| 2 Motetten, op. 74: Nr. 2. O Heiland, reiß die Himmel auf | | | | Motet | | | |
| 3 Madrigals for Violin and Viola, H 313: I. Poco Allegro | | | | | | | |
| 3 Madrigals for Violin and Viola, H 313: II. Poco andante | | | | | | | |
| 3 Madrigals for Violin and Viola, H 313: III. Allegro | | | | | | | |
| A Set of Three Short Pieces, S. 84: II. Scherzo: Holding Your Own! | | | | | | | |
| Adagio for Strings | | | | | | | |
| Andante festivo, JS 34a | | | | | | | |
| Chacony in G minor for 2 violins, viola and continuo, Z. 730 | | | | | | | |
| Chanson perpétuelle, op. 37 | | - Juliane Banse, Petersen Quartett, Wolfram Rieger
- Frederica von Stade, Ani Kavafian, Ida Kavafian, Laurence Lesser, Joe del Maria, Charles Wadsworth
- Anne Sofie von Otter, Bengt Forsberg, Ulf Forsberg, Matti Hirvikangas, Mats Lindström, Nils‐Erik Sparf
- Karine Deshayes, Ensemble Contraste
- (show 13 more)
| | Song | | | |
| Crisantemi | | | | Quartet | | | |
| Cypresses, B. 152: I. Moderato | | | | Quartet | | | |
| Cypresses, B. 152: II. Allegro ma non troppo | | | | Quartet | | | |
| Cypresses, B. 152: III. Andante con moto | | | | Quartet | | | |
| Cypresses, B. 152: IV. Poco adagio | | | | Quartet | | | |
| Cypresses, B. 152: IX. Moderato | | | | Quartet | | | |
| Cypresses, B. 152: V. Andante | | | | Quartet | | | |
| Cypresses, B. 152: VI. Andante moderato | | | | Quartet | | | |
| Cypresses, B. 152: VII. Andante con moto | | | | Quartet | | | |
| Cypresses, B. 152: VIII. Lento | | | | Quartet | | | |
| Cypresses, B. 152: X. Andante maestoso | | | | Quartet | | | |
| Cypresses, B. 152: XI. Allegro scherzando | | | | Quartet | | | |
| Cypresses, B. 152: XII. Allegro animato | | | | Quartet | | | |
| Die Kunst der Fuge, BWV 1080: I. Contrapunctus 1 | | | | | | | |
| Die Kunst der Fuge, BWV 1080: II. Contrapunctus 2 | | | | | | | |
| Die Kunst der Fuge, BWV 1080: III. Contrapunctus 3 | | | | | | | |
| Die Kunst der Fuge, BWV 1080: IV. Contrapunctus 4 | | | | | | | |
| Die Kunst der Fuge, BWV 1080: IX. Contrapunctus 9 a 4 alla Duodecima | | | | | | | |
| Die Kunst der Fuge, BWV 1080: V. Contrapunctus 5 | | | | | | | |
| Die Kunst der Fuge, BWV 1080: VI. Contrapunctus 6 a 4 in Stylo Francese | | | | | | | |
| Die Kunst der Fuge, BWV 1080: VII. Contrapunctus 7 a 4 per Augmentationem et Diminutionem | | | | | | | |
| Die Kunst der Fuge, BWV 1080: VIII. Contrapunctus 8 a 3 | | | | | | | |
| Die Kunst der Fuge, BWV 1080: X. Contrapunctus 10 a 4 alla Decima | | | | | | | |
| Die Kunst der Fuge, BWV 1080: XI. Contrapunctus 11 a 4 | | | | | | | |
| Die Kunst der Fuge, BWV 1080: XII, 1. Contrapunctus inversus a 4 (Forma recta) | | | | | | | |
| Die Kunst der Fuge, BWV 1080: XII, 2. Contrapunctus inversus 12 a 4 (Forma inversa) | | | | | | | |
| Die Kunst der Fuge, BWV 1080: XIII, 1. Contrapunctus inversus a 3 (Forma recta) | | | | | | | |
| Die Kunst der Fuge, BWV 1080: XIII, 2. Contrapunctus inversus a 3 (Forma inversa) | | | | | | | |
| Die Kunst der Fuge, BWV 1080: XIV. Canon per Augmentationem in Contrario Motu | | | | | | | |
| Die Kunst der Fuge, BWV 1080: XIX. Fuga a 3 [4] Soggetti | | | | | | | |
| Die Kunst der Fuge, BWV 1080: XV. Canon alla Ottava | | | | | | | |
| Die Kunst der Fuge, BWV 1080: XVI. Canon alla Decima in Contrapunto alla Terza | | | | | | | |
| Die Kunst der Fuge, BWV 1080: XVII. Canon alla Duodecima in Contrapunto alla Quinta | | | | | | | |
| Dover Beach for Voice and String Quartet, op. 3 | | | | | | | |
| Fantasia for strings No. 6, Z. 737 | | | | | | | |
| Fantasia for strings No. 8, Z. 739 | | | | | | | |
| Fantasia for strings No. 10, Z. 741 | | | | | | | |
| Fantasia for strings No. 11, Z. 742 | | | | | | | |
| Five Movements for String Quartet, op. 5: I. Heftig bewegt | | | | | | | |
| Five Movements for String Quartet, op. 5: II. Sehr langsam | | | | | | | |
| Five Movements for String Quartet, op. 5: III. Sehr bewegt | | | | | | | |
| Five Movements for String Quartet, op. 5: IV. Sehr langsam | | | | | | | |
| Five Movements for String Quartet, op. 5: V. In zarter Bewegung | | | | | | | |
| Four Pieces for String Quartet, op. 81: No. 1. Tema con Variazioni in E major. Andante sostenuto | | | | | | | |
| Four Pieces for String Quartet, op. 81: No. 2. Scherzo in A minor. Allegro leggiero | | | | | | | |
| Four Pieces for String Quartet, op. 81: No. 3. Capriccio in E minor. Andante con moto | | | | | | | |
| Four Pieces for String Quartet, op. 81: No. 4. Fugue in E-flat major. A tempo ordinario | | | | | | | |
| Fugue for Four Voices after J.S. Bach, K. 405 no. 1 in C minor (BWV 871) | | | | | | | |
| Fugue for Four Voices after J.S. Bach, K. 405 no. 2 in E-flat major (BWV 876) | | | | | | | |
| Fugue for Four Voices after J.S. Bach, K. 405 no. 3 in E major (BWV 878) | | | | | | | |
| Fugue for Four Voices after J.S. Bach, K. 405 no. 4 in D minor (BWV 877) | | | | | | | |
| Fugue for Four Voices after J.S. Bach, K. 405 no. 5 in D major (BWV 874) | | | | | | | |
| Große Fuge for String Quartet in B-flat major, op. 133 | | | | | | | 5 |
| Italienische Serenade | | | | | | | |
| Komm, süsser Tod | | | | | | | |
| Lyric for Strings | | | | | | | |
| Lyrische Suite: I. Allegretto giovale | | | | | | | |
| Lyrische Suite: II. Andante amoroso | | | | | | | |
| Lyrische Suite: III. Allegro misterioso | | | | | | | |
| Lyrische Suite: IV. Adagio appassionato | | | | | | | |
| Lyrische Suite: V. Presto delirando | | | | | | | |
| Lyrische Suite: VI. Largo desolato | | | | | | | |
| Melancholie, op. 13: No. 1. Die Primeln blühn und grüßen… | | | | Song | | | |
| Melancholie, op. 13: No. 2. Nebelweben | | | | Song | | | |
| Melancholie, op. 13: No. 3. Dunkler Tropfe | | | | Song | | | |
| Melancholie, op. 13: No. 4. Traumwald | | | | Song | | | |
| Movement for String Quartet in A major, K. 464a/Anh 72 (Erik Smith completion): Rondo | | | | | | | |
| Movement for String Trio: Ruhig fließend | | | | | | | |
| Octet in E-flat major, op. 20: I. Allegro moderato, ma con fuoco | | | | | | | |
| Octet in E-flat major, op. 20: II. Andante | | | | | | | |
| Octet in E-flat major, op. 20: III. Scherzo: Allegro leggerissimo | | | | | | | |
| Octet in E-flat major, op. 20: IV. Presto | | | | | | | |
| On an Overgrown Path, Book 1: No. 9. In Tears | | | | | | | |
| Piano Quartet in E-flat major, op. 47: I. Sostenuto assai - Allegro ma non troppo | | | | | | | |
| Piano Quartet in E-flat major, op. 47: II. Scherzo. Molto vivace - Trio I - Trio II | | | | | | | |
| Piano Quartet in E-flat major, op. 47: III. Andante cantabile | | | | | | | |
| Piano Quartet in E-flat major, op. 47: IV. Finale. Vivace | | | | | | | |
| Piano Quartet no. 1 in C minor, op. 15: I. Allegro molto moderato | | - Mstislav Rostropovich, Emil Gilels, Leonid Kogan, Rudolf Barshai
- Quatuor Bernède, Paul Boufil, Guy Chêne, Samson François
- Lise Berthaud, Daishin Kashimoto, Éric Le Sage, François Salque
- Emanuel Ax, Jaime Laredo, Yo‐Yo Ma, Isaac Stern
- (show 25 more)
| | | | | |
| Piano Quartet no. 1 in C minor, op. 15: II. Scherzo (Allegro vivo) | | - Mstislav Rostropovich, Emil Gilels, Leonid Kogan, Rudolf Barshai
- Quatuor Bernède, Paul Boufil, Guy Chêne, Samson François
- Lise Berthaud, Daishin Kashimoto, Éric Le Sage, François Salque
- Emanuel Ax, Jaime Laredo, Yo‐Yo Ma, Isaac Stern
- (show 27 more)
| | | | | |
| Piano Quartet no. 1 in C minor, op. 15: III. Adagio | | - Mstislav Rostropovich, Emil Gilels, Leonid Kogan, Rudolf Barshai
- Quatuor Bernède, Paul Boufil, Guy Chêne, Samson François
- Lise Berthaud, Daishin Kashimoto, Éric Le Sage, François Salque
- Emanuel Ax, Jaime Laredo, Yo‐Yo Ma, Isaac Stern
- (show 26 more)
| | | | | |
| Piano Quartet no. 1 in C minor, op. 15: IV. Allegro molto | | - Mstislav Rostropovich, Emil Gilels, Leonid Kogan, Rudolf Barshai
- Quatuor Bernède, Paul Boufil, Guy Chêne, Samson François
- Lise Berthaud, Daishin Kashimoto, Éric Le Sage, François Salque
- Emanuel Ax, Jaime Laredo, Yo‐Yo Ma, Isaac Stern
- (show 24 more)
| | | | | |
| Piano Quartet no. 2 in E-flat major, op. 87, B. 162: I. Allegro con fuoco | | | | | | | |
| Piano Quartet no. 2 in E-flat major, op. 87, B. 162: II. Lento | | | | | | | |
| Piano Quartet no. 2 in E-flat major, op. 87, B. 162: III. Allegro moderato, grazioso | | | | | | | |
| Piano Quartet no. 2 in E-flat major, op. 87, B. 162: IV. Finale. Allegro ma non troppo | | | | | | | |
| Piano Quintet in E-flat major, op. 44: I. Allegro brillante | | | | | | | |
| Piano Quintet in E-flat major, op. 44: II. In modo d'una marcia. Un poco largamente | | | | | | | |
| Piano Quintet in E-flat major, op. 44: III. Scherzo. Molto vivace | | | | | | | |
| Piano Quintet in E-flat major, op. 44: IV. Allegro, ma non troppo | | | | | | | |
| Piano Quintet no. 2 in A major, op. 81: I. Allegro ma non tanto | | | | | | | |
| Piano Quintet no. 2 in A major, op. 81: II. Dumka: Andante con moto | | | | | | | |
