Station to Station

~ Release group by David Bowie

Album

Release Format Tracks Date Country Label Catalog# Barcode
Official
Station to Station 12" Vinyl 6 RCA Victor APL1 1327, APL1-1327 [none]
Station to Station 12" Vinyl 6 RCA Victor APL1-1327, FKAY 30946 [none]
Station to Station 12" Vinyl 6 RCA (RCA Records: simple ‘RCA’ or 'RCA' with lightning bolt in circle) APL1-1327
Station to Station 12" Vinyl 6 RCA (RCA Records: simple ‘RCA’ or 'RCA' with lightning bolt in circle) AQL1-1327
Station to Station CD 6 RCA (RCA Records: simple ‘RCA’ or 'RCA' with lightning bolt in circle) PD81327 0035628132727
Station to Station CD 6 RCA (RCA Records: simple ‘RCA’ or 'RCA' with lightning bolt in circle) PCD1-1327 07863513272
Station to Station CD 8 東芝EMI 株式会社 (record company, do not use as release label - check obi, back or disc for imprint! Ended 2007-06-29) TOCP-6212 4988006650664
Station to Station CD 8 EMI (EMI Records, since 1972) CDEMD 1020, CDP 79 6435 2 0077779643523
Station to Station CD 8 Rykodisc RCD 10141 014431014123
Station to Station CD 8 Rykodisc RCD 80141 014431814129
Station to Station (rights society: bel BIEM) CD 6 EMI (EMI Records, since 1972) 521 9060, 7243 521906 0 7 724352190607
Station to Station CD 6 EMI (EMI Records, since 1972) 521 9060 0724352190607
Station to Station CD 6 Virgin Records America (DO NOT USE! please refer to either “Virgin” or “Virgin America”) 7243 521906 0 7 724352190607
Station to Station CD 6 東芝EMI 株式会社 (record company, do not use as release label - check obi, back or disc for imprint! Ended 2007-06-29) TOCP-70149 4988006850583
Station to Station SHM-CD 6 EMI Music Japan Inc. (2007-06-30 to 2013-04-01 - record company, do NOT USE as release label - check the back cover or CD surface for the imprint) TOCP-95049 4988006876347
Station to Station (deluxe edition) 5×CD + DVD-Video + 3×12" Vinyl 6 + 6 + 5 + 7 + 8 + 18 + 6 + 7 + 8 EMI (EMI Records, since 1972) BOWSTSD2010 5099964760124
Station to Station (special edition) 3×CD 6 + 7 + 8 EMI (EMI Records, since 1972) BOWLIVE032376, BOWSTSA2010 5099964758329
Station to Station (deluxe edition) 5×CD + DVD-Video + 3×12" Vinyl 6 + 6 + 5 + 7 + 8 + 18 + 6 + 7 + 8 EMI (EMI Records, since 1972) BOWLIVE032376LP, BOWSTSD2010, BOWSTSL2010 5099964760124
Station to Station (30th anniversary edition) 3×Digital Media 6 + 7 + 9 EMI (EMI Records, since 1972)
Station to Station (special edition) 3×CD 6 + 7 + 8 EMI (EMI Records, since 1972) BOWLIVE 032376, BOWSTSA 2010 5099964758329
Station to Station (2016 remaster) CD 6 Parlophone R2-219066 190295990299
Station to Station CD 6 Parlophone 7243 521906 0 7 724352190607
Promotion
Station to Station (advance) 3×CD + DVD-Video 6 + 7 + 8 + 18 EMI (EMI Records, since 1972) [none]

Relationships

associated singles/EPs: TVC 15
part of: Rolling Stone: 500 Greatest Albums of All Time: 2012 edition (number: 324)
Allmusic: http://www.allmusic.com/album/mw0000098920 [info]
Discogs: https://www.discogs.com/master/22420 [info]
Wikidata: Q831890 [info]
Wikipedia: en: Station to Station [info]
other databases: https://rateyourmusic.com/release/album/david_bowie/station_to_station/ [info]
reviews: http://pitchfork.com/reviews/albums/14687-station-to-station-deluxe-edition/ [info]
http://www.bbc.co.uk/music/reviews/5c9p [info]
http://www.independent.co.uk/arts-entertainment/music/reviews/album-david-bowie-station-to-station-super-deluxe-limited-edition-emi-2081275.html [info]
http://www.nme.com/reviews/114 [info]
http://www.robertchristgau.com/get_album.php?id=958 [info]
http://www.rollingstone.com/music/albumreviews/station-to-station-19760325 [info]
standalone website: http://www.davidbowiecatalogue.com/?album=stationtostation [info]

CritiqueBrainz Reviews

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Most Recent

After what Bowie labelled "plastic soul," on Young Americans, it was more a case of lost soul for 1976's Station to Station. The desperately thin, paranoid Bowie was still living in America but casting anxious, glassy-eyed looks across the Atlantic to European salvation - principally the musical and spiritual regeneration of Berlin.

Conflicting reports claim the album was either recorded before or after filming The Man Who Fell to Earth in New Mexico, but either way both album and film feature heavy themes of alienation, loss of control, madness and addiction (in his alien character's case, alcohol; in Bowie's, cocaine). Musically, it's similarly intense, even more so because Bowie claims he can't remember making it. It's also one of his greatest records, bridging the stations of US R&B and krautrock - a sound bleached of blues but rooted in the motorik rhythm of Neu! and Kraftwerk - and of its six track, four are certified tour de forces.

The ten-minute title-track is first. A train gathering speed whizzes from speaker to speaker before a slow, clanking instrumental incline toward Bowie's (ever-deeper) vocal intro, and his most dramatic lyrical entrance: "The return of the thin white duke / throwing darts in lover's eyes." The Duke - Bowie's last distinct character - resembles a Nietzsche superman obsessed with belief - Judaism, Christianity, the occult - and totally off the rails: "It's not the side effect of the cocaine, I'm thinking that it must be love." The second section is a gallop, Earl Slick's snarling solo unfurling over Roy Bittan's barrelhouse piano.

The elegiac aftermath Golden Years distils and bakes Young Americans' finger-snapping soul-funk canon; TVC15 is the other pop nugget, a more jovial saga of (according to Bowie) a girl in love with her TV. In between, Word on a Wing is a simmering plea for help to an angel but it's outdone for gorgeous, fearless melodrama by Wild is the Wind (the title-track of a 1957 film, made famous by Nina Simone) as the Duke/Bowie hits an emotional all-time low. Stay is equally desperate, but the music is an all-time Bowie high, watertight rock-funk behind more naked confessionals from the man usually behind a mask.

The five-CD Super Deluxe Edition features additional album mixes and single versions, but the three-disc Special Edition is the essential purchase, involving the twofer Nassau Coliseum concert, aka the Thin White Duke bootleg, where Station cuts come to life and old classics are either invigorated (a rampant The Jean Genie, an awesome Five Years) or badly clobbered (especially Suffragette City and Queen Bitch). The band couldn't truly rock, but then Bowie wasn't interested in rock; he was rolling toward another sound and vision, the Berlin trilogy.

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