| Ave Maria, Op. 23 No. 2 | Eugenie Cheng, Catherine Arnold, Rachel Bennett, Paul Casey, Christopher Adams, Choir of Trinity College, Angus McCarey, Andrew Tortise, Clare Wilkinson, Mark Williams, Richard Marlow | | | 6:40 | |
| Beati mortui, Op. 115 No. 1 | Christopher Adams, Paul Casey, Choir of Trinity College, Angus McCarey, Andrew Tortise, Richard Marlow | | | 2:54 | |
| Der hundertste Psalm "Jauchzet dem Herrn, alle Welt" | Christopher Adams, Catherine Arnold, Paul Casey, Choir of Trinity College, Helen Deeming, Paula Downes, Angus McCarey, Andrew Tortise, Clare Wilkinson, Richard Marlow | | | 4:02 | |
| Drei Psalmen, Op. 78: No. 1. Der zweite Psalm "Warum toben die Heiden" | Christopher Adams, Catherine Arnold, Rachel Bennett, Alastair Brookshaw, Eugenie Cheng, Choir of Trinity College, Angus McCarey, Andrew Tortise, Clare Wilkinson, Richard Marlow | | | 6:19 | |
| Drei Psalmen, Op. 78: No. 3. Der zweidundzwanzigste Psalm "Mein Gott, warum hast du mich verlassen?" | Christopher Adams, Paul Casey, Choir of Trinity College, Helen Deeming, Angus McCarey, Andrew Tortise, Clare Wilkinson, Richard Marlow | | | 7:59 | |
| Magnificat, Op. 69 No. 3 "My soul doth magnify the Lord" | Christopher Adams, Rachel Bennett, Choir of Trinity College, Andrew Tortise, Clare Wilkinson, Richard Marlow | | | 8:37 | |
| Sechs Sprüche für das Kirchenjahr, Op. 79: IV. In der Passionszeit. Adagio | Rachel Bennett, Choir of Trinity College, Angus McCarey, Andrew Tortise, Clare Wilkinson, Richard Marlow | | | 1:33 | |
| St. Matthew Passion, BWV 244, Part II: LXVII. Recitative and Chorus: Nun ist der Herr zur Ruh gebracht (Bass, Tenor, Alto, Soprano, Chorus) | Reginald Mobley, Monteverdi Choir, Hannah Morrison, Rupert Reid, Andrew Tortise, English Baroque Soloists, Sir John Eliot Gardiner | | | 1:50 | |
| St. Matthew Passion, BWV 244, Part II: XXXIII. Recitative: Und wiewohl viel falsche Zeugen herzutraten (Evangelist, Testis, Pontifex) | James Gilchrist, Reginald Mobley, Rupert Reid, Andrew Tortise, English Baroque Soloists, Sir John Eliot Gardiner | | | 1:12 | |
