"Utrecht" Te Deum, HWV 278: III. To Thee All Angels Cry Aloud | Ludwig Baumann, Kurt Equiluz, Philip Langridge, Marjana Lipovšek, Thomas Moser, Felicity Palmer, Arnold Schoenberg Chor, Concentus Musicus Wien, Nikolaus Harnoncourt | | | 1:06 | |
"Utrecht" Te Deum, HWV 278: IV. To Thee Cherubim and Seraphim | Ludwig Baumann, Kurt Equiluz, Philip Langridge, Marjana Lipovšek, Thomas Moser, Felicity Palmer, Arnold Schoenberg Chor, Concentus Musicus Wien, Nikolaus Harnoncourt | | | 1:10 | |
"Utrecht" Te Deum, HWV 278: IX. We Believe That Thou Shalt Come | Ludwig Baumann, Kurt Equiluz, Philip Langridge, Marjana Lipovšek, Thomas Moser, Felicity Palmer, Arnold Schoenberg Chor, Concentus Musicus Wien, Nikolaus Harnoncourt | | | 2:48 | |
"Utrecht" Te Deum, HWV 278: V. The Glorious Company | Ludwig Baumann, Kurt Equiluz, Philip Langridge, Marjana Lipovšek, Thomas Moser, Felicity Palmer, Arnold Schoenberg Chor, Concentus Musicus Wien, Nikolaus Harnoncourt | | | 3:25 | |
"Utrecht" Te Deum, HWV 278: VII. When Thou Took'st Upon Thee | Ludwig Baumann, Kurt Equiluz, Philip Langridge, Marjana Lipovšek, Thomas Moser, Felicity Palmer, Arnold Schoenberg Chor, Concentus Musicus Wien, Nikolaus Harnoncourt | | | 2:47 | |
"Utrecht" Te Deum, HWV 278: XII. Vouchsafe O Lord | Ludwig Baumann, Kurt Equiluz, Philip Langridge, Marjana Lipovšek, Thomas Moser, Felicity Palmer, Arnold Schoenberg Chor, Concentus Musicus Wien, Nikolaus Harnoncourt | | | 2:45 | |
5 Poems, Op. 53: I. Lauds | Philip Langridge, Steuart Bedford | | | 2:05 | |
5 Poems, Op. 53: II. O lurcher-loving collier | Philip Langridge, Steuart Bedford | | | 2:06 | |
5 Poems, Op. 53: III. What's in your mind, my dove, my coney | Philip Langridge, Steuart Bedford | | | 1:47 | |
5 Poems, Op. 53: IV. Eyes look into the well | Philip Langridge, Steuart Bedford | | | 2:24 | |
5 Poems, Op. 53: V. Carry her over the water | Philip Langridge, Steuart Bedford | | | 1:29 | |
A Child of Our Time: A Spiritual | László Heltay, Sheila Armstrong, Brighton Festival Chorus, Philip Langridge, Felicity Palmer, John Shirley‐Quirk, Royal Philharmonic Orchestra, André Previn | | | 2:30 | |
A Child of Our Time: A Spiritual | László Heltay, Sheila Armstrong, Brighton Festival Chorus, Philip Langridge, Felicity Palmer, John Shirley‐Quirk, Royal Philharmonic Orchestra, André Previn | | | 1:16 | |
A Child of Our Time: A Spiritual | László Heltay, Sheila Armstrong, Brighton Festival Chorus, Philip Langridge, Felicity Palmer, John Shirley‐Quirk, Royal Philharmonic Orchestra, André Previn | | | 3:46 | |
A Child of Our Time: General Ensemble | László Heltay, Sheila Armstrong, Brighton Festival Chorus, Philip Langridge, Felicity Palmer, John Shirley‐Quirk, Royal Philharmonic Orchestra, André Previn | | | 5:15 | |
A Child of Our Time: Scena (Bass Solo & Chorus) | László Heltay, Brighton Festival Chorus, Philip Langridge, John Shirley‐Quirk, Royal Philharmonic Orchestra, André Previn | | | 6:32 | |
A Child of Our Time: Scena (Solo Quartet) | Sheila Armstrong, Philip Langridge, Felicity Palmer, John Shirley‐Quirk, Royal Philharmonic Orchestra, André Previn | | | 1:21 | |
A Child of Our Time: Tenor Solo | Philip Langridge, Royal Philharmonic Orchestra, André Previn | | | 3:14 | |
A Child of Our Time: The Boy Sings in His Prison | Philip Langridge, Royal Philharmonic Orchestra, André Previn | | | 3:17 | |
Abaris (Les Boréades): Contredanses tres vives | Philip Langridge, English Baroque Soloists, Sir John Eliot Gardiner | | | 2:04 | |
Adoration, H 57 | BBC National Orchestra of Wales, Richard Hickox, Philip Langridge | | | 2:59 | |
Aimons-nous | Philip Langridge, Roger Vignoles | | | 3:38 | |
Akt 1: "Dicere non possum" | Philip Langridge, Jan‐Hendrik Rootering, Chicago Symphony Orchestra, James Levine | | | 2:42 | |
Akt 1: "Invidia fortunam odit" | Philip Langridge, Chicago Symphony Orchestra, James Levine | | | 2:40 | |
Akt 1: "Non reperias vetus scelus" | Chicago Symphony Chorus, Philip Langridge, Chicago Symphony Orchestra, James Levine | | | 3:33 | |
Akt 2: "Ego senem cecidi" | Philip Langridge, Chicago Symphony Orchestra, James Levine | | | 2:19 | |
Akt 2: "In monte reppertus est" | Chicago Symphony Chorus, Donald Kaasch, Philip Langridge, James Morris, Chicago Symphony Orchestra, James Levine | | | 3:36 | |
Akt 2: "Nonne monstrum rescituri" | Philip Langridge, Chicago Symphony Orchestra, James Levine | | | 1:21 | |
Alte Liebe rostet nie, D. 477 | Philip Langridge, Graham Johnson | | | 2:56 | |
Am See, D. 124 | Philip Langridge, Graham Johnson | | | 5:03 | |
Am Strome, D. 539 | Philip Langridge, Graham Johnson | | | 2:25 | |
An Herrn Josef von Spaun, Assessor in Linz (Epistel), D. 749 | Philip Langridge, Graham Johnson | | | 4:46 | |
Arpège | Philip Langridge, Roger Vignoles | | | 2:17 | |
Auf der Riesenkoppe, D. 611 | Philip Langridge, Graham Johnson | | | 4:17 | |
Beitrag zur fünfzigjährigen Jubelfeier des Herrn von Salieri, D. 407: Gütigster, Bester! | Daniel Norman, Philip Langridge, Maarten Koningsberger, Graham Johnson | | | 2:11 | |
Blow out, you bugles, H 132 | BBC National Orchestra of Wales, Richard Hickox, Philip Langridge | | | 5:40 | |
Boire à l’ombre | Philip Langridge, Roger Vignoles | | | 2:41 | |
Boyhood's End | Philip Langridge, John Constable | | | 11:08 | |
Canticle I, op. 40 "My Beloved Is Mine" | Philip Langridge, Steuart Bedford | | | 7:19 | |
Canticle II, op. 51 "Abraham and Isaac" | Philip Langridge, Jean Rigby, Steuart Bedford | | | 16:10 | |
Canticle III, op. 55 "Still Falls the Rain" | Philip Langridge, Steuart Bedford, Frank Lloyd | | | 11:31 | |
Canticle IV, op. 86 "Journey of the Magi" | Gerald Finley, Philip Langridge, Derek Lee Ragin, Steuart Bedford | | | 10:49 | |
Canticle V, op. 89 "The Death of St Narcissus" | Philip Langridge, Osian Ellis | | | 7:29 | |
Chandos Anthem No. 2, HWV 247 "In the Lord put I my trust": Air | Philip Langridge, Academy of St.-Martin-in-the-Fields, Sir David Willcocks | | | 2:41 | |
Chandos Anthem No. 2, HWV 247 "In the Lord put I my trust": Air | Philip Langridge, Academy of St.-Martin-in-the-Fields, Sir David Willcocks | | | 2:23 | |
Chandos Anthem No. 2, HWV 247 "In the Lord put I my trust": Air | Philip Langridge, Academy of St.-Martin-in-the-Fields, Sir David Willcocks | | | 2:21 | |
Chandos Anthem No. 5a, HWV 250a "I will magnify thee": Air | Philip Langridge, Academy of St Martin in the Fields, Sir David Willcocks | | | 3:36 | |
Chandos Anthem No. 5a, HWV 250a "I will magnify thee": Air | Philip Langridge, Academy of St Martin in the Fields, Sir David Willcocks | | | 2:55 | |
Chandos Anthem No. 5a, HWV 250a "I will magnify thee": Air | Philip Langridge, Academy of St Martin in the Fields, Sir David Willcocks | | | 4:13 | |
Chandos Anthem No. 5a, HWV 250a "I will magnify thee": Chorus | Choir of King’s College, Cambridge, Philip Langridge, Academy of St Martin in the Fields, Sir David Willcocks | | | 3:14 | |
Consider, Fond Shepherd | Philip Langridge | | | 6:32 | |
Contredanse En Rondeau | Jean‐Philippe Rameau; Smith, Rodde, Langridge, Aler, Lafont, March, Priday, Cachemaille, Le Roux, Varcoe, Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | | | 1:50 | |
Contredanses Très Vives | Jean‐Philippe Rameau; Smith, Rodde, Langridge, Aler, Lafont, March, Priday, Cachemaille, Le Roux, Varcoe, Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | | | 1:56 | |
Danse macabre | Philip Langridge, Ann Murray, Roger Vignoles | | | 2:30 | |
Das Berliner Requiem: I. Grosser Dankchoral | Philip Langridge, Benjamin Luxon, Ian Partridge, London Sinfonietta, David Atherton | | | 3:07 | |
Das Berliner Requiem: II. Ballade vom ertrunkenen Mädchen | Philip Langridge, Benjamin Luxon, Ian Partridge, London Sinfonietta, David Atherton | | | 2:36 | |
Das Berliner Requiem: III. Grabschrift | Philip Langridge, Benjamin Luxon, Ian Partridge, London Sinfonietta, David Atherton | | | 1:43 | |
Das Berliner Requiem: IV. Erster Bericht über den Unbekannten Soldaten unter dem Triumphbogen | Philip Langridge, Benjamin Luxon, Ian Partridge, London Sinfonietta, David Atherton | | | 3:19 | |
Das Berliner Requiem: VI. Grosser Dankchoral | Philip Langridge, Benjamin Luxon, Ian Partridge, London Sinfonietta, David Atherton | | | 1:47 | |
Das gestörte Glück, D. 309 | Philip Langridge, Graham Johnson | | | 2:20 | |
Das war ich, D. 174 | Philip Langridge, Graham Johnson | | | 3:08 | |
Dass sie hier gewesen!, D. 775 | Philip Langridge, Graham Johnson | | | 2:54 | |
Der Liedler, D. 209 | Philip Langridge, Graham Johnson | | | 15:20 | |
Die Einsiedelei, D. 563 | Philip Langridge, Graham Johnson | | | 1:45 | |
Die Hochzeit des Figaro: Dritter Akt: Riconosci in questo amplesso | Jane Berbié, Samuel Ramey, Kurt Moll, Philip Langridge, Thomas Allen, Lucia Popp, London Philharmonic Orchestra, Sir Georg Solti | | | 4:50 | |
Dies natalis, op. 8: 1. Intrada | Philip Langridge, London Symphony Orchestra, Richard Hickox | | | 5:08 | |
Dies natalis, op. 8: 2. Rhapsody - Recitativo stromentato | Philip Langridge, London Symphony Orchestra, Richard Hickox | | | 6:40 | |
Dies natalis, op. 8: 3. The Rapture - Danza | Philip Langridge, London Symphony Orchestra, Richard Hickox | | | 3:52 | |
Dies natalis, op. 8: 4. Wonder - Arioso | Philip Langridge, London Symphony Orchestra, Richard Hickox | | | 4:32 | |
Dies natalis, op. 8: 5. The Salutation - Aria | Philip Langridge, London Symphony Orchestra, Richard Hickox | | | 4:57 | |
Duets: My heart adorn'd with thee | Amanda Pitt, Philip Langridge, David Owen Norris | | | 1:28 | |
Eight Folk Song Arrangements for High Voice and Harp: Bird Scarer's Song | Philip Langridge, Osian Ellis | | | 1:03 | |
Eight Folk Song Arrangements for High Voice and Harp: Bonny at Morn | Philip Langridge, Osian Ellis | | | 3:17 | |
Eight Folk Song Arrangements for High Voice and Harp: Bugeilio'r Gwenith Gwyn | Philip Langridge, Osian Ellis | | | 2:19 | |
Eight Folk Song Arrangements for High Voice and Harp: Dafydd y Garreg Wen | Philip Langridge, Osian Ellis | | | 3:05 | |
Eight Folk Song Arrangements for High Voice and Harp: Lemady | Philip Langridge, Osian Ellis | | | 1:27 | |
Eight Folk Song Arrangements for High Voice and Harp: Lord! I Married Me a Wife | Philip Langridge, Osian Ellis | | | 1:18 | |
Eight Folk Song Arrangements for High Voice and Harp: She's Like the Swallow | Philip Langridge, Osian Ellis | | | 2:44 | |
Eight Folk Song Arrangements for High Voice and Harp: The False Knight upon the Road | Philip Langridge, Osian Ellis | | | 3:40 | |
Entra l'uomo allor che nasce (Aria di Abramo), D. 33 no. 1 | Philip Langridge, Graham Johnson | | | 1:02 | |
Entracte - Suite Des Vents | Jean‐Philippe Rameau; Smith, Rodde, Langridge, Aler, Lafont, March, Priday, Cachemaille, Le Roux, Varcoe, Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | | | 1:28 | |
Erinnerungen, D. 98 | Philip Langridge, Graham Johnson | | | 3:46 | |
Fish in the unruffled lakes | Philip Langridge, Steuart Bedford | | | 2:21 | |
For St. Cecilia, op. 30: 1. Delightful Goddess, in whose fashionings | Philip Langridge, London Symphony Chorus, London Symphony Orchestra, Richard Hickox | | | 2:36 | |
For St. Cecilia, op. 30: 2. Changed is the age | Philip Langridge, London Symphony Chorus, London Symphony Orchestra, Richard Hickox | | | 3:04 | |
For St. Cecilia, op. 30: 3. How came you, lady of fierce martyrdom | Philip Langridge, London Symphony Chorus, London Symphony Orchestra, Richard Hickox | | | 4:14 | |
For St. Cecilia, op. 30: 4. How smilingly the saint among her friends | Philip Langridge, London Symphony Chorus, Richard Hickox | | | 2:41 | |
For St. Cecilia, op. 30: 5. Wherefore we bid you to the full concent | Philip Langridge, London Symphony Orchestra, Richard Hickox | | | 5:11 | |
Four Hymns: I. Lord! Come away! | Philip Langridge, Ruşen Güneş, London Philharmonic Orchestra, Sir David Willcocks | | | 3:51 | |
Four Hymns: II. Who is this fair one? | Philip Langridge, Ruşen Güneş, London Philharmonic Orchestra, Sir David Willcocks | | | 4:27 | |
Four Hymns: III. Come Love, come Lord | Philip Langridge, Ruşen Güneş, London Philharmonic Orchestra, Sir David Willcocks | | | 3:11 | |
Four Hymns: IV. Evening Hymn | Philip Langridge, Ruşen Güneş, London Philharmonic Orchestra, Sir David Willcocks | | | 3:43 | |
From Jewish Folk Poetry, op. 79a: No. 4. Before a Long Separation | Ľuba Orgonášová, Philip Langridge, Göteborgs Symfoniker, Neeme Järvi | | | 3:01 | |
From Jewish Folk Poetry, op. 79a: No. 6. The Deserted Father | Ľuba Orgonášová, Nathalie Stutzmann, Philip Langridge, Göteborgs Symfoniker, Neeme Järvi | | | 2:10 | |
From Jewish Folk Poetry, op. 79a: No. 7. A Song of Poverty | Philip Langridge, Göteborgs Symfoniker, Neeme Järvi | | | 1:29 | |
From Jewish Folk Poetry, op. 79a: No. 8. Winter | Ľuba Orgonášová, Nathalie Stutzmann, Philip Langridge, Göteborgs Symfoniker, Neeme Järvi | | | 3:14 | |
From Jewish Folk Poetry, op. 79a: No. 9. The Good Life | Philip Langridge, Göteborgs Symfoniker, Neeme Järvi | | | 1:50 | |
From Jewish Folk Poetry, op. 79a: No. 11. Happiness | Ľuba Orgonášová, Nathalie Stutzmann, Philip Langridge, Göteborgs Symfoniker, Neeme Järvi | | | 1:35 | |
From the House of the Dead: Act I. “Neuvidi oko již tĕch krajů” (chorus, Skuratov, Luka) | Konzertvereinigung Wiener Staatsopernchor, Philip Langridge, Barry McCauley, Wiener Philharmoniker, Claudio Abbado | | | 5:02 | |
From the House of the Dead: Act II. “Mil'y, mil'y, Aljeja” (Voice, Gorjančikov, Aljeja, chorus, Cook, Priest, Skuratov, Čekunov, Drunken Prisoner) | Nicolaï Ghiaurov, Ulrich Grossrubatscher, Pavel Kamas, Konzertvereinigung Wiener Staatsopernchor, Philip Langridge, Andrea Rost, Elzbieta Szmytka, Franz Wimmer, Walter Zeh, Wiener Philharmoniker, Claudio Abbado | | | 5:40 | |