Kantate, BWV 208, Jagd-Kantate, Arie: Schafe können sicher weiden | Arleen Augér, Kammerorchester Berlin, Peter Schreier, Berliner Solisten | | | 5:53 | |
Klärchens Lied, D. 210 | Arleen Augér, Walter Olbertz | | | 1:49 | |
Kyrie: Christe Eleison | Arleen Augér, Marjana Lipovšek, Rundfunkchor Leipzig, Ann Murray, Anton Scharinger, Staatskapelle Dresden, Peter Schreier | | | 5:17 | |
Kyrie: Kyrie Eleison | Arleen Augér, Marjana Lipovšek, Rundfunkchor Leipzig, Ann Murray, Anton Scharinger, Staatskapelle Dresden, Peter Schreier | | | 9:05 | |
Kyrie: Kyrie Eleison | Arleen Augér, Marjana Lipovšek, Rundfunkchor Leipzig, Ann Murray, Anton Scharinger, Staatskapelle Dresden, Peter Schreier | | | 3:14 | |
L'incoronazione di Poppea: "Pur ti miro, pur ti godo" (I gaze at you, I possess you) | Arleen Augér, Della Jones, City of London Baroque Sinfonia, Richard Hickox | | | 5:43 | |
L'incoronazione di Poppea: Act III, Scene 8: "Pur ti miro" | Arlene Auger, Della Jones, City of London Baroque Sinfonia, Richard Hickox | | | 5:42 | |
L’incoronazione di Poppea (The Coronation of Poppea): “Pur ti miro, pur ti godo” (I gaze at you, i posses you) | Arleen Augér, Della Jones, City of London Baroque Sinfonia, Richard Hickox | | | 5:40 | |
L’incoronazione di Poppea: Atto III, scena 8. “Pur ti miro” | Arleen Augér, Della Jones, City of London Baroque Sinfonia, Richard Hickox | | | 5:42 | |
La Circe: “Son pietosa, son bonina” | Arleen Augér, Handel and Haydn Society, Christopher Hogwood | | | 4:33 | |
La pastorella al prato, D. 528 | Arleen Augér, Graham Johnson | | | 2:10 | |
Lachen und weinen, D 777 | Arleen Augér, Lambert Orkis | | | 1:45 | |
Lachet Nicht, Mädchen, Hob. XXVIa:14 | Arleen Auger, Walter Olbertz | | | 3:36 | |
Lacrimosa from "Requiem" | Robert Shaw, Arleen Augér, Delores Ziegler, Jerry Hadley & Tom Krause | | | 3:26 | |
Lambertine, D. 301 | Arleen Augér, Graham Johnson | | | 3:21 | |
Lascia ch'io pianga (Rinaldo) | Arleen Augér, Mostly Mozart Orchestra, Gerard Schwarz | | | 5:28 | |
Le nozze di Figaro: "Deh vieni, non tardar" | Arleen Augér, Ralf Gothóni | | | 4:27 | |
Le nozze di Figaro: Atto IV: Giunse alfin il momento | Barbara Bonney, Petteri Salomaa, Alicia Nafé, Arleen Augér, Drottningholm Court Theatre Orchestra, Arnold Östman | | | 4:09 | |
Let the Bright Seraphim (Samson) | Arleen Augér, Mostly Mozart Orchestra, Gerard Schwarz | | | 5:35 | |
Liebe Schwarmt auf allen Wegen | Arleen Augér, Dalton Baldwin | | | 1:18 | |
Liebe schwärmt auf allen Wegen, D. 239 no. 6 | Arleen Augér, Graham Johnson | | | 1:22 | |
Liebe schwarmt auf allen Wegen, D239 no. 6 | Arleen Augér, Dalton Baldwin | | | 1:23 | |
Liebeslied, Hob. XXVIa:11 | Arleen Auger, Walter Olbertz | | | 4:28 | |
Liebst du um Schonheit | Arleen Augér, Dalton Baldwin | | | 2:50 | |
Lied der Mignon, D. 877 No. 2 | Arleen Augér, Walter Olbertz | | | 4:10 | |
Lied der Mignon, D. 877 No. 3 | Arleen Augér, Walter Olbertz | | | 3:47 | |
Lied der Mignon, D. 877 No. 4 | Arleen Augér, Walter Olbertz | | | 3:35 | |
Lieder und Gesänge aus “Wilhelm Meister”, op. 98a: I. Kennst du das Land | Arleen Augér, Walter Olbertz | | | 4:31 | |
Lieder und Gesänge aus “Wilhelm Meister”, op. 98a: III. Nur wer die Sehnsucht kennt | Arleen Augér, Walter Olbertz | | | 2:48 | |
Lieder und Gesänge aus “Wilhelm Meister”, op. 98a: IX. So lasst mich scheinen | Arleen Augér, Walter Olbertz | | | 3:18 | |
Lieder und Gesänge aus “Wilhelm Meister”, op. 98a: V. Heiss mich nicht reden | Arleen Augér, Walter Olbertz | | | 4:11 | |
Lieder und Gesänge aus “Wilhelm Meister”, op. 98a: VII. Singet nicht in Trauertönen | Arleen Augér, Walter Olbertz | | | 2:18 | |
Lieder und Gesänge, Vol.II, op. 51: II. Volksliedchen | Arleen Augér, Walter Olbertz | | | 1:19 | |
Lieder und Gesänge, Vol.II, op. 51: IV. Liebeslied | Arleen Augér, Walter Olbertz | | | 2:19 | |
Lilla an die Morgenröte, D. 273 | Arleen Augér, Graham Johnson | | | 1:45 | |
Lobe den Herren, den mächtigen König der Ehren: III. Lobe den Herren, der künstlich und fein dich bereitet | Theo Adam, Arleen Augér, Neues Bachisches Collegium Musicum, Hans-Joachim Rotzsch | | | 3:57 | |
Love Went A-Riding | Arleen Augér, Dalton Baldwin | | | 1:50 | |
Love's Philosophy | Arleen Augér, Dalton Baldwin | | | 1:28 | |
Lucio Silla, K. 135: Act I, Scene III. No. 3 Aria "Se lusinghiera speme" (Celia) / Lucio Silla, K. 135: Act I, Scene V. Recitativo "Sempre dovrò vederti" (Silla, Giunia) | Arleen Augér, Helen Donath, Peter Schreier, Leopold Hager, Mozarteum Orchester Salzburg | | | 5:17 | |
Lucio Silla, K. 135: Act I, Scene V. No. 4 Aria "Dalla sponda tenebrosa" (Giunia) | Arleen Augér, Leopold Hager, Mozarteum Orchester Salzburg | | | 6:57 | |
Lucio Silla, K. 135: Act I, Scene VIII-IX. Recitativo accompagnato "Se l'empio Silla, oh padre" (Giunia) Recitativo "Eccomi, oh cara" (Giunia, Cecilio) No. 7 Duetto "D'Elisio in sen m'attendi" (Giunia, Cecilio) | Arleen Augér, Júlia Várady, Leopold Hager, Mozarteum Orchester Salzburg | | | 9:14 | |
Lucio Silla, K. 135: Act I, Scene VIII. No. 6 Coro è Arioso "Fuor di queste urne dolenti" (Coro) / Lucio Silla, K. 135: Act I, Scene VIII. Recitativo accompagnato "Se l'empio Silla, oh padre" (Giunia) | Ernst Hinreiner, Arleen Augér, Salzburger Kammerchor, Leopold Hager, Mozarteum Orchester Salzburg | | | 5:25 | |
Lucio Silla, K. 135: Act II, Scene IX. Recitativo "Che intesi, eterni Dei?" (Giunia, Cecilio) Recitativo accompagnato "Chi sa, che non sia questa" (Cecilio, Giunia) | Arleen Augér, Júlia Várady, Leopold Hager, Mozarteum Orchester Salzburg | | | 6:30 | |
Lucio Silla, K. 135: Act II, Scene V. No. 11 Aria "Ah se il crudel periglio" (Giunia) | Arleen Augér, Leopold Hager, Mozarteum Orchester Salzburg | | | 7:43 | |
Lucio Silla, K. 135: Act II, Scene V. Recitativo "Di piegarsi capace" (Cinna, Giunia) Recitativo accompagnato "Vanne. T'affretta" (Cinna, Giunia) | Arleen Augér, Edith Mathis, Leopold Hager, Mozarteum Orchester Salzburg | | | 5:04 | |
Lucio Silla, K. 135: Act II, Scene X. Recitativo "Perché mi balzi in seno" (Giunia, Celia) | Arleen Augér, Helen Donath, Leopold Hager | | | 1:38 | |
Lucio Silla, K. 135: Act II, Scene XI. No. 16 Aria "Parto,m'affretto" (Giunia) | Arleen Augér, Leopold Hager | | | 4:28 | |
Lucio Silla, K. 135: Act II, Scene XI. Recitativo accompagnato "In un istante oh come" (Giunia) | Arleen Augér, Leopold Hager | | | 2:47 | |
Lucio Silla, K. 135: Act II, Scene XII-XII. Recitativi "Padri Coscritti... Sposa ah no, non temer... Come? D'un ferro armato" (Silla, Giunnia, Aufidio, Cecillio, Cinna) | Arleen Augér, Werner Krenn, Edith Mathis, Júlia Várady, Leopold Hager | | | 5:13 | |
Lucio Silla, K. 135: Act II, Scene XIV. No. 18 Terzetto "Quell'orgoglioso sdegno" (Cecilio, Giunia, Silla) | Arleen Augér, Peter Schreier, Júlia Várady, Leopold Hager | | | 4:08 | |
Lucio Silla, K. 135: Act III, Scene III-IV. Recitativi "Ah no, che il fato estremo… Tosto seguir tu dei" (Giunia, Cecilio, Aufidio) | Arleen Augér, Werner Krenn, Júlia Várady, Leopold Hager | | | 4:09 | |
Lucio Silla, K. 135: Act III, Scene Ultima. No. 23 Finale "Il gran Silla a Roma in seno" (Coro, Giunia, Cecilio, Cinna, Silla) | Ernst Hinreiner, Arleen Augér, Edith Mathis, Salzburger Kammerchor, Peter Schreier, Júlia Várady, Leopold Hager | | | 3:22 | |
Lucio Silla, K. 135: Act III, Scene V. No. 22 Aria "Fra i pensier più funesti di morte" (Giunia) | Arleen Augér, Leopold Hager | | | 3:29 | |
Lucio Silla, K. 135: Act III, Scene V. Recitativo accompagnato "Sposo… mia vita…" (Giunia) | Arleen Augér, Leopold Hager | | | 2:50 | |
Lucio Silla, K. 135: Act III, Scene VI-VII. Recitativi "Celia, Cinna, non più… Anima vil, da Giunia… Lo sposo mio? (Cinna, Silla, Celia, Giunia, Cecilio, Aufidio) | Arleen Augér, Helen Donath, Werner Krenn, Edith Mathis, Peter Schreier, Júlia Várady, Leopold Hager | | | 8:40 | |
Lulu-Suite: III. Lied der Lulu: Comodo | Arleen Augér, City of Birmingham Symphony Orchestra, Simon Rattle | | | 3:01 | |
Lulu-Suite: V. Adagio | Arleen Augér, City of Birmingham Symphony Orchestra, Simon Rattle | | | 9:06 | |
Lulu-Suite: V. Adagio (conclusion) | Arleen Augér, City of Birmingham Symphony Orchestra, Simon Rattle | | | 3:01 | |
Magnificat en ré majeur, pour solistes, choeur et orchestre, BWV 243 : Insertion D : « Virga jesse floruit » (soprano I, basse II) - Suscepit Israel (sopranos I & II, contralto) | Arleen Augér, Ann Murray, Wolfgang Schöne, Helen Watts, Bach‐Collegium Stuttgart, Helmuth Rilling | | | 4:59 | |
Magnificat: III+IV. Omnes generationes | Arleen Augér, Gächinger Kantorei Stuttgart, Bach‐Collegium Stuttgart, Helmuth Rilling | | | 3:53 | |
Mass in B minor, BWV 232, Kyrie: no. 1 Kyrie eleison, Gloria: VIII. Domine Deus | Arleen Augér, Staatskapelle Dresden, Peter Schreier | | | 6:00 | |
Mass in C minor, KV 427: Benedictus | Arleen Augér, Doris Soffel, Thomas Moser, Stephen Roberts, WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Gary Bertini | | | 5:38 | |
Mass in C minor, KV 427: Credo: Et incarnatus est | Arleen Augér, WDR Sinfonieorchester Köln, Gary Bertini | | | 8:01 | |
Mass in C minor, KV 427: Gloria: Domine | Arleen Augér, Doris Soffel, WDR Sinfonieorchester Köln, Gary Bertini | | | 2:44 | |
Mass in C minor, KV 427: Gloria: Ladamus te | Arleen Augér, WDR Sinfonieorchester Köln, Gary Bertini | | | 4:50 | |
Mass in C minor, KV 427: Gloria: Quoniam | Arleen Augér, Doris Soffel, Thomas Moser, WDR Sinfonieorchester Köln, Gary Bertini | | | 4:01 | |
Mass in C minor, KV 427: Kyrie | Arleen Augér, WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Gary Bertini | | | 6:59 | |
Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": I. "Kyrie" | John Mark Ainsley, Arleen Augér, Lynne Dawson, David Thomas, Winchester Cathedral Choir, Winchester College Quiristers, Academy of Ancient Music, Christopher Hogwood | | | 7:00 | |
Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIa. Gloria: "Gloria in excelsis" | John Mark Ainsley, Arleen Augér, Lynne Dawson, David Thomas, Winchester Cathedral Choir, Winchester College Quiristers, Academy of Ancient Music, Christopher Hogwood | | | 2:19 | |
Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIb. Gloria: "Laudamus te" | John Mark Ainsley, Arleen Augér, Lynne Dawson, David Thomas, Winchester Cathedral Choir, Winchester College Quiristers, Academy of Ancient Music, Christopher Hogwood | | | 4:41 | |
Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIc. Gloria: "Gratias agimus tibi" | John Mark Ainsley, Arleen Augér, Lynne Dawson, David Thomas, Winchester Cathedral Choir, Winchester College Quiristers, Academy of Ancient Music, Christopher Hogwood | | | 1:14 | |
Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IId. Gloria: "Domine Deus" | John Mark Ainsley, Arleen Augér, Lynne Dawson, David Thomas, Winchester Cathedral Choir, Winchester College Quiristers, Academy of Ancient Music, Christopher Hogwood | | | 2:42 | |
Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIe. Gloria: "Qui tollis" | David Hill, Julian Smith, John Mark Ainsley, Arleen Augér, Lynne Dawson, David Thomas, Winchester Cathedral Choir, Winchester College Quiristers, Academy of Ancient Music, Christopher Hogwood | | | 4:50 | |
Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIf. Gloria: "Quoniam tu solus" | John Mark Ainsley, Arleen Augér, Lynne Dawson, David Thomas, Winchester Cathedral Choir, Winchester College Quiristers, Academy of Ancient Music, Christopher Hogwood | | | 3:49 | |
Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIg. Gloria: "Jesu Christe-Cum Sancto Spiritu" | John Mark Ainsley, Arleen Augér, Lynne Dawson, David Thomas, Winchester Cathedral Choir, Winchester College Quiristers, Academy of Ancient Music, Christopher Hogwood | | | 4:25 | |
Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIIa. Credo: "Credo in unum Deum" | John Mark Ainsley, Arleen Augér, Lynne Dawson, David Thomas, Winchester Cathedral Choir, Winchester College Quiristers, Academy of Ancient Music, Christopher Hogwood | | | 3:07 | |
Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIIb. Credo: "Et incarnatus est" | John Mark Ainsley, Arleen Augér, Lynne Dawson, David Thomas, Winchester Cathedral Choir, Winchester College Quiristers, Academy of Ancient Music, Christopher Hogwood | | | 7:44 | |
Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IVa. Sanctus: "Sanctus" | John Mark Ainsley, Arleen Augér, Lynne Dawson, David Thomas, Winchester Cathedral Choir, Winchester College Quiristers, Academy of Ancient Music, Christopher Hogwood | | | 3:43 | |
Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": V. Benedictus | John Mark Ainsley, Arleen Augér, Lynne Dawson, David Thomas, Winchester Cathedral Choir, Winchester College Quiristers, Academy of Ancient Music, Christopher Hogwood | | | 5:51 | |
Matthäus-Passion, BWV 244: Blute nur, du liebes Herz | Arleen Augér, Bach‐Collegium Stuttgart, Helmuth Rilling | | | 5:13 | |
Matthäus-Passion, BWV 244: Ich will dir mein Herze schenken | Arleen Augér, Bach‐Collegium Stuttgart, Helmuth Rilling | | | 3:51 | |
Mermaid's Song, Hob. XXVIa:25 | Arleen Auger, Walter Olbertz | | | 3:34 | |
Messe in h-Moll, BWV 232 - CD11 | Johann Sebastian Bach, Arleen Augér, Ann Murray, Marjana Lipovšek, Peter Schreier, Anton Scharinger, Rundfunkchor Leipzig & Staatskapelle Dresden | | | 54:56 | |
Messe in h-Moll, BWV 232 - CD12 | Johann Sebastian Bach, Arleen Augér, Ann Murray, Marjana Lipovšek, Peter Schreier, Anton Scharinger, Rundfunkchor Leipzig & Staatskapelle Dresden | | | 52:24 | |
Messiah, HWV 56, Pt. 1: "Rejoice Greatly, O Daughter Of Zion" | Arleen Augér, The English Concert, Trevor Pinnock | | | 4:49 | |
Messiah, HWV 56: XIV. Recitative (Soprano) "There Were Shepherds Abiding in the Field" - XV. Accompagnato (Soprano) "And Lo, the Angel of the Lord" - XVI. Accompagnato (Soprano) "And Suddenly There Was With the Angel" | Arleen Augér, The English Concert, Trevor Pinnock | | | 1:34 | |
Messiah, HWV 56: XLV. Air (Soprano) "I Know That My Redeemer Liveth" | Arleen Augér, The English Concert, Trevor Pinnock | | | 6:42 | |
Messiah, HWV 56: XVIII. Air (Soprano) "Rejoice Greatly, o Daughter of Zion" | Arleen Augér, The English Concert, Trevor Pinnock | | | 4:48 | |
Messiah, HWV 56: XX. Air (Contralto & Soprano) "He Shall Feed His Flock" | Arleen Augér, The English Concert, Trevor Pinnock | | | 6:09 | |
Messiah, HWV 56: XXXI. Accompagnato (Soprano) "He Was Cut Off Out of the Land" | Arleen Augér, The English Concert, Trevor Pinnock | | | 0:15 | |
Messiah, HWV 56: XXXII. Air (Soprano) "But Thou Didst Not Leave His Soul" | Arleen Augér, The English Concert, Trevor Pinnock | | | 2:09 | |
Messiah, HWV 56: XXXVIII. Air (Soprano) "How Beautiful Are the Feet" | Arleen Augér, The English Concert, Trevor Pinnock | | | 2:37 | |
Messiah: I Know That My Redeemer Liveth | Arleen Augér | | | 6:44 | |
Mignon ("Kennst du das Land"), op. 79 no. 29 | Arleen Augér, Dalton Baldwin | | | 4:07 | |
Mignon I—Heiss mich nicht reden | Arleen Augér, Irwin Gage | | | 3:02 | |
Mignon I, D. 726 | Arleen Augér, Walter Olbertz | | | 3:06 | |
Mignon II—Nur wer die Sehnsucht kennt | Arleen Augér, Irwin Gage | | | 2:35 | |
Mignon II, D. 727 | Arleen Augér, Walter Olbertz | | | 4:36 | |
Mignon III—So lasst mich scheinen | Arleen Augér, Irwin Gage | | | 4:17 | |
Mignon IV—Kennst du das Land? | Arleen Augér, Irwin Gage | | | 6:22 | |