[untitled] | Esther Lamneck, Roberto Fabbriciani | | | 6:34 | instrument |
[untitled] | Esther Lamneck, Roberto Fabbriciani | | | 1:20 | instrument |
[untitled] | Esther Lamneck, Roberto Fabbriciani | | | 4:38 | instrument |
[untitled] | Esther Lamneck, Roberto Fabbriciani | | | 5:23 | instrument |
[untitled] | Esther Lamneck, Roberto Fabbriciani | | | 4:51 | instrument |
[untitled] | Esther Lamneck, Roberto Fabbriciani | | | 2:25 | instrument |
[untitled] | Esther Lamneck, Roberto Fabbriciani | | | 3:48 | instrument |
[untitled] | Esther Lamneck, Roberto Fabbriciani | | | 5:22 | instrument |
[untitled] | Esther Lamneck, Roberto Fabbriciani | | | 2:01 | instrument |
[untitled] | Esther Lamneck, Roberto Fabbriciani | | | 1:51 | instrument |
[untitled] | Esther Lamneck, Roberto Fabbriciani | | | 3:29 | instrument |
[untitled] | Esther Lamneck, Roberto Fabbriciani | | | 1:41 | instrument |
[untitled] | Esther Lamneck, Roberto Fabbriciani | | | 4:16 | instrument |
[untitled] | Esther Lamneck, Roberto Fabbriciani | | | 3:04 | instrument |
Aeolus | The Wild Mans Band | | | 4:19 | instrument |
Ah Kishinev Subotica | Esther Lamneck | | | 4:17 | instrument (as “tárogató”) |
Ajuda (Help) | George Haslam, João Madeira, Pedro Castello Lopes, Mário Rua | | | 12:14 | instrument (as “tarogato”) |
All Things Being Equal (part 1) | Peter Brötzmann Chicago Tentet | | | 5:08 | instrument (as “tarogato”) |
All Things Being Equal (part 2) | Peter Brötzmann Chicago Tentet | | | 5:17 | instrument (as “tarogato”) |
All Things Being Equal (part 3) | Peter Brötzmann Chicago Tentet | | | 2:37 | instrument (as “tarogato”) |
All Things Being Equal (part 4) | Peter Brötzmann Chicago Tentet | | | 9:39 | instrument (as “tarogato”) |
All Things Being Equal (part 5) | Peter Brötzmann Chicago Tentet | | | 6:39 | instrument (as “tarogato”) |
All Things Being Equal (part 6) | Peter Brötzmann Chicago Tentet | | | 7:56 | instrument (as “tarogato”) |
Alternative Prelude | George Haslam’s Freetime | | | 2:33 | instrument (as “tarogato”) |
American Landscapes 1 | Peter Brötzmann Chicago Tentet | | | 52:44 | instrument (as “tárogató”) |
American Landscapes 2 | Peter Brötzmann Chicago Tentet | | | 43:46 | instrument (as “tárogató”) |
Ancient song | Bundesjazzorchester, Peter Herbolzheimer & Thorsten Wollmann | | | 8:38 | instrument |
Angel Oak Revisited | Charles Lloyd | | | 3:35 | instrument |
Another Kind of Love | Attila Zoller | | | 4:07 | instrument (as “tarogato”) |
Ardeleana ca-n Banat | Ciocîrlia | | | ?:?? | instrument |
At Twilight | Attila Zoller | | | 3:45 | instrument (as “tarogato”) |
Atman Alone Abides | Charles Lloyd & Billy Higgins | | | 2:57 | instrument (as “tárogató”) |
B Ee Ba Nganga Ban’a Eee! | Cecil Taylor Unit | | | 48:21 | instrument (as “tarogato”) |
Beloved, Chimes at Midnight | Charles Lloyd & Billy Higgins | | | 5:16 | instrument (as “tárogató”) |
Bioluminescence | The Wild Mans Band | | | 19:16 | instrument |
Blockings at Apex | George Haslam, Paul Hession | | | 11:11 | instrument |
Both Veils Must Go | Charles Lloyd | | | 3:01 | instrument |
Canon Perdido | Charles Lloyd | | | 3:02 | instrument |
Ciorcirlia | Harmonia | | | 3:26 | instrument |
Come Sunday | Charles Lloyd | | | 5:53 | instrument |
Conversation With Birds | George Haslam - Nikolas Skordas | | | 4:51 | instrument (as “tarogato”) |
Corbels | George Haslam, Paul Hession | | | 6:32 | instrument |
Dead Water | The Wild Mans Band | | | 9:06 | instrument |
Dimanche au marais | Bundesjazzorchester, Peter Herbolzheimer & Thorsten Wollmann | | | 5:56 | instrument |
Doină ca-n Banat | Ciocîrlia | | | ?:?? | instrument |
Eastern Messenger | The Wild Mans Band | | | 7:21 | instrument |
Eaves End | George Haslam, Paul Hession | | | 4:28 | instrument |
Eternal Dreams | George Haslam - Nikolas Skordas - Sophia Koroxenou | | | 7:39 | instrument (as “tarogato”) |
Fecioreasca lui Petruta | Dumitru Fărcaș | | | 1:54 | instrument |
Five Go Free in Buenos Aires | George Haslam | | | 24:49 | instrument (as “tarogato”) |
From Charleston Till Now | Mal Waldron / George Haslam | | | 9:39 | instrument (as “tárogató”) |
Georgia Bright Suite: Pythagoras at Jeckyll Island / Sweet Georgia Bright | Charles Lloyd | | | 13:35 | instrument |
Gypsy Cry | Attila Zoller | | | 7:00 | instrument (as “tarogato”) |
Har du sagt a, så har du sagt a | Vamp | | | 3:32 | instrument (as “taragato”) |
Here We Go | Freetime | | | 16:15 | instrument (as “tarogato”) |
Horns | Attila Zoller | | | 5:00 | instrument (as “tarogato”) |
Hungarian Folk Melody | László Kiss Gy, Budapest Festival Orchestra, Iván Fischer | | | 1:12 | instrument (as “tárogató”) |
Images | Peter Brötzmann Chicago Tentet | | | 24:12 | instrument (as “tarogato”) |
In the Domain of the Green Fairy | Freetime | | | 9:35 | instrument (as “tarogato”) |
Involution / Evolution | Cecil Taylor European Orchestra | | | 58:51 | instrument (as “tarogato”) |
Jack Rafters | George Haslam, Paul Hession | | | 12:53 | instrument |
Joc de doi de la Mehadica | Ion Milu, Romanian Folklore Ensemble “Ciocîrlia” & Tudor Pană | | | ?:?? | instrument |
Jocs and Dances: Braul | Iosif Milu | | | 2:19 | instrument (as “torogoata”) |
Jumping the Creek | Charles Lloyd | | | 5:58 | instrument |
Ken Katta Ma Om | Charles Lloyd | | | 5:46 | instrument |
Lamps, Clocks and Towers | Freetime | | | 3:24 | instrument (as “tarogato”) |
Lonnie’s Lament / Marianao | George Haslam / Laszlo Gardony | | | 20:07 | instrument (as “tarogato”) |
M. E. W. | George Haslam | | | 3:17 | instrument (as “tárogató”) |
Many Times Esther | Esther Lamneck | | | 10:57 | instrument (as “tárogató”) |
Mental Shake | Brötzmann / Adasiewicz / Edwards / Noble | | | 39:16 | instrument (as “Tárogató”) |
Music Marries Room to Room | Peter Brötzmann | | | 1:09:32 | instrument |
Ne me quitte pas | Charles Lloyd | | | 13:29 | instrument |
Nice to Meet You | George Haslam, João Madeira, Pedro Castello Lopes, Mário Rua | | | 18:43 | instrument (as “tarogato”) |
Nostos | George Haslam - Nikolas Skordas | | | 9:40 | instrument (as “tarogato”) |
Nostromo | The Wild Mans Band | | | 5:25 | instrument |
Old Men's Pleasure | The Wild Mans Band | | | 9:39 | instrument |
One for Steve | Mal Waldron / George Haslam | | | 6:03 | instrument (as “tárogató”) |
One That Stood Alone | Peter Brötzmann | | | 4:46 | instrument |
Petroglyph # 1 | Brótzmann | | | 18:12 | instrument |
Pie Jesu from "Requiem in D Minor," Op. 48 | The Allentown Band, George Boyer, Stephen Reisteter, Ronald Demkee | | | 3:14 | instrument (as “Tarogato”) |
Pleasures and Needs | George Haslam, João Madeira, Pedro Castello Lopes, Mário Rua | | | 16:10 | instrument (as “tarogato”) |
Praying in Desert | George Haslam - Nikolas Skordas | | | 7:08 | instrument (as “tarogato”) |
Questions Questions | George Haslam | | | 6:53 | instrument (as “tarogato”) |
Rafting | The Wild Mans Band | | | 2:27 | instrument |
Relaxing in Pardubice | George Haslam’s Freetime | | | 10:09 | instrument (as “tarogato”) |
Relaxing With Rebecca | George Haslam | | | 11:20 | instrument (as “tarogato”) |
Ritmo Cátulo Castillo | George Haslam | | | 11:26 | instrument |
Scantlings | George Haslam, Paul Hession | | | 8:36 | instrument |
Scarborough Fair | George Haslam, Steve Kershaw | | | 5:40 | instrument (as “tarogato”) |
Sensations | George Haslam | | | 4:45 | instrument (as “tarogato”) |
Settings | Esther Lamneck | | | 8:05 | instrument (as “tárogató”) |
Seven Ancient Wonders | Anthony Phillips & Andrew Skeet | | | 2:23 | instrument |
Shadows | Esther Lamneck | | | 4:27 | instrument (as “tárogató”) |
Shells | Esther Lamneck | | | 10:13 | instrument (as “tárogató”) |
Soaring | Plaza Jazz Trio | | | 8:09 | instrument (as “tarogato”) |
Solo for Tarogato | Haslam | | | 5:18 | instrument (as “taragoto”) |
Sonata jucunda, C. App. 121 | Mihály Huszár, Knut Johannessen, Ferenc Kiss, Balázs Szokolay Dongó, Torbjörn Westman, Camerata Nordica, Terje Tønnesen | | | 8:42 | instrument |
Song of the Inuit | Charles Lloyd | | | 11:26 | instrument |
Soulfood Available | Brötzmann/Edwards/Noble | | | 43:36 | instrument (as “tarogato”) |
Sound Creation | Jakob Bro & Joe Lovano | | | 5:34 | instrument (as “tarogato”) |