Album

Release Format Tracks Date Country Label Catalog# Barcode
Official
Songs in the Key of Life 3×Vinyl 10 + 7 + 4 Tamla T13-31062, T340 EP
Songs in the Key of Life 2×12" Vinyl + 7" Vinyl 10 + 7 + 4 EMI Music Italy (main imprint of EMI Music Italy S.p.A./EMI Music Italy S.r.l.) 3C 164-98261/63
Songs in the Key of Life (Collectors Album Includes 2 Record Set & 24 Page Lyric Booklet) 2×12" Vinyl 10 + 7 Motown Records STML 60021
Songs in the Key of Life 2×12" Vinyl 9 + 8 Motown Records 2-48.001/2 [none]
Songs in the Key of Life (reissue) 2×12" Vinyl + 7" Vinyl 9 + 8 + 4 Motown Records ZF72131, ZL72131(2) 0035627213113
Songs in the Key of Life 2×CD 12 + 9 Motown Records ZD72131 0035627213120
Songs in the Key of Life 2×CD 12 + 9 Motown Records 3746303402 0731453003422
Songs in the Key of Life 2×CD 12 + 9 Motown Records 530 034-2 731453003422
Songs in the Key of Life 2×CD 10 + 11 Motown Records 012 157 357-2 601215735727
Songs in the Key of Life 2×CD 10 + 11 Motown Records 157 357-2 601215735727
Songs in the Key of Life SHM-SACD 21 Motown Records UIGY-9054 4988005639608
Songs in the Key of Life (audio fidelity remaster) 2×HDCD 10 + 11 Audio Fidelity AFZ2 096 780014209629
Songs in the Key of Life 2×SHM-CD 10 + 11 Motown Records UICY-20354, UICY-20355 4988005723659
Songs in the Key of Life (192kHz/24bit) 2×Digital Media 10 + 11 Motown Records 602537004720
Songs in the Key of Life Blu-ray 21 Motown France 0600753406403 600753406403
Songs in the Key of Life 2×SHM-CD 10 + 11 Motown Records UICY-40044, UICY-40045 4988005798435
Songs in the Key of Life (mastered for iTunes) 2×Digital Media 10 + 11 Motown Records 602537004737

Relationships

part of: Rolling Stone: 500 Greatest Albums of All Time: 2012 edition (number: 57)
Allmusic: https://www.allmusic.com/album/mw0000607481 [info]
Discogs: https://www.discogs.com/master/87440 [info]
Wikidata: Q845040 [info]
lyrics page: http://lyrics.wikia.com/Stevie_Wonder [info]
other databases: http://rateyourmusic.com/release/album/stevie_wonder/songs_in_the_key_of_life/ [info]
reviews: https://www.bbc.co.uk/music/reviews/j5p2 [info]

CritiqueBrainz Reviews

There’s 1 review on CritiqueBrainz. You can also write your own.

Most Recent

By 1972, Steveland Hardaway Judkins was sick of the soubriquet 'Little' Stevie Wonder. Having showered Berry Gordy's Motown label with chart gold dust throughout the 60s the wunderkind finally took a leaf from the civil rights-related empowerment of black people in the USA and decided to make a stand (much as labelmate Marvin Gaye had). It was a blow for both personal freedom and the right to say something more than just "I love you'' through the medium of music. Threatening to leave the label, he gained the right to self-production (something that came easy to the musically precocious 22-year-old) and to make 'proper' albums. What followed was a stream of unsurpassed masterworks including Music Of My Mind (1972), Talking Book (1973), Innervisions (1974), Fulfillingness' First Finale (1975) and culminating with this sprawling double: The album that Stevie (and most of his fans) still regard as his defining statement.

Critical discourse often labels SITKOL as 'experimental'. And while 21st century ears may struggle to grasp what this collection of funk, soul, fusion and pop has that makes it deserve the tag, once you contextualise it becomes clear. Wonder's work, especially with the electronic pioneers, Tonto's Expanding Head Band (Robert Margouleff and Malcolm Cecil), had been edging towards new forms of expressing black consciousness as well as eroding the boundaries of what 'soul music' could mean. But it was here that Stevie really pushed the envelope. The fecundity of his musical imagination simply beggars belief. While he grapples (and wins!) with just about every genre under the sun here it's never at the expense of the song and never gives the impression for a second that he's showing off. To this end, rather than doing it all himself, SITKOL has a massive supporting cast of stellar names to help him in the joyous task of simply making music; from Herbie Hancock to Minnie Riperton and George Benson, as well as less obvious session legends like pedal steel player, 'Sneaky' Pete Kleinow.

To sum up the breadth of this album (which also came with an extra EP to show how overflowing was the man's muse at this point) would take an essay. In short it contains the Weather Report-like fusion of Contusion, the classical spoofery and wry social commentary of Village Ghetto Land, the gospel progeny of As and Love's In Need Of love Today, the pure pop of Summer Soft...etc. etc. And as if to effortlessly demonstrate that he could still straddle the artistic/commercial divide, the album gave us a slew of hit singles including the boisterous Sir Duke , I Wish and possibly the only cloying moment on the whole album, Isn't She Lovely.

It's Elton John's and George Michael's favourite album. Without it there'd be no Prince. It's continually listed as one of the best things in popular music. EVER. How much more do you need? If you don't own it, buy it tomorrow. Life, literally, isn't complete without it.