| performed |
|---|
| Il combatimento di tancredi e clorinda | | Nikolaus Harnoncourt | 21:21 |
| Lamento della ninfa | | Nikolaus Harnoncourt | 5:24 |
| Mentre vaga angioletta | | Nikolaus Harnoncourt | 10:28 |
| Moses und Aron, Act I: Scene 1: Moses' Berufung (Moses, Stimme) | | BBC Symphony Orchestra, Pierre Boulez | 8:19 |
| Moses und Aron, Act I: Scene 2: Moses begegnet Aaron in der Wüste (Aron, Moses) | | BBC Symphony Orchestra, Pierre Boulez | 7:13 |
| Moses und Aron, Act I: Scene 3: Moses und Aaron verkünden dem Volk die Botschaft Gottes (Junges Mädchen, junger Mann, anderer Mann, Priester, Chor) | | BBC Symphony Orchestra, Pierre Boulez | 6:30 |
| Moses und Aron, Act I: Scene 4: "Allmächtiger, meine Kraft ist zu Ende" (Moses, Aron, 6 Solostimmen, Chor) | | BBC Symphony Orchestra, Pierre Boulez | 4:03 |
| Moses und Aron, Act I: Scene 4: "Bringt ihr Erhörung" (Chor, Moses, Aron, Mädchen, junger Mann, Mann, Priester) | | BBC Symphony Orchestra, Pierre Boulez | 6:30 |
| Moses und Aron, Act I: Scene 4: "Ein Wunder erfüllt uns mit Schrecken" (Chor, Mädchen, junger Mann, Mann, Priester, Aron) | | BBC Symphony Orchestra, Pierre Boulez | 3:25 |
| Moses und Aron, Act I: Scene 4: "Er hat uns auserwählt" (Chor) | | BBC Symphony Orchestra, Pierre Boulez | 2:42 |
| Moses und Aron, Act I: Scene 4: "Erkennt euch darin" (Aron, 6 Solostimmen, Chor, Priester, Moses) | | BBC Symphony Orchestra, Pierre Boulez | 8:13 |
| Moses und Aron, Act II: Scene 1: Aaron und die 70 Ältesten vor dem Berg der Offenbarung (70 Älteste, Priester, Aron) | | BBC Symphony Orchestra, Pierre Boulez | 3:17 |
| Moses und Aron, Act II: Scene 2: "Wo ist Moses?" (Chor, 70 Älteste, Aron) | | BBC Symphony Orchestra, Pierre Boulez | 7:10 |
| Moses und Aron, Act II: Scene 3: "Dieses Bild bezeugt" (Aron) | | BBC Symphony Orchestra, Pierre Boulez | 1:01 |
| Moses und Aron, Act II: Scene 3: "O goldener Gott" (4 nackte Jungfrauen, Chor, 70 Älteste) | | BBC Symphony Orchestra, Pierre Boulez | 2:56 |
| Moses und Aron, Act II: Scene 3: "O Götterbild" (Eine Kranke, Chor, 70 Älteste, Ephraimit, Stammesfürsten, junger Mann) | | BBC Symphony Orchestra, Pierre Boulez | 3:24 |
| Moses und Aron, Act II: Scene 3: Feierlich (bar 320) | | BBC Symphony Orchestra, Pierre Boulez | 3:21 |
| Moses und Aron, Act II: Scene 3: Orgie der Trunkenheit und des Tanzes (70 Älteste) / Orgie der Vernichtung und des Selbstmordes (Mädchen) | | BBC Symphony Orchestra, Pierre Boulez | 5:34 |
| Moses und Aron, Act II: Scene 3: Rasch (bar 497) | | BBC Symphony Orchestra, Pierre Boulez | 4:44 |
| Moses und Aron, Act II: Scene 3: Tanz der Schlächter | | BBC Symphony Orchestra, Pierre Boulez | 2:10 |
| Moses und Aron, Act II: Scene 3: Ziemlich rasch (bar 824) / Ertische Orgie (nackter Jüngling, andere Nackte, Chor) | | BBC Symphony Orchestra, Pierre Boulez | 5:17 |
| Moses und Aron, Act II: Scene 4: "Moses steigt vom Berg herab!" (Ein Mann, Moses, Volk) | | BBC Symphony Orchestra, Pierre Boulez | 1:09 |
| Moses und Aron, Act II: Scene 5: "Aron, was hast du getan?" (Moses, Aron, Chor) | | BBC Symphony Orchestra, Pierre Boulez | 10:22 |
| Moses und Aron: Interlude | | BBC Symphony Orchestra, Pierre Boulez | 2:05 |
| Ogni amante è guerrier | | Nikolaus Harnoncourt | 16:39 |
| vocals |
|---|
| 1970-09 | Der magische Tänzer: »Lass das Spielen, rühre nicht an die Gestirne« (Magischer Tänzer) | tenor vocals [Der magische Tänzer] | Heinz Holliger | 3:59 |
| 1970-09 | Der magische Tänzer: »Ziehe den Zipfel des Meeres an dein Ohr« (Magischer Tänzer, David) | tenor vocals [Der magische Tänzer] | Heinz Holliger | 7:02 |
| 1970-09 | Der magische Tänzer: 2. Szene »Befühle mich – ganz aus Magie gemacht« (Magischer Tänzer) | tenor vocals [Der magische Tänzer] | Heinz Holliger | 1:29 |
| 1974-01 | Vespro della Beata Vergine, SV 206: III. Psalmus 109: Dixit Dominus | tenor vocals | Jill Gomez, Philip Langridge, Monteverdi Choir, Felicity Palmer, Michael Rippon, John Shirley‐Quirk, Robert Tear, Monteverdi Orchestra, John Eliot Gardiner | 8:13 |
| 1974-01 | Vespro della Beata Vergine, SV 206: IV. Concerto: Nigra sum | tenor vocals | Philip Langridge, John Eliot Gardiner | 4:29 |
| 1974-01 | Vespro della Beata Vergine, SV 206: V. Psalmus 112: Laudate, pueri, Dominum | tenor vocals | Jill Gomez, Philip Langridge, Monteverdi Choir, Felicity Palmer, Michael Rippon, John Shirley‐Quirk, Robert Tear, Monteverdi Orchestra, Philip Jones Brass Ensemble, John Eliot Gardiner | 6:55 |
| 1974-01 | Vespro della Beata Vergine, SV 206: VII. Psalmus 121: Laetatus sum | tenor vocals | James Bowman, Jill Gomez, Philip Langridge, Monteverdi Choir, Felicity Palmer, Michael Rippon, John Shirley‐Quirk, Robert Tear, Monteverdi Orchestra, Philip Jones Brass Ensemble, John Eliot Gardiner | 8:01 |
| 1974-01 | Vespro della Beata Vergine, SV 206: VIII. Concerto: Duo Seraphim | tenor vocals | Philip Langridge, Monteverdi Choir, Robert Tear, John Eliot Gardiner | 7:07 |
| 1974-01 | Vespro della Beata Vergine, SV 206: X. Concerto: Audi, coelum | tenor vocals | Philip Langridge, Monteverdi Choir, Robert Tear, Monteverdi Orchestra, Philip Jones Brass Ensemble, John Eliot Gardiner | 10:12 |
| 1974-01 | Vespro della Beata Vergine, SV 206: XIII. Hymnus: Ave maris stella | tenor vocals | James Bowman, Jill Gomez, Philip Langridge, Monteverdi Choir, Felicity Palmer, Michael Rippon, Salisbury Cathedral Boys' Choir, John Shirley‐Quirk, Robert Tear, David Munrow Recorder Ensemble, Monteverdi Orchestra, Philip Jones Brass Ensemble, John Eliot Gardiner | 10:10 |
| 1974-01 | Vespro della Beata Vergine, SV 206: XV. Et exultavit | tenor vocals | Philip Langridge, Monteverdi Choir, Robert Tear, John Eliot Gardiner | 1:31 |
| 1974-01 | Vespro della Beata Vergine, SV 206: XXIV. Gloria Patri | tenor vocals | Philip Langridge, Salisbury Cathedral Boys' Choir, Robert Tear, John Eliot Gardiner | 2:44 |
| 1974 | Chandos Anthem No. 2, HWV 247 "In the Lord put I my trust": Air | tenor vocals | Philip Langridge, Academy of St.-Martin-in-the-Fields, Sir David Willcocks | 2:41 |
| 1974 | Chandos Anthem No. 2, HWV 247 "In the Lord put I my trust": Air | tenor vocals | Philip Langridge, Academy of St.-Martin-in-the-Fields, Sir David Willcocks | 2:21 |
| 1974 | Chandos Anthem No. 2, HWV 247 "In the Lord put I my trust": Air | tenor vocals | Philip Langridge, Academy of St.-Martin-in-the-Fields, Sir David Willcocks | 2:23 |
| 1975-09 | Das Berliner Requiem: I. Grosser Dankchoral | tenor vocals | Philip Langridge, Benjamin Luxon, Ian Partridge, London Sinfonietta, David Atherton | 3:07 |
| 1975-09 | Das Berliner Requiem: II. Ballade vom ertrunkenen Mädchen | tenor vocals | Philip Langridge, Benjamin Luxon, Ian Partridge, London Sinfonietta, David Atherton | 2:36 |
| 1975-09 | Das Berliner Requiem: III. Grabschrift | tenor vocals | Philip Langridge, Benjamin Luxon, Ian Partridge, London Sinfonietta, David Atherton | 1:43 |
| 1975-09 | Das Berliner Requiem: IV. Erster Bericht über den Unbekannten Soldaten unter dem Triumphbogen | tenor vocals | Philip Langridge, Benjamin Luxon, Ian Partridge, London Sinfonietta, David Atherton | 3:19 |
| 1975-09 | Das Berliner Requiem: VI. Grosser Dankchoral | tenor vocals | Philip Langridge, Benjamin Luxon, Ian Partridge, London Sinfonietta, David Atherton | 1:47 |
| 1975-09 | Happy End: Teil 1: Lieder vom Höllenfeuer und Reue - II. Heisarmeelied III: Fürchte dich nicht | tenor vocals | Philip Langridge, Benjamin Luxon, Ian Partridge, Mary Thomas, London Sinfonietta, David Atherton | 0:49 |
| 1975-09 | Happy End: Teil 1: Lieder vom Höllenfeuer und Reue - IV. Das Lied der Branntweinhändler | solo and tenor vocals | Philip Langridge, Benjamin Luxon, Ian Partridge, Mary Thomas, London Sinfonietta, David Atherton | 4:12 |
| 1975-09 | Happy End: Teil 1: Lieder vom Höllenfeuer und Reue - VI. Heilsarmeelied II: Bruder, gib dir eine Stoss | tenor vocals | Philip Langridge, Benjamin Luxon, Ian Partridge, Mary Thomas, London Sinfonietta, David Atherton | 0:28 |
| 1975-09 | Happy End: Teil 2: Lieder von der Unschuld - VIII. Heilsarmeelied IV: In der Jugend gold'nem Schimmer | tenor vocals | Philip Langridge, Benjamin Luxon, Ian Partridge, Mary Thomas, London Sinfonietta, David Atherton | 0:44 |
| 1975-09 | Happy End: Teil 3: Lieder der rivalisierenden Armeen - X. Heilsarmeelied I: Geht hinein in die Schlacht | tenor vocals | Philip Langridge, Benjamin Luxon, Ian Partridge, Mary Thomas, London Sinfonietta, David Atherton | 0:21 |
| 1975-09 | Happy End: Teil 3: Lieder der rivalisierenden Armeen - XIII. Hosiannah Rockefeller | tenor vocals | Meriel Dickinson, Philip Langridge, Benjamin Luxon, Ian Partridge, Mary Thomas, London Sinfonietta, David Atherton | 3:00 |
| 1975-09 | Happy End: Teil 3: Lieder der rivalisierenden Armeen - XIV. Der kleine Leutnant des lieben Gottes II | tenor vocals | Meriel Dickinson, Philip Langridge, Benjamin Luxon, Ian Partridge, Mary Thomas, London Sinfonietta, David Atherton | 2:40 |
| 1975-09 | Mahagonny Songspiel, Teil I: 1. Auf nach Mahagonny: Allegro non troppo | tenor vocals | Philip Langridge, Benjamin Luxon, Ian Partridge, Michael Rippon, London Sinfonietta, David Atherton | 3:05 |
| 1975-09 | Mahagonny Songspiel, Teil II: 3b. Wer in Mahagonny blieb: Allegro un poco moderato | tenor vocals | Philip Langridge, Benjamin Luxon, Ian Partridge, Michael Rippon, London Sinfonietta, David Atherton | 2:49 |
| 1975-09 | Mahagonny Songspiel, Teil II: 4b. Benares Song: Moderato assai | tenor vocals | Meriel Dickinson, Philip Langridge, Benjamin Luxon, Ian Partridge, Michael Rippon, Mary Thomas, London Sinfonietta, David Atherton | 4:18 |
| 1975-09 | Mahagonny Songspiel, Teil II: 5b. Gott in Mahagonny: Lento | tenor vocals | Meriel Dickinson, Philip Langridge, Benjamin Luxon, Ian Partridge, Michael Rippon, Mary Thomas, London Sinfonietta, David Atherton | 4:27 |
| 1975-09 | Mahagonny Songspiel, Teil III: 6. Finale: Aber dieses ganze Mahagonny: Largo | tenor vocals | Meriel Dickinson, Philip Langridge, Benjamin Luxon, Ian Partridge, Michael Rippon, Mary Thomas, London Sinfonietta, David Atherton | 1:54 |
| 1976-07 | Messiah, Part 1: Comfort Ye | tenor vocals | Philip Langridge, Academy of St Martin in the Fields, Sir Neville Marriner | 3:00 |
| 1976-07 | Messiah, Part 1: Ev'ry Valley | tenor vocals | Philip Langridge, Academy of St Martin in the Fields, Sir Neville Marriner | 3:26 |
| 1976-07 | Messiah, Part 1: Nos. 2-3. Recitative & Air Tenor. "Comfort ye my people... Every valley shall be exalted" | tenor vocals | Philip Langridge, Academy of St Martin in the Fields, Sir Neville Marriner | 6:23 |
| 1976-07 | Messiah, Part 2: No. 39. Arioso tenor. "Their sound is gone out" | tenor vocals | Philip Langridge, Academy of St Martin in the Fields, Sir Neville Marriner | 1:09 |
| 1976-07 | Messiah, Part 2: Nos. 27-28. Recitative tenor & Chorus. "All they that see him... He trusted in God" | tenor vocals | Academy of St. Martin in the Fields Chorus, Philip Langridge, Academy of St Martin in the Fields, Sir Neville Marriner | 2:51 |
| 1976-07 | Messiah, Part 2: Nos. 31-32. Recitative & Air tenor. "He was cut off out of the land of the living..." | tenor vocals | Philip Langridge, Academy of St Martin in the Fields, Sir Neville Marriner | 2:23 |
| 1976-07 | Messiah, Part 2: Nos. 34-35. Recitative Tenor & Chorus. "Unto Which of the Angels..." | tenor vocals | Academy of St. Martin in the Fields Chorus, Philip Langridge, Academy of St Martin in the Fields, Sir Neville Marriner | 1:42 |
| 1976-07 | Messiah, Part 2: Nos. 42-43. Recitative & Air tenor. "He that dwelleth in heaven..." | tenor vocals | Philip Langridge, Academy of St Martin in the Fields, Sir Neville Marriner | 2:34 |
| 1976-07 | Messiah, Part 3: Nos. 49-51. Recitative alto, Duet alto & tenor, Chorus. "Then shall be brougt to pass..." | tenor vocals | Academy of St. Martin in the Fields Chorus, Philip Langridge, Anna Reynolds, Academy of St Martin in the Fields, Sir Neville Marriner | 4:57 |
| 1977-03-11 – 1977-03-12 | Stabat Mater: X. Fac ut portem Christis mortem | tenor vocals | Philip Langridge, Philomusica of London, George Guest | 1:58 |
| 1977-03-11 – 1977-03-12 | Stabat Mater: XI. Fac me plagis vulnerari | tenor vocals | Paul Esswood, Philip Langridge, Philomusica of London, George Guest | 2:51 |
| 1979-08-01 – 1979-08-02 | Mass no. 11, K. 258 "Spaurmesse": I. Kyrie | tenor vocals | Felicity Palmer, Margaret Cable, Philip Langridge, Stephen Roberts, The Choir of St John’s College, Cambridge, The Wren Orchestra, George Guest | 1:57 |
| 1979-08-01 – 1979-08-02 | Mass no. 11, K. 258 "Spaurmesse": II. Gloria | tenor vocals | Felicity Palmer, Margaret Cable, Philip Langridge, Stephen Roberts, The Choir of St John’s College, Cambridge, The Wren Orchestra, George Guest | 2:51 |
| 1979-08-01 – 1979-08-02 | Mass no. 11, K. 258 "Spaurmesse": III. Credo | tenor vocals | Felicity Palmer, Margaret Cable, Philip Langridge, Stephen Roberts, The Choir of St John’s College, Cambridge, The Wren Orchestra, George Guest | 5:49 |
| 1979-08-01 – 1979-08-02 | Mass no. 11, K. 258 "Spaurmesse": V. Benedictus | tenor vocals | Felicity Palmer, Margaret Cable, Philip Langridge, Stephen Roberts, The Choir of St John’s College, Cambridge, The Wren Orchestra, George Guest | 2:59 |
| 1979-08-01 – 1979-08-02 | Mass no. 11, K. 258 "Spaurmesse": VI. Agnus Dei | tenor vocals | Felicity Palmer, Margaret Cable, Philip Langridge, Stephen Roberts, The Choir of St John’s College, Cambridge, The Wren Orchestra, George Guest | 3:00 |
| 1979-08-01 – 1979-08-02 | Vesperae solennes de Confessore, K. 339: I. Dixit Dominus | tenor vocals | Felicity Palmer, Margaret Cable, Philip Langridge, Stephen Roberts, Choir Of St. John's College, The Wren Orchestra, George Guest | 4:20 |
| 1979-08-01 – 1979-08-02 | Vesperae solennes de Confessore, K. 339: II. Confitebor | tenor vocals | Felicity Palmer, Margaret Cable, Philip Langridge, Stephen Roberts, Choir Of St. John's College, The Wren Orchestra, George Guest | 4:26 |
| 1979-08-01 – 1979-08-02 | Vesperae solennes de Confessore, K. 339: III. Beatus vir | tenor vocals | Felicity Palmer, Margaret Cable, Philip Langridge, Stephen Roberts, Choir Of St. John's College, The Wren Orchestra, George Guest | 5:12 |
| 1979-08-01 – 1979-08-02 | Vesperae solennes de Confessore, K. 339: VI. Magnificat | tenor vocals | Felicity Palmer, Margaret Cable, Philip Langridge, Stephen Roberts, Choir Of St. John's College, The Wren Orchestra, George Guest | 5:41 |
| 1979-08-23 – 1979-09-01 | Werther : Acte I. « Bravo pour les enfants ! » | tenor vocals [Schmidt] | Christine Barbaux, Jules Bastin, Jean‐Philippe Lafont, Philip Langridge, London Philharmonic Orchestra, Michel Plasson | 5:08 |
| 1979-08-23 – 1979-09-01 | Werther : Acte II. « Vivat Bacchus » | tenor vocals [Schmidt] | Jean‐Philippe Lafont, Philip Langridge, London Philharmonic Orchestra, Michel Plasson | 4:14 |
| 1979 | Tenor Aria / But Thou Didst Not Leave His Soul In Hell | tenor vocals | Philip Langridge, London Philharmonic Choir, London Philharmonic Orchestra, John Alldis | 2:47 |
| 1979 | Tenor Aria / Every Valley Shall Be Exalted | tenor vocals | Philip Langridge, London Philharmonic Choir, London Philharmonic Orchestra, John Alldis | 3:48 |
| 1979 | Tenor Aria / Thou Shalt Break Them | tenor vocals | Philip Langridge, London Philharmonic Choir, London Philharmonic Orchestra, John Alldis | 2:10 |
| 1979 | Tenor Arioso / Behold, And See If THere Be Any Sorrow | tenor vocals | Philip Langridge, London Philharmonic Choir, London Philharmonic Orchestra, John Alldis | 1:36 |
| 1979 | Tenor Recitative / All They That See Him Laugh Him to Scorn | tenor vocals | Philip Langridge, London Philharmonic Choir, London Philharmonic Orchestra, John Alldis | 0:48 |
| 1979 | Tenor Recitative / Comfort Ye My People | tenor vocals | Philip Langridge, London Philharmonic Choir, London Philharmonic Orchestra, John Alldis | 3:01 |
| 1979 | Tenor Recitative / He That Dwelleth in Heaven | tenor vocals | Philip Langridge, London Philharmonic Choir, London Philharmonic Orchestra, John Alldis | 0:17 |
| 1979 | Tenor Recitative / He Was Cut Off Out Of The Land of the Living | tenor vocals | Philip Langridge, London Philharmonic Choir, London Philharmonic Orchestra, John Alldis | 0:21 |
| 1979 | Tenor Recitative / Thy Rebuke Hath Broken His Heart | tenor vocals | Philip Langridge, London Philharmonic Choir, London Philharmonic Orchestra, John Alldis | 1:51 |
| 1981-06 | Die Hochzeit des Figaro: Dritter Akt: Riconosci in questo amplesso | tenor vocals [Don Curzio] | Jane Berbié, Samuel Ramey, Kurt Moll, Philip Langridge, Thomas Allen, Lucia Popp, London Philharmonic Orchestra, Sir Georg Solti | 4:50 |
| 1981-07-07 – 1981-07-08 | L'Enfant et les sortilèges, Lyric Fantasy in Two Parts, M. 71: Part One: The House. « Deux robinets coulent dans un réservoir » (Le Petit vieillard, l'Enfant, les Chats) | tenor vocals [Le Petit vieillard] | London Symphony Orchestra, André Previn | 4:43 |
| 1981-07-07 – 1981-07-08 | L'Enfant et les sortilèges, Lyric Fantasy in Two Parts, M. 71: Part One: The House. « How's your mug? » (La Théière, la Tasse chinoise, l'Enfant, le Feu, Chorus) | tenor vocals [La Théière] | London Symphony Orchestra, André Previn | 8:47 |
| 1981-07-07 – 1981-07-08 | L'Enfant et les sortilèges, Lyric Fantasy in Two Parts, M. 71: Part Two: The Garden. « Sauve-toi, sotte ! Et la cage ? La cage ? » (L'Écureuil, la Rainette, l'Enfant) | tenor vocals [La Rainette] | London Symphony Orchestra, André Previn | 2:57 |
| 1983-06-09 – 1983-06-10 | Savitri (Conclusion) | tenor vocals [Satyavan] | Philip Langridge, Felicity Palmer, The Richard Hickox Singers, Stephen Varcoe, City of London Sinfonia, Richard Hickox | 5:48 |
| 1983-06-09 – 1983-06-10 | Sāvitri: Greeting to thee, my loving Sāvitri! (Satyavan) | tenor vocals [Satyavan] | Philip Langridge, Felicity Palmer, City of London Sinfonia, Richard Hickox | 1:58 |
| 1983-06-09 – 1983-06-10 | Sāvitri: Love to the lover (Satyavan) | tenor vocals [Satyavan] | Philip Langridge, The Richard Hickox Singers, City of London Sinfonia, Richard Hickox | 0:43 |
| 1983-06-09 – 1983-06-10 | Sāvitri: Once I knew maya : Now she is forgot (Sāvitri) | tenor vocals [Satyavan] | Felicity Palmer, Philip Langridge, City of London Sinfonia, Richard Hickox | 1:44 |
| 1983-06-09 – 1983-06-10 | Sāvitri: Sāvitri! Is it thou? (Satyavan) | tenor vocals [Satyavan] | Philip Langridge, Felicity Palmer, The Richard Hickox Singers, City of London Sinfonia, Richard Hickox | 3:05 |
| 1983-06-09 – 1983-06-10 | Sāvitri: Sāvitri! Sāvitri! Mine arm is pow’rless (Satyavan) | tenor vocals [Satyavan] | Felicity Palmer, Philip Langridge, City of London Sinfonia, Richard Hickox | 1:13 |
| 1983-06-09 – 1983-06-10 | Sāvitri: The forest is to me a mirror (Sāvitri) | tenor vocals [Satyavan] | Felicity Palmer, Philip Langridge, The Richard Hickox Singers, City of London Sinfonia, Richard Hickox | 1:31 |
| 1987-06 | Wozzeck: Act 1, Scene 2. An open field outside the town. "Du, der Platz ist verflucht!" "Ach was!" | tenor vocals [Andres] | Wiener Philharmoniker, Claudio Abbado | 6:40 |
| 1987-06 | Wozzeck: Act 2, Scene 4. Tavern garden. "Ich hab' ein Hemdlein an, das ist nicht mein" | tenor vocals [Andres] | Wiener Philharmoniker, Claudio Abbado | 10:26 |
| 1987-06 | Wozzeck: Act 2, Scene 5. Guardroom in the barracks. "Oh oh Andres! Andres! Ich kann nicht schlafen" | tenor vocals [Andres] | Wiener Philharmoniker, Claudio Abbado | 4:34 |
| 1987-11 | Tagesbuch eines Verschollenen: I. "Traf eine junge Zigeunerin"/"One day I met a gypsy girl" (Tenor) | tenor vocals | Philip Langridge, Berliner Philharmoniker, Claudio Abbado | 1:14 |
| 1987-11 | Tagesbuch eines Verschollenen: II. "Ist sie noch immer da"/"That black-eyed gypsy girl" (Tenor) | tenor vocals | Philip Langridge, Berliner Philharmoniker, Claudio Abbado | 1:19 |
| 1987-11 | Tagesbuch eines Verschollenen: III. "Wie der Glühwürmchen Spiel"/"Throug the twilight glow-worms" (Tenor) | tenor vocals | Philip Langridge, Berliner Philharmoniker, Claudio Abbado | 1:50 |
| 1987-11 | Tagesbuch eines Verschollenen: IV. "Zwitschern im Nest schon die Schwalben"/"Already swallows are" (Tenor) | tenor vocals | Philip Langridge, Berliner Philharmoniker, Claudio Abbado | 0:55 |
| 1987-11 | Tagesbuch eines Verschollenen: IX. " Sei willkommen, Jan"/" Welcome, my handsome one" (Alt, Tenor, Chor) | tenor vocals | Marcus Creed, Brigitte Balleys, Philip Langridge, Women of the RIAS Kammerchor, Berliner Philharmoniker, Claudio Abbado | 2:31 |
| 1987-11 | Tagesbuch eines Verschollenen: V. "Heut ist's schwer zu pflügen"/"Weary work is ploughing" (Tenor) | tenor vocals | Philip Langridge, Berliner Philharmoniker, Claudio Abbado | 0:48 |
| 1987-11 | Tagesbuch eines Verschollenen: VI. "Heissa, ihr grauen Ochsen!"/"Hey, There my tawny oxen" (Tenor) | tenor vocals | Philip Langridge, Berliner Philharmoniker, Claudio Abbado | 1:28 |
| 1987-11 | Tagesbuch eines Verschollenen: VII. "Wo ist das Pflöcklein hin"/"I've got a loose axie" (Tenor) | tenor vocals | Philip Langridge, Berliner Philharmoniker, Claudio Abbado | 0:53 |
| 1987-11 | Tagesbuch eines Verschollenen: VIII. "Seht nicht, ihr Öchselein"/"Don't look; my Oxen" (Tenor) | tenor vocals | Philip Langridge, Berliner Philharmoniker, Claudio Abbado | 1:15 |
| 1987-11 | Tagesbuch eines Verschollenen: XI. "Vor der Heidin Wangen"/"From the rip'ning Cornfield" (Alt, Tenor) | tenor vocals | Brigitte Balleys, Philip Langridge, Berliner Philharmoniker, Claudio Abbado | 3:12 |
| 1987-11 | Tagesbuch eines Verschollenen: XII. "Dunkler Erlenwald"/"Forest's shady height" (Tenor) | tenor vocals | Philip Langridge, Berliner Philharmoniker, Claudio Abbado | 1:02 |
| 1987-11 | Tagesbuch eines Verschollenen: XII. "Leb denn wohl, Heimatland"/"Then farewell, dearest land" (Tenor) | tenor vocals | Philip Langridge, Berliner Philharmoniker, Claudio Abbado | 2:29 |
| 1987-11 | Tagesbuch eines Verschollenen: XIV. "Sonn' ist aufgegangen"/"See how high the sun is!" (Tenor) | tenor vocals | Philip Langridge, Berliner Philharmoniker, Claudio Abbado | 1:04 |
| 1987-11 | Tagesbuch eines Verschollenen: XIX. "Wie die Elster wegfliegt"/"See that thieving magpie" (Tenor) | tenor vocals | Philip Langridge, Berliner Philharmoniker, Claudio Abbado | 1:16 |
| 1987-11 | Tagesbuch eines Verschollenen: XV. "Meine grauen Ochsen"/"Now my tawny oxen" (Tenor) | tenor vocals | Philip Langridge, Berliner Philharmoniker, Claudio Abbado | 0:56 |
| 1987-11 | Tagesbuch eines Verschollenen: XVI. "Was hab' ich da getan?"/"What has come over me?" (Tenor) | tenor vocals | Philip Langridge, Berliner Philharmoniker, Claudio Abbado | 1:19 |
| 1987-11 | Tagesbuch eines Verschollenen: XVII. "Flieh, wenn das Schicksal ruft"/"Who can escape his fate" (Tenor) | tenor vocals | Philip Langridge, Berliner Philharmoniker, Claudio Abbado | 1:43 |
| 1987-11 | Tagesbuch eines Verschollenen: XVIII. "Nichts mehr denk ich"/"Nothing matters now" (Tenor) | tenor vocals | Philip Langridge, Berliner Philharmoniker, Claudio Abbado | 1:06 |
| 1987-11 | Tagesbuch eines Verschollenen: XX. "Hab' ein Jüngferlein"/"Now she bears my child" (Tenor) | tenor vocals | Philip Langridge, Berliner Philharmoniker, Claudio Abbado | 0:44 |
| 1987-11 | Tagesbuch eines Verschollenen: XXI. "Vater, dam Tag' fluch ich"/"Father, how wrong you were" (Tenor) | tenor vocals | Philip Langridge, Berliner Philharmoniker, Claudio Abbado | 0:53 |
| 1988-09-11 – 1988-09-12 | Alte Liebe rostet nie, D. 477 | tenor vocals | Philip Langridge, Graham Johnson | 2:56 |
| 1988-09-11 – 1988-09-12 | Am See, D. 124 | tenor vocals | Philip Langridge, Graham Johnson | 5:03 |
| 1988-09-11 – 1988-09-12 | Am Strome, D. 539 | tenor vocals | Philip Langridge, Graham Johnson | 2:25 |
| See all 441 relationships |
| vocals |
|---|
| L’Enfant et Les Sortileges | | Maurice Ravel; André Previn, London Symphony Orchestra, Ambrosian Opera Chorus | |
| Moses und Aron | tenor vocals | Schoenberg; Franz Mazura, Philip Langridge, Chicago Symphony Orchestra, Chicago Symphony Chorus, Sir Georg Solti | |
| Moses und Aron | tenor vocals | Schoenberg; Franz Mazura, Philip Langridge, Chicago Symphony Orchestra, Chicago Symphony Chorus, Sir Georg Solti | |
| Moses und Aron | tenor vocals | Schoenberg; Franz Mazura, Philip Langridge, Chicago Symphony Orchestra, Chicago Symphony Chorus, Sir Georg Solti | |
| Moses und Aron | tenor vocals | Schoenberg; Franz Mazura, Philip Langridge, Chicago Symphony Orchestra, Chicago Symphony Chorus, Sir Georg Solti | |
| Moses und Aron | tenor vocals | Schoenberg; Franz Mazura, Philip Langridge, Chicago Symphony Orchestra, Chicago Symphony Chorus, Sir Georg Solti | |
| Moses und Aron | tenor vocals | Schoenberg; Franz Mazura, Philip Langridge, Chicago Symphony Orchestra, Chicago Symphony Chorus, Sir Georg Solti | |
| Moses und Aron | tenor vocals | Schoenberg; Franz Mazura, Philip Langridge, Chicago Symphony Orchestra, Chicago Symphony Chorus, Sir Georg Solti | |
| The Creation | tenor vocals | Haydn; City of Birmingham Symphony Orchestra, City of Birmingham Symphony Orchestra Chorus, Simon Rattle | |
| The Tempest | | Thomas Adès; Simon Keenlyside, Cyndia Sieden, Ian Bostridge, Kate Royal, Toby Spence, Philip Langridge, The Royal Opera Chorus, The Orchestra of the Royal Opera House, Covent Garden | |
