Abstractions for Flute, Clarinet, Piano, Violin & Cello: I. Elegía | | | | | | | |
Abstractions for Flute, Clarinet, Piano, Violin & Cello: II. Contraste | | | | | | | |
Abstractions for Flute, Clarinet, Piano, Violin & Cello: III. Catarsis | | | | | | | |
Abstractions for Flute, Clarinet, Piano, Violin & Cello: IV. Final | | | | | | | |
Aphorismen, op. 5 | | | | | | | |
Chain 1 | | | | | | | |
Clocks, op. 58: II. Midnight Strikes | | | | | | | |
Clocks, op. 58: III. The Old Clock's Story | | | | | | | |
Clocks, op. 58: IV. Sundial 2000 BC | | | | | | | |
Clocks, op. 58: V. Romance of the Swiss Clock | | | | | | | |
Clocks, op. 58: VI. The Joy of Keeping Time | | | | | | | |
Concerto for Piano and Chamber Ensemble: I. Energico | | | | | | | |
Concerto for Piano and Chamber Ensemble: II. Sostenuto espressivo | | | | | | | |
Concerto for Piano and Chamber Ensemble: III. Presto | | | | | | | |
Concierto tiento | | | | | | | |
Crisantemos | | | | | | | |
Cuarteto de cuerdas no. 1 | | | | Quartet | | | |
Décima muerte | | | | | | | |
Elegy, for Guitar | | | | | | | |
Estudio de resonancia III: I | | | | | | | |
Estudio de resonancia III: II | | | | | | | |
Estudio de resonancia III: III | | | | | | | |
Estudio de resonancia III: IV | | | | | | | |
Estudio de resonancia III: V | | | | | | | |
Estudio de resonancia III: VI | | | | | | | |
Fantastic Pieces, for Violin and Piano: I. Preludio | | | | | | | |
Fantastic Pieces, for Violin and Piano: II. La muerte danzando | | | | | | | |
Fantastic Pieces, for Violin and Piano: III. Cristales | | | | | | | |
Fantastic Pieces, for Violin and Piano: IV. La noche de los tiempos | | | | | | | |
Fantastic Pieces, for Violin and Piano: V. Danza del fuego | | | | | | | |
Hospital Suite: I. Suprarenal | | | | | | | |
Hospital Suite: II. Vesiculobiliar | | | | | | | |
Hospital Suite: III. Neuroma de Morton | | | | | | | |
Hospital Suite: IV. Neurocardiogénico | | | | | | | |
Hradcanska | | | | | | | |
Interlude, for Solo Flute | | | | | | | |
Le marteau sans maître: I. Avant l'Artisanat furieux. Rapide | | - Hilary Summers, Ensemble intercontemporain, Pierre Boulez
- Jeanne Deroubaix, Jean Batigne, Serge Collot, Severino Gazzelloni, Georges van Gucht, Claude Ricou, Anton Stingl, Pierre Boulez
- Ensemble intercontemporain, Pierre Boulez
- Ensemble Musique Vivante, Pierre Boulez
- (show 6 more)
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Le marteau sans maître: II. Commentaire I de Bourreaux de solitude. Lent | | - Hilary Summers, Ensemble intercontemporain, Pierre Boulez
- Jeanne Deroubaix, Jean Batigne, Serge Collot, Severino Gazzelloni, Georges van Gucht, Claude Ricou, Anton Stingl, Pierre Boulez
- Ensemble intercontemporain, Pierre Boulez
- ONIX Ensamble
- (show 4 more)
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Le marteau sans maître: III. L'Artisanat furieux. Modéré sans riguer | | - Hilary Summers, Ensemble intercontemporain, Pierre Boulez
- Jeanne Deroubaix, Jean Batigne, Serge Collot, Severino Gazzelloni, Georges van Gucht, Claude Ricou, Anton Stingl, Pierre Boulez
- Yvonne Minton, Ensemble Musique Vivante, Pierre Boulez
- Elizabeth Laurence, Ensemble intercontemporain, Pierre Boulez
- (show 4 more)
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Le marteau sans maître: IX. Bel édifice et les pressentiments - double. Tempo libre de rècit | | - Hilary Summers, Ensemble intercontemporain, Pierre Boulez
- Jeanne Deroubaix, Jean Batigne, Serge Collot, Severino Gazzelloni, Georges van Gucht, Claude Ricou, Anton Stingl, Pierre Boulez
- Elizabeth Laurence, Ensemble intercontemporain, Pierre Boulez
- Yvonne Minton, Ensemble Musique Vivante, Pierre Boulez
- (show 4 more)
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Le marteau sans maître: V. Bel édifice et les pressentiments - version première. Assez vif | | - Hilary Summers, Ensemble intercontemporain, Pierre Boulez
- Jeanne Deroubaix, Jean Batigne, Serge Collot, Severino Gazzelloni, Georges van Gucht, Claude Ricou, Anton Stingl, Pierre Boulez
- Elizabeth Laurence, Ensemble intercontemporain, Pierre Boulez
- Yvonne Minton, Ensemble Musique Vivante, Pierre Boulez
- (show 4 more)
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Le marteau sans maître: VII. Après l'Artisanat furieux. Rapide | | - Hilary Summers, Ensemble intercontemporain, Pierre Boulez
- Jeanne Deroubaix, Jean Batigne, Serge Collot, Severino Gazzelloni, Georges van Gucht, Claude Ricou, Anton Stingl, Pierre Boulez
- Ensemble intercontemporain, Pierre Boulez
- Ensemble Musique Vivante, Pierre Boulez
- (show 5 more)
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Le marteau sans maître: VIII. Commentaire III de Bourreaux de solitude. Assez lent | | - Hilary Summers, Ensemble intercontemporain, Pierre Boulez
- Jeanne Deroubaix, Jean Batigne, Serge Collot, Severino Gazzelloni, Georges van Gucht, Claude Ricou, Anton Stingl, Pierre Boulez
- Ensemble intercontemporain, Pierre Boulez
- Ensemble Musique Vivante, Pierre Boulez
- (show 4 more)
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Los laberintos del sueño | | | | | | | |
Octeto malandro | | | | | | | |
Out of the Blue | | | | | | | |
Pasatiempos concertante: Introducción | | | | | | | |
Pasatiempos concertante: Kyrie | | | | | | | |
Pasatiempos concertante: Lacrimosa | | | | | | | |
Pasatiempos concertante: Scaramouche | | | | | | | |
Pasatiempos concertante: Scaramouche II | | | | | | | |
Pasatiempos concertante: Scherzo ácido | | | | | | | |
Pasatiempos concertante: Toccata | | | | | | | |
Planos | | | | | | | |
Plus-Minus, Nr. 14 | | | | | | | |
Por la fuerza las tierras | | | | | | | |
Seven Preludes for Percussion Instruments: I | | | | | | | |
Seven Preludes for Percussion Instruments: II | | | | | | | |
Seven Preludes for Percussion Instruments: III | | | | | | | |
Seven Preludes for Percussion Instruments: IV | | | | | | | |
Seven Preludes for Percussion Instruments: V | | | | | | | |
Seven Preludes for Percussion Instruments: VI | | | | | | | |
Seven Preludes for Percussion Instruments: VII | | | | | | | |
Silencio en Juárez: I. Madre dolorosa | | | | | | | |
Silencio en Juárez: II. Corrido | | | | | | | |
Silencio en Juárez: III. Liturgia | | | | | | | |
Silencio en Juárez: IV. La injusticia | | | | | | | |
Sonata de cámara n.º 2: I. Preambulum | | | | | | | |
Sonata de cámara n.º 2: II. Saltarello | | | | | | | |
Sonata de cámara n.º 2: III. Egloga | | | | | | | |
Sonata de cámara n.º 2: IV. Ditirambo | | | | | | | |
Sonata de cámara no. 1: I. Danza | | | | | | | |
Sonata de cámara no. 1: II. Aria - Attacca | | | | | | | |
Sonata de cámara no. 1: III. Continuum | | | | | | | |
Sonata para seis: I | | | | | | | |
Sonata para seis: II | | | | | | | |
Sonata para seis: III | | | | | | | |
Static: I. Remote | | | | | | | |
Static: II. Etherial | | | | | | | |
Static: III. Bipolar | | | | | | | |
Static: IV. Resonant | | | | | | | |
Static: V. Charged | | | | | | | |
Static: VI. Floating | | | | | | | |
Three Movements for Flute and Piano: I. Expressivo | | | | | | | |
Three Movements for Flute and Piano: II. Vivo energico - andante | | | | | | | |
Trance | | | | | | | |
Trio n.º 1: I. Moderato rítmico | | | | | | | |
Trio n.º 1: II. Lento | | | | | | | |
Trio n.º 1: III. Moderato con moto | | | | | | | |
Triple Duo | | | | | | | |
Visions for Viola y Piano | | | | | | | |
Vitrales: I | | | | | | | |
Vitrales: II | | | | | | | |
Y los oros la luz | | | | | | | |