| 1970 | Rappresentatione di Anima et di Corpo | Cavalieri; Tatiana Troyanos, Hermann Prey, Arleen Augér, Sỳlvia Geszty, Edda Moser, Teresa Żylis‐Gara, Theo Adam, Kurt Equiluz, Paul Esswood, Ernst Gutstein, Herbert Lackner, Wiener Kammerchor, Capella Academica Wien, Ensemble Wolfgang Von Karajan & Charles Mackerras | | 1 |
| 1971 | Catulli Carmina | Carl Orff; Arleen Augér, Wiesław Ochman, Chor der Deutschen Oper Berlin, Eugen Jochum | | 2 |
| 1980 | Carmina Burana | Orff; Arleen Augér, Jonathan Summers, John van Kesteren, Philharmonia Chorus, Southend Boys’ Choir, Philharmonia Orchestra, Riccardo Muti | 5 | 8 |
| 1984 | Ein deutsches Requiem, Op. 45 | Brahms; Arleen Augér, Richard Stilwell, Robert Shaw, Atlanta Symphony Orchestra and Chorus | | 1 |
| 1985 | Don Giovanni, K. 527 | Mozart; Rafael Kubelík, Symphonieorchester des Bayerischen Rundfunks, Chor des Bayerischen Rundfunks, Alan Titus, Júlia Várady, Arleen Augér, Rolando Panerai, Edith Mathis & Thomas Moser | | 1 |
| 1985 | Engelbert Humperdincks Märchenoper Hänsel und Gretel | Engelbert Humperdinck; Helen Donath, Anna Moffo, Dietrich Fischer‐Dieskau, Charlotte Berthold, Arleen Augér, Christa Ludwig, Lucia Popp, Tölzer Knabenchor, Münchner Rundfunkorchester, Kurt Eichhorn | | 1 |
| 1985 | Matthäus-Passion | Johann Sebastian Bach; Arleen Augér, Julia Hamari, Aldo Baldin, Siegmund Nimsgern, Philippe Huttenlocher, Gächinger Kantorei Stuttgart, Bach‐Collegium Stuttgart & Helmuth Rilling | | 1 |
| 1985 | MESSE H-MOLL, BWV 232 | Johann Sebastian Bach; Arleen Augér, Julia Hamari, Adalbert Kraus, Wolfgang Schöne, Siegmund Nimsgern, Gächinger Kantorei Stuttgart, Bach‐Collegium Stuttgart & Helmuth Rilling | | 1 |
| 1986 | Alcina | Handel; Arleen Augér, Della Jones, Kathleen Kuhlmann, Eiddwen Harrhy, Patrizia Kwella, Maldwyn Davies, John Tomlinson, The Opera Stage Chorus, City of London Baroque Sinfonia, Richard Hickox | | 4 |
| 1987 | Requiem | Mozart; Arleen Augér, Carolyn Watkinson, Siegfried Jerusalem, Siegmund Nimsgern, Gächinger Kantorei Stuttgart, Bach‐Collegium Stuttgart, Helmuth Rilling | | 1 |
| 1987 | Symphony no. 2 “Resurrection” | Mahler; Arleen Augér, Janet Baker, CBSO Chorus, City of Birmingham Symphony Orchestra, Simon Rattle | 4 | 4 |
| 1988 | Chants d'Auvergne | Joseph Canteloube; Arleen Augér, English Chamber Orchestra, Yan Pascal Tortelier | | 1 |
| 1988 | Die Entführung aus dem Serail | Mozart; Arleen Augér, Reri Grist, Peter Schreier, Harald Neukirch, Kurt Moll, Rundfunkchor Leipzig, Staatskapelle Dresden, Karl Böhm | | 1 |
| 1988 | Le nozze di Figaro | Mozart; Salomaa, Bonney, Hagegård, Augér, Nafé, Jones, Feller, Giménez, The Drottningholm Court Theatre Orchestra, Arnold Östman | | 1 |
| 1988 | Messiah | George Frideric Handel; Arleen Auger, Anne Sofie von Otter, Michael Chance, Howard Crook, John Tomlinson, The English Concert Choir, Trevor Pinnock | 5 | 3 |
| 1989 | Ein Heldenleben / Four Last Songs | Richard Strauss - Arleen Augér, Vienna Philharmonic Orchestra / André Previn | | 1 |
| 1989 | Mass in B-Minor | Johann Sebastian Bach; Arleen Augér, Julia Hamari, Adalbert Kraus, Wolfgang Schöne, Siegmund Nimsgern, Gächinger Kantorei Stuttgart, Bach‐Collegium Stuttgart & Helmuth Rilling | | 1 |
| 1989 | Schoenberg: 5 Orchesterstücke, op. 16 / Webern: 6 Orchesterstücke, op. 6 / Berg: Lulu-Suite | Schoenberg, Webern, Berg; Arleen Augér, City of Birmingham Symphony Orchestra, Simon Rattle | | 2 |
| 1990 | Belshazzar | George Frideric Handel; Anthony Rolfe Johnson, Arleen Auger, Catherine Robbin, James Bowman, David Wilson-Johnson, The English Concert & Choir, Trevor Pinnock | | 2 |
| 1990 | Mass in C minor, K. 427 | Wolfgang Amadeus Mozart; Arleen Augér, Lynne Dawson, John Mark Ainsley, David Thomas, Winchester Cathedral Choir, Winchester College Quiristers, Academy of Ancient Music, Christopher Hogwood | | 2 |
| 1991 | The Hyperion Schubert Edition, Volume 9: Schubert & the Theatre | Franz Schubert; Arleen Auger, Graham Johnson | | 1 |
| 1991 | Lieder | Franz Schubert; Arleen Augér, Lambert Orkis | | 1 |
| 1991 | Orlando | George Frideric Handel; James Bowman, Arleen Augér, Catherine Robbin, Emma Kirkby, David Thomas, The Academy of Ancient Music, Christopher Hogwood | | 1 |
| 1991 | Mass in C minor, K. 427 | Mozart; Barbara Bonney, Arleen Augér, Hans Peter Blochwitz, Robert Holl, Rundfunkchor Berlin, Berliner Philharmoniker, Claudio Abbado | | 1 |
| 1992 | Mass in B Minor | Johann Sebastian Bach; Peter Schreier, Arleen Augér, Ann Murray, Marjana Lipovšek, Anton Scharinger, Rundfunkchor Leipzig & Staatskapelle Dresden | | 1 |
| 1992 | Songs to the poetry of Goethe and Mörike | Hugo Wolf; Arleen Augér, Irwin Gage | | 1 |
| 1992 | Bach, Handel Arias | Bach, Handel; Arleen Auger, The Mostly Mozart Orchestra, Gerard Schwarz | | 1 |
| 1992 | Requiem, K 626 | Mozart; Auger, Bartoli, Cole, Pape, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti | | 3 |
| 1992 | Stabat Mater | Joseph Haydn; Arleen Augér, Alfreda Hodgson, Anthony Rolfe Johnson, Gwynne Howell, László Heltay | | 1 |
| 1993 | Il matrimonio segreto | Domenico Cimarosa; Arleen Augér, Julia Hamari, Júlia Várady, Ryland Davies, Dietrich Fischer‐Dieskau, Alberto Rinaldi, English Chamber Orchestra, Daniel Barenboim | 2 | 1 |
| 1994 | Le nozze di Figaro: Highlights | Mozart; Salomaa, Bonney, Hagegård, Augér, Nafé, Drottningholm Court Theatre Orchestra & Chorus, Arnold Östman | | 1 |
| 1995 | Orff: Catulli Carmina / Egk: La Tentation de Saint Antoine | Orff, Egk; Arleen Augér, Wiesław Ochman, Janet Baker, Eugen Jochum, Werner Egk | | 1 |
| 1995 | Hänsel und Gretel | Engelbert Humperdinck, Anna Moffo, Helen Donath, Dietrich Fischer‐Dieskau, Charlotte Berthold, Christa Ludwig, Arleen Augér, Lucia Popp, Tölzer Knabenchor, Münchner Rundfunkorchester & Kurt Eichhorn | | 1 |
| 1995 | Nine German Arias | George Frideric Handel; Arleen Augér | | 1 |
| 1996 | Iphigenie In Aulis | Christoph Willibald Gluck - Anna Moffo, Dietrich Fischer‐Dieskau, Trudeliese Schmidt, Ludovic Spiess - Thomas Stewart, Arleen Augér, Bernd Weikl, Chor Des Bayerischen Rundfunks & Münchner Rundfunkorchester, Kurt Eichhorn | | 1 |
| 1997 | Weihnachtskantaten BWV 1, 61, 40 | Johann Sebastian Bach; Arleen Augér, Ortrun Wenkel, Peter Schreier, Siegfried Lorenz, Thomanerchor Leipzig, Neues Bachisches Collegium Musicum, Hans-Joachim Rotzsch | | 1 |
| 1999 | Four Sacred Pieces | Verdi; Arleen Augér, Swedish Radio Chorus & Stockholm Chamber Choir, Berlin Philharmonic Orchestra, Riccardo Muti | | 1 |
| 1999 | Lieder | Schubert; Arleen Augér, Gundula Janowitz, Sarah Walker, Peter Schreier, Dietrich Fischer‐Dieskau, John Shirley‐Quirk, Robert Holl | | 1 |
| 2000 | Requiem K. 626 / Exsultate, jubilate K. 163 | Mozart; Augér, Jerusalem, Watkinson, Bach‐Collegium Stuttgart, Helmuth Rilling | | 3 |
| 2000 | Arleen Auger, American Soprano | Arleen Augér | | 1 |
| 2002 | Ein Heldenleben / Vier Letzte Lieder | Richard Strauss; Wiener Philharmoniker, André Previn, Arleen Augér | | 1 |
| 2005 | Arias & Cantatas | Haydn; Arleen Augér, Händel and Haydn Society, Christopher Hogwood | | 2 |
| 2008 | Requiem / Mass in C minor | Wolfgang Amadeus Mozart; Thomas Quasthoff, Arleen Augér, Robert Swensen, Doris Soffel, Kölner Rundfunkchor, Kölner Rundfunk-Sinfonie-Orchester, Gary Bertini | | 1 |
| 2018 | BACH 333 Great Bach Singers | Johann Sebastian Bach; Helmut Krebs, Fritz Wunderlich, Arleen Augér, Aafje Heynis | | 2 |
| 2019 | Weihnachts Oratorium, Christmas Oratorio BWV 248 | Johann Sebastian Bach; Martin Flämig, Dresdner Philharmonie, Dresdner Kreuzchor, Arleen Augér, Annelies Burmeister, Peter Schreier & Theo Adam | | 1 |
| — | Die Piraten (The Pirates of Penzance) | Sir Arthur Sullivan; Gerd Nienstedt, Peter Bahrig, Arleen Augér, Martha Mödl & Franz Marszalek | | 1 |
| — | Die Entführung Aus Dem Serail / Der Schauspieldirektor | Mozart; Arleen Augér, Reri Grist, Peter Schreier, Harald Neukirch, Kurt Moll, Staatskapelle Dresden with Karl Böhm | | 1 |
Play on ListenBrainz