1956 | The Teddy Charles Tentet | Atlantic Recording Corporation | The Teddy Charles Tentet | |
1958 | Art Blakey’s Jazz Messengers With Thelonious Monk | Atlantic Recording Corporation | Art Blakey’s Jazz Messengers with Thelonious Monk | |
1961 | My Favorite Things | Atlantic Recording Corporation | John Coltrane | |
1966 | Buffalo Springfield | | Buffalo Springfield | |
1966 – 1968 | What’s That Sound? Complete Albums Collection | | Buffalo Springfield | |
1967 | Aretha Arrives | Atlantic Recording Corp. | Aretha Franklin | |
1967 | Backlash | Atlantic Recording Corp. | Freddie Hubbard | |
1967 | Buffalo Springfield Again | | Buffalo Springfield | |
1967 | Fresh Cream | | Cream | |
1967 | I Never Loved a Man the Way I Love You | Atlantic Recording Corp. | Aretha Franklin | |
1967 | Respect / Dr. Feelgood | Atlantic Recording Corp. | Aretha Franklin | |
1967 | You Had Better Listen | Atlantic Recording Corp. | The Jimmy Owens–Kenny Barron Quintet | |
1967 – 1968 | Original Album Series | | Aretha Franklin | |
1968 | Chain of Fools / Prove It | Atlantic Recording Corp. | Aretha Franklin | |
1968 | Lady Soul | Atlantic Recording Corp. | Aretha Franklin | |
1968 | Soul Song | Atlantic Recording Corp. | Shirley Scott | |
1968 | The Atlantic Singles (1968) | | Aretha Franklin | |
1969 | Aretha’s Gold | Atlantic Recording Corp. | Aretha Franklin | |
1969 | Crosby, Stills & Nash | | Crosby, Stills & Nash | |
1969 | Crosby, Stills & Nash | | Crosby, Stills & Nash | |
1969 | First Take | | Roberta Flack | |
1969 | High Vibration | | Yes | |
1969 | Led Zeppelin | | Led Zeppelin | |
1969 | Led Zeppelin | | Led Zeppelin | |
1969 | Led Zeppelin | Atlantic Recording Corp. | Led Zeppelin | |
1969 | Led Zeppelin II | | Led Zeppelin | |
1969 | My Feeling for the Blues | Atlantic Recording Corp. | Freddie King | |
1969 | Yusef Lateef’s Detroit Latitude 42° 30′ Longitude 83° | Atlantic Recording Corp. | Yusef Lateef | |
1970 | ¡Jesse Davis! | | Jesse Davis | |
1970 | Ananda Shankar | | Ananda Shankar | |
1970 | Déjà vu | | Crosby, Stills, Nash & Young | |
1970 | Déjà vu | | Crosby, Stills, Nash & Young | |
1970 | Déjà Vu | | Crosby, Stills, Nash & Young | |
1970 | Spirit in the Dark | Atlantic Recording Corp. | Aretha Franklin | |
1970 | Time and a Word | | Yes | |
1970 – 1971 | Original Album Series | | Aretha Franklin | |
1971 | [Led Zeppelin IV] | | Led Zeppelin | |
1971 | [Led Zeppelin IV] | Atlantic Recording Corp. | Led Zeppelin | |
1971 | [Led Zeppelin IV] | | Led Zeppelin | |
1971 | [Led Zeppelin IV] | | Led Zeppelin | |
1971 | Fragile | | Yes | |
1971 | Fragile | | Yes | |
1971 | John Prine | | John Prine | |
1971 | Legend: The Best Of | Atlantic Recording Corp. | Willie Nelson | |
1971 | Live at Fillmore West | | Aretha Franklin | |
1971 | Live at Fillmore West | Atlantic Recording Corp. | Aretha Franklin | |
1971 | Push Push | Atlantic Recording Corporation | Herbie Mann | |
1971 | Restrictions | | Cactus | |
1971 | Songs for Beginners | | Graham Nash | |
1971 | The Yes Album | | Yes | |
1971 – 1974 | High Vibration | | Yes | |
1971 – | [Led Zeppelin IV] | | Led Zeppelin | |
1972 | 'Ot 'n' Sweaty | | Cactus | |
1972 | Amazing Grace | | Aretha Franklin with James Cleveland & the Southern California Community Choir | |
1972 | Amazing Grace | | Aretha Franklin | |
1972 | Amazing Grace: The Complete Recordings | | Aretha Franklin | |
1972 | Cactology: The Cactus Collection | | Cactus | |
1972 | Cactology: The Cactus Collection | | Cactus | |
1972 | Close to the Edge | | Yes | |
1972 | Close to the Edge | | Yes | |
1972 | Close to the Edge | | Yes | |
1972 | Close to the Edge | | Yes | |
1972 | Close to the Edge | | Yes | |
1972 | Close to the Edge | | Yes | |
1972 | Close to the Edge | | Yes | |
1972 | Close to the Edge | | Yes | |
1972 | Close to the Edge | | Yes | |
1972 | Close to the Edge | | Yes | |
1972 | Close to the Edge | | Yes | |
1972 | Close to the Edge | | Yes | |
1972 | Close to the Edge | | Yes | |
1972 | Close to the Edge | | Yes | |
1972 | Fragile | | Yes | |
1972 | Fragile | | Yes | |
1972 | Fragile | | Yes | |
1972 | Fragile | | Yes | |
1972 | Fragile | | Yes | |
1972 | Fragile | | Yes | |
1972 | Islands | | King Crimson | |
1972 | Jackson Browne / Saturate Before Using | | Jackson Browne | |
1972 | Live Cream, Volume II | | Cream | |
1972 | Manassas | | Manassas | |
1972 | Manassas | | Manassas | |
1972 | Play the Blues | | Buddy Guy & Junior Wells | |
1972 | Play the Blues | | Buddy Guy & Junior Wells | |
1972 | Young, Gifted and Black | Atlantic Recording Corp. | Aretha Franklin | |
1972 | Young, Gifted and Black | | Aretha Franklin | |
1972 – 1973 | Prime Prine: The Best of John Prine | | John Prine | |
1972 – 1974 | The Very Best of Aretha Franklin: The '70s | | Aretha Franklin | |
1972 – 1976 | Queen of Soul: The Atlantic Recordings | | Aretha Franklin | |
1972 – | New Orleans Piano | | Professor Longhair | |
1973 | Buffalo Springfield | | Buffalo Springfield | |
1973 | Down the Road | | Manassas | |
1973 | Hey Now Hey (The Other Side of the Sky) | | Aretha Franklin | |
1973 | Hey Now Hey (The Other Side of the Sky) | | Aretha Franklin | |
1973 | Tales From Topographic Oceans | | Yes | |
1973 | Tales From Topographic Oceans | | Yes | |
1973 | Tales From Topographic Oceans | | Yes | |
1973 | Tales From Topographic Oceans | | Yes | |
1973 | Tales From Topographic Oceans | | Yes | |
1973 | Tales From Topographic Oceans | | Yes | |
1973 | Wild Tales | | Graham Nash | |
1973 | Yessongs | | Yes | |
1973 | Yessongs | | Yes | |
1973 | Yessongs | | Yes | |
1973 | Yessongs | | Yes | |
1973 | Yessongs | | Yes | |
1973 | Yessongs | | Yes | |
1973 | Yessongs | | Yes | |
1973 | Yessongs | | Yes | |
1973 | Yessongs | | Yes | |
1974 | Legend: The Best Of | Atlantic Recording Corp. | Willie Nelson | |
1974 | Let Me In Your Life | | Aretha Franklin | |
1974 | Relayer | | Yes | |
1974 | Relayer | | Yes | |
1974 | Relayer | | Yes | |
1974 | Relayer | | Yes | |
1974 | Relayer | | Yes | |
1974 | Relayer | | Yes | |
1974 | Relayer | | Yes | |
1974 | Relayer | | Yes | |
1974 | So Far | | Crosby, Stills, Nash & Young | |
1974 | So Far | | Crosby, Stills, Nash & Young | |
1974 | So Far | | Crosby, Stills, Nash & Young | |
1974 | So Far | | Crosby, Stills, Nash & Young | |
1974 | So Far | | Crosby, Stills, Nash & Young | |
1974 | Starless and Bible Black | | King Crimson | |
1974 | With Everything I Feel in Me | | Aretha Franklin | |
1974 | Yesterdays | | Yes | |
1974 | Yesterdays | | Yes | |
1975 | Beginnings | | Steve Howe | |
1975 | Beginnings | | Steve Howe | |
1975 | Doldinger Jubilee ’75 | | Passport | |
1975 | Live | | Stephen Stills | |
1975 | Prime Prine: The Best of John Prine | | John Prine | |
1975 | Prime Prine: The Best of John Prine | | John Prine | |
1975 | Straight Shooter | | Bad Company | |
1975 | The Best of The Manhattan Transfer | | The Manhattan Transfer | |
1975 | Welcome to My Nightmare | | Alice Cooper | |
1975 | Welcome to My Nightmare | | Alice Cooper | |
1975 | Welcome to My Nightmare | | Alice Cooper | |
1975 | Welcome to My Nightmare | | Alice Cooper | |
1975 | Welcome to My Nightmare | | Alice Cooper | |
1975 | Welcome to My Nightmare | | Alice Cooper | |
1975 | Welcome to My Nightmare | Atlantic Recording Corp. | Alice Cooper | |
1975 | Welcome to My Nightmare | | Alice Cooper | |
1975 | Welcome to My Nightmare | | Alice Cooper | |
1975 – 1976 | 3 Record Set | | AC/DC | |
1976 | Aretha Franklin’s Greatest Hits | | Aretha Franklin | |
1976 | High Voltage | | AC/DC | |
1976 | High Voltage | | AC/DC | |
1976 | High Voltage | | AC/DC | |
1976 | High Voltage | | AC/DC | |
1976 | High Voltage | | AC/DC | |
1976 | High Voltage | | AC/DC | |
1976 | Olias of Sunhillow | | Jon Anderson | |
1976 | Olias of Sunhillow | | Jon Anderson | |
1976 | Ramshackled | | Alan White | |
1976 | Run With the Pack | | Bad Company | |
1976 | Run With the Pack | | Bad Company | |
1976 | Sparkle | | Aretha Franklin | |
1976 | The Story of I | | Patrick Moraz | |
1976 | The Very Best of Aretha Franklin: The '70s | | Aretha Franklin | |
1977 | Cactus | | Cactus | |
1977 | CSN | | Crosby, Stills & Nash | |
1977 | CSN | | Crosby, Stills & Nash | |
1977 | CSN | | Crosby, Stills & Nash | |
1977 | CSN | | Crosby, Stills & Nash | |
1977 | Foreigner | | Foreigner | |
1977 | Going for the One | | Yes | |
1977 | Going for the One | | Yes | |
1977 | Going for the One | | Yes | |
1977 | Going for the One | | Yes | |
1977 | Going for the One | | Yes | |
1977 | Miss Broadway | | Belle Epoque | |
1977 | Sweet Passion | | Aretha Franklin | |
1977 – 1978 | High Vibration | | Yes | |
1977 – | CSN | | Crosby, Stills & Nash | |
1978 | 3 Record Set | | AC/DC | |
1978 | Almighty Fire | | Aretha | |
1978 | I Was Made for Dancin’ | | Leif Garrett | |
1978 | If You Want Blood You've Got It | | AC/DC | |
1978 | Midnight Rhythm | Atlantic Recording Corporation | Midnight Rhythm | |
1978 | The Best of The Manhattan Transfer | | The Manhattan Transfer | |
1978 | Tormato | | Yes | |
1978 | Tormato | | Yes | |
1978 | Tormato | | Yes | |
1979 | Risqué | | Chic | |
1979 | The Best of The Manhattan Transfer | | The Manhattan Transfer | |
1979 | The Steve Howe Album | | Steve Howe | |
1979 | The Steve Howe Album | | Steve Howe | |
1979 | The Steve Howe Album | | Steve Howe | |
1979 | Yesshows | | Yes | |
1979 | Yesshows | | Yes | |
1980 | After the Roses | Atlantic Recording Corp | Kenny Rankin | |
1980 | Back in Black | | AC/DC | |
1980 | Drama | | Yes | |
1980 | Drama | | Yes | |
1980 | Empty Glass | | Pete Townshend | |
1980 | High Vibration | | Yes | |
1980 | The Skill | | Sherbs | |
1980 | Yesshows | | Yes | |
1980 | Yesshows | | Yes | |
1980 | Yesshows | | Yes | |
1981 | 4 | | Foreigner | |
1981 | Classic Yes | | Yes | |
1981 | Face Value | | Phil Collins | |
1981 | Face Value | | Phil Collins | |
1981 | Face Value | | Phil Collins | |
1981 | Face Value | | Phil Collins | |
1981 | Face Value | | Phil Collins | |
1981 | Face Value | | Phil Collins | |
1981 | For Those About to Rock (We Salute You) | | AC/DC | |
1981 | Love Keys | | Eddie Kendricks | |
1981 | The Best of The Manhattan Transfer | | The Manhattan Transfer | |
1982 | Can’t Believe | Atlantic Recording Corp. | Nancy Martin | |
1982 | Daylight Again | | Crosby, Stills & Nash | |
1982 | I’m the One | Atlantic Recording Corp | Roberta Flack | |
1983 | 90125 | | Yes | |
1983 | 90125 | | Yes | |
1983 | 90125 | | Yes | |
1983 | 90125 | | Yes | |
1983 | 90125 | | Yes | |
1983 | 90125 | | Yes | |
1983 | 90125 | | Yes | |
1983 | 90125 | | Yes | |
1983 | Bodies and Souls | | The Manhattan Transfer | |
1983 | High Vibration | | Yes | |
1983 | Original Album Series | | Yes | |
1984 | Right by You | | Stephen Stills | |
1984 | Right by You | | Stephen Stills | |
1984 | The Best of Aretha Franklin | | Aretha Franklin | |
1984 | The Best of Aretha Franklin | | Aretha Franklin | |
1984 | The Best of Aretha Franklin | | Aretha Franklin | |
1984 | The Best of Aretha Franklin | | Aretha Franklin | |
1984 – | Volume One | | The Honeydrippers | |
1985 | 30 Greatest Hits | Atlantic Recording Corp. | Aretha Franklin | |
1985 | 30 Greatest Hits | | Aretha Franklin | |
1985 | 30 Greatest Hits | | Aretha Franklin | |
1985 | 30 Greatest Hits | | Aretha Franklin | |
1985 | 9012Live: The Solos | | Yes | |
1985 | Invasion of Your Privacy | Atlantic Recording Corp. | Ratt | |
1985 | Ladyhawke | | Andrew Powell | |
1985 | The Definitive Soul Collection | | Aretha Franklin | |
1985 – | Atlantic Rhythm and Blues 1947-1974, Volume 3: 1955-1958 | | Various Artists | |
1986 | Atlantic Jazz: Soul | | Various Artists | |
1986 | Dancing Undercover | Atlantic Recording Corporation | Ratt | |
1986 | Dancing Undercover | Atlantic Recording Corporation | Ratt | |
1986 | Fame and Fortune | | Bad Company | |
1986 | Fame and Fortune | | Bad Company | |