| Apotheosis (A Dance for Welland Lathrop) | | | | | | | |
| April Fool Baby | | | | Song | | | |
| Blue Mountain Ballads | | | | Song-cycle | | | |
| Blue Mountain Ballads: No. 1. Heavenly Grass | | | | Song | | | |
| Blue Mountain Ballads: No. 2. Lonesome Man | | | | Song | | | |
| Blue Mountain Ballads: No. 3. Cabin | | | | Song | | | |
| Blue Mountain Ballads: No. 4. Sugar in the Cane | | | | Song | | | |
| Café Sin Nombre | | | | | | | |
| Caminata | | | | | | | |
| Carretera de Estepona | | | | | | | |
| Colloque Sentimental | | | | | | | |
| Constance Askew in the Garden | | | | | | | |
| Cross Country | | | | | | | |
| Dance from “The Wind Remains” | | | | | | | |
| El Bejuco | | | | | | | |
| El indio from “Pastorela” | | | | | | | |
| Folk Preludes | | | | | | | |
| Folk Preludes: Cape Ann | | | | | | | |
| Folk Preludes: Ching a Ring Chaw | | | | | | | |
| Folk Preludes: Kentucky Moonshiner | | | | | | | |
| Folk Preludes: Oh! Potatoes They Grow Small Over There | | | | | | | |
| Folk Preludes: Ole Tar River | | | | | | | |
| Folk Preludes: Peter Gray | | | | | | | |
| Folk Preludes: Whar Did You Cum From | | | | | | | |
| fullmoon | | | | | | | |
| Guayanilla | | | | | | | |
| Here I Am | | | | Poem | | | |
| Huapango no. 1 | | | | | | | |
| Huapango no. 2 "El sol" | | | | | | | |
| Impasse de Tombouctou | | | | | | | |
| In the Platinum Forest | | | | Song | | | |
| Iquitos (Tierra mojada) | | | | | | | |
| La cuelga | | | | | | | |
| Night Waltz | | | | | | | |
| Nights | | | | Poem | | | |
| Nocturne | | | | | | | |
| Orosí | | | | | | | |
| Ososí | | | | | | | |
| Portrait of Five | | | | | | | |
| Prélude pour Bernard Suarèz | | | | | | | |
| Reverie | | | | | | | |
| Sarabande | | | | | | | |
| Sayula | | | | | | | |
| Secret Words | | | | Song-cycle | | | |
| Secret Words: No. 1. Once a Lady Was Here | | | | Song | | | |
| Secret Words: No. 2. In the Woods | | | | Song | | | |
| Secret Words: No. 3. April Fool Baby | | | | Song | | | |
| Secret Words: No. 4. Farther From the Heart | | | | Song | | | |
| Secret Words: No. 5. My Sister's Hand in Mine | | | | Song | | | |
| Secret Words: No. 6. Secret Words | | | | Song | | | |
| Seven Anniversaries: IV. For Paul Bowles | | | | | | | |
| Six Preludes for Piano | | | | | | | |
| Six Preludes for Piano: No. 1 | | | | | | | |
| Six Preludes for Piano: No. 2 | | | | | | | |
| Six Preludes for Piano: No. 3 | | | | | | | |
| Six Preludes for Piano: No. 4 | | | | | | | |
| Six Preludes for Piano: No. 5 | | | | | | | |
| Six Preludes for Piano: No. 6 | | | | | | | |
| Sleeping Song (Baby, Baby) | | | | Song | | | |
| Sonata for Two Pianos | | | | Sonata | | | |
| Sonata for Two Pianos: I. Strict tempo | | | | | | | |
| Sonata for Two Pianos: II. Molto tranquillo | | | | | | | |
| Sonata for Two Pianos: III. Absolutely strict tempo | | | | | | | |
| Sonatina | | | | Sonata | | | |
| Sonatina Fragmentaria | | | | Sonata | | | |
| Sonatina Fragmentaria: I. Adagio misterioso | | | | | | | |
| Sonatina Fragmentaria: II. Allegro | | | | | | | |
| Sonatina Fragmentaria: III. Adagio | | | | | | | |
| Sonatina: I. Allegro ritmico | | | | | | | |
| Sonatina: II. Andante cantabile | | | | | | | |
| Sonatina: III. Allegro | | | | | | | |
| Tamanar | | | | | | | |
| That’s the Way I Always Felt | | | | Song | | | |
| Theseus and Maldoror | | | | | | | |
| They Cannot Stop Death | | | | Song | | | |
| This Place of Fire | | | | Song | | | |
| Three Songs by Paul Bowles | | | | | | | |
| Three Songs by Paul Bowles: April Fool Baby | | | | | | | |
| Three Songs by Paul Bowles: Mes de mayo | | | | | | | |
| Three Songs by Paul Bowles: Sleeping Song (Baby, Baby) | | | | | | | |
| Tres canciones de las sierras | | | | Song-cycle | | | |
| Tres canciones de las sierras: ¿Qué te falta? | | | | Song | | | |
| Tres canciones de las sierras: El carbonero | | | | Song | | | |
| Tres canciones de las sierras: Mes de mayo | | | | Song | | | |
| Turkey Trot | | | | | | | |
| Two Portraits | | | | | | | |
| Two Portraits: Portrait of B.A.M. | | | | | | | |
| Two Portraits: Portrait of K.M.C. | | | | | | | |
