| holds phonographic copyright (℗) for |
|---|
| Classical Symphony: I. Allegro | | | Academy of St Martin in the Fields, Sir Neville Marriner | 4:21 |
| Classical Symphony: II. Larghetto | | | Academy of St Martin in the Fields, Sir Neville Marriner | 3:57 |
| Classical Symphony: III. Gavotte: non troppo allegro | | | Academy of St Martin in the Fields, Sir Neville Marriner | 1:33 |
| Classical Symphony: IV. Finale: Molto vivace | | | Academy of St Martin in the Fields, Sir Neville Marriner | 4:21 |
| Pulcinella (Concert Suite): I. Sinfonia | | | Academy of St Martin in the Fields, Sir Neville Marriner | 2:05 |
| Pulcinella (Concert Suite): II. Serenata | | | Academy of St Martin in the Fields, Sir Neville Marriner | 3:10 |
| Pulcinella (Concert Suite): III. Scherzino | | | Academy of St Martin in the Fields, Sir Neville Marriner | 4:35 |
| Pulcinella (Concert Suite): IV. Tarantella | | | Academy of St Martin in the Fields, Sir Neville Marriner | 1:53 |
| Pulcinella (Concert Suite): V. Toccata | | | Academy of St Martin in the Fields, Sir Neville Marriner | 1:02 |
| Pulcinella (Concert Suite): VI. Gavotta con due variazioni | | | Academy of St Martin in the Fields, Sir Neville Marriner | 4:00 |
| Pulcinella (Concert Suite): VII. Vivo | | | Academy of St Martin in the Fields, Sir Neville Marriner | 1:33 |
| Pulcinella (Concert Suite): VIIb. Finale | | | Academy of St Martin in the Fields, Sir Neville Marriner | 2:14 |
| Pulcinella (Concert Suite): VIIIa. Minuetto | | | Academy of St Martin in the Fields, Sir Neville Marriner | 2:09 |
| Symphony in C: I. Allegro (Allegro vivo) | | | Academy of St Martin in the Fields, Sir Neville Marriner | 7:24 |
| Symphony in C: II. Andante (Adagio) | | | Academy of St Martin in the Fields, Sir Neville Marriner | 10:10 |
| Symphony in C: III. Scherzo (Allegro vivace) | | | Academy of St Martin in the Fields, Sir Neville Marriner | 5:35 |
| Symphony in C: IV. Finale (Allegro vivace) | | | Academy of St Martin in the Fields, Sir Neville Marriner | 8:54 |
| published |
|---|
| Rostropovich Plays Prokofiev | | | Prokofiev; Rostropovich | |
| The Golden Age (complete ballet) | | | Dmitry Shostakovich; Royal Scottish National Orchestra, José Serebrier | |
| Variations on a Theme of Frank Bridge, op. 10 / Young Apollo, op. 16 / Lachrymae, op. 48a / Simple Symphony, op. 4 | | | Benjamin Britten; I Musici de Montréal, Yuli Turovsky, Rivka Golani | |
| Villa-Lobos / Ginastera | | | Villa‐Lobos, Ginastera; Johannes Tonio Kreusch | |
| published |
|---|
| 1953 – | Concerto for Clarinet and String Orchestra, op. 31 | | | | |
| 1954 | Praise Ye the Lord | | | | |
| 1959 | Violin concerto in D minor, after BWV 1052 | | | | |
| 2001 | Tom Bowling and Other Song Arrangements | | | | |
| 2 Pictures, op. 10, Sz. 46: 1. In voller Blüte | | | | |
| 2 Pictures, op. 10, Sz. 46: 2. Dorftanz | | | | |
| A Brilliant Bit of Soldiering (The Voice of the Guns) | | | | |
| A Charm of Lullabies, op. 41 | | | | |
| Arabella, op. 79: Act I. "Ich danke, Fräulein" (Arabella, Zdenka) | | | | |
| Arabella, op. 79: Act I. "Mein Elemer!" (Arabella, Zdenka) | | | | |
| Arabella, op. 79: Act I. "Welko, das Bild!" | | | | |
| Arabella, op. 79: Act II. "Sie wollen mich heiraten, sagt mein Vater" (Arabella, Mandryka) | | | | |
| Arabella, op. 79: Act II. "Und jetzt sag ich Adieu" (Arabella, Dominik, Elemer) | | | | |
| Arabella, op. 79: Act III. "Das war sehr gut, Mandryka" (Arabella) | | | | |
| Be My Lover | | | | |
| Big Apple Dreamin’ (Hippo) | | | | |
| Cantata academica, op. 62 | | | | |
| Capriccio, op. 85: Letzte Szene | | | | |
| Cello Concerto | | | | |
| Cello Concerto | | | | |
| Clarinet Concerto | | | | |
| Concerto for Piano, op. 13 | | | | |
| Concerto for Viola and Orchestra, Sz. 120, BB 128: I. Moderato | | | | |
| Concerto for Viola and Orchestra, Sz. 120, BB 128: II. Adagio religioso | | | | |
| Concerto for Viola and Orchestra, Sz. 120, BB 128: III. Allegro vivace | | | | |
| Crazy Little Child | | | | |
| Dance Panels: I. Introduction: Moderato (Tempo di valzer) - Espressivo un poco rubato | | | | |
| Dance Panels: II. Allegretto con tenerezza (Un poco rubato) | | | | |
| Dance Panels: III. Scherzando - Moderato | | | | |
| Dance Panels: IV. Pas de trois: Lento | | | | |
| Dance Panels: V. Con brio | | | | |
| Dance Panels: VI. Con moto | | | | |
| Dance Panels: VII. Molto ritmico - Coda - Come prima - Moderato | | | | |
| Dances from Don Quixote | | | | |
| Danny Boy | | | | |
| Danzón cubano | | | | |
| Dead Babies | | | | |
| Desperado | | | | |
| El salón México | | | | |
| Five Flower Songs, op. 47 | | | | |
| Fly to Paradise | Boosey and Hawkes Music | | | |
| Halo of Flies | | | | |
| Hard Hearted Alice | | | | |
| Hymn to St. Peter, op. 56a | | | | |
| Isa Lei | | | | |
| Iscariot | | | | |
| Kabir Padavali: No. 1, Bijak śhabda 69 | Boosey & Hawkes Music Publishing, Inc. | | | |
| Kabir Padavali: No. 2, Tagore 50 | Boosey & Hawkes Music Publishing, Inc. | | | |
| Kabir Padavali: No. 3, Bījak ṡabda 55 | Boosey & Hawkes Music Publishing, Inc. | | | |
| Kabir Padavali: No. 4, Bījak ṡabda 4 | Boosey & Hawkes Music Publishing, Inc. | | | |
| Kabir Padavali: No. 5, Tagore 92 | Boosey & Hawkes Music Publishing, Inc. | | | |
| Kabir Padavali: No. 6, Tagore 97 | Boosey & Hawkes Music Publishing, Inc. | | | |
| Killer | | | | |
| Lachrymae: Reflections on a song of Dowland, op. 48a | | | | |
| Le Sacre du printemps | | | | |
| Les Illuminations, op. 18 | | | | |
| Malven, TrV 297, AV 304 | | | | |
| Man With the Golden Gun | | | | |
| Morgen!, op. 27 no. 4 | | | | |
| Muscle of Love | | | | |
| My Lagan Love | | | | |
| Nazareno | | | | |
| Nazareno: I. Berimbau | | | | |
| Nazareno: II. Tambor en blanco y negro | | | | |
| Nazareno: III. Guaracha y Mambo | | | | |
| Nazareno: IV. Sur | | | | |
| Nazareno: V. Tormenta y Quitiplá | | | | |
| Nazareno: VI. Procesión | | | | |
| Never Been Sold Before | | | | |
| Piano Concerto no. 1 in D-flat major, op. 10: I. Allegro brioso | | | | |
| Piano Concerto no. 1 in D-flat major, op. 10: II. Andante assai | | | | |
| Piano Concerto no. 1 in D-flat major, op. 10: III. Allegro scherzando | | | | |
| Piano Concerto no. 2 in G minor, op. 16: I. Andantino - Allegretto | | | | |
| Piano Concerto no. 2 in G minor, op. 16: II. Scherzo. Vivace | | | | |
| Piano Concerto no. 2 in G minor, op. 16: III. Intermezzo. Allegro moderato | | | | |
| Piano Concerto no. 2 in G minor, op. 16: IV. Finale. Allegro tempestoso | | | | |
| Piano Concerto no. 3 in C major, op. 26: I. Andante - Allegro | | | | |
| Piano Concerto no. 3 in C major, op. 26: II. Tema con variazioni (Andantino) | | | | |
| Piano Concerto no. 3 in C major, op. 26: III. Allegro ma non troppo | | | | |
| Piano Concerto no. 4 in B-flat major, op. 53: I. Vivace | | | | |
| Piano Concerto no. 4 in B-flat major, op. 53: II. Andante | | | | |
| Piano Concerto no. 4 in B-flat major, op. 53: III. Moderato | | | | |
| Piano Concerto no. 4 in B-flat major, op. 53: IV. Vivace | | | | |
| Piano Concerto no. 5 in G major, op. 55: I. Allegro con brio | | | | |
| Piano Concerto no. 5 in G major, op. 55: II. Moderato ben accentuato | | | | |
| Piano Concerto no. 5 in G major, op. 55: III. Toccata. Allegro con fuoco | | | | |
| Piano Concerto no. 5 in G major, op. 55: IV. Larghetto | | | | |
| Piano Concerto no. 5 in G major, op. 55: V. Vivo | | | | |
| Quartet | | | | |
| Rejoice in the Lamb, op. 30 | | | | |
| Riconoscenza per Goffredo Petrassi | | | | |
| Rodeo: Buckaroo Holiday | | | | |
| Rodeo: Corral Nocturne | | | | |
| Rodeo: Hoe-Down | | | | |
| Rodeo: II. Corral Nocturne | | | | |
| Rodeo: Ranch House Party | | | | |
| Rodeo: Saturday Night Waltz | | | | |
| Seeing | Boosey & Hawkes Music Publishing, Inc. | | | |
| Sonata for Solo Violin in D major, op. 115: I. Moderato | | | | |
| Sonata for Solo Violin in D major, op. 115: II. Andante dolce. Tema con variazioni | | | | |
| See all 140 relationships |
