No Line on the Horizon

~ Release group by U2

Annotation

"℗ & © 2009 Universal-Island Records Limited … The copyright in this sound recording and artwork is owned by Universal-Island Records Limited and is under exclusive licence to Mercury Records Limited in the UK, Interscope Records in the US, and Universal Music Group for the rest of the world." (LC 00268)

Annotation last modified on 2014-09-09 02:24 .

Album

Release Format Tracks Date Country Label Catalog# Barcode
Official
No Line on the Horizon CD 12 Island (imprint of Island Records, a division of Universal Music Group) UICI-1077 4988005535016
No Line on the Horizon CD 11 Island (imprint of Island Records, a division of Universal Music Group), Mercury Music Group (Universal Music France), Universal (plain logo: "Universal") 1796028 602517960282
No Line on the Horizon CD 11 Island (imprint of Island Records, a division of Universal Music Group), Mercury Music Group (Universal Music France), Universal (plain logo: "Universal") 1796037 602517960374
No Line on the Horizon CD 11 1796097 602517960978
No Line on the Horizon CD 11 Interscope Records B0012630-02 602517960374
No Line on the Horizon (box set) CD + DVD-Video 11 + 12 Mercury Records (Universal Music Group) 1796097 602517960978
No Line on the Horizon CD 11 Interscope Records 0251796037 602517960374
No Line on the Horizon 2×12" Vinyl 5 + 6 B0012630-01 602517960381
No Line on the Horizon (box set) CD + DVD-Video 11 + 12 Interscope Records, Mercury Records (Universal Music Group) B0012638-00 602517960978
No Line on the Horizon (iTunes-exclusive) Digital Media 13
No Line on the Horizon (iTunes-exclusive) Digital Media 12
No Line on the Horizon CD 11 Universal (plain logo: "Universal") 00602517976078.86 602517976078
No Line on the Horizon (Mastered for iTunes) Digital Media 12 Island (imprint of Island Records, a division of Universal Music Group) 602557671728
No Line on the Horizon (mini LP) CD 12 Island (imprint of Island Records, a division of Universal Music Group) UICI-9066 4988031237373

Relationships

Allmusic: http://www.allmusic.com/album/mw0000807738 [info]
Discogs: https://www.discogs.com/master/63074 [info]
Wikidata: Q290949 [info]
Wikipedia: en: No Line on the Horizon [info]
other databases: http://rateyourmusic.com/release/album/u2/no_line_on_the_horizon/ [info]
reviews: http://www.bbc.co.uk/music/reviews/xc54 [info]

CritiqueBrainz Reviews

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Most Recent

Like all of U2's best work there's a schism at the heart of their 12th studio album. It's the polarity between the hedonistic and the profound; the thin line between the general and the particular: rock and a very hard place. Their very lucrative humanitarianism may stick in the craw of many, but this skill allows them to make important points about all our lives while never forgetting to move our collective booties.

Much of No Line On the Horizon examines the state of the planet from the viewpoint of victims and witnesses. White As Snow sets a traditional air beneath a tale of an Afghanistan where, ''only poppies laugh under a crescent moon''. World citizenry is reflected in uber-cool, William Gibson-style lyrics on Breathe (''16th of June, Chinese Stocks are going up, And I'm coming down with some new Asian virus''). Only in Unknown Caller's dreadful ''Force quit and move to trash'' lines does the hi-tech metaphor card get overplayed.

There's plenty to rejoice about here. Not only is old mucker Steve Lillywhite back at the desk on several tracks, resurrecting the days of War, but the Edge's guitar also returns to the glory days on the title track as well as the hilariously titled I'll Go Crazy If I Don't Go Crazy Tonight; with the echo pedal set to 11. Add to these the massed ''oh, ohs'', and this at least feels like a classic; even if a lack of obviously hummable tunes makes it more of a grower than an instant hit.

The symbiotic relationship with Brian Eno (and Daniel Lanois) seems to have reached the point of imperceptibility. From the musical box sprinkles on the chugging title track to the midway palate cleanser FEZ-Being Born's cut-up first half, the touch may be light but it's now as much a part of their sound as Larry's rattling toms or Adam's one-note runs.

Get On Your Boots sounds unnervingly like U2 doing a Muse impersonation. Not necessarily a bad thing but, as on Pop, it sounds odd when U2 sound like followers rather than leaders. But it would be unrealistic to expect a band at the wrong end of a 30-year career to be as lithe as they once were.

There are at least two classics here. The closing Cedars Of Lebanon is a beautifully weary tale told by a journalist in the Middle East; while conversely Stand Up Comedy is a rowdy, grand gesture urging you to ''stand up for love'' as only U2 can. It also contains one of Bono's greatest lines in "stop helping God across the road like an little old lady''.

It seems that faith is what still drives these men: the faith in music to convey an important message and faith in the power of faith itself. But overall No Line On The Horizon proves that U2 really still have faith in themselves.