6 Gesänge nach Maeterlinck, op. 13: I. Die drei Schwestern | | | | Song | | | |
6 Gesänge nach Maeterlinck, op. 13: II. Die Mädchen mit den verbundenen Augen | | | | Song | | | |
6 Gesänge nach Maeterlinck, op. 13: III. Lied der Jungfrau | | | | Song | | | |
6 Gesänge nach Maeterlinck, op. 13: IV. Als ihr Geliebter schied | | | | Song | | | |
6 Gesänge nach Maeterlinck, op. 13: V. Und kehrt er einst heim | | | | Song | | | |
6 Gesänge nach Maeterlinck, op. 13: VI. Sie kam zum Schloß gegangen | | | | Song | | | |
Alcyone: 2. A l'horizon les voiles blanches ont disparu | | | | | | | |
Alcyone: 6. Ma fille, mon enfant! Qu'as-tu? | | | | | | | |
Chansons grises: No. 1. Chanson d'automne | | | | Song | | | |
Chansons grises: No. 2. Tous deux | | | | Song | | | |
Chansons grises: No. 3. L'allée est sans fin | | | | Song | | | |
Chansons grises: No. 4. En sourdine | | | | Song | | | |
Chansons grises: No. 5. L'Heure exquise | | | | Song | | | |
Chansons grises: No. 6. Paysage triste | | | | Song | | | |
Chansons grises: No. 7. La Bonne Chanson | | | | Song | | | |
Das Rheingold: Scene II | | | | | | | |
Das Rheingold: Scene IV | | | | | | | |
Die Walküre, WWV 86B: Akt II, Scene I "Nun zäume dein Roß, reisige Maid" | | | | | | | |
Götterdämmerung, WWV 86D: Akt I, Scene III "Altgewohntes Geräusch raunt meinem Ohr die Ferne" | | | | | | | |
Lobgesang | | | | Song | | | |
Messe Nr. 3 in f-Moll, WAB 28: I. Kyrie | | | | | | | |
Messe Nr. 3 in f-Moll, WAB 28: II. Gloria | | - Juliet Booth, Corydon Singers, Jean Rigby, Corydon Orchestra, Matthew Best
- Chor & Symphonieorchester des Bayerischen Rundfunks, Eugen Jochum
- Corydon Singers, Corydon Orchestra, Matthew Best
- Corydon Singers, Jean Rigby, Corydon Orchestra, Matthew Best
- (show 10 more)
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Messe Nr. 3 in f-Moll, WAB 28: III. Credo | | - Chor & Symphonieorchester des Bayerischen Rundfunks, Eugen Jochum
- Corydon Singers, Corydon Orchestra, Matthew Best
- Juliet Booth, Corydon Singers, Jean Rigby, Corydon Orchestra, Matthew Best
- Corydon Singers, Gwynne Howell, Corydon Orchestra, Matthew Best
- (show 13 more)
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Messe Nr. 3 in f-Moll, WAB 28: IV. Sanctus | | | | | | | |
Messe Nr. 3 in f-Moll, WAB 28: V. Benedictus | | | | | | | |
Messe Nr. 3 in f-Moll, WAB 28: VI. Agnus Dei | | | | | | | |
Parsifal, WWV 111: I. Aufzug | | | | | | | |
Pelléas et Mélisande: Acte I, Scène 2: Un appartement dans le château | | | | | | | |
Pelléas et Mélisande: Acte I, Scène 3: Devant le château | | - Orchestra of the Royal Opera House, Covent Garden, Pierre Boulez
- Simon Halsey, Joshua Bloom, Bernarda Fink, Christian Gerhaher, Magdalena Kožená, London Symphony Chorus, London Symphony Orchestra, Sir Simon Rattle
- Joshua Bloom, Bernarda Fink, Christian Gerhaher, Magdalena Kožená, London Symphony Orchestra, Sir Simon Rattle
- Armin Jordan, Orchestre Philharmonique de Monte‐Carlo
- (show 9 more)
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Poèmes juifs, op. 34: No. 1. Chant de Nourrice | | | | Song | | | |
Poèmes juifs, op. 34: No. 2. Chant de Sion | | | | Song | | | |
Poèmes juifs, op. 34: No. 3. Chant de Laboureur | | | | Song | | | |
Poèmes juifs, op. 34: No. 4. Chant de la Pitié | | | | Song | | | |
Poèmes juifs, op. 34: No. 5. Chant de Résignation | | | | Song | | | |
Poèmes juifs, op. 34: No. 6. Chant d'Amour | | | | Song | | | |
Poèmes juifs, op. 34: No. 7. Chant de Forgeron | | | | Song | | | |
Poèmes juifs, op. 34: No. 8. Lamentation | | | | Song | | | |
Quatre Mélodies: I. Attente | | | | Song | | | |
Quatre Mélodies: II. Reflets | | | | Song | | | |
Quatre Mélodies: III. Le Retour | | | | Song | | | |
Quatre Mélodies: IV. Dans l'immense tristesse | | | | Song | | | |
Symphony no. 2 in C minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht | | | | | | | |
Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend | | | | | | | |
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: b. Imple superna gratia (7 Soli, Chor) | | | | | | | |
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: c. Infirma nostri corporis (7 Soli, Chor) | | | | | | | |
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: e. Infirma nostri corporis (7 Soli) | | | | | | | |
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: f. Accende lumen sensibus, infunde amorem cordibus (7 Soli, Chor, Knaben Chor) | | | | | | | |
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: g. Veni creator spiritus (reprise) (7 Soli, Chor, Knaben Chor) | | | | | | | |
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: h. Gloria sit Patri Domino (7 Soli, Chor, Knaben Chor) | | | | | | | |
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k. Bei der Liebe, die den Füssen (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca) | | | | | | | |
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists) | | | | | | | |