| Blues - Stimmen aus dem Massengrab - Marsch: Blues | | | | | | | |
| Blues - Stimmen aus dem Massengrab - Marsch: Marsch | | | | | | | |
| Blues - Stimmen aus dem Massengrab - Marsch: Stimmen aus dem Massengrab | | | | | | | |
| Caminando | | | | | | | |
| Cheerful Acrostic, op. 12: A. Haba | | | | | | | |
| Cheerful Acrostic, op. 12: A. Schulhoff | | | | | | | |
| Cheerful Acrostic, op. 12: C. Hoffmann | | | | | | | |
| Cheerful Acrostic, op. 12: G. Forster | | | | | | | |
| Cheerful Acrostic, op. 12: J. Mahen | | | | | | | |
| Cheerful Acrostic, op. 12: K. Balling | | | | | | | |
| Cheerful Acrostic, op. 12: V. Helfert | | | | | | | |
| Cinq études de jazz, WV 81: 4. Tango | | | | | | | |
| Concerto for String Quartet and Wind Ensemble, WV 97: I. Allegro moderato | | | | | | | |
| Concerto for String Quartet and Wind Ensemble, WV 97: II. Largo | | | | | | | |
| Concerto for String Quartet and Wind Ensemble, WV 97: III. Finale. Allegro con brio | | | | | | | |
| Die Liebe, op. 14: I. Adagio – Vivace – Un poco mosso | | | | | | | |
| Die Liebe, op. 14: II. Andante tranquillo – Agitat | | | | | | | |
| Die Liebe, op. 14: III. Allegro moderato – Tranquillo | | | | | | | |
| Die Liebe, op. 14: IV. Tempo I | | | | | | | |
| Die Wolkenpumpe, WV 61, op. 40: I. Aus Karaffen | | | | | | | |
| Die Wolkenpumpe, WV 61, op. 40: II. Das nackte Körperlein | | | | | | | |
| Die Wolkenpumpe, WV 61, op. 40: III. Eitel ist | | | | | | | |
| Die Wolkenpumpe, WV 61, op. 40: IV. Sternenminniger | | | | | | | |
| Dneska každá modní žena | | | | | | | |
| Egon und emilie, op. 46 | | | | Opera | | | |
| El renacuajo paseador | | | | | | | |
| Esquisses de Jazz, WV 90: No. 3. Tango | | | | | | | |
| Este era un rey | | | | | | | |
| Five Polydynamic Pieces, op. 3: No. 1 | | | | | | | |
| Five Polydynamic Pieces, op. 3: No. 2 | | | | | | | |
| Five Polydynamic Pieces, op. 3: No. 3 | | | | | | | |
| Five Polydynamic Pieces, op. 3: No. 4 | | | | | | | |
| Five Polydynamic Pieces, op. 3: No. 5 | | | | | | | |
| H.M.S. Royal Oak | | | | Oratorio | | | |
| Homenaje a Federico García Lorca: I. Baile - Lento (quasi recitativo) - Allegro | | | | | | | |
| Homenaje a Federico García Lorca: II. Duelo | | | | | | | |
| Homenaje a Federico García Lorca: III. Son | | | | | | | |
| Hora de junio | | | | | | | |
| Jazz-Suite, H. 172: I. Prelude | | | | | | | |
| Jazz-Suite, H. 172: II. Blues | | | | | | | |
| Jazz-Suite, H. 172: III. Boston | | | | | | | |
| Jazz-Suite, H. 172: IV. Finale | | | | | | | |
| Jazzolette no. 1 | | | | | | | |
| Jazzolette no. 2 | | | | | | | |
| Kassandra (Arabia-Fox) | | | | | | | |
| Kleine Dreigroschenmusik: I. Ouvertüre: Maestoso | | | | | | | |
| Kleine Dreigroschenmusik: II. Die Moritat von Mackie Messer: Moderato assai | | | | | | | |
| Kleine Dreigroschenmusik: III. Anstatt-dass-Song: Moderato | | | | | | | |
| Kleine Dreigroschenmusik: IV. Die Ballade vom angenehmen Leben: Foxtrott | | | | | | | |
| Kleine Dreigroschenmusik: V. Pollys Lied: Andante con moto | | | | | | | |
| Kleine Dreigroschenmusik: VI. Tango-Ballade | | | | | | | |
| Kleine Dreigroschenmusik: VII. Kanonen-Song: Charleston-Tempo | | | | | | | |
| Kleine Dreigroschenmusik: VIII. Dreigroschen-Finale | | | | | | | |
| La Création du monde, op. 81a | | | | Ballet | | | |
| Nonet no. 2, op. 41 | | | | | | | |
| Ocho por radio | | | | | | | |
| Orinoco | | | | | | | |
| Partita for Piano, WV 63: VII. Tango | | | | | | | |
| Pieza para doce instrumentos: I. Lento | | | | | | | |
| Pieza para doce instrumentos: II. Deciso e ben ritmato | | | | | | | |
| Pieza para doce instrumentos: III. Allegretto | | | | | | | |
| Pieza para doce instrumentos: IV. Allegro | | | | | | | |
| Planos | | | | | | | |
| Preludio y fuga rítmicos | | | | | | | |
| Quintet for Clarinet, Bassoon, Violin, Cello and Piano: I. Tema con variazioni | | | | | | | |
| Quintet for Clarinet, Bassoon, Violin, Cello and Piano: II. Intermezzo romantico | | | | | | | |
| Quintet for Clarinet, Bassoon, Violin, Cello and Piano: III. Rondo | | | | | | | |
| Schöne Geschichten, op. 5b | | - Hans Aschenbach, Harry van der Kamp, Ebony Band, Werner Herbers
- Romain Bischoff, Cappella Amsterdam, Ebony Band, Werner Herbers
- Hans Aschenbach, Daniel Reuss, Harry van der Kamp, Cappella Amsterdam, Ebony Band, Werner Herbers
- Romain Bischoff, Ebony Band, Werner Herbers
- Romain Bischoff, Harry van der Kamp, Ebony Band, Werner Herbers
| | Opera | | | |
| Sensemayá | | | | Symphonic poem | | | |
| Six Miniatures for Chamber Orchestra: I. Sehr Langsam | | | | | | | |
| Six Miniatures for Chamber Orchestra: II. Ruhig bewegt | | | | | | | |
| Six Miniatures for Chamber Orchestra: III. Ziemlich Breit | | | | | | | |
| Six Miniatures for Chamber Orchestra: IV. Schnell | | | | | | | |
| Six Miniatures for Chamber Orchestra: V. Sehr Langsam | | | | | | | |
| Six Miniatures for Chamber Orchestra: VI. Tempo moderato | | | | | | | |
| Six Songs, op. 17: I. An Himmelfahrt | | | | | | | |
| Six Songs, op. 17: II. Drei Blumen | | | | | | | |
| Six Songs, op. 17: III. Dreierlei Schutzgeister | | | | | | | |
| Six Songs, op. 17: IV. Es Schleppt mein Schuh | | | | | | | |
| Six Songs, op. 17: V. Wie ist die Nacht | | | | | | | |
| Six Songs, op. 17: VI. Aus dem Hauschen in den Garten | | | | | | | |
| Small Overture, op. 42 | | | | Overture | | | |
| Stage Music for "Le bourgeois gentilhomme" | | | | | | | |
| String Trio, op. 10: I. Allegro molto moderato | | | | | | | |
| String Trio, op. 10: II. Andante, molto cantabile | | | | | | | |
| String Trio, op. 10: III. Allegro molto vivace | | | | | | | |
| Suite americaine, op. 15: I. Charlestonette (Foxtrot) | | | | | | | |
| Suite americaine, op. 15: II. Blues | | | | | | | |
| Suite americaine, op. 15: III. Valse Boston | | | | | | | |
| Suite americaine, op. 15: IV. Tango argentino | | | | | | | |
| Suite americaine, op. 15: V. Fuga-Fox (sur le thème E.F.B.) | | | | | | | |
| Suite for Chamber Orchestra, op. 37, WV 58: I. Introduction | | | | | | | |
| Suite for Chamber Orchestra, op. 37, WV 58: II. Ragtime | | | | | | | |
| Suite for Chamber Orchestra, op. 37, WV 58: III. Valse Boston | | | | | | | |
| Suite for Chamber Orchestra, op. 37, WV 58: IV. Tango | | | | | | | |
| Suite for Chamber Orchestra, op. 37, WV 58: V. Shimmy | | | | | | | |
| Suite for Chamber Orchestra, op. 37, WV 58: VI. Step | | | | | | | |
| Suite for Chamber Orchestra, op. 37, WV 58: VII. Jazz | | | | | | | |
| Suite From the Twenties: I. Tango für Irma | | | | | | | |
| Suite From the Twenties: II. Marsch no. 1 | | | | | | | |
