Andrew Tortise (tenor)

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Recordings

Name Artist ISRCs Rating Length
Ave Maria, Op. 23 No. 2 Eugenie Cheng, Catherine Arnold, Rachel Bennett, Paul Casey, Christopher Adams, Choir of Trinity College, Angus McCarey, Andrew Tortise, Clare Wilkinson, Mark Williams, Richard Marlow 6:40
Beati mortui, Op. 115 No. 1 Christopher Adams, Paul Casey, Choir of Trinity College, Angus McCarey, Andrew Tortise, Richard Marlow 2:54
Der hundertste Psalm "Jauchzet dem Herrn, alle Welt" Christopher Adams, Catherine Arnold, Paul Casey, Choir of Trinity College, Helen Deeming, Paula Downes, Angus McCarey, Andrew Tortise, Clare Wilkinson, Richard Marlow 4:02
Drei Psalmen, Op. 78: No. 1. Der zweite Psalm "Warum toben die Heiden" Christopher Adams, Catherine Arnold, Rachel Bennett, Alastair Brookshaw, Eugenie Cheng, Choir of Trinity College, Angus McCarey, Andrew Tortise, Clare Wilkinson, Richard Marlow 6:19
Drei Psalmen, Op. 78: No. 3. Der zweidundzwanzigste Psalm "Mein Gott, warum hast du mich verlassen?" Christopher Adams, Paul Casey, Choir of Trinity College, Helen Deeming, Angus McCarey, Andrew Tortise, Clare Wilkinson, Richard Marlow 7:59
Magnificat, Op. 69 No. 3 "My soul doth magnify the Lord" Christopher Adams, Rachel Bennett, Choir of Trinity College, Andrew Tortise, Clare Wilkinson, Richard Marlow 8:37
Sechs Sprüche für das Kirchenjahr, Op. 79: IV. In der Passionszeit. Adagio Rachel Bennett, Choir of Trinity College, Angus McCarey, Andrew Tortise, Clare Wilkinson, Richard Marlow 1:33
St. Matthew Passion, BWV 244, Part II: LXVII. Recitative and Chorus: Nun ist der Herr zur Ruh gebracht (Bass, Tenor, Alto, Soprano, Chorus) Reginald Mobley, Monteverdi Choir, Hannah Morrison, Rupert Reid, Andrew Tortise, English Baroque Soloists, Sir John Eliot Gardiner 1:50
St. Matthew Passion, BWV 244, Part II: XXXIII. Recitative: Und wiewohl viel falsche Zeugen herzutraten (Evangelist, Testis, Pontifex) James Gilchrist, Reginald Mobley, Rupert Reid, Andrew Tortise, English Baroque Soloists, Sir John Eliot Gardiner 1:12

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