineer:
Bob Breault and Eric Prestidge
producer:
Brent Dangerfield and Carlos Santana
remixer:
Jim Gaines (in 1988-01)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1969)
recorded at:
Pacific Recording Studio in San Mateo, California, United States (in 1969)
remixed at:
The Plant Studios (1981-2008) in Sausalito, California, United States (in 1988-01)
cover recording of:
Jin‐go‐lo‐ba (Drums of Passion) (Jingo) (in 1969)
lyricist and composer:
Babatunde Olatunji
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), EMI Blackwood Music Inc. (1989-07-24–present) and EMI Songs Ltd.
Santana4.54:14
14Place Your Hands
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1996)
recording of:
Place Your Hands
writer:
John Bessant, Dominic Greensmith, Kenwyn House and Gary Stringer (Reef, StringerBessant, Them Is Me lead singer)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Reef43:39
15In a Big Country
recording of:
In a Big Country
lyricist:
Stuart Adamson
composer:
Stuart Adamson, Mark Brzezicki, Tony Butler (English rock bassist with Big Country) and Bruce Watson
publisher:
10 Music Ltd., Big Country Music Ltd., BMG Gold Songs and Mercury Records (or just “Mercury.” A UMG imprint, do not use it for ©/℗ credits) (in 1983)
Big Country3:49
▼ CD 2
#TitleArtistRatingLength
1Dancing in the Street
producer:
William Stevenson (Motown songwriter)
publisher:
EMI Music Publishing (do not use as a release label!)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1964)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 7), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 40) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 130)
recording of:
Dancing in the Street
writer:
Marvin Gaye, Ivy Jo Hunter and William Stevenson (Motown songwriter)
publisher:
EMI Music Publishing (do not use as a release label!), FCG Music, Jobete Music (UK) Ltd., Jobete Music Co., Inc., MG III Music, NMG Music, Stone Agate Music, Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
Martha and the Vandellas3.62:41
2Baby Love
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
foot stomps [footstomps]:
Mikchael Valvano (on 1964-08-13)
instruments:
The Funk Brothers (on 1964-08-13)
background vocals:
Florence Ballard (on 1964-08-13) and Mary Wilson (on 1964-08-13)
lead vocals:
Diana Ross (on 1964-08-13)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964) and UMG Recordings (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1964)
recorded at:
Hitsville (Motown Records) in Detroit, Michigan, United States (on 1964-08-13)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 4), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 324) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 499)
recording of:
Baby Love (on 1964-08-13)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland‐Dozier‐Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Jobete Music (UK) Ltd. and Stone Agate Music Division
The Supremes4.652:38
3ABC
producer:
The Corporation (Motown songwriters)
drums (drum set):
Gene Pello (in 1970-01)
electric bass guitar:
Wilton Felder (in 1970-01) and Bob West (US session bassist, producer & songwriter) (in 1970-01)
guitar:
Don Peake (in 1970-01), Louis Shelton (in 1970-01) and David T. Walker (in 1970-01)
keyboard:
Freddie Perren (in 1970-01)
background vocals:
Jackie Jackson (member of the Jackson 5) (in 1970-01), Marlon Jackson (in 1970-01) and Tito Jackson (in 1970-01)
background vocals and lead vocals:
Michael Jackson (“King of Pop”) (in 1970-01)
lead vocals:
Jackie Jackson (member of the Jackson 5) (in 1970-01), Jermaine Jackson (soul/pop singer, of Jackson 5) (in 1970-01) and Tito Jackson (in 1970-01)
arranger:
The Corporation (Motown songwriters)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1970)
recorded at:
Sound Factory (1969–1980) in Los Angeles, California, United States (in 1970-01)
recording of:
ABC (in 1970-01)
writer:
Berry Gordy, Fonce Mizell, Freddie Perren and Deke Richards (American songwriter and record producer)
composer:
Erik Huber (audio engineer, producer, composer)
publisher:
Jobete Music Co., Inc. and ソニー・ミュージックパブリッシング フジパシフィック事業部
The Jackson 54.12:56
4Knock on Wood
phonographic copyright (℗) by:
H.H.O. Ltd (music licensing)
cover recording of:
Knock on Wood
writer:
Steve Cropper and Eddie Floyd
publisher:
East Memphis Music, Irving Music, Inc., Rondor Music (London) Ltd., Rondor Music Publishing, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell North America
recording of:
Knock on Wood
writer:
Steve Cropper and Eddie Floyd
publisher:
East Memphis Music, Irving Music, Inc., Rondor Music (London) Ltd., Rondor Music Publishing, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell North America
Amii Stewart4:09
5This Old Heart of Mine (Is Weak for You)
recording of:
This Old Heart of Mine (Is Weak for You)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland‐Dozier‐Holland songwriting team)
composer:
Lamont Dozier, Brian Holland (Motown producer & songwriter) and Sylvia Moy
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Jobete Music and Stone Agate Music Division
The Isley Brothers2:52
6Love Really Hurts Without You
recording of:
Love Really Hurts Without You
lyricist and composer:
Ben Findon (songwriter and producer) and Leslie Sebastian Charles
publisher:
Black Sheep Music Ltd. (publisher) and EMI Music Publishing Ltd. (PRS‐affiliated)
Billy Ocean3:01
7Shout
cover recording of:
Shout
writer:
O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs) and Rudolph Isley
publisher:
Longitude Music Co. and Windswept Pacific Music Ltd.
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Lulu & The Luvvers42:53
8Give It Up
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1982)
recording of:
Give It Up
writer:
Deborah Carter (writer, backing vocalist) and Harry Wayne Casey
publisher:
EMI Songs Ltd.
KC and the Sunshine Band4.354:13
9September
recording of:
September
writer:
Al McKay, Maurice White (Earth, Wind & Fire) and Allee Willis
publisher:
EMI April Music Inc., EMI Blackwood Music Inc. (1989-07-24–present), EMI Songs Ltd., Irving Music (BMI), Rondor Music (London) Ltd., Steel Chest Music, The International Music Network, フジパシフィックミュージック SBK事業部, ヤマハミュージックEH(CM) and ユニバーサル・ミュージック・パブリッシング Synch事業部
Earth, Wind & Fire3:37
10Happy Birthday
recording of:
Happy Birthday
writer:
Tich Anderson, Clare Grogan, Tony McDaid and Johnny McElhone
publisher:
Beam Down Ltd. (publisher) and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Altered Images2:58
11Shout to the Top
recording of:
Shout to the Top
lyricist and composer:
Paul Weller (English singer-songwriter and musician)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
The Style Council4.353:22
12Bringing on Back the Good Times
recording of:
Bringing on Back the Good Times
writer:
John Cokell and Phillip Goodhand-Tait
Love Affair3:26
13Footloose
producer:
Lee DeCarlo and Kenny Loggins
bass guitar:
Nathan East
bass synthesizer:
Michael Boddicker
drums (drum set):
Tris Imboden
guitar:
Buzz Feiten
instruments:
Michael Boddicker
keyboard:
Neil Larsen and Steven Wood (US soundtrack composer, member of Honk)
percussion:
Michael Boddicker and Paulinho da Costa (Brazilian percussionist)
background vocals:
Marilyn Dorman, Richey Washington and Steven Wood (US soundtrack composer, member of Honk)
lead vocals:
Kenny Loggins
remixer:
Humberto Gatica
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1984) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1984)
recording of:
Footloose
lyricist:
Dean Pitchford
composer:
Kenny Loggins
publisher:
BMG Music Publishing Ltd., Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Milk Money Music, Sony/ATV Harmony, Sony/ATV Melody and Sony/ATV Music Publishing Ltd.
part of:
The 57th Academy Award for Best Original Song (number: 2)
Kenny Loggins4.13:42
14Let’s Hear It for the Boy
producer:
George Duke
mixer:
Tom Perry (engineer), Tommy Vicari and Erik Zobler
analog synthesizer [Prophet V], electronic drum set [Linn Drums], Minimoog [Mini-Moog] and Moog [Memory Moog]:
George Duke
guitar:
Paul Jackson, Jr.
percussion:
Paulinho da Costa (Brazilian percussionist)
background vocals:
George Merrill, Shannon Rubicam and Deniece Williams (US soul/funk vocalist/songwriter)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1984) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1984)
recording of:
Let’s Hear It for the Boy
lyricist:
Dean Pitchford
composer:
Thomas Snow (US keyboardist/songwriter)
part of:
The 57th Academy Award for Best Original Song (number: 2)
Deniece Williams3.64:20
15Ain’t Too Proud to Beg
producer:
Norman Whitfield
instruments:
The Funk Brothers (from 1966-01-04 until 1966-01-11)
background vocals:
Melvin Franklin (from 1966-01-04 until 1966-01-11), Eddie Kendricks (from 1966-01-04 until 1966-01-11), Otis Williams (US baritone singer, member of The Temptations & The Distants) (from 1966-01-04 until 1966-01-11) and Paul Williams (member of The Temptations) (from 1966-01-04 until 1966-01-11)
lead vocals:
David Ruffin (soul singer, member of The Temptations) (from 1966-01-04 until 1966-01-11)
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1966)
recorded at:
Hitsville (Motown Records) in Detroit, Michigan, United States (from 1966-01-04 until 1966-01-11)
recording of:
Ain’t Too Proud to Beg (from 1966-01-04 until 1966-01-11)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland‐Dozier‐Holland songwriting team) and Norman Whitfield
composer:
Norman Whitfield
publisher:
Jobete Music, Jobete Music (UK) Ltd., Stone Agate Music and Stone Agate Music Division
The Temptations52:34

Credits

Release

copyrighted (©) by and phonographic copyright (℗) by:Associated Newspapers Ltd. (in 2004)