| "... And Then I Was in Time Again" | | | | Concerto | | | |
| "... And Then I Was in Time Again": I. Allegro, quasi recitando | | | | | | | |
| "... And Then I Was in Time Again": II. Lento, cantando | | | | | | | |
| 12 tonadillas al estilo antiguo, H.136: No. 3: El majo discreto | | | | | | | |
| 12 tonadillas al estilo antiguo, H.136: No. 4: El majo olvidado | | | | | | | |
| 12 tonadillas al estilo antiguo, H.136: No. 6: El mirar de la maja | | | | | | | |
| 12 tonadillas al estilo antiguo, H.136: No. 11: La maja dolorosa III (De aquel majo amante) | | | | | | | |
| 24 Preludes, op. 34 no. 1: Moderato in C major | | | | | | | |
| 24 Preludes, op. 34 no. 2: Allegretto in A minor | | | | | | | |
| 24 Preludes, op. 34 no. 3: Andante in G major | | | | | | | |
| 24 Preludes, op. 34 no. 4: Moderato in E minor | | | | | | | |
| 24 Preludes, op. 34 no. 5: Allegro vivace in D major | | | | | | | |
| 24 Preludes, op. 34 no. 6: Allegretto in B minor | | | | | | | |
| 24 Preludes, op. 34 no. 7: Andante in A major | | | | | | | |
| 24 Preludes, op. 34 no. 8: Allegretto in F-sharp minor | | | | | | | |
| 24 Preludes, op. 34 no. 9: Presto in E major | | | | | | | |
| 24 Preludes, op. 34 no. 10: Moderato non troppo in C-sharp minor | | | | | | | |
| 24 Preludes, op. 34 no. 11: Allegretto in B major | | | | | | | |
| 24 Preludes, op. 34 no. 12: Allegro non troppo in G-sharp minor | | | | | | | |
| 24 Preludes, op. 34 no. 13: Moderato in F-sharp major | | | | | | | |
| 24 Preludes, op. 34 no. 14: Adagio in E-flat minor | | | | | | | |
| 24 Preludes, op. 34 no. 15: Allegretto in D-flat major | | | | | | | |
| 24 Preludes, op. 34 no. 16: Andantino in B-flat minor | | | | | | | |
| 24 Preludes, op. 34 no. 17: Largo in A-flat major | | | | | | | |
| 24 Preludes, op. 34 no. 18: Allegretto in F minor | | | | | | | |
| 24 Preludes, op. 34 no. 19: Andantino in E-flat major | | | | | | | |
| 24 Preludes, op. 34 no. 20: Allegretto furioso in C minor | | | | | | | |
| 24 Preludes, op. 34 no. 21: Allegretto poco moderato in F-flat major | | | | | | | |
| 24 Preludes, op. 34 no. 22: Adagio in G minor | | | | | | | |
| 24 Preludes, op. 34 no. 23: Moderato in F major | | | | | | | |
| 24 Preludes, op. 34 no. 24: Allegretto in D minor | | | | | | | |
| Abii ne viderem | | | | | | | |
| Adagio and Fugue in C minor, K. 546: I. Adagio | | | | | | | |
| Adagio and Fugue in C minor, K. 546: II. Fugue | | | | | | | |
| Adagio for violin (viola, cello or double-bass) and piano | | | | | | | |
| And Then I Knew 'Twas Wind | | | | | | | |
| Arcanum: I. Advenio | | | | | | | |
| Arcanum: II. Cinis | | | | | | | |
| Arcanum: III. Postremo | | | | | | | |
| Arcanum: IV. Adempte | | | | | | | |
| Clarinet Quartet: I. Notturno: Adagio | | - Sharon Kam, Kim Kashkashian, Boris Pergamenschikow, Christoph Poppen
- André Moisan, Quatuor Molinari
- Michel Lethiec, Arto Noras, Bruno Pasquier, Régis Pasquier
- Luis Biava, Sidney Curtiss, Donald Montanaro, William Stokking
- (show 4 more)
| | | | | |
| Clarinet Quartet: II. Scherzo: Vivacissimo | | - Sharon Kam, Kim Kashkashian, Boris Pergamenschikow, Christoph Poppen
- André Moisan, Quatuor Molinari
- Michel Lethiec, Arto Noras, Bruno Pasquier, Régis Pasquier
- Luis Biava, Sidney Curtiss, Donald Montanaro, William Stokking
- (show 4 more)
| | | | | |
| Clarinet Quartet: III. Serenade: Tempo di Valse | | - Sharon Kam, Kim Kashkashian, Boris Pergamenschikow, Christoph Poppen
- André Moisan, Quatuor Molinari
- Michel Lethiec, Arto Noras, Bruno Pasquier, Régis Pasquier
- Luis Biava, Sidney Curtiss, Donald Montanaro, William Stokking
- (show 4 more)
| | | | | |
| Clarinet Quartet: IV. Abschied: Larghetto | | - Sharon Kam, Kim Kashkashian, Boris Pergamenschikow, Christoph Poppen
- André Moisan, Quatuor Molinari
- Michel Lethiec, Arto Noras, Bruno Pasquier, Régis Pasquier
- Luis Biava, Sidney Curtiss, Donald Montanaro, William Stokking
- (show 4 more)
| | | | | |
| Cloud of Unknowing | | | | | | | |
| Concerto for Viola and Chamber Orchestra | | | | Concerto | | | |
| Concerto for Viola and Orchestra, Sz. 120, BB 128: I. Moderato | | | | | | | |
| Concerto for Viola and Orchestra, Sz. 120, BB 128: II. Adagio religioso | | | | | | | |
| Concerto for Viola and Orchestra, Sz. 120, BB 128: III. Allegro vivace | | | | | | | |
| Confessing with Faith | | | | | | | |
| Confessing With Faith: I. Moderato, recitando | | | | | | | |
| Confessing With Faith: II. Andante | | | | | | | |
| Confessing With Faith: III. Lento sostenuto, semplice | | | | | | | |
| Conversation With a Stone | | | | | | | |
| Divertimento for Violin, Viola & Cello in E-flat major, K. 563: I. Allegro | | | | | | | |
| Divertimento for Violin, Viola & Cello in E-flat major, K. 563: II. Adagio | | | | | | | |
| Divertimento for Violin, Viola & Cello in E-flat major, K. 563: III. Minuetto | | | | | | | |
| Divertimento for Violin, Viola & Cello in E-flat major, K. 563: IV. Andante | | | | | | | |
| Divertimento for Violin, Viola & Cello in E-flat major, K. 563: V. Minuetto | | | | | | | |
| Divertimento for Violin, Viola & Cello in E-flat major, K. 563: VI. Allegro | | | | | | | |
| Duet for Viola and Percussion | | | | | | | |
| Duo for Violin & Viola no. 1 in G major, K. 423: I. Allegro | | | | | | | |
| Duo for Violin & Viola no. 1 in G major, K. 423: II. Adagio | | | | | | | |
| Duo for Violin & Viola no. 1 in G major, K. 423: III. Rondeau. Allegro | | | | | | | |
| Duo for Violin & Viola no. 2 in B-flat major, K. 424: I. Adagio - Allegro | | | | | | | |
| Duo for Violin & Viola no. 2 in B-flat major, K. 424: II. Andante cantabile | | | | | | | |
| Duo for Violin & Viola no. 2 in B-flat major, K. 424: III. Tema con variazioni. Andante grazioso | | | | | | | |
| Élégie, op. 30 | | | | | | | |
| Élégie, op. 44 | | | | | | | |
| Elegy | | | | | | | |
| Garten von Freuden und Traurigkeiten | | | | | | | |
| Garun a | | | | | | | |
| Havik | | | | | | | |
| Hommage à R. Sch., op. 15d: I. (merkwürdige Pirouetten des Kapellmeisters Johannes Kreisler) | | | | | | | |
| Hommage à R. Sch., op. 15d: II. (E.*: der begrenzte Kreis...) | | | | | | | |
| Hommage à R. Sch., op. 15d: III. (...und wieder zuckt es schmerzlich F.* um die Lippen...) | | | | | | | |
| Hommage à R. Sch., op. 15d: IV. (Felhő valék, már süt a nap...) | | | | | | | |
| Hommage à R. Sch., op. 15d: V. In der Nacht | | | | | | | |
| Hommage à R. Sch., op. 15d: VI. Abschied (Meister Raro entdeckt Guillaume de Machaut) | | | | | | | |
| Hoy, Nazan (Hey, Nazan) | | | | | | | |
| Iceburn | | | | | | | |
| In memoriam Aczèl György | | | | | | | |
| In Praise of Dreams | | | | | | | |
| Kammermusik No. 5, op. 36 no. 4: I. Schnelle Halbe | | | | | | | |
| Kammermusik No. 5, op. 36 no. 4: II. Langsam | | | | | | | |
| Kammermusik No. 5, op. 36 no. 4: III. Mäßig schnell | | | | | | | |
| Kammermusik No. 5, op. 36 no. 4: IV. Variante eines Militärmarsches | | | | | | | |
| Knot of Place and Time | | | | | | | |
| Krunk | | | | | | | |
| Lachrymae | | | | | | | |
| Lachrymae: Reflections on a song of Dowland, op. 48 | | | | | | | |
| Lachrymae: Reflections on a song of Dowland, op. 48a | | | | | | | |
| Märchenbilder, op. 113: Nr. 1. Nicht schnell | | | | | | | |
| Märchenbilder, op. 113: Nr. 2. Lebhaft | | | | | | | |
| Märchenbilder, op. 113: Nr. 3. Rasch | | | | | | | |
| Märchenbilder, op. 113: Nr. 4. Langsam, mit melancholischem Ausdruck | | | | | | | |
| Märchenerzählungen for Piano, Clarinet and Viola, op. 132: I. Lebhaft, nicht zu schnell | | | | | | | |
| Märchenerzählungen for Piano, Clarinet and Viola, op. 132: II. Lebhaft und sehr markiert | | | | | | | |
| Märchenerzählungen for Piano, Clarinet and Viola, op. 132: III. Ruhiges Tempo, mit zartem Ausdruck | | | | | | | |
| Mourned by the Wind: I. Largo | | | | | | | |
