Album

Release Format Tracks Date Country Label Catalog# Barcode
Official
Beggars Banquet Vinyl 10 Decca Records SKL 4955
Beggars Banquet Vinyl 10 London Records PS 539
Beggars Banquet CD 10 London Records 800 084-2 3259180008420
Beggars Banquet CD 10 ABKCO, London Records 800 084-2 042280008420
Beggars Banquet CD 10 ABKCO CD 539 018771753926
Beggars Banquet CD 10 London Records P25L-25043 4988005048653
Beggars Banquet CD 10 ABKCO 844 471-2 042284447126
Beggars Banquet Hybrid SACD 10 ABKCO 95392 018771953920
Beggars Banquet CD 10 ABKCO 882 330-2 042288233022
Beggars Banquet Hybrid SACD 10 ABKCO 8823012 042288230120
Beggars Banquet CD 10 ABKCO 95392 018771953920
Beggars Banquet Digital Media 10 ABKCO 95392 018771953920
Beggars Banquet CD 10 ABKCO UICY-93027 4988005422149
Beggars Banquet 12" Vinyl 10 ABKCO, USM Japan (read the annotation before using!) UIJY-9022 4988005479587
Beggars Banquet CD 10 ABKCO UICY-93794 4988005535887
Beggars Banquet SHM-SACD 10 ABKCO UIGY-9038 4988005633323
Beggars Banquet Digital Media 10 ABKCO 018771895527
Beggars Banquet CD 10 London Records POCD-1923
Bootleg
Beggars Banquet CD 17 СД-Максимум (CD-Maximum) CDM 1202-1053/18

Relationships

part of: Rolling Stone: 500 Greatest Albums of All Time: 2012 edition (number: 58)
Allmusic: http://www.allmusic.com/album/mw0000195493 [info]
Discogs: https://www.discogs.com/master/30220 [info]
Wikidata: Q339065 [info]
lyrics page: http://lyrics.wikia.com/The_Rolling_Stones:Beggars_Banquet_(1968) [info]
other databases: https://rateyourmusic.com/release/album/the_rolling_stones/beggars_banquet/ [info]
reviews: http://www.bbc.co.uk/music/reviews/jpzf [info]

CritiqueBrainz Reviews

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The album that set the template for The Rolling Stones as we know them today, Beggars Banquet was an exercise in getting back to basics after the redundant excesses of their previous album, 1967's psychedelic Their Satanic Majesties Request.

Working for the first time with American producer Jimmy Miller, the Stones are here at their sharpest. Keith Richards reclaimed responsibility for the group after a troubled year, recording several basic tracks at home on cassette; hence the gloriously wonky backings on several cuts.

However, Beggars Banquet sometimes struggles to meet the standard set by Sympathy for the Devil, its opening track. From its shimmeringly effective piano, bass and conga introduction, its marriage of highly sensual music and provocative lyrics has to be one of the greatest in rock.

The lyrics still have the power to chill and many legends have arisen concerning its recording, such as pluralising the name Kennedy when news of Bobby Kennedy's death came through on 6th June during the sessions and the way the song's trademark "woo woos" came from nowhere, led by Anita Pallenberg from the control booth. With this track, the Stones' demonic reputation was sealed.

There is much to enjoy. Street Fighting Man conflated Jagger's imaginary hard-done-by blues man momentarily confused and out of step with the political climate of 1968. The self-referencing and mocking Jig-Saw Puzzle is a treat; Factory Girl is folky and pastoral; Salt of the Earth, made poignant by its performance in the Rock'n'Roll Circus film, closes the album.

Preceded by the single Jumping Jack Flash, Beggars Banquet established the Stones as 'The Greatest Rock'n'Roll Band in the World'.