The Dance

~ Release group by Faithless


Release Format Tracks Date Country Label Catalog# Barcode
The Dance CD 11 Nate's Tunes NATE1004CD 0837654822197
The Dance CD 11 Nate's Tunes NATE1004CDD 0837654822371
The Dance CD 11 [PIAS] UK PIASR 200 CD 5413356520026
The Dance Never Ends 2×CD 11 + 9 Nate's Tunes NATE1009CD 013964148244
The Dance Never Ends CD 10 Nate's Tunes
The Dance Never Ends 2×CD 11 + 10 [PIAS] Recordings (PIASR catalog numbers, plus some PIASN & PIASL) PIASR 200 DCD 5414939079221
The Dance CD 11 Nate's Tunes, S-Music 781543-2 886978154323
The Dance Never Ends 2×CD 11 + 10 Nate's Tunes NATE1009CD 4601250371382
The Dance Digital Media 10
The Dance CD 10 Liberation Music LIB98CD 9341004007871


Discogs: [info]
Wikidata: Q4051037 [info]
Wikipedia: en: The Dance (Faithless album) [info]
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On Saul Williams' eponymous album of 2004, the New York poet-cum-rapper talks of the stagnation of MC skills: "we should not have encouraged them to use cordless microphones, for they have walked too far from the source and are emitting a lesser frequency". The same can be said of Faithless, who've released records to ever-quieter choruses of appreciation since their debut, 1996's Reverence. If they put out another collection of house-hued electro-pop but nobody's around to hear it, have they released anything at all?

The Dance - album proper number six - isn't exactly forward in announcing its arrival, with physical copies available only through Tesco (other shops are available, though this won't be in them) for the time being, and digital sales exclusive to iTunes (likewise). From a cynical perspective, limiting outlets can be read one of two ways: the band has made two great deals to tide them over 'til the fantastic fees of festival season, or they're worried about standing out amongst contemporary dance artists, hopeful instead of spontaneous point-of-sale purchases.

Sadly, it seems (sounds) that the latter reasoning was behind this commercial move taken by Rollo, Sister Bliss and Maxi Jazz - or, more likely, their management, keen to guard against in-store comparisons with more innovative artists vying for the same coinage. Though never revolutionary of design, Faithless' best material has nonetheless stood the test of time, placing them beside fellow 90s hit-makers Underworld and The Chemical Brothers as well-weathered perennials of the UK dance scene. Unlike said acts, though, Faithless have been unable to significantly expand their palette, excursions beyond a tested dynamic resulting in critical indifference. Reviews of their comparatively downbeat set of 2004, No Roots, weren't exactly ecstatic, and 2006's To All New Arrivals fared little better.

So it's unsurprising that The Dance largely plays to expectations, limited though they are through experience. Diversions from mid-paced fare that fades too easily into the background are rare, but appreciated: Comin Round sounds like Yeasayer given a make-over by Hot Chip, Crazy Bal'Heads dubs itself into a delightful spin, and Flyin Hi's gentle washes of sound are chill-out perfection. Dido's turn on Feelin Good is also a highlight, the vocalist sounding better than ever. But too many token gestures ensure any lasting impression is extremely brief. Should they plan another long-player, Faithless would do well to return to their own source in search of the spark that first fired their career into life.