In Flight

~ Release by George Benson (see all versions of this release, 14 available)

Tracklist

▼ 12" Vinyl 1
#TitleRatingLength
A1Nature Boy
recording engineer and mixer:
Al Schmitt
assistant engineer:
Don Henderson (engineer)
assistant producer:
Noel Newbolt
producer:
Tommy LiPuma
bass guitar:
Stanley Banks (bassist)
clavinet and piano:
Jorge Dalto
drums (drum set):
Harvey Mason (jazz drummer)
electric piano and Minimoog:
Ronnie Foster
guitar:
George Benson (jazz guitarist/singer) and Phil Upchurch
percussion:
Ralph MacDonald
vocals:
George Benson (jazz guitarist/singer)
conductor:
Claus Ogerman
orchestrator:
Claus Ogerman
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977)
recorded at and mixed at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (from 1976-08 until 1976-11)
cover recording of:
Nature Boy
lyricist and composer:
eden ahbez (composer of "Nature Boy", artist name lowercase by intent) (in 1947)
publisher:
Burke-Van Heusen, Inc., Crestview Music Corp., David J. Janowiak d/b/a Golden World (music publisher, ASCAP-affiliated), Edwin H. Morris & Company (a division of MPL Communications Inc.) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
6:03
A2The Wind and I
recording engineer and mixer:
Al Schmitt
assistant engineer:
Don Henderson (engineer)
assistant producer:
Noel Newbolt
producer:
Tommy LiPuma
bass guitar:
Stanley Banks (bassist)
clavinet and piano:
Jorge Dalto
drums (drum set):
Harvey Mason (jazz drummer)
electric piano and Minimoog:
Ronnie Foster
guitar:
George Benson (jazz guitarist/singer) and Phil Upchurch
percussion:
Ralph MacDonald
conductor:
Claus Ogerman
orchestrator:
Claus Ogerman
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977)
recorded at and mixed at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (from 1976-08 until 1976-11)
recording of:
The Wind and I
composer:
Ronnie Foster
publisher:
Triangle Music Company (BMI)
5:09
A3The World Is a Ghetto
recording engineer and mixer:
Al Schmitt
assistant engineer:
Don Henderson (engineer)
assistant producer:
Noel Newbolt
producer:
Tommy LiPuma
bass guitar:
Stanley Banks (bassist)
clavinet and piano:
Jorge Dalto
drums (drum set):
Harvey Mason (jazz drummer)
electric piano and Minimoog:
Ronnie Foster
guitar:
George Benson (jazz guitarist/singer) and Phil Upchurch
percussion:
Ralph MacDonald
vocals:
George Benson (jazz guitarist/singer)
conductor:
Claus Ogerman
orchestrator:
Claus Ogerman
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977)
recorded at and mixed at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (from 1976-08 until 1976-11)
cover recording of:
The World Is a Ghetto
writer:
Papa Dee Allen, Harold Brown, B.B. Dickerson, Lonnie Jordan, Charles Miller (US saxophonist & flutist, member of War), Lee Oskar and Howard E. Scott (US funk/rock guitarist, member of War)
publisher:
Carlin Music Corp. and Far Out Music
9:48
B1Gonna Love You More
recording engineer and mixer:
Al Schmitt
assistant engineer:
Don Henderson (engineer)
assistant producer:
Noel Newbolt
producer:
Tommy LiPuma
bass guitar:
Stanley Banks (bassist)
drums (drum set):
Harvey Mason (jazz drummer)
electric piano and Minimoog:
Ronnie Foster
guitar:
George Benson (jazz guitarist/singer) and Phil Upchurch
percussion:
Ralph MacDonald
piano:
Jorge Dalto
vocals:
George Benson (jazz guitarist/singer)
conductor:
Claus Ogerman
orchestrator:
Claus Ogerman
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977)
recorded at and mixed at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (from 1976-08 until 1976-11)
recording of:
Gonna Love You More
lyricist and composer:
Morris Albert
publisher:
Fermata International Melodies, Inc. (ended), Augusta Ltda. Editora, Fermata do Brasil and 渡辺音楽出版 CM事業部
4:40
B2Valdez in the Country
recording engineer and mixer:
Al Schmitt
assistant engineer:
Don Henderson (engineer)
assistant producer:
Noel Newbolt
producer:
Tommy LiPuma
bass guitar:
Phil Upchurch
drums (drum set):
Harvey Mason (jazz drummer)
electric piano and Minimoog:
Ronnie Foster
guitar:
George Benson (jazz guitarist/singer) and Phil Upchurch
percussion:
Ralph MacDonald
piano:
Jorge Dalto
conductor:
Claus Ogerman
orchestrator:
Claus Ogerman
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977)
recorded at and mixed at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (from 1976-08 until 1976-11)
cover recording of:
Valdez in the Country
composer:
Donny Hathaway
publisher:
Kuumba, Microhits Music Corp., Universal Music–MGB Songs, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
4:30
B3Everything Must Change
recording engineer and mixer:
Al Schmitt
assistant engineer:
Don Henderson (engineer)
assistant producer:
Noel Newbolt
producer:
Tommy LiPuma
bass guitar:
Phil Upchurch
drums (drum set):
Harvey Mason (jazz drummer)
electric piano and Minimoog:
Ronnie Foster
guitar:
George Benson (jazz guitarist/singer) and Phil Upchurch
percussion:
Ralph MacDonald
piano:
Jorge Dalto
vocals:
George Benson (jazz guitarist/singer)
conductor:
Claus Ogerman
orchestrator:
Claus Ogerman
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977)
recorded at and mixed at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (from 1976-08 until 1976-11)
cover recording of:
Everything Must Change
lyricist and composer:
Benard Ighner
publisher:
Almo Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ヤマハミュージックEH(CM) and ユニバーサル・ミュージック・パブリッシング Synch事業部
part of:
Trans Traditional Suite
8:10

Credits

Release

art direction and design:Mike Doud (art director/designer)
photography:Antonín Kratochvíl (Czech–American photographer)
Ken Veeder
graphic design:Michael Manoogian
mastering:Doug Sax
rights society:SACD (Société des Auteurs et Compositeurs Dramatiques, French rights society for authors)
SACEM (Société des auteurs, compositeurs et éditeurs de musique, French rights society representing original songwriters, composers, and music publishers)
SDRM (Société pour l’administration du droit de reproduction mécanique, French mechanical reproduction rights society)
SGDL (Société des gens de lettres de France, French rights society for authors)
mastered at:The Mastering Lab (Hollywood, 1967-2008) in Hollywood, Los Angeles, California, United States
Discogs:https://www.discogs.com/release/836486 [info]