2 morceaux, op. 1 | | | | | | | |
2 morceaux, op. 1: 1. Andante | | | | | | | |
2 morceaux, op. 1: 2. Petite valse | | | | | | | |
2 pièces pour contrebasse et piano, op. 32 | | | | | | | |
A Night on the Bare Mountain | | | | Symphonic poem | | | |
Boléro | | | | Ballet | | | 5 |
Bostoniana | | | | | | | |
Chanson Triste, op. 2 | | | | | | | |
Chout (The Buffoon) Suite, op. 21a: XII. Final Dance | | | | | | | |
Concerto for 2 Pianos & Orchestra no. 10 in E-flat major, K. 316a/365: I. Allegro | | - Elena Gilels, Emil Gilels, Wiener Philharmoniker, Karl Böhm
- Alfred Brendel, Imogen Cooper, Academy of St Martin in the Fields, Sir Neville Marriner
- Zoltán Kocsis, Ránki Dezső, Nemzeti Filharmonikus zenekar, János Ferencsik
- Vladimir Ashkenazy, Daniel Barenboim, English Chamber Orchestra
- (show 43 more)
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Concerto for 2 Pianos & Orchestra no. 10 in E-flat major, K. 316a/365: II. Andante | | - Elena Gilels, Emil Gilels, Wiener Philharmoniker, Karl Böhm
- Alfred Brendel, Imogen Cooper, Academy of St Martin in the Fields, Sir Neville Marriner
- Zoltán Kocsis, Ránki Dezső, Nemzeti Filharmonikus zenekar, János Ferencsik
- Vladimir Ashkenazy, Daniel Barenboim, English Chamber Orchestra
- (show 41 more)
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Concerto for 2 Pianos & Orchestra no. 10 in E-flat major, K. 316a/365: III. Rondo. Allegro | | - Alfred Brendel, Imogen Cooper, Academy of St Martin in the Fields, Sir Neville Marriner
- Elena Gilels, Emil Gilels, Wiener Philharmoniker, Karl Böhm
- London Symphony Orchestra, André Previn
- Academy of St Martin in the Fields, Sir Neville Marriner, Anne Queffélec, Imogen Cooper
- (show 55 more)
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Concerto for Orchestra, Sz. 116, BB 123: V. Finale. Pesante - Presto | | | | | | | |
Concerto in C major for Two Harpsichords, BWV 1061: I. Allegro | | | | | | | |
Concerto in C major for Two Harpsichords, BWV 1061: II. Adagio | | | | | | | |
Concerto in C major for Two Harpsichords, BWV 1061: III. Vivace | | | | | | | |
Double Bass Concerto, op. 3 | | | | Concerto | | | |
Double Bass Concerto, op. 3: I. Allegro | | | | | | | |
Double Bass Concerto, op. 3: II. Andante | | | | | | | |
Double Bass Concerto, op. 3: III. Allegro | | | | | | | |
El salón México | | | | | | | |
Francesca da Rimini, op. 32 | | | | Symphonic poem | | | |
Gymnopédies: I. Lent et grave | | | | | | | |
Gymnopédies: II. Lent et douloureux | | | | | | | |
Harold en Italie, op. 16: I. Harold aux Montagnes. Scènes de mélancolie, de bonheur et de joie. Adagio — Allegro | | | | | | | |
Harold en Italie, op. 16: II. Marche des pélerins chantant la prière du soir. Allegretto | | | | | | | |
Harold en Italie, op. 16: III. Sérénade d'un montagnard des Abruzzes à sa maîtresse. Allegro assai — Allegretto | | | | | | | |
Harold en Italie, op. 16: IV. Orgie de brigands. Souvenirs des scènes précédentes. Allegro frenetico — Adagio — Allegro | | | | | | | |
Humoresque, for double bass and piano, op. 4 | | | | | | | |
Hymn and Fuguing Tune no. 2, HC 657: Hymn | | | | | | | |
Konzert für Violine und Orchester D-Dur, op. 77: I. Allegro non troppo | | | | | | | |
Konzert für Violine und Orchester D-Dur, op. 77: II. Adagio | | | | | | | |
Konzert für Violine und Orchester D-Dur, op. 77: III. Allegro giocoso, ma non troppo vivace | | | | | | | |
La Damnation de Faust : Première Partie : Scène 3. Marche Hongroise (Orchestre) | | | | | | | |
Orchestersuite Nr. 4 D-Dur, BWV 1069: I. Ouverture | | | | | | | |
Orchestersuite Nr. 4 D-Dur, BWV 1069: II. Bourrée I - alternativement Bourrée II | | | | | | | |
Orchestersuite Nr. 4 D-Dur, BWV 1069: III. Gavotte | | | | | | | |
Orchestersuite Nr. 4 D-Dur, BWV 1069: IV. Menuet I - alternativement Menuet II | | | | | | | |
Orchestersuite Nr. 4 D-Dur, BWV 1069: V. Réjouissance | | - The English Concert, Trevor Pinnock
- Walter Heinz Bernstein, Ludwig Güttler, Günter Heidrich, Rainer Hucke, Uwe Kleinsorge, Werner Legutke, Hans Ludwig Mörchen, Eberhard Palm, Roland Rudolph, Burkhard Schmidt, Gerd Schulze, Heinz Stiefel, New Bach Collegium Musicum, Max Pommer
- Academy of St Martin in the Fields, Neville Marriner
- The Baby Einstein Music Box Orchestra
- (show 67 more)
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Peter and the Wolf, op. 67 | | | | | | | |
Piano Concerto, op. 38: I. Allegro ma non troppo e maestoso | | | | | | | |
Piano Concerto, op. 38: II. Andante con anima | | | | | | | |
Piano Concerto, op. 38: III. Allegro brillante | | | | | | | |
Pohjolan tytär, op. 49 | | | | Symphonic poem | | | |
Prayer in a Time of War | | | | | | | |
Ramifications | | | | | | | |
Revelation and Fall, op. 31 | | | | | | | |
Rosamunde, D. 797: IX. Ballettmusik Nr. 2 G-Dur. Andantino | | | | | | | |
Seven Anniversaries: VI. For Sergei Koussevitzky | | | | | | | |
Silbury Air | | | | | | | |
Sinfonia nro 2 D-duuri, op. 43: I. Allegretto | | | | | | | |
Sinfonia nro 2 D-duuri, op. 43: II. Tempo andante, ma rubato | | | | | | | |
Sinfonia nro 2 D-duuri, op. 43: III. Vivacissimo | | | | | | | |
Sinfonia nro 2 D-duuri, op. 43: IV. Finale. Allegro moderato | | | | | | | |
Sinfonia nro 7 C-duuri, op. 105 | | | | Symphony | | | |
Suite for String Orchestra, op. 63 | | | | Suite | | | |
Svanevit, op. 54: III. Tärnorna med rosor | | | | | | | |
Symphony “1933”: I. Allegro | | | | | | | |
Symphony “1933”: II. Andante | | | | | | | |
Symphony “1933”: III. Finale. Maestoso | | | | | | | |
Symphony no. 1 in D major, op. 25 “Classical”: I. Allegro | | | | | | | |
Symphony no. 1 in D major, op. 25 “Classical”: II. Larghetto | | | | | | | |
Symphony no. 1 in D major, op. 25 “Classical”: III. Gavotta. Non troppo allegro | | | | | | | |
Symphony no. 1 in D major, op. 25 “Classical”: IV. Finale. Molto vivace | | | | | | | |
Symphony no. 2 "Elegiac" | | | | Symphony | | | |
Symphony no. 2 for Piano and Orchestra "The Age of Anxiety" (after W. H. Auden) | | | | Symphony | | | |
Symphony no. 2 in D minor, op. 40 | | | | Symphony | | | |
Symphony no. 2, GP 276 | | | | Symphony | | | |
Symphony no. 3 | | | | Symphony | | | |
Symphony no. 3 in C major, op. 52: II. Andantino con moto, quasi allegretto | | | | | | | |
Symphony no. 5 in B-flat major, op. 100: I. Andante | | | | | | | |
Symphony no. 5 in B-flat major, op. 100: II. Allegro marcato | | | | | | | |
Symphony no. 5 in B-flat major, op. 100: III. Adagio | | | | | | | |
Symphony no. 5 in B-flat major, op. 100: IV. Allegro giocoso | | | | | | | |
Symphony no. 5 in E-flat major, op. 82: I. Tempo molto moderato - Allegro moderato (ma poco a poco stretto) - Presto - Più presto | | | | | | | |
Symphony no. 5 in E-flat major, op. 82: II. Andante mosso, quasi allegretto | | | | | | | |
Symphony no. 5 in E-flat major, op. 82: III. Allegro molto | | | | | | | |
Symphony no. 6 | | | | Symphony | | | |
Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio | | | | | | | |
Symphony no. 8 in F major, op. 93: II. Allegretto scherzando | | | | | | | |
Symphony no. 8 in F major, op. 93: III. Tempo di menuetto | | | | | | | |
Symphony no. 8 in F major, op. 93: IV. Allegro vivace | | | | | | | |
Symphony no. 9 in E-flat major, op. 70 | | - Boston Symphony Orchestra, Serge Koussevitsky
- Liza McLean, James Bell, Patricia Leventon, John Talbot, Don McCorkindale, Ann Marcuson, Mike Shannon, Cincinnati Symphony Orchestra, Walter Süsskind
- Patricia Leventon, Cincinnati Symphony Orchestra, Walter Süsskind
| | Symphony | | | |
Symphony no. 9 in E-flat major, op. 70: I. Allegro | | | | | | | |
Symphony no. 9 in E-flat major, op. 70: II. Moderato | | | | | | | |
Symphony no. 9 in E-flat major, op. 70: III. Presto | | | | | | | |
Symphony no. 9 in E-flat major, op. 70: IV. Largo | | | | | | | |
Symphony no. 9 in E-flat major, op. 70: V. Allegretto | | | | | | | |
Symphony no. 11 | | | | Symphony | | | |
Symphony no. 94 in G major, Hob. I:94 “Surprise”: I. Adagio cantabile. Vivace assai | | | | | | | |
Symphony no. 94 in G major, Hob. I:94 “Surprise”: II. Andante | | | | | | | |
Symphony no. 94 in G major, Hob. I:94 “Surprise”: III. Menuet. Allegro molto – Trio – Menuet | | | | | | | |
Symphony no. 94 in G major, Hob. I:94 “Surprise”: IV. Finale. Allegro di molto | | | | | | | |
Symphony no. 102 in B-flat major, Hob. I:102: I. Largo - Vivace | | | | | | | |
Symphony no. 102 in B-flat major, Hob. I:102: II. Adagio | | | | | | | |
Symphony no. 102 in B-flat major, Hob. I:102: III. Menuet: Allegro - Trio | | | | | | | |
Symphony no. 102 in B-flat major, Hob. I:102: IV. Finale. Presto | | | | | | | |
Tableaux d’une exposition: Cum Mortuis in lingua mortua | | | | | | | |
Tableaux d’une exposition: I. Gnomus | | | | | | | |
Tableaux d’une exposition: II. Il vecchio castello | | | | | | | |