| published |
|---|
| 1931 – | Clavel sevillano | | |
| 1932 – | Granada | | |
| 1932 – | Sevilla | | |
| 1935 – | Murcia | | |
| 1935 – | Novillero | | |
| 1941-04-18 | Dude Cowboy | | |
| 1941-06-18 | Take Me Back to Tulsa | | |
| 1941-09-11 | My Adobe Hacienda | | |
| 1941-12-03 | When My Blue Moon Turns to Gold Again | | |
| 1941-12-16 | Live and Let Live | Peer International | |
| 1941 – | Cuerdas de mi guitarra | | |
| 1941 – | Espanolerias | | |
| 1942-01-02 | I Told You So | | |
| 1942-02-04 | Rosalita | | |
| 1942-08-11 | Cimarron, Roll On | | |
| 1943-05-29 | Born to Lose | | |
| 1943-05-29 | No Letter Today | | |
| 1943 – | Silverio | | |
| 1944-12-30 | I Want to Live and Love | Peer International | |
| 1944 – | Valencia | | |
| 1945 – | Toledo | | |
| 1948-09-06 | Won't You Ride in My Little Red Wagon | | |
| 1948 – | Madrid | | |
| 1964 – | Fermín | | |
| 1974 | Any Old Time | | |
| 2014 | Jealous | | |
| Atlantis | Peer International Corporation | |
| Be Not Too Hard | | |
| Bésame mucho | | |
| Billy Grimes the Rover | | |
| Black-Eyed Susie | | |
| Blue Moon of Kentucky | | |
| Blue Yodel No. 8 (Mule Skinner Blues) | | |
| Bored and Razed | | |
| Brazilly Willy | | |
| Bury Me Under the Weeping Willow | | |
| Cabalgando | Peer International Corporation | |
| Calling Out to Love | | |
| Come Closer to Me (Acércate más) | | |
| Diving Duck Blues | | |
| Don’t Bother Me | | |
| Dos gardenias | | |
| El incomprendido | Peer Intl. | |
| Everyday | | |
| Garden of Joy Blues | | |
| Geh'n wie ein Ägypter | | |
| Georgia on My Mind | | |
| Green Eyes | | |
| Help Me Stranger | | |
| Henry Whitter’s Fox Chase | | |
| I Am Bound for the Promised Land | | |
| I Don't Wanna Dance | | sub |
| I Hate You Then I Love You | Peer International Corporation | |
| I Want to Be With You Always | | |
| It Wasn’t God Who Made Honky Tonk Angels | | |
| Johnny Goodman | | |
| Lágrimas negras | | |
| Lamento borincano | | |
| Las Tumbas | Peer Intl. | |
| Leroy | Peer International | |
| Let Us Be Lovers Again | Peer International | |
| Libertad | | |
| Little Baby | | |
| Little Log Cabin by the Sea | | |
| Live a Lie | | |
| Mambo No. 5 | Peer Int'l Corp. | |
| Mambo No. 5 (A Little Bit of…) | | |
| Mountain Jam | | |
| Mountaineer’s Courtship | | |
| My True Love | Peer International | |
| Night Train to Memphis | | |
| No Hiding Place | | |
| Now That You’re Gone | | |
| O passo do kangurú | | |
| Ocean Quiet | Peer International Corp | sub |
| Old Master Painter / You Are My Sunshine | | |
| One Has My Name (The Other Has My Heart) | | |
| Only Child | | |
| Ooby Dooby | | |
| Panhandle Rag | Peer International | |
| Picadillo | | |
| Por amor | | |
| Ran kan kan | | |
| Sandy River Belle | | |
| Shaken Not Stirred | | |
| Shine the Light on Me | | |
| Single Girl, Married Girl | | |
| Slave to the Wage | | |
| Sleep, Baby, Sleep | | |
| Somedays (I Don’t Feel Like Trying) | | |
| Statesboro Blues | | |
| Sunday Driver | | |
| Taboo | | |
| The Jealous Sweetheart | | |
| The Longest Train I Ever Saw | | |
| The Mambo Craze | | |
| The Move | | |
| The Newmarket Wreck | | |
| The Poor Orphan Child | | |
| The Resurrection | | |
| See all 116 relationships |
