| holds phonographic copyright (℗) for |
|---|
| 1952 | Porgy & Bess: Act One, Scene I. Don’t you ever let a woman grieve you | | William Warfield, Leontyne Price, John McCurry, Jerry Laws, Helen Thigpen, Joseph Crawford, Choir of the Blevins Davis & Robert Breen production, RIAS‐Unterhaltungsorchester, Alexander Smallens | 2:03 |
| 1952 | Porgy & Bess: Act One, Scene I. Here comes big boy! | | William Warfield, Leontyne Price, John McCurry, Jerry Laws, Helen Thigpen, Joseph James, Howard Roberts, Leslie Scott, RIAS‐Unterhaltungsorchester, Alexander Smallens | 2:07 |
| 1952 | Porgy & Bess: Act One, Scene I. Here’s the ol’ crap shark! | | William Warfield, Jerry Laws, Helen Thigpen, Joseph James, Howard Roberts, Leslie Scott, Georgia Burke, RIAS‐Unterhaltungsorchester, Alexander Smallens | 1:50 |
| 1952 | Porgy & Bess: Act One, Scene I. I been sweatin’ all day | | Helen Thigpen, Howard Roberts, RIAS‐Unterhaltungsorchester, Alexander Smallens | 1:21 |
| 1952 | Porgy & Bess: Act One, Scene I. Introduction | | Choir of the Blevins Davis & Robert Breen production, RIAS‐Unterhaltungsorchester, Alexander Smallens | 2:03 |
| 1952 | Porgy & Bess: Act One, Scene I. Jesus, he’s killed him! | | Leontyne Price, John McCurry, Joseph James, Choir of the Blevins Davis & Robert Breen production, RIAS‐Unterhaltungsorchester, Alexander Smallens | 2:53 |
| 1952 | Porgy & Bess: Act One, Scene I. Lissen to yo’ daddy – A woman is a sometime thing | | Cab Calloway, Jerry Laws, Joseph James, Choir of the Blevins Davis & Robert Breen production, RIAS‐Unterhaltungsorchester, Alexander Smallens | 3:00 |
| 1952 | Porgy & Bess: Act One, Scene I. No, no, brother | | William Warfield, RIAS‐Unterhaltungsorchester, Alexander Smallens | 1:41 |
| 1952 | Porgy & Bess: Act One, Scene I. Oh, little stars | | William Warfield, Leontyne Price, Cab Calloway, John McCurry, Jerry Laws, Helen Thigpen, Joseph James, Howard Roberts, Leslie Scott, Georgia Burke, RIAS‐Unterhaltungsorchester, Alexander Smallens | 1:57 |
| 1952 | Porgy & Bess: Act One, Scene I. Oh, nobody knows when de Lawd is goin’ to call | | Cab Calloway, Jerry Laws, Helen Thigpen, Joseph James, Choir of the Blevins Davis & Robert Breen production, RIAS‐Unterhaltungsorchester, Alexander Smallens | 1:32 |
| 1952 | Porgy & Bess: Act One, Scene I. Summertime | | Helen Colbert, Choir of the Blevins Davis & Robert Breen production, RIAS‐Unterhaltungsorchester, Alexander Smallens | 2:20 |
| 1952 | Porgy & Bess: Act One, Scene I. Summertime – seven come, seven to pappy! | | Helen Colbert, Joseph James, Choir of the Blevins Davis & Robert Breen production, RIAS‐Unterhaltungsorchester, Alexander Smallens | 0:58 |
| 1952 | Porgy & Bess: Act One, Scene II. A saucer‐burial setup, I see | | William Warfield, Helen Thigpen, Joseph James, Helen Dowdy, Sam Kasakoff, Walter Riemer, RIAS‐Unterhaltungsorchester, Alexander Smallens | 2:28 |
| 1952 | Porgy & Bess: Act One, Scene II. Come on sister – Overflow | | Joseph James, Choir of the Blevins Davis & Robert Breen production, RIAS‐Unterhaltungsorchester, Alexander Smallens | 2:11 |
| 1952 | Porgy & Bess: Act One, Scene II. Gone, gone, gone | | Helen Thigpen, Georgia Burke, Choir of the Blevins Davis & Robert Breen production, RIAS‐Unterhaltungsorchester, Alexander Smallens | 3:20 |
| 1952 | Porgy & Bess: Act One, Scene II. How de saucer stand now my sister | | William Warfield, Helen Thigpen, Joseph James, Sam Kasakoff, William Veasey, Choir of the Blevins Davis & Robert Breen production, RIAS‐Unterhaltungsorchester, Alexander Smallens | 1:47 |
| 1952 | Porgy & Bess: Act One, Scene II. I ain’t never done nuttin’, boss (I can’t puzzle…) | | William Warfield, Joseph James, Choir of the Blevins Davis & Robert Breen production, RIAS‐Unterhaltungsorchester, Alexander Smallens | 1:12 |
| 1952 | Porgy & Bess: Act One, Scene II. My man’s gone now | | Helen Thigpen, Choir of the Blevins Davis & Robert Breen production, RIAS‐Unterhaltungsorchester, Alexander Smallens | 3:25 |
| 1952 | Porgy & Bess: Act One, Scene II. Oh, the train is at the station | | Leontyne Price, Choir of the Blevins Davis & Robert Breen production, RIAS‐Unterhaltungsorchester, Alexander Smallens | 2:32 |
| 1952 | Porgy & Bess: Act One, Scene III. ‘Lo Bess, goin’ to picnic? | | Leontyne Price, Cab Calloway, Joseph James, RIAS‐Unterhaltungsorchester, Alexander Smallens | 2:39 |
| 1952 | Porgy & Bess: Act One, Scene III. Bess, you is my woman now | | William Warfield, Leontyne Price, RIAS‐Unterhaltungsorchester, Alexander Smallens | 4:36 |
| 1952 | Porgy & Bess: Act One, Scene III. Goodby, Porgy | | William Warfield, Leontyne Price, RIAS‐Unterhaltungsorchester, Alexander Smallens | 1:19 |
| 1952 | Porgy & Bess: Act One, Scene III. I stayin’ with Porgy – sho’ you goin’ | | William Warfield, Leontyne Price, Georgia Burke, RIAS‐Unterhaltungsorchester, Alexander Smallens | 3:05 |
| 1952 | Porgy & Bess: Act One, Scene III. Mornin’, lawyer, lookin’ for somebody? | | William Warfield, Helen Colbert, Helen Thigpen, Georgia Burke, Catherine Ayers, Moses LaMarr, Willis Daily, Choir of the Blevins Davis & Robert Breen production, RIAS‐Unterhaltungsorchester, Alexander Smallens | 4:21 |
| 1952 | Porgy & Bess: Act One, Scene III. Oh, I got plenty o’ nuttin’ | | William Warfield, Cab Calloway, Helen Thigpen, Georgia Burke, Choir of the Blevins Davis & Robert Breen production, RIAS‐Unterhaltungsorchester, Alexander Smallens | 2:36 |
| 1952 | Porgy & Bess: Act One, Scene III. Oh, I’m agoin’ out – it take a long pull to get there | | Helen Colbert, Joseph James, Catherine Ayers, Choir of the Blevins Davis & Robert Breen production, RIAS‐Unterhaltungsorchester, Alexander Smallens | 2:52 |
| 1952 | Porgy & Bess: Act Three, Scene I. Clara, don’t you be downhearted | | Choir of the Blevins Davis & Robert Breen production, RIAS‐Unterhaltungsorchester, Alexander Smallens | 3:28 |
| 1952 | Porgy & Bess: Act Three, Scene I. Ha ha ha – you low‐life skunk | | Cab Calloway, Georgia Burke, RIAS‐Unterhaltungsorchester, Alexander Smallens | 1:24 |
| 1952 | Porgy & Bess: Act Three, Scene I. Interlude – Death of Crown | | Choir of the Blevins Davis & Robert Breen production, RIAS‐Unterhaltungsorchester, Alexander Smallens | 1:04 |
| 1952 | Porgy & Bess: Act Three, Scene I. Summertime | | Leontyne Price, RIAS‐Unterhaltungsorchester, Alexander Smallens | 1:19 |
| 1952 | Porgy & Bess: Act Three, Scene II. Introduction | | Choir of the Blevins Davis & Robert Breen production, RIAS‐Unterhaltungsorchester, Alexander Smallens | 7:47 |
| 1952 | Porgy & Bess: Act Three, Scene II. There’s a boat dat’s leavin’ soon for New York | | Cab Calloway, Leontyne Price, RIAS‐Unterhaltungsorchester, Alexander Smallens | 3:31 |
| 1952 | Porgy & Bess: Act Three, Scene II. Turn me loose | | Leontyne Price, William Warfield, Cab Calloway, RIAS‐Unterhaltungsorchester, Alexander Smallens | 1:34 |
| 1952 | Porgy & Bess: Act Three, Scene III. Dem white folks sure ain’ put nuttin’ | | William Warfield, Helen Dowdy, RIAS‐Unterhaltungsorchester, Alexander Smallens | 7:55 |
| 1952 | Porgy & Bess: Act Three, Scene III. Introduction | | Choir of the Blevins Davis & Robert Breen production, RIAS‐Unterhaltungsorchester, Alexander Smallens | 1:14 |
| 1952 | Porgy & Bess: Act Three, Scene III. Oh Bess, oh where’s my Bess | | William Warfield, Helen Thigpen, Georgia Burke, RIAS‐Unterhaltungsorchester, Alexander Smallens | 1:36 |
| 1952 | Porgy & Bess: Act Three, Scene III. Oh Lord, I’m on my way | | William Warfield, Choir of the Blevins Davis & Robert Breen production, RIAS‐Unterhaltungsorchester, Alexander Smallens | 2:52 |
| 1952 | Porgy & Bess: Act Three, Scene III. Where Bess gone? | | William Warfield, Jerry Laws, Helen Thigpen, RIAS‐Unterhaltungsorchester, Alexander Smallens | 0:57 |
| 1952 | Porgy & Bess: Act Two, Scene I. Crown, I got something to tell yo | | Leontyne Price, John McCurry, RIAS‐Unterhaltungsorchester, Alexander Smallens | 1:24 |
| 1952 | Porgy & Bess: Act Two, Scene I. I ain’ got no shame | | Choir of the Blevins Davis & Robert Breen production, RIAS‐Unterhaltungsorchester, Alexander Smallens | 1:43 |
| 1952 | Porgy & Bess: Act Two, Scene I. Interlude | | RIAS‐Unterhaltungsorchester, Alexander Smallens | 2:58 |
| 1952 | Porgy & Bess: Act Two, Scene I. It ain’t necessarily so | | Cab Calloway, Choir of the Blevins Davis & Robert Breen production, RIAS‐Unterhaltungsorchester, Alexander Smallens | 5:48 |
| 1952 | Porgy & Bess: Act Two, Scene I. Oh, what you want wid Bess? | | Leontyne Price, John McCurry, Joseph Crawford, RIAS‐Unterhaltungsorchester, Alexander Smallens | 3:04 |
| 1952 | Porgy & Bess: Act Two, Scene II. Honey, dat’s all de breakfast I got time for | | Joseph James, Leslie Scott, RIAS‐Unterhaltungsorchester, Alexander Smallens | 1:49 |
| 1952 | Porgy & Bess: Act Two, Scene II. I lonesome here all by myself | | William Warfield, Leontyne Price, RIAS‐Unterhaltungsorchester, Alexander Smallens | 1:41 |
| 1952 | Porgy & Bess: Act Two, Scene II. I think dat maybe she goin’ to sleep now | | William Warfield, Helen Thigpen, Joseph Crawford, RIAS‐Unterhaltungsorchester, Alexander Smallens | 0:53 |
| 1952 | Porgy & Bess: Act Two, Scene II. I wants to stay here | | William Warfield, Leontyne Price, RIAS‐Unterhaltungsorchester, Alexander Smallens | 2:50 |
| 1952 | Porgy & Bess: Act Two, Scene II. I’m talkin’ about devil crabs | | Ray Yeates, RIAS‐Unterhaltungsorchester, Alexander Smallens | 2:20 |
| 1952 | Porgy & Bess: Act Two, Scene II. It take a long pull to get there, huh! | | Joseph James, Choir of the Blevins Davis & Robert Breen production, RIAS‐Unterhaltungsorchester, Alexander Smallens | 2:01 |
| 1952 | Porgy & Bess: Act Two, Scene II. Oh dey’s so fresh an’ fine | | Joseph Crawford, Helen Dowdy, Catherine Ayers, RIAS‐Unterhaltungsorchester, Alexander Smallens | 2:03 |
| 1952 | Porgy & Bess: Act Two, Scene II. Oh, Doctor Jesus | | William Warfield, Joseph Crawford, RIAS‐Unterhaltungsorchester, Alexander Smallens | 1:57 |
| 1952 | Porgy & Bess: Act Two, Scene II. Why you been out on that wharf so long, Clara? | | Helen Colbert, Georgia Burke, RIAS‐Unterhaltungsorchester, Alexander Smallens | 1:41 |
| 1952 | Porgy & Bess: Act Two, Scene III. A red‐headed woman make a choo‐choo jump | | Leontyne Price, John McCurry, Helen Colbert, Choir of the Blevins Davis & Robert Breen production, RIAS‐Unterhaltungsorchester, Alexander Smallens | 3:41 |
| 1952 | Porgy & Bess: Act Two, Scene III. If Gawd want to kill me | | John McCurry, RIAS‐Unterhaltungsorchester, Alexander Smallens | 1:15 |
| 1952 | Porgy & Bess: Act Two, Scene III. Oh, de Lowd shake de heavens | | William Warfield, Cab Calloway, Helen Colbert, Helen Thigpen, Choir of the Blevins Davis & Robert Breen production, RIAS‐Unterhaltungsorchester, Alexander Smallens | 1:17 |
| 1952 | Porgy & Bess: Act Two, Scene III. Oh, dere’s somebody knockin’ at de do’ | | Jerry Laws, Joseph Crawford, Helen Dowdy, Georgia Burke, Choir of the Blevins Davis & Robert Breen production, RIAS‐Unterhaltungsorchester, Alexander Smallens | 2:24 |
| 1952 | Porgy & Bess: Act Two, Scene III. One of dese mornings you goin’ to rise up singin’ | | William Warfield, Leontyne Price, Helen Colbert, Choir of the Blevins Davis & Robert Breen production, RIAS‐Unterhaltungsorchester, Alexander Smallens | 1:05 |
| 1952 | Porgy & Bess: Act Two, Scene III. The hurricane is rampaging violently | | RIAS‐Unterhaltungsorchester, Alexander Smallens | 0:40 |
| 2002 | Das Kalkwerk | | Ulrich Gerhardt nach Thomas Bernhard, gelesen von Ulrich Matthes | 1:28:53 |
| 2006 | 2 Couranten: Courante I | | Margarete Babinsky | 1:04 |
| 2006 | 2 Couranten: Courante II | | Margarete Babinsky | 0:46 |
| 2006 | Der Abend, op. 4: Vier Impressionen für Klavier: 1. Pastorale (Ruhig) | | Margarete Babinsky | 3:31 |
| 2006 | Der Abend, op. 4: Vier Impressionen für Klavier: 2. Angelus (In langsamer Bewegung mit größter Ruhe) | | Margarete Babinsky | 7:56 |
| 2006 | Der Abend, op. 4: Vier Impressionen für Klavier: 3. Dämmerstunde (Sehr ruhig. In langsamer Bewegung) | | Margarete Babinsky | 5:07 |
| 2006 | Der Abend, op. 4: Vier Impressionen für Klavier: 4. Wind auf der Heide (Lebhaft, voller Unruhe) | | Margarete Babinsky | 3:18 |
| 2006 | Die Blume der ergebung | | Michaela Kaune, Burkhard Kehring | 3:11 |
| 2006 | Drei Klavierstücke, op. 9: 1. Anmutig bewegt | | Margarete Babinsky | 1:18 |
| 2006 | Drei Klavierstücke, op. 9: 2. Lebhaft | | Margarete Babinsky | 2:22 |
| 2006 | Drei Klavierstücke, op. 9: 3. Thema mit Variationen | | Margarete Babinsky | 6:42 |
| 2006 | Drei Skizzen, op. 6: 1. Verträumt | | Margarete Babinsky | 1:27 |
| 2006 | Drei Skizzen, op. 6: 2. Heftig | | Margarete Babinsky | 1:03 |
| 2006 | Drei Skizzen, op. 6: 3. Trotzig | | Margarete Babinsky | 1:38 |
| 2006 | Drei Studien für Klavier, op. 13: 1. Allegretto | | Margarete Babinsky | 0:57 |
| 2006 | Drei Studien für Klavier, op. 13: 2. Leidenschaftlich bewegt | | Margarete Babinsky | 1:14 |
| 2006 | Drei Studien für Klavier, op. 13: 3. Lebhaft | | Margarete Babinsky | 1:32 |
| 2006 | Drei Studien, op. 29: 1. Langsam | | Margarete Babinsky | 2:02 |
| 2006 | Drei Studien, op. 29: 2. Sehr ruhig | | Margarete Babinsky | 2:27 |
| 2006 | Drei Studien, op. 29: 3. Leidenschaftlich | | Margarete Babinsky | 0:43 |
| 2006 | Eklogen, op. 11: 1. Nänie (Lento) | | Margarete Babinsky | 3:17 |
| 2006 | Eklogen, op. 11: 2. Intermezzo (Andante) | | Margarete Babinsky | 2:09 |
| 2006 | Eklogen, op. 11: 3. Burleske (Allegretto rubato) | | Margarete Babinsky | 2:03 |
| 2006 | Eklogen, op. 11: 4. Epilog (Andante) | | Margarete Babinsky | 3:59 |
| 2006 | Epigramme, op. 17: 1. Danse (Poco animato) | | Margarete Babinsky | 2:24 |
| 2006 | Epigramme, op. 17: 2. Capriccio (Comodo) | | Margarete Babinsky | 1:42 |
| 2006 | Epigramme, op. 17: 3. Vision (Lento) | | Margarete Babinsky | 3:01 |
| 2006 | Epigramme, op. 17: 4. Nocturno (Andante) | | Margarete Babinsky | 3:08 |
| 2006 | Epigramme, op. 17: 5. Elegie fantastique (Tranquillo—Animato—Andante) | | Margarete Babinsky | 4:16 |
| 2006 | Frauenliebe und -leben: 2. Er, der Herrlichste von allen | | Michaela Kaune, Burkhard Kehring | 3:55 |
| 2006 | Frauenliebe und -leben: 3. Ich kann's nicht fassen, nicht glauben | | Michaela Kaune, Burkhard Kehring | 1:52 |
| 2006 | Frauenliebe und -leben: 4. Du Ring an meinem Finger | | Michaela Kaune, Burkhard Kehring | 2:57 |
| 2006 | Frauenliebe und -leben: 5. Helft mir, ihr Schwestern | | Michaela Kaune, Burkhard Kehring | 1:59 |
| 2006 | Frauenliebe und -leben: 6. Süßer Freund, du blickest | | Michaela Kaune, Burkhard Kehring | 4:54 |
| 2006 | Frauenliebe und -leben: 7. An meinem Herzen, an meiner Brust | | Michaela Kaune, Burkhard Kehring | 1:26 |
| 2006 | Frauenliebe und -leben: 8. Nun hast du mir den ersten Schmerz getan | | Michaela Kaune, Burkhard Kehring | 4:26 |
| 2006 | Frauenliebe und- leben: 1. Seit ich ihn gesehen | | Michaela Kaune, Burkhard Kehring | 2:52 |
| 2006 | Frühlingslust | | Michaela Kaune, Burkhard Kehring | 1:18 |
| 2006 | Fünf Klavierstücke, op. 83: 1. Nänie (Grave) | | Margarete Babinsky | 3:49 |
| 2006 | Fünf Klavierstücke, op. 83: 2. Ein Lied (Comodo) | | Margarete Babinsky | 1:40 |
| 2006 | Fünf Klavierstücke, op. 83: 3. Bewegung (Allegretto) | | Margarete Babinsky | 0:52 |
| 2006 | Fünf Klavierstücke, op. 83: 4. Stille (Andante) | | Margarete Babinsky | 2:53 |
| See all 240 relationships |
| holds copyright (©) for |
|---|
| 2017 | Augenlider: Mit einer Novelle von Hartmut Lange | Deutschlandradio | Lisa Streich | |
| 2017 | Chamber Works | | Franco Donatoni; Ensemble Adapter | |
| 2017 | Rasch | | J. S. Bach, George Gershwin, Franco Donatoni; Arcis Saxophon Quartett, Erika Mikami, Patrick Stapleton | |
| 2020 | Piano Concerto no. 4 / Double Concerto / Chamber Symphony | | Nikolai Kapustin; Frank Dupree, Rosanne Philippens, Württembergisches Kammerorchester Heilbronn, Case Scaglione | |
| holds phonographic copyright (℗) for |
|---|
| 2017 | Rasch | | J. S. Bach, George Gershwin, Franco Donatoni; Arcis Saxophon Quartett, Erika Mikami, Patrick Stapleton | |
| 2017 – | Cantata For The 20th Anniversary Of The October Revolution | | Сергей Сергеевич Прокофьев, Kirill Karabits, Ernst‐Senff‐Chor & Staatskapelle Weimar | |
