| holds phonographic copyright (℗) for |
|---|
| Classical Symphony: I. Allegro | | | Academy of St Martin in the Fields, Sir Neville Marriner | 4:21 |
| Classical Symphony: II. Larghetto | | | Academy of St Martin in the Fields, Sir Neville Marriner | 3:57 |
| Classical Symphony: III. Gavotte: non troppo allegro | | | Academy of St Martin in the Fields, Sir Neville Marriner | 1:33 |
| Classical Symphony: IV. Finale: Molto vivace | | | Academy of St Martin in the Fields, Sir Neville Marriner | 4:21 |
| Pulcinella (Concert Suite): I. Sinfonia | | | Academy of St Martin in the Fields, Sir Neville Marriner | 2:05 |
| Pulcinella (Concert Suite): II. Serenata | | | Academy of St Martin in the Fields, Sir Neville Marriner | 3:10 |
| Pulcinella (Concert Suite): III. Scherzino | | | Academy of St Martin in the Fields, Sir Neville Marriner | 4:35 |
| Pulcinella (Concert Suite): IV. Tarantella | | | Academy of St Martin in the Fields, Sir Neville Marriner | 1:53 |
| Pulcinella (Concert Suite): V. Toccata | | | Academy of St Martin in the Fields, Sir Neville Marriner | 1:02 |
| Pulcinella (Concert Suite): VI. Gavotta con due variazioni | | | Academy of St Martin in the Fields, Sir Neville Marriner | 4:00 |
| Pulcinella (Concert Suite): VII. Vivo | | | Academy of St Martin in the Fields, Sir Neville Marriner | 1:33 |
| Pulcinella (Concert Suite): VIIb. Finale | | | Academy of St Martin in the Fields, Sir Neville Marriner | 2:14 |
| Pulcinella (Concert Suite): VIIIa. Minuetto | | | Academy of St Martin in the Fields, Sir Neville Marriner | 2:09 |
| Symphony in C: I. Allegro (Allegro vivo) | | | Academy of St Martin in the Fields, Sir Neville Marriner | 7:24 |
| Symphony in C: II. Andante (Adagio) | | | Academy of St Martin in the Fields, Sir Neville Marriner | 10:10 |
| Symphony in C: III. Scherzo (Allegro vivace) | | | Academy of St Martin in the Fields, Sir Neville Marriner | 5:35 |
| Symphony in C: IV. Finale (Allegro vivace) | | | Academy of St Martin in the Fields, Sir Neville Marriner | 8:54 |
| miscellaneous roles |
|---|
| The Concert Sound of the John Foster Black Dyke Mills Band | Boosey & Hawkes (Retail) Ltd | task: provided musical instruments for front cover | John Foster Black Dyke Mills Band | |
| published |
|---|
| Rostropovich Plays Prokofiev | | | Prokofiev; Rostropovich | |
| The Golden Age (complete ballet) | | | Dmitry Shostakovich; Royal Scottish National Orchestra, José Serebrier | |
| Variations on a Theme of Frank Bridge, op. 10 / Young Apollo, op. 16 / Lachrymae, op. 48a / Simple Symphony, op. 4 | | | Benjamin Britten; I Musici de Montréal, Yuli Turovsky, Rivka Golani | |
| Villa-Lobos / Ginastera | | | Villa‐Lobos, Ginastera; Johannes Tonio Kreusch | |
| published |
|---|
| 1948 | Serenade in A major | | | | |
| 1952 | Capriccio for Piano and Orchestra | Boosey & Hawkes London | | | |
| 1953 – | Concerto for Clarinet and String Orchestra, op. 31 | | | | |
| 1954 | Praise Ye the Lord | | | | |
| 1959 | Violin concerto in D minor, after BWV 1052 | | | | |
| 1991 | Divo Aloysio Sacrum | | | | |
| 2001 | Tom Bowling and Other Song Arrangements | | | | |
| 2001 | Tremunt videntes angeli | | | | |
| 2011-11-01 | Hexameron, op. 37 | | | | |
| 2021 | Gran Cadenza, for Two Violins | | | | |
| "West Side Story" Suite | | | | |
| 2 Pictures, op. 10, Sz. 46: 1. In voller Blüte | | | | |
| 2 Pictures, op. 10, Sz. 46: 2. Dorftanz | | | | |
| A Brilliant Bit of Soldiering (The Voice of the Guns) | | | | |
| A Charm of Lullabies, op. 41 | | | | |
| A Hymn to the Virgin | | | | |
| An Outdoor Overture | | | | |
| Appalachian Spring Suite | | | | |
| Arabella, op. 79: Act I. "Ich danke, Fräulein" (Arabella, Zdenka) | | | | |
| Arabella, op. 79: Act I. "Mein Elemer!" (Arabella, Zdenka) | | | | |
| Arabella, op. 79: Act I. "Welko, das Bild!" | | | | |
| Arabella, op. 79: Act II. "Sie wollen mich heiraten, sagt mein Vater" (Arabella, Mandryka) | | | | |
| Arabella, op. 79: Act II. "Und jetzt sag ich Adieu" (Arabella, Dominik, Elemer) | | | | |
| Arabella, op. 79: Act III. "Das war sehr gut, Mandryka" (Arabella) | | | | |
| Be My Lover | | | | |
| Big Apple Dreamin’ (Hippo) | | | | |
| Billy the Kid | | | | |
| Cantata academica, op. 62 | | | | |
| Cantate for Soprano, Male Chorus (TB), and Orchestra | | | | |
| Capriccio, op. 85: Letzte Szene | | | | |
| Cello Concerto | | | | |
| Cello Concerto | | | | |
| Clarinet Concerto | | | | |
| Clarinet Concerto | | | | |
| Concerto for Piano, op. 13 | | | | |
| Concerto for Piano, Trumpet and String Orchestra no. 1 in C minor, op. 35 | | | | |
| Concerto for Strings, op. 33 | | | | |
| Concerto for Viola and Orchestra, Sz. 120, BB 128: I. Moderato | | | | |
| Concerto for Viola and Orchestra, Sz. 120, BB 128: II. Adagio religioso | | | | |
| Concerto for Viola and Orchestra, Sz. 120, BB 128: III. Allegro vivace | | | | |
| Connotations | | | | |
| Crazy Little Child | | | | |
| Dance Panels | | | | |
| Dance Panels: I. Introduction: Moderato (Tempo di valzer) - Espressivo un poco rubato | | | | |
| Dance Panels: II. Allegretto con tenerezza (Un poco rubato) | | | | |
| Dance Panels: III. Scherzando - Moderato | | | | |
| Dance Panels: IV. Pas de trois: Lento | | | | |
| Dance Panels: V. Con brio | | | | |
| Dance Panels: VI. Con moto | | | | |
| Dance Panels: VII. Molto ritmico - Coda - Come prima - Moderato | | | | |
| Dance Symphony | | | | |
| Dances from Don Quixote | | | | |
| Danny Boy | | | | |
| Danzón Cubano | | | | |
| Danzón Cubano | | | | |
| Dead Babies | | | | |
| Desperado | | | | |
| Down a Country Lane | | | | |
| Duo for Flute and Piano | | | | |
| El Salón México | | | | |
| Five Flower Songs, op. 47 | | | | |
| Fly to Paradise | Boosey and Hawkes Music | | | |
| Four Dance Episodes from Rodeo | | | | |
| Gloriana | | | | |
| Halo of Flies | | | | |
| Hard Hearted Alice | | | | |
| Hymn to St. Peter, op. 56a | | | | |
| In the Beginning | | | | |
| Inscape | | | | |
| Isa Lei | | | | |
| Iscariot | | | | |
| Kabir Padavali: No. 1. Bijak śhabda 69 | Boosey & Hawkes Music Publishing, Inc. | | | |
| Kabir Padavali: No. 2. Tagore 50 | Boosey & Hawkes Music Publishing, Inc. | | | |
| Kabir Padavali: No. 3. Bījak ṡabda 55 | Boosey & Hawkes Music Publishing, Inc. | | | |
| Kabir Padavali: No. 4. Bījak ṡabda 4 | Boosey & Hawkes Music Publishing, Inc. | | | |
| Kabir Padavali: No. 5. Tagore 92 | Boosey & Hawkes Music Publishing, Inc. | | | |
| Kabir Padavali: No. 6. Tagore 97 | Boosey & Hawkes Music Publishing, Inc. | | | |
| Killer | | | | |
| Kraanerg | | | | |
| Lachrymae: Reflections on a song of Dowland, op. 48a | | | | |
| Lark | | | | |
| Las Agachadas | | | | |
| Le Rossignol | | | | |
| Le Sacre du printemps | | | | |
| Les Illuminations, op. 18 | | | | |
| Letter from Home | | | | |
| Malven, TrV 297, AV 304 | | | | |
| Man With the Golden Gun | | | | |
| Metastaseis A | | | | |
| Morgen!, op. 27 no. 4 | | | | |
| Muscle of Love | | | | |
| Music for a Great City | | | | |
| Music for Movies Suite | | | | |
| Music for the Theatre | | | | |
| My Lagan Love | | | | |
| Nazareno | | | | |
| Nazareno: I. Berimbau | | | | |
| Nazareno: II. Tambor en blanco y negro | | | | |
| Nazareno: III. Guaracha y Mambo | | | | |
| Nazareno: IV. Sur | | | | |
| See all 212 relationships |