Cantata for the First Sunday after Advent, BWV36, Part One, Choral | Arleen Augér, Siegfried Lorenz, Peter Schreier, Thomanerchor Leipzig, Neues Bachisches Collegium Musicum, Hans-Joachim Rotzsch | | | 4:24 | |
Cantata for the First Sunday after Advent, BWV36, Part One, Choral | Arleen Augér, Siegfried Lorenz, Peter Schreier, Thomanerchor Leipzig, Neues Bachisches Collegium Musicum, Hans-Joachim Rotzsch | | | 1:20 | |
Cantata for the First Sunday after Advent, BWV36, Part One, Chorus | Arleen Augér, Siegfried Lorenz, Peter Schreier, Thomanerchor Leipzig, Neues Bachisches Collegium Musicum, Hans-Joachim Rotzsch | | | 4:00 | |
Cantata for the First Sunday after Advent, BWV36, Part Two, Aria (Sopran) | Arleen Augér, Neues Bachisches Collegium Musicum, Hans-Joachim Rotzsch | | | 8:40 | |
Cantata for the First Sunday after Advent, BWV36, Part Two, Choral | Arleen Augér, Siegfried Lorenz, Peter Schreier, Thomanerchor Leipzig, Neues Bachisches Collegium Musicum, Hans-Joachim Rotzsch | | | 2:10 | |
Cantata for the First Sunday after Advent, BWV36, Part Two, Choral | Arleen Augér, Siegfried Lorenz, Peter Schreier, Thomanerchor Leipzig, Neues Bachisches Collegium Musicum, Hans-Joachim Rotzsch | | | 0:38 | |
Cantata for the First Sunday after Advent, BWV61, Aria (Sopran) | Arleen Augér, Neues Bachisches Collegium Musicum, Hans-Joachim Rotzsch | | | 4:23 | |
Cantata for the First Sunday after Advent, BWV61, Chorus | Arleen Augér, Siegfried Lorenz, Peter Schreier, Thomanerchor Leipzig, Neues Bachisches Collegium Musicum, Hans-Joachim Rotzsch | | | 1:00 | |
Cantata for the First Sunday after Advent, BWV61, Ouverture | Arleen Augér, Siegfried Lorenz, Peter Schreier, Thomanerchor Leipzig, Neues Bachisches Collegium Musicum, Hans-Joachim Rotzsch | | | 3:13 | |
Cantata for the second day of Christmas, BWV40, Choral | Arleen Augér, Siegfried Lorenz, Peter Schreier, Ortrun Wenkel, Philharmonie Leipzig, Thomanerchor Leipzig, Hans-Joachim Rotzsch | | | 0:54 | |
Cantata for the second day of Christmas, BWV40, Choral | Arleen Augér, Siegfried Lorenz, Peter Schreier, Ortrun Wenkel, Thomanerchor Leipzig, Hans-Joachim Rotzsch | | | 1:02 | |
Cantata for the second day of Christmas, BWV40, Choral | Arleen Augér, Siegfried Lorenz, Peter Schreier, Ortrun Wenkel, Thomanerchor Leipzig, Hans-Joachim Rotzsch | | | 1:22 | |
Cantata for the second day of Christmas, BWV40, Chorus | Arleen Augér, Siegfried Lorenz, Peter Schreier, Ortrun Wenkel, Thomanerchor Leipzig, Hans-Joachim Rotzsch | | | 4:12 | |
Capriccio: IX. Szene “Das Huldigungsfestspiel, die grandiose ’azione teatrale’” | Arleen Augér, Dietrich Fischer‐Dieskau, Gundula Janowitz, Hermann Prey, Anton de Ridder, Karl Ridderbusch, Peter Schreier, Tatiana Troyanos, Symphonieorchester des Bayerischen Rundfunks, Karl Böhm | | | 3:47 | |
Capriccio: IX. Szene “Er ist heroisch und hochdramatisch” | Arleen Augér, Dietrich Fischer‐Dieskau, Gundula Janowitz, Hermann Prey, Anton de Ridder, Karl Ridderbusch, Peter Schreier, Tatiana Troyanos, Symphonieorchester des Bayerischen Rundfunks, Karl Böhm | | | 3:44 | |
Capriccio: IX. Szene “La Roche, du bist groß! La Roche, du bist monumental!” | Arleen Augér, Dietrich Fischer‐Dieskau, Hermann Prey, Anton de Ridder, Peter Schreier, Tatiana Troyanos, Symphonieorchester des Bayerischen Rundfunks, Karl Böhm | | | 0:32 | |
Capriccio: IX. Szene Duett der italienischen Sänger “Addio mio vita, addio” | Arleen Augér, Dietrich Fischer‐Dieskau, Gundula Janowitz, Hermann Prey, Anton de Ridder, Karl Ridderbusch, Peter Schreier, Tatiana Troyanos, Symphonieorchester des Bayerischen Rundfunks, Karl Böhm | | | 5:30 | |
Care Selve (Atalanta) | Arleen Augér, Mostly Mozart Orchestra, Gerard Schwarz | | | 3:12 | |
Carmina Burana: III. Cour d'amours: Amor volat undique | Arleen Augér, Southend Boys’ Choir, Philharmonia Orchestra, Riccardo Muti | | | 3:22 | |
Carmina Burana: III. Cour d'amours: Dulcissime | Arleen Augér, Philharmonia Orchestra, Riccardo Muti | | | 0:42 | |
Carmina Burana: III. Cour d'amours: In trutina | Arleen Augér, Philharmonia Orchestra, Riccardo Muti | | | 2:22 | |
Carmina Burana: III. Cour d'amours: Stetit puella | Arleen Augér, Philharmonia Orchestra, Riccardo Muti | | | 1:42 | |
Carmina Burana: III. Cour d'amours: Tempus est iocundum | Arleen Augér, Philharmonia Chorus, Southend Boys’ Choir, Jonathan Summers, Philharmonia Orchestra, Riccardo Muti | | | 2:10 | |
Catulli Carmina: Actus I: Odi et amo | Arleen Augér, Wiesław Ochman, Chor der Deutschen Oper Berlin, Eugen Jochum | | | 7:57 | |
Catulli Carmina: Actus II: Jucundum mea vita | Arleen Augér, Wiesław Ochman, Chor der Deutschen Oper Berlin, Eugen Jochum | | | 7:01 | |
Catulli Carmina: Actus III: Odi et amo - Exodium: Chorus: Eis aiona | Arleen Augér, Wiesław Ochman, Chor der Deutschen Oper Berlin, Eugen Jochum | | | 8:29 | |
Catulli Carmina: Eis aiona! | Arleen Augér, Wiesław Ochman, Chor der Deutschen Oper Berlin, Eugen Jochum | | | 13:24 | |
Chants d'Auvergne (Series 4): 6. Lou Coucut | Arleen Augér, English Chamber Orchestra, Yan Pascal Tortelier | | | 1:49 | |
Chants d'Auvergne: Baïlèro | Arleen Augér, English Chamber Orchestra, Yan Pascal Tortelier | | | 6:43 | |
Choral Ach mein herzliebes Jesulein | Arleen Augér, Júlia Hamari, Peter Schreier, Wolfgang Schöne, Gächinger Kantorei Stuttgart, Bach‐Collegium Stuttgart & Helmuth Rilling | | | 1:12 | |
Choral e Recitativo: Er ist auf Erden kommen arm | Arleen Augér, Júlia Hamari, Peter Schreier, Wolfgang Schöne, Gächinger Kantorei Stuttgart, Bach‐Collegium Stuttgart & Helmuth Rilling | | | 3:18 | |
Choral Schaut hin, dort liegt im finsteren Stall | Arleen Augér, Júlia Hamari, Peter Schreier, Wolfgang Schöne, Gächinger Kantorei Stuttgart, Bach‐Collegium Stuttgart & Helmuth Rilling | | | 0:44 | |
Choral: Brich an , o schönes Morgenlicht | Arleen Augér, Júlia Hamari, Peter Schreier, Wolfgang Schöne, Gächinger Kantorei Stuttgart, Bach‐Collegium Stuttgart & Helmuth Rilling | | | 1:16 | |
Choral: Dein Glanz all Finsternis verzehrt | Arleen Augér, Júlia Hamari, Peter Schreier, Wolfgang Schöne, Gächinger Kantorei Stuttgart, Bach‐Collegium Stuttgart & Helmuth Rilling | | | 1:01 | |
Choral: Dies hat er alles uns getan | Arleen Augér, Júlia Hamari, Peter Schreier, Wolfgang Schöne, Gächinger Kantorei Stuttgart, Bach‐Collegium Stuttgart & Helmuth Rilling | | | 0:52 | |
Choral: Ich steh an deiner Krippen hier | Arleen Augér, Júlia Hamari, Peter Schreier, Wolfgang Schöne, Gächinger Kantorei Stuttgart, Bach‐Collegium Stuttgart & Helmuth Rilling | | | 1:09 | |
Choral: Ich will dich mit Fleiß bewahren | Arleen Augér, Júlia Hamari, Peter Schreier, Wolfgang Schöne, Gächinger Kantorei Stuttgart, Bach‐Collegium Stuttgart & Helmuth Rilling | | | 1:07 | |
Choral: Jesus richte mein Beginnen | Arleen Augér, Júlia Hamari, Peter Schreier, Wolfgang Schöne, Gächinger Kantorei Stuttgart, Bach‐Collegium Stuttgart & Helmuth Rilling | | | 2:28 | |
Choral: Nun seid ihr wohl gerochen | Arleen Augér, Júlia Hamari, Peter Schreier, Wolfgang Schöne, Gächinger Kantorei Stuttgart, Bach‐Collegium Stuttgart & Helmuth Rilling | | | 3:09 | |
Choral: Seid froh diesweil , daß euer Heil | Arleen Augér, Júlia Hamari, Peter Schreier, Wolfgang Schöne, Gächinger Kantorei Stuttgart, Bach‐Collegium Stuttgart & Helmuth Rilling | | | 0:58 | |
Choral: Wie soll ich dich empfangen | Arleen Augér, Júlia Hamari, Peter Schreier, Wolfgang Schöne, Gächinger Kantorei Stuttgart, Bach‐Collegium Stuttgart & Helmuth Rilling | | | 1:21 | |
Choral: Wir singen dir in deinem Heer | Arleen Augér, Júlia Hamari, Peter Schreier, Wolfgang Schöne, Gächinger Kantorei Stuttgart, Bach‐Collegium Stuttgart & Helmuth Rilling | | | 1:20 | |
Choral: Zwar ist solche Herzensstube | Arleen Augér, Júlia Hamari, Peter Schreier, Wolfgang Schöne, Gächinger Kantorei Stuttgart, Bach‐Collegium Stuttgart & Helmuth Rilling | | | 0:57 | |
Comfort Ye, My People | Arleen Augér, Jerry Hadley, Anne Sofie Von Otter, Leontyne Price, Joan Sutherland, Kiri Te Kanawa, Bryn Terfel | | | 2:22 | |
Coro e Recitativo: Wo ist der neugeborne König der Juden | Arleen Augér, Júlia Hamari, Peter Schreier, Wolfgang Schöne, Gächinger Kantorei Stuttgart, Bach‐Collegium Stuttgart & Helmuth Rilling | | | 2:31 | |
Coro: Ehre sei Gott in der Höhe | Arleen Augér, Júlia Hamari, Peter Schreier, Wolfgang Schöne, Gächinger Kantorei Stuttgart, Bach‐Collegium Stuttgart & Helmuth Rilling | | | 2:54 | |
Coro: Fallt mit danken, fallt mit Loben | Arleen Augér, Júlia Hamari, Peter Schreier, Wolfgang Schöne, Gächinger Kantorei Stuttgart, Bach‐Collegium Stuttgart & Helmuth Rilling | | | 5:52 | |
Coro: Herrscher des Himmels, erhöhe das Lallen | Arleen Augér, Júlia Hamari, Peter Schreier, Wolfgang Schöne, Gächinger Kantorei Stuttgart, Bach‐Collegium Stuttgart & Helmuth Rilling | | | 2:05 | |
Coro: Jauchzet, frohlocket | Arleen Augér, Júlia Hamari, Peter Schreier, Wolfgang Schöne, Gächinger Kantorei Stuttgart, Bach‐Collegium Stuttgart & Helmuth Rilling | | | 7:44 | |
Coro: Lasset uns nun gehen gen Bethlehem | Arleen Augér, Júlia Hamari, Peter Schreier, Wolfgang Schöne, Gächinger Kantorei Stuttgart, Bach‐Collegium Stuttgart & Helmuth Rilling | | | 0:47 | |
Council Election Cantata, BWV71, Air (Tenor, Sopran) | Arleen Augér, Peter Schreier, Thomanerchor Leipzig, Hans-Joachim Rotzsch | | | 3:57 | |
Council Election Cantata, BWV71, Chorus | Arleen Augér, Siegfried Lorenz, Peter Schreier, Ortrun Wenkel, Thomanerchor Leipzig, Hans-Joachim Rotzsch | | | 2:02 | |
Council Election Cantata, BWV71, Chorus | Arleen Augér, Siegfried Lorenz, Peter Schreier, Ortrun Wenkel, Thomanerchor Leipzig, Hans-Joachim Rotzsch | | | 2:53 | |
Council Election Cantata, BWV71, Chorus | Arleen Augér, Siegfried Lorenz, Peter Schreier, Ortrun Wenkel, Thomanerchor Leipzig, Hans-Joachim Rotzsch | | | 3:33 | |
Council Election Cantata, BWV71, Fuga. Chorus | Arleen Augér, Siegfried Lorenz, Peter Schreier, Ortrun Wenkel, Thomanerchor Leipzig, Hans-Joachim Rotzsch | | | 2:03 | |
Daphne am Bach, D. 411 | Arleen Augér, Graham Johnson | | | 2:27 | |
Das Lied der Trennung, K. 519 | Arleen Augér, Irwin Gage | | | 5:11 | |
Das Rosenband | Arleen Augér, Dalton Baldwin | | | 3:07 | |
Das Rosenband, op. 36 no. 1 | Arleen Augér, Dalton Baldwin | | | 3:14 | |
Das Veilchen, K. 476 | Arleen Augér, Irwin Gage | | | 2:29 | |
Dass sie hier gewesen D. 775 | Arleen Augér, Lambert Orkis | | | 2:52 | |
Daß sie hier gewesen, D 775 | Arleen Augér, Lambert Orkis | | | 2:53 | |
Del Cabello mas sutil | Arleen Augér, Dalton Baldwin | | | 2:38 | |
Del Cabello más sutil | Arleen Augér, Dalton Baldwin | | | 2:36 | |
Delphine, D. 857 no. 1 | Arleen Augér, Graham Johnson | | | 4:54 | |
Der gute Hirt, D. 449 | Arleen Augér, Graham Johnson | | | 3:16 | |
Der Hirt auf dem Felsen, D. 965 | Arleen Augér, Graham Johnson, Dame Thea King | | | 12:13 | |
Der Musensohn, D 764 | Arleen Augér, Lambert Orkis | | | 2:06 | |
Der Rosenkavalier, Op. 59: Act I. "I komm' glei" | Norbert Balatsch, Arleen Augér, Régine Crespin, Murray Dickie, Konzertvereinigung Wiener Staatsopernchor, Ingrid Mayr, Yvonne Minton, Rosl Schwaiger, Karl Terkal, Rohangiz Yachmi, Wiener Philharmoniker, Sir Georg Solti | | | 2:07 | |
Der Sänger am Felsen, D. 482 | Arleen Augér, Graham Johnson | | | 3:24 | |
Der Schmetterling, D633 | Arleen Augér, Dalton Baldwin | | | 1:27 | |
Des Sennen Abschied, op. 79 no. 22 | Arleen Augér, Dalton Baldwin | | | 1:46 | |
Didone abbandonata, D. 510 | Arleen Augér, Graham Johnson | | | 4:32 | |
Die Entführung aus dem Serail, K. 384: Act II, Scene III. No. 11 Aria "Martern aller Arten" (Konstanze) | Arleen Augér | | | 9:15 | |
Die Forelle, D 550 | Arleen Augér, Lambert Orkis | | | 2:15 | |
Die junge Nonne, D 828 | Arleen Augér, Lambert Orkis | | | 3:57 | |
Die Krönung der Poppea: Finale. Liebesduett Poppea-Nero | Arleen Augér, Della Jones, Paula Chateauneuf, City of London Baroque Sinfonia, Richard Hickox | | | 5:51 | |
Die Liebende schreibt, D. 673 | Arleen Augér, Walter Olbertz | | | 2:56 | |
Die Schuldigkeit des ersten Gebots in C major, K. 35: IX. Parte I. Recitativo "Wie, wer erwecket mich" (Christ, Weltgeist) | Claes‐Håkan Ahnsjö, Arleen Augér, Roland Bader, Berliner Domkapelle | | | 4:33 | |
Die Schuldigkeit des ersten Gebots in C major, K. 35: X. Parte I. No. 4 Aria "Hat der Schöpfer von Leben" (Weltgeist) | Arleen Augér, Roland Bader, Berliner Domkapelle | | | 7:19 | |
Die Schuldigkeit des ersten Gebots in C major, K. 35: XIII. Parte I. Recitativo "Ist dieses, o so zweifle nimmermehr" (Weltgeist, Christ, Christgeist) | Claes‐Håkan Ahnsjö, Arleen Augér, Werner Hollweg, Roland Bader, Berliner Domkapelle | | | 2:05 | |
Die Schuldigkeit des ersten Gebots in C major, K. 35: XIV. Parte I. No. 6 Aria "Schildre einen Philosophen" (Weltgeist) | Arleen Augér, Roland Bader, Berliner Domkapelle | | | 5:20 | |
Die Schuldigkeit des ersten Gebots in C major, K. 35: XV. Parte I. Recitativo "Wen hör' ich nun hier in der Nähe" (Weltgeist, Christ, Christgeist) | Claes‐Håkan Ahnsjö, Arleen Augér, Werner Hollweg, Roland Bader, Berliner Domkapelle | | | 4:46 | |
Die Schuldigkeit des ersten Gebots in C major, K. 35: XVII. Parte I. Recitativo "Er halt mich einem Kranken gleich" (Christ, Christgeist, Weltgeist) | Claes‐Håkan Ahnsjö, Arleen Augér, Werner Hollweg, Roland Bader, Berliner Domkapelle | | | 2:23 | |
Die Verlassene, Hob. XXVIa:5 | Arleen Auger, Walter Olbertz | | | 5:43 | |
Die Verschweigung, K. 518 | Arleen Augér, Irwin Gage | | | 3:18 | |
Die Zeitlose, op. 10 no. 7 | Arleen Augér, Dalton Baldwin | | | 2:13 | |
Dixit Dominus, HWV 232: I. Dixit Dominus | Arleen Augér, Lynne Dawson, Diana Montague, Leigh Nixon, Simon Birchall, Orchestra of Westminster Abbey, Simon Preston, Choir of Westminster Abbey | | | 6:06 | |
Dixit Dominus, HWV 232: III. Tecum principium | Arleen Augér, Orchestra of Westminster Abbey, Simon Preston | | | 2:56 | |
Dixit Dominus, HWV 232: III. Tecum principium in die virtutis | Arleen Augér, Orchestra of Westminster Abbey, Simon Preston | | | 2:54 | |
Dixit Dominus, HWV 232: IV. Juravit Dominus | Arleen Augér, Lynne Dawson, Diana Montague, Leigh Nixon, Simon Birchall, Orchestra of Westminster Abbey, Simon Preston, Choir of Westminster Abbey | | | 2:12 | |
Dixit Dominus, HWV 232: IX. Gloria Patri | Arleen Augér, Lynne Dawson, Diana Montague, Leigh Nixon, Simon Birchall, Orchestra of Westminster Abbey, Simon Preston, Choir of Westminster Abbey | | | 6:13 | |
Dixit Dominus, HWV 232: V. Tu es sacerdos in aeternum | Arleen Augér, Lynne Dawson, Diana Montague, Leigh Nixon, Simon Birchall, Orchestra of Westminster Abbey, Simon Preston, Choir of Westminster Abbey | | | 1:37 | |
Dixit Dominus, HWV 232: VI. Dominus a dextris tuis | Arleen Augér, Lynne Dawson, Diana Montague, Leigh Nixon, Simon Birchall, Choir of Westminster Abbey, Orchestra of Westminster Abbey, Simon Preston | | | 3:17 | |
Dixit Dominus, HWV 232: VI. Dominus a dextris tuis | Arleen Augér, Lynne Dawson, Diana Montague, Leigh Nixon, Simon Birchall, Orchestra of Westminster Abbey, Simon Preston, Choir of Westminster Abbey | | | 3:17 | |
Dixit Dominus, HWV 232: VII. Judicabit in nationibus | Arleen Augér, Lynne Dawson, Diana Montague, Leigh Nixon, Simon Birchall, Orchestra of Westminster Abbey, Simon Preston, Choir of Westminster Abbey | | | 3:43 | |
Dixit Dominus, HWV 232: VIII. De torrente in via bibet | Arleen Augér, Lynne Dawson, Choir of Westminster Abbey, Orchestra of Westminster Abbey, Simon Preston | | | 3:35 | |
Dixit Dominus, HWV 232: VIII. De torrente in via bibet | Arleen Augér, Lynne Dawson, Orchestra of Westminster Abbey, Simon Preston | | | 3:32 | |
Don Carlos : Acte III. « En plaçant sur mon front, peuple, cette couronne … Sire, la dernière heure a-t-elle donc sonné … Sire, il est temps que je vive! » (Philippe, Elisabeth, Rodrigue, Carlos, 6 Députés flamands, 6 moines, Thibault, le peuple, une Voix d'en haut) | Arleen Augér, Coro del Teatro alla Scala di Milano, Plácido Domingo, Ann Murray, Leo Nucci, Ruggero Raimondi, Katia Ricciarelli, Orchestra del Teatro alla Scala di Milano, Claudio Abbado | | | 10:29 | |
Dona Nobis Pacem | Arleen Augér, Marjana Lipovšek, Rundfunkchor Leipzig, Ann Murray, Anton Scharinger, Staatskapelle Dresden, Peter Schreier | | | 2:53 | |