"Now, O Now I Needs Must Part" | Capella Antiqua Bambergensis | | | 2:05 | instrument |
3 Folk Songs from Csík, Sz. 35a | Lucie Horsch, Dani Luca | | | 3:16 | instrument |
A la fontana (Adrian Willaert) | Bart Coen, Hannelore Devaere, Philippe Malfeyt | | | 4:55 | instrument |
Adrift | Heather Dale | | | 6:04 | instrument |
Agnus Dei | Clemencic Consort, René Clemencic | | | 4:39 | instrument |
All for Love of One | Mediæval Bæbes | | | 3:39 | instrument |
All Hail To Pep | George Gruntz / Peter O. Chotjewitz | | | 4:05 | instrument |
All Hail To Pep | George Gruntz / Peter O. Chotjewitz | | | 1:32 | instrument |
All the Earth | John Robert Matz feat. Laura Intravia, Ian Martyn & Kristin Naigus | | | 3:18 | instrument |
Allemande | Marion Verbruggen | | | 5:33 | instrument |
Allemande | Marion Verbruggen | | | 7:27 | instrument |
Alpine Suite for Recorder Trio: I. Arrival At Zermatt | Catherine Fleming, Ian Wilson, Russell Wilson | | | 0:49 | instrument |
Alpine Suite for Recorder Trio: II. Swiss Clock (Romance) | Catherine Fleming, Ian Wilson, Russell Wilson | | | 1:02 | instrument |
Alpine Suite for Recorder Trio: III. Nursery Slopes | Catherine Fleming, Ian Wilson, Russell Wilson | | | 1:17 | instrument |
Alpine Suite for Recorder Trio: IV. Alpine Scene | Catherine Fleming, Ian Wilson, Russell Wilson | | | 1:54 | instrument |
Alpine Suite for Recorder Trio: V. Moto Perpetuo: Down the Piste | Catherine Fleming, Ian Wilson, Russell Wilson | | | 0:53 | instrument |
Alpine Suite for Recorder Trio: VI. Farewell to Zermatt | Catherine Fleming, Ian Wilson, Russell Wilson | | | 1:54 | instrument |
Alrune | Peter Holtslag | | | 5:25 | instrument |
Amarilli mia bella (I) | Erik Bosgraaf | | | 7:49 | instrument |
Amarilli mia bella, homage á Johan Jacob van Eyck | Claudia Müller | | | 9:18 | instrument |
Amor che col partire | Marion Verbruggen, Trio Sonnerie | | | 3:08 | instrument (as “alto recorder”) |
An Encore for Michala | Lars Hannibal, Michala Petri | | | 2:19 | instrument (as “alto recorder”) |
Andante from Concerto in G major for two mandolins, RV 532 | Lucie Horsch, Amsterdam Vivaldi Players | | | 3:42 | instrument (as “alto recorder”) |
Appreciation | George Gruntz / Peter O. Chotjewitz | | | 4:57 | instrument |
Aqualung | Jethro Tull | | 4.5 | 6:37 | instrument |
Aria For George Gruntz | George Gruntz / Peter O. Chotjewitz | | | 2:50 | instrument |
Aria Of The Photo Book | George Gruntz / Peter O. Chotjewitz | | | 8:29 | instrument |
Armahan kulku | Faey | | | 4:13 | instrument (as “alto recorder”) |
Armies in the Fire | Faey | | | 4:57 | instrument (as “alto recorder”) |
Aus tiefer Not schrei ich zu dir | Sixt Dietrich | | | 2:22 | instrument (as “treble recorder”) |
Avertisti faciem | Paul O’Dette, Marion Verbruggen & The Newberry Consort | | | 2:48 | instrument |
Baby Night | Sweet Smoke | | 4 | 16:24 | instrument |
Ballade: De toutes flours | Early Music Consort of London, David Munrow | | | 5:51 | instrument |
Ballet | Cordevento, Erik Bosgraaf | | | 2:17 | instrument (as “alto recorder”) |
Ballette Bronckhorst | Erik Bosgraaf | | | 3:45 | instrument |
Balletto | Hesternus Early Music Consort | | | 2:16 | instrument (as “alto recorder”) |
Beachcomber | Clive Richardson, | | | 2:45 | instrument |
Beati immaticuli | Johann Walter | | | 2:49 | instrument (as “treble recorder”) |
Beatus Vir | Baldrick Deerenberg, Gudrun Herb | | | 1:32 | instrument (as “alto recorder”) |
Bella Dama di Nome Santa: Aria "Dal nome tuo credei" (Andante) | James Sanderson, Chacona, Hans-Dieter Michatz, Rosalind Halton | | | 3:32 | instrument (as “treble recorder”) |
Bella Dama di Nome Santa: Aria "Il nome non vanta" (Vivace) | James Sanderson, Chacona, Hans-Dieter Michatz, Rosalind Halton | | | 4:13 | instrument (as “treble recorder”) |
Bella Dama di Nome Santa: Introduttione. Adagio - Lento alla Francese / Recitativo "Tu sei quella" | James Sanderson, Chacona, Hans-Dieter Michatz, Rosalind Halton | | | 3:23 | instrument (as “treble recorder”) |
Bella Dama di Nome Santa: Recitativo "Fedeltade, ne pur ottien ricetto" | James Sanderson, Chacona, Hans-Dieter Michatz, Rosalind Halton | | | 1:21 | instrument (as “treble recorder”) |
Belle qui tiens ma vie / 2 Bransles | Henrik Bjørslev & Jakob Sunesen | | | 3:08 | instrument |
Benedictus | Clemencic Consort, René Clemencic | | | 3:06 | instrument |
Blydschap van myn vliedt | Erik Bosgraaf | | | 2:30 | instrument |
Boffons | Erik Bosgraaf | | | 1:43 | instrument |
Bourrée I & II | Marion Verbruggen | | | 4:31 | instrument |
Brande Yrlandt | Cordevento, Erik Bosgraaf | | | 1:28 | instrument (as “alto recorder”) |
Branle de Poitou 1 | Compagnie Outre Mesure | | | 1:16 | instrument |
Bransles from 'Caperiol Suite' | Peter Warlock | | | 2:01 | instrument |
Café 1930 | Lucie Horsch, Sean Shibe | | | 6:13 | instrument |
Can She Excuse My Wrongs | Drake Oranwood | | | 2:37 | instrument |
Canon | Ana Hernández and Helena Marie, CHS | | | 2:59 | instrument |
Canon énigmatique de la cour du roi Henry VIII | Hughes de Courson | | 5 | 0:34 | instrument |
Cantata “Filen, mio caro bene”: Aria “Che ti sembra son fedele” | Helena Rasker, Dorothee Oberlinger, Ensemble 1700 | | | 3:05 | instrument (as “alto recorder”) |
Cantata “Filen, mio caro bene”: Aria “Chiedi pur ai monti” | Helena Rasker, Dorothee Oberlinger, Ensemble 1700 | | | 6:20 | instrument (as “alto recorder”) |
Cantata “Filen, mio caro bene”: Recitativo “Filen, mio caro bene, se verra fe t’osservo” | Helena Rasker, Dorothee Oberlinger, Ensemble 1700 | | | 1:15 | instrument (as “alto recorder”) |
Cantata “Filen, mio caro bene”: Recitativo “Ma se trova bastante” | Helena Rasker, Dorothee Oberlinger, Ensemble 1700 | | | 0:55 | instrument (as “alto recorder”) |
Cantata “Filen, mio caro bene”: Sinfonia | Dorothee Oberlinger, Ensemble 1700 | | | 2:40 | instrument (as “alto recorder”) |
Cantata Pastorale for high voice, recorder/flute, cello & harpsichord/piano, op. 92: 1. Lento | Patricia Rozario, Laurence Cummings, Pierre Doumenge, The Flautadors, Catherine Fleming | | | ?:?? | instrument (as “treble recorder”) |
Cantata Pastorale for high voice, recorder/flute, cello & harpsichord/piano, op. 92: 2. Adagio | Patricia Rozario, Laurence Cummings, Pierre Doumenge, The Flautadors, Catherine Fleming | | | ?:?? | instrument (as “treble recorder”) |
Cantata Pastorale for high voice, recorder/flute, cello & harpsichord/piano, op. 92: 3. Allegretto moderato | Patricia Rozario, Laurence Cummings, Pierre Doumenge, The Flautadors, Catherine Fleming | | | ?:?? | instrument (as “treble recorder”) |
Canzon Prima | Hesternus Early Music Consort | | | 2:32 | instrument (as “alto recorder”) |
Canzona in d minor | Hesternus Early Music Consort | | | 5:19 | instrument (as “alto recorder”) |
Canzona: La Scaramuccia | Hesternus Early Music Consort | | | 2:16 | instrument (as “alto recorder”) |
Carmen Orientalis | Sabine de Kerbriant | | | 3:18 | instrument |
Carmina gulatorum et potatorum: Bacche, bene venies (CB 200) | René Clemencic, Richard Erig, András Kecskès, Frantisek Pok, Spiros Rantos, Walter Schiefer, Clemencic Consort | | | 3:02 | instrument (as “flûte à bec alto”) |
Carmina gulatorum et potatorum: Vacillantis trutine (CB 108) | Clemencic Consort, René Clemencic | | | 4:44 | instrument (as “flûte à bec alto”) |
Carmina moralia et divina: Dic, Christi veritas - Bulla fulminante (CB 131 et 131a) | Clemencic Consort, René Clemencic | | | 7:56 | instrument (as “flûte à bec alto”) |
Chaconne for Tom | Iain Burnside, John Turner | | | 3:20 | instrument (as “treble recorder”) |
Chaconne from Diocletian | Henry Purcell | | | 3:13 | instrument |
Chamber Concerto in F major, RV 98: I. Allegro | Antonio Vivaldi | | | 2:08 | instrument |
Chamber Concerto in F major, RV 98: II. Largo | Antonio Vivaldi | | | 2:09 | instrument |
Chamber Concerto in F major, RV 98: III. Presto | Antonio Vivaldi | | | 2:00 | instrument |
Chamber Concerto in G minor, RV 105: I. Allegro | Antonio Vivaldi | | | 3:05 | instrument |
Chamber Concerto in G minor, RV 105: II. Largo | Antonio Vivaldi | | | 2:25 | instrument |
Chamber Concerto in G minor, RV 105: III. Allegro molto | Antonio Vivaldi | | | 3:36 | instrument |
Chanson russe | Lucie Horsch, LUDWIG Orchestra | | | 2:15 | instrument |
Chansons: Fors solament | Clemencic Consort | | | 3:21 | instrument |
Chansons: Ma bouche rit | Clemencic Consort, René Clemencic | | | 6:00 | instrument |
Chansons: Malor me bat | Clemencic Consort, René Clemencic | | | 1:41 | instrument |
Cheap Day Return | Jethro Tull | | 4 | 1:23 | instrument |
Chester | Deirdre Fay | | | 0:57 | instrument |
Chorea | Atrium Musicæ de Madrid | | | 2:50 | instrument |
Ciaccona | Paul O’Dette, Marion Verbruggen, The Newberry Consort | | | 2:40 | instrument |
Cleaning for Chicory | Lena Raine | | | 1:37 | instrument (as “alto recorder”) |
Comagain | Erik Bosgraaf | | | 5:14 | instrument |
Comagain a 2 | Cordevento, Erik Bosgraaf | | | 1:27 | instrument (as “alto recorder”) |
Concerto | Cordevento, Erik Bosgraaf | | | 2:39 | instrument (as “alto recorder”) |
Concerto "La Moisson" G-dur, op. 8, 8 : I. Allegro | Claude Flagel, Monica Huggett, Pere Ros, Johann Sonnleitner, Conrad Steinmann | | | 3:09 | instrument |
Concerto "La Moisson" G-dur, op. 8, 8 : II. Largo | Claude Flagel, Monica Huggett, Pere Ros, Johann Sonnleitner, Conrad Steinmann | | | 1:36 | instrument |
Concerto "La Moisson" G-dur, op. 8, 8 : III. Allegro | Claude Flagel, Monica Huggett, Pere Ros, Johann Sonnleitner, Conrad Steinmann | | | 4:16 | instrument |
Concerto C minor for Treble Recorder, RV 441 (PV440): I. Allegro non molto | Michael Schneider, Camerata Köln | | | 4:37 | instrument |
Concerto C minor for Treble Recorder, RV 441 (PV440): II. Largo | Michael Schneider, Camerata Köln | | | 2:31 | instrument |
Concerto C minor for Treble Recorder, RV 441 (PV440): III. Allegro non molto | Michael Schneider, Camerata Köln | | | 3:31 | instrument |
Concerto c-moll, RV 441: I. Allegro non molto | Michael Copley, Camerata Bern, Thomas Füri | | | 5:48 | instrument (as “alto recorder”) |
Concerto c-moll, RV 441: II. Largo | Michael Copley, Camerata Bern, Thomas Füri | | | 2:24 | instrument (as “alto recorder”) |
Concerto c-moll, RV 441: III. (Allegro) | Michael Copley, Camerata Bern, Thomas Füri | | | 3:25 | instrument (as “alto recorder”) |
Concerto da Camera G-moll, TWV 43:G3: I. Allegro | Christoph Huntgeburth, Berliner Barock Compagney | | | 5:00 | instrument |