My Aim Is True

~ Release group by Elvis Costello

Album

Release Format Tracks Date Country Label Catalog# Barcode
Official
My Aim Is True 12" Vinyl 12 Stiff Records SEEZ 3 [none]
My Aim Is True 12" Vinyl 13 Columbia (imprint owned by CBS between 1938–1990 within US/CA/MX; owned worldwide by Sony Music Entertainment since 1991 except in JP) JC 35037 [none]
My Aim Is True CD 12 Demon Records (80s UK new wave/reissues) IMP FIEND CD13
My Aim Is True (unknown) 13
My Aim Is True (made in Japan) CD 13 Columbia (imprint owned by CBS between 1938–1990 within US/CA/MX; owned worldwide by Sony Music Entertainment since 1991 except in JP) CK 35037 074643503723
My Aim Is True CD 22 Rykodisc RCD 20271 014431027123
My Aim Is True CD 22 Rykodisc RCD20271 014431027123
My Aim Is True CD 22 Demon Records (80s UK new wave/reissues) DPAM 1 5014757570018
My Aim Is True CD 22 BMG Direct Marketing, Inc., Rykodisc D 106951, RCD 20271 [none]
My Aim Is True 2×CD 13 + 13 Rhino (reissue label) R2 74285 081227428525
My Aim Is True 2×CD 13 + 13 Edsel Records MANUS 101 740155710125
My Aim Is True Digital Media 13 Hip‐O Records 602517260863
My Aim Is True CD 13 Hip‐O Records B0008635-02 602517260863
My Aim Is True (deluxe edition) 2×CD 25 + 23 Hip‐O Records B0009514-02 602517414785
My Aim Is True (deluxe edition) 2×CD 25 + 23 Universal Island Records (not for release label use; a division of Universal Music Operations Limited) 1741478 602517414785
My Aim Is True 12" Vinyl 13 Mobile Fidelity Sound Lab MFSL 1-329 821797132916
My Aim Is True SACD 13 Universal International (release must say "制作:Universal International" AND have no logos other than "Universal Music") UIGY 9065 4988005649935
My Aim Is True CD 13 VCK-35037 074643503723
My Aim Is True CD 13 Columbia (imprint owned by CBS between 1938–1990 within US/CA/MX; owned worldwide by Sony Music Entertainment since 1991 except in JP) CK 35037 074643503723

Relationships

part of: Uncut: The 100 Greatest Debut Albums (2006) (number: 31)
Rolling Stone: 500 Greatest Albums of All Time: 2012 edition (number: 168)
Allmusic: http://www.allmusic.com/album/mw0000189518 [info]
Discogs: https://www.discogs.com/master/39488 [info]
Wikidata: Q517468 [info]
lyrics page: http://lyrics.wikia.com/Elvis_Costello:My_Aim_Is_True_(1977) [info]
other databases: https://rateyourmusic.com/release/album/elvis_costello/my_aim_is_true/ [info]
reviews: http://www.bbc.co.uk/music/reviews/x6hj [info]

CritiqueBrainz Reviews

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Most Recent

For an era obsessed with authenticity, Elvis Costello was about as fabricated as they came. A made-up name, a lot of lo-fi hype (remember all the Stiff slogans and his arrest outside the CBS London convention?) and those Clark Kent glasses, he always looked like a ringer in rock's perpetual race to find the real deal.

Just 23 years old when this glorious debut album was first released in 1977, it may have been touted as part of the new wave but the vintage Rolling Stones vamping of "Miracle Man" or the splendid countrified kiss-curls of John McFee's guitar on "Alison" suggests that rather than being part of the year zero movement, Costello was always something of a great pretender: "New wave" was always a flag of convenience for a songwriter who'd been steadily refining his craft for the previous seven years. Though Nick Lowe's sparse production fitted with the back-to-basics ethos it was more pragmatic than politic: the budget wouldn't stretch to anything more lavish.

When it comes to reissues the labels are damned if they do and damned if they don't. Reissued in 2001 with a hefty plethora of bonus material, you can argue that this 30 years anniversary tie-in is a cynical attempt to milk more moolah from the long-suffering fan. The main argument against that here is that of the 48 tracks in this set, (including demos, sound checks and a full gig) 29 of them are previously unreleased or new to CD. Other than the limited-release Live At The El Mocambo, this splenetic outing by Costello and the newly formed Attractions at the Nashville Rooms marks the first official release of a complete Costello concert.

The sullen glower "Blame It On Cain" and a terrific "Lipstick Vogue" (later found on This Year's Model) are real highpoints, along with an impromptu and wistful solo rendition of "Hoover Factory", added when bassist Bruce Thomas snaps a string. It's proof of Elvis' crowd control that he can quell the punters with a song about art-deco architecture! His aim is still true after all these years. Brilliant stuff.