Edison Records (All US/Canadian Edison releases should use this label)

~ Label

Annotation

History

Tinfoils

It's common to place the first successful Edison's attempt at reproducing the human voice in August 12, 1877, with the famous (and lost) "Mary Had a Little Lamb" cylinder - though, this date is nowadays quite debated, and it's believed that in fact it happened quite later that year, on December 12, 1887.

Nevertheless, Thomas Edison filed a patent for the invention on December 24, 1877 (issued on February 19, 1878), and then founded the Edison Speaking Phonograph Company on January 24, 1878. The phonographs machines this company sold were intended for office dictation. They worked by playing a groove embossed into a tinfoil cylinder.

Note that "none of the few existing tinfoils recordings were successfully transfered to modern media" until 2008

Early Wax

In 1886, Volta Laboratories created an improved phonograph, using wax instead of tinfoil and engraving, rather than embossing, the cylinders. They termed the new devices "graphophones". Volta Graphophone Company was established in January of 1887 to manufacture the machines. In May of 1886, Volta Laboratories received a patent for the improved device, and Volta Graphophone Company established the American Gramophone Company to distribute musical phonograph cylinders.

Sales of tinfoils phonographs for dictation had not panned out as hoped, and on October 8, 1887, Thomas Edison reorganized the Edison Speaking Phonograph Company into the Edison Phonograph Company. The new company, without permission, used the Volta Laboratories patents to improve upon the earlier Edison phonograph, creating the "new phonograph". This new phonograph model now also used engraved hollow wax cylinders, and was released for sale in May of 1888.

Finally, Jesse H. Lippincott assumed control of the phonograph companies and bought Edison Phonograph Company (for approximately $500,000) to form the North American Phonograph Company on July 14, 1888.
Lippincott focused mainly on professional uses of the phonograph but it was essentially a failure.

In 1890, Edison took back control over the North American Phonograph Company, but finally declared it bankrupt in 1894 (one year after Columbia broke the distribution deal they had), and founded the National Phonograph Company in January 1896, focusing on entertainment. He then announced the creation of new models in 1896, and started making commercial releases of cylinders.

Very few pre-recorded music cylinders were commercialized during that period (the focus being on professional use), not to mention fewer actually survived - though a couple of interesting rarities were restored, including some experimental concert recordings.
See for example:
* Israël in Egypt (1888)
* The Fifth Regiment March (1889)
* The Charge of the Light Brigade (1890)
* or the oldest recording of Edison's voice Speaking to Mr. Blaine (1888)

Note that at that time, no efficient reproduction mechanism was available for these, and performers had to repeat the same tunes take after take (with about 10 to 15 simultaneous recordings possible per-take) to produce a number of cylinders (about 90 per hour, or 24 per hour for singers). 2

Brown Wax

Shortly following the introduction of the brown wax cylinder (which would be the first commercially widespread cylinders), the Edison Standard Phonograph was created in 1897 and made public in 1898 - the first phonograph carrying Edison's trademark design.
Both Edison and Columbia also introduced in 1898 special "concert" cylinders, along with a first reproduction process (concert cylinders were pantographic copies of molded 5 inch master recordings), though being way more expensive than standard cylinders, they never took off.

Gold Moulded, Amberol, decline

By 1901, the limitations of the brown wax cylinders were obvious (especially the still very primitive reproduction procedures - mainly re-performing the tunes over and over again).
So was introduced a new mechanical process of reproduction, allowing for much more mass production, known as the gold-moulded process.

This (finally) allowed for the cylinders to sell widely and know their "golden" era (for approximately a decade before the discs supplanted them) including further evolutions (1908, amberol cylinders).

By 1910, the Edison company was reorganized, and following the decline of the cylinders in face of discs, Edison started manufacturing discs in 1913, though the company would still issue cylinders until 1929 and its demise.

The last Edison Records cylinder was produced on July 6, 1929.


1 The Cylinder Preservation and Digitization Project
2 Tinfoil and Edison History
3 First Sounds

Non-commercial Releases

Due to the age of this label, all Edison recordings have entered the public domain. This includes many releases which were experimental, demos, or otherwise never actually commercially released. These should have the correct Edison label used in the release event, but with no release date, as there was no official release.

Edison Record release events

Note that if you are entering an Edison Diamond Disc, the matrix number is not the catalogue number. There were 19,343 matrix numbers etched into this series, each with an A, B, and C variation. They indicate which particular recording master and take was used, not the catalogue number. Diamond Disc record numbers are always 5 digits long, beginning with either a 5 or 8. Also note that Diamond Discs should be set as vinyl, not wax cylinder. ("Vinyl" as the material used is incorrect, but the flat record type meant by "vinyl" as type is correct.)

Annotation last modified on 2015-11-24 11:51 UTC.

Releases

ReleaseArtistFormatTracksCountry/DateCatalog#Barcode
Dinah's JubileeEdison Brass QuartetteWax Cylinder1
3411[none]
Old Folks At HomeEdison Brass QuartetteWax Cylinder1
3412[none]
Schultz's Advice to MenFrank KennedyWax Cylinder1
3830[none]
Schultz's Views on the WarFrank KennedyWax Cylinder1
3831[none]
Schultz's Wedding TripFrank KennedyWax Cylinder1
3832[none]
Schultz Receives a Letter From the KlondikeFrank KennedyWax Cylinder1
3833[none]
Schultz in LoveFrank KennedyWax Cylinder1
3834[none]
Schultz at ChurchFrank KennedyWax Cylinder1
3835[none]
Schultz's Trip to ChicagoFrank KennedyWax Cylinder1
3836[none]
Schultz Bucking the TigerFrank KennedyWax Cylinder1
3837[none]
Schultz Out WestFrank KennedyWax Cylinder1
3838[none]
Schultz's Views on Fire InsuranceFrank KennedyWax Cylinder1
3839[none]
Uncle Josh’s Arrival in New YorkCal StewartWax Cylinder1
3875[none]
Uncle Josh in a Street CarCal StewartWax Cylinder1
3876[none]
Uncle Josh at the OperaCal StewartWax Cylinder1
3877[none]
Uncle Josh's Trip to Coney IslandCal StewartWax Cylinder1
3878[none]
Uncle Josh’s Visit to a Department StoreCal StewartWax Cylinder1
3879[none]
Uncle Josh's Trip Home to His FarmCal StewartWax Cylinder1
3880[none]
Uncle Josh Playing a Game of BaseballCal StewartWax Cylinder1
3881[none]
Uncle Josh on the Signs of New YorkCal StewartWax Cylinder1
3882[none]
Uncle Josh Rides on a 'Bus on Fifth Avenue, New YorkCal StewartWax Cylinder1
3883[none]
Uncle Josh at a "Raines Law" HotelCal StewartWax Cylinder1
3884[none]
Uncle Josh's Trip to BostonCal StewartWax Cylinder1
3885[none]
Uncle Josh's Troubles in a HotelCal StewartWax Cylinder1
3886[none]
Uncle Josh at the Stock ExchangeCal StewartWax Cylinder1
3887[none]
Bye Bye, My HoneyBilly GoldenWax Cylinder1
4001[none]
Me gustan todasArturo B. AdaminiWax Cylinder1
4212[none]
La palomaArturo B. AdaminiWax Cylinder1
4213[none]
La morenaArturo B. AdaminiWax Cylinder1
4214[none]
La sevillanaArturo B. AdaminiWax Cylinder1
4215[none]
Sobre las olasArturo B. AdaminiWax Cylinder1
4216[none]
Bolero des matadoresArturo B. AdaminiWax Cylinder1
4217[none]
Teresita míaArturo B. AdaminiWax Cylinder1
4218[none]
La boca de PepitaArturo B. AdaminiWax Cylinder1
4219[none]
La monitaArturo B. AdaminiWax Cylinder1
4221[none]
Adiós a MexicoArturo B. AdaminiWax Cylinder1
4222[none]
¡Ay, chiquita!Arturo B. AdaminiWax Cylinder1
4223[none]
Canto de amorArturo B. AdaminiWax Cylinder1
4226[none]
Como yo te he queridoArturo B. AdaminiWax Cylinder1
4227[none]
CubaArturo B. AdaminiWax Cylinder1
4228[none]
Despuès del baileArturo B. AdaminiWax Cylinder1
4229[none]
El curucucuArturo B. AdaminiWax Cylinder1
4230[none]
El milagro de la Virgen: Flores purísimasRuperto ChapíWax Cylinder1
4231[none]
¡Eso soy yo!Arturo B. AdaminiWax Cylinder1
4232[none]
La brisaArturo B. AdaminiWax Cylinder1
4233[none]
La golondrinaArturo B. AdaminiWax Cylinder1
4234[none]
La serenataArturo B. AdaminiWax Cylinder1
4235[none]
Linda míaArturo B. AdaminiWax Cylinder1
4236[none]
¿Quién te llamó?Arturo B. AdaminiWax Cylinder1
4237[none]
Recuerdos de SevillaArturo B. AdaminiWax Cylinder1
4238[none]
Sal a tu ventanaArturo B. AdaminiWax Cylinder1
4239[none]
So te amoArturo B. AdaminiWax Cylinder1
4240[none]
Te amoArturo B. AdaminiWax Cylinder1
4241[none]
TristezasArturo B. AdaminiWax Cylinder1
4242[none]
Una góndola fué mi cunaArturo B. AdaminiWax Cylinder1
4243[none]
Las ondas tienan vaga armoniaArturo B. AdaminiWax Cylinder1
4246[none]
Los rumberosArturo B. AdaminiWax Cylinder1
4247[none]
Funiculì, funiculàArturo B. AdaminiWax Cylinder1
4275[none]
Rigoletto: La donna è mobileGiuseppe Verdi; Arturo B. AdaminiWax Cylinder1
4276[none]
MattinataArturo B. AdaminiWax Cylinder1
4277[none]
CarmelaArturo B. AdaminiWax Cylinder1
4278[none]
Il trovatore: Deserto sulla terraGiuseppe Verdi; Arturo B. AdaminiWax Cylinder1
4279[none]
Aspetto, aspettoArturo B. AdaminiWax Cylinder1
4283[none]
A ToledoArturo B. AdaminiWax Cylinder1
4354[none]
Dimmi perchéArturo B. AdaminiWax Cylinder1
4355[none]
How I Love My LouBilly Heins & Ancient City Quartette and OrchestraWax Cylinder1
4700[none]
Elsie From ChelseaBilly Heins & Ancient City Quartette and OrchestraWax Cylinder1
4701[none]
Laughing SongBilly Heins & Ancient City Quartette and OrchestraWax Cylinder1
4702[none]
Remus Take the CakeBilly Heins & Ancient City Quartette and OrchestraWax Cylinder1
4703[none]
Minstrel SceneBilly Heins & Ancient City Quartette and OrchestraWax Cylinder1
4704[none]
Three Minutes With the MinstrelsBilly Heins & Ancient City Quartette and OrchestraWax Cylinder1
4705[none]
Attila (Praise Ye the Lord)Original Lyric TrioWax Cylinder1
4800[none]
The Flowers That Bloom in the SpringOriginal Lyric TrioWax Cylinder1
4801[none]
You Remember, 'Twas Six Months AgoOriginal Lyric TrioWax Cylinder1
4802[none]
No, No, 'Tis YouOriginal Lyric TrioWax Cylinder1
4803[none]
Farewell, My OwnOriginal Lyric TrioWax Cylinder1
4804[none]
Bell TrioOriginal Lyric TrioWax Cylinder1
4805[none]
When I Was a BoyOriginal Lyric TrioWax Cylinder1
4807[none]
She Was RightPress EldridgeWax Cylinder1
5200[none]
La La PalizerPress EldridgeWax Cylinder1
5201[none]
Parody on I Love Her Just the SamePress EldridgeWax Cylinder1
5202[none]
Johnnie Took the One I WantedPress EldridgeWax Cylinder1
5203[none]
Hannah Thompson Is My Baby's NamePress EldridgeWax Cylinder1
5204[none]
My Coal Black LadyPress EldridgeWax Cylinder1
5205[none]
The Patriotic CoonPress EldridgeWax Cylinder1
5206[none]
If That's the Case, I Want to Join the ArmyPress EldridgeWax Cylinder1
5207[none]
Mr. Johnson, Don't Get GayPress EldridgeWax Cylinder1
5208[none]
Sister Flossie's Bright Red HairPress EldridgeWax Cylinder1
5209[none]
Take Back Your CoalPress EldridgeWax Cylinder1
5210[none]
The Girl I Left Behind MeUnited States Marine Drum & Fife CorpsWax Cylinder1
5300[none]
Happy Days in DixieUnited States Marine Drum & Fife CorpsWax Cylinder1
5301[none]
Medley of National AirsUnited States Marine Drum & Fife CorpsWax Cylinder1
5302[none]
Ye Ancients MarchUnited States Marine Drum & Fife CorpsWax Cylinder1
5303[none]
Long Live AmericaArthur Francis CollinsWax Cylinder1
5400[none]
A Red Hot CoonArthur Francis CollinsWax Cylinder1
5401[none]
The Colored AristocracyArthur Francis CollinsWax Cylinder1
5402[none]
The Darktown Colored BandArthur Francis CollinsWax Cylinder1
5403[none]
Every Night I See That Nigger Standing RoundArthur Francis CollinsWax Cylinder1
5404[none]
Fly, Fly, FlyArthur Francis CollinsWax Cylinder1
5405[none]
The Handicap March SongArthur Francis CollinsWax Cylinder1
5406[none]