Ballade en Fa dièse majeur, op. 19 | | | | | | | |
Ballade no. 1 in G minor, op. 23 | | | | | | - 0O5-1249-6 (JASRAC ID)
- G minor (Key)
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Ballade no. 2 in F major, op. 38 | | | | | | | |
Ballade no. 3 in A-flat major, op. 47 | | | | | | | |
Ballade no. 4 in F minor, op. 52 | | | | | | | |
Bunte Reihe, S. 484: No. 7. Bolero in E-flat major | | | | | | | |
Burleske in D minor, TrV 145 | | | | | | | |
Concerto for 2 Pianos & Orchestra no. 10 in E-flat major, K. 316a/365: I. Allegro | | - Elena Gilels, Emil Gilels, Wiener Philharmoniker, Karl Böhm
- Alfred Brendel, Imogen Cooper, Academy of St Martin in the Fields, Sir Neville Marriner
- Zoltán Kocsis, Ránki Dezső, Nemzeti Filharmonikus zenekar, János Ferencsik
- Vladimir Ashkenazy, Daniel Barenboim, English Chamber Orchestra
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Concerto for 2 Pianos & Orchestra no. 10 in E-flat major, K. 316a/365: II. Andante | | - Elena Gilels, Emil Gilels, Wiener Philharmoniker, Karl Böhm
- Alfred Brendel, Imogen Cooper, Academy of St Martin in the Fields, Sir Neville Marriner
- Zoltán Kocsis, Ránki Dezső, Nemzeti Filharmonikus zenekar, János Ferencsik
- Vladimir Ashkenazy, Daniel Barenboim, English Chamber Orchestra
- (show 41 more)
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Concerto for 2 Pianos & Orchestra no. 10 in E-flat major, K. 316a/365: III. Rondo. Allegro | | - Alfred Brendel, Imogen Cooper, Academy of St Martin in the Fields, Sir Neville Marriner
- Elena Gilels, Emil Gilels, Wiener Philharmoniker, Karl Böhm
- London Symphony Orchestra, André Previn
- Academy of St Martin in the Fields, Sir Neville Marriner, Anne Queffélec, Imogen Cooper
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Concerto for 3 (or 2) Pianos and Orchestra no. 7 in F major, K. 242 “Lodron”: I. Allegro | | - Alfred Brendel, Imogen Cooper, Academy of St Martin in the Fields, Sir Neville Marriner
- Vladimir Ashkenazy, Daniel Barenboim, Fou Ts'ong, English Chamber Orchestra
- Zoltán Kocsis, Ránki Dezső, András Schiff, Nemzeti Filharmonikus zenekar, János Ferencsik
- Malcolm Bilson, Robert Levin, Melvyn Tan, English Baroque Soloists, Sir John Eliot Gardiner
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Concerto for 3 (or 2) Pianos and Orchestra no. 7 in F major, K. 242 “Lodron”: II. Adagio | | - Alfred Brendel, Imogen Cooper, Academy of St Martin in the Fields, Sir Neville Marriner
- Vladimir Ashkenazy, Daniel Barenboim, Fou Ts'ong, English Chamber Orchestra
- Zoltán Kocsis, Ránki Dezső, András Schiff, Nemzeti Filharmonikus zenekar, János Ferencsik
- Malcolm Bilson, Robert Levin, Melvyn Tan, English Baroque Soloists, Sir John Eliot Gardiner
- (show 27 more)
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Concerto for 3 (or 2) Pianos and Orchestra no. 7 in F major, K. 242 “Lodron”: III. Rondo. Tempo di minuetto | | - Alfred Brendel, Imogen Cooper, Academy of St Martin in the Fields, Sir Neville Marriner
- Vladimir Ashkenazy, Daniel Barenboim, Fou Ts'ong, English Chamber Orchestra
- Zoltán Kocsis, Ránki Dezső, András Schiff, Nemzeti Filharmonikus zenekar, János Ferencsik
- Malcolm Bilson, Robert Levin, Melvyn Tan, English Baroque Soloists, Sir John Eliot Gardiner
- (show 27 more)
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Concerto for Piano no. 20 in D minor, K. 466: I. Allegro | | | | | | | |
Concerto for Piano no. 20 in D minor, K. 466: II. Romanze | | | | | | | |
Concerto for Piano no. 20 in D minor, K. 466: III. Rondo. Allegro assai | | | | | | | |
Concerto for Piano no. 21 in C major, K. 467: I. Allegro | | | | | | | |
Concerto for Piano no. 21 in C major, K. 467: II. Andante | | | | | | | |
Concerto for Piano no. 21 in C major, K. 467: III. Allegro vivace assai | | | | | | | |
Das Wandern, S. 565 no. 1 | | | | | | | |
Der Gondelfahrer, S. 559 | | | | | | | |
Der Jäger, S. 565 no. 3 | | | | | | | |
Der Müller und der Bach, S. 565 no. 2 | | | | | | | |
Deux études de sonorité: No. 2 | | | | | | | |
Die böse Farbe, S. 565 no. 4 | | | | | | | |
Die Forelle, S. 564 | | | | | | | |
Die Rose, S. 556/3 | | | | | | | |
Ellens dritter Gesang (Ave Maria), S. 558 Nr. 12 | | | | | | | |
Erlkönig, S. 558 Nr. 4 | | | | | | | |
Estampes, L. 100: II. La Soirée dans Grenade. Mouvement de Habanera | | | | | | | |
Fantaisie pour piano et orchestre, L. 73, CD 72 : I. Andante - Allegro | | | | | | | |
Fantaisie pour piano et orchestre, L. 73, CD 72 : II. Lento e molto espressivo | | | | | | | |
Fantaisie pour piano et orchestre, L. 73, CD 72 : III. Allegro molto | | | | | | | |
Fantasia for Piano in C minor, K. 396 (385f) | | | | | | | |
Goyescas, H.64, No. 4: Quejas o la maja y el ruiseñor | | | | | | | |
Lob der Tränen, S. 557 | | | | | | | |
Meeresstille, S. 558 Nr. 5 | | | | | | | |
Noches en los jardines de España: I. En el Generalife | | | | | | | |
Noches en los jardines de España: II. Danza lejana | | | | | | | |
Noches en los jardines de España: III. En los jardines de la sierra de Córdoba | | | | | | | |
Piano Concerto in G major: I. Allegramente | | | | | | | |
Piano Concerto in G major: II. Adagio assai | | | | | | | |
Piano Concerto in G major: III. Presto | | | | | | | |
Piano Concerto no. 1 in F-sharp minor, op. 1: I. Vivace | | | | | | | |
Piano Concerto no. 1 in F-sharp minor, op. 1: II. Andante | | | | | | | |
Piano Concerto no. 1 in F-sharp minor, op. 1: III. Allegro vivace | | | | | | | |
Rapsodia sinfónica, op. 66 | | | | | | | |
Requiem, op. 66 | | | | | | | |
Scherzo no. 1 in B minor, op. 20 | | | | | | | |
Scherzo no. 2 in B-flat minor, op. 31 | | | | | | | |
Scherzo no. 3 in C-sharp minor, op. 39 | | | | | | | |
Scherzo no. 4 in E major, op. 54 | | | | | | | |
Schwanengesang, S. 560: No. 10. Liebesbotschaft | | | | | | | |
Sonata for 2 Pianos in D major, K. 375a/448: I. Allegro con spirito | | | | | | | |
Sonata for 2 Pianos in D major, K. 375a/448: II. Andante | | | | | | | |
Sonata for 2 Pianos in D major, K. 375a/448: III. Allegro molto & Coda | | | | | | | |
Toccata und Fugue d-Moll, BWV 565, BV B 29 no. 2 | | | | | | | |
Ungeduld, S. 563 no. 5 | | | | | | | |
Ungeduld, S. 565 no. 6 | | | | | | | |
Variations on a Nursery Song, op. 25: Finale | | | | | | | |
Variations on a Nursery Song, op. 25: Introduction | | | | | | | |
Variations on a Nursery Song, op. 25: Theme | | | | | | | |
Variations on a Nursery Song, op. 25: Variation 1 | | | | | | | |
Variations on a Nursery Song, op. 25: Variation 2 | | | | | | | |
Variations on a Nursery Song, op. 25: Variation 3 | | | | | | | |
Variations on a Nursery Song, op. 25: Variation 4 | | | | | | | |
Variations on a Nursery Song, op. 25: Variation 5 | | | | | | | |
Variations on a Nursery Song, op. 25: Variation 6 | | | | | | | |
Variations on a Nursery Song, op. 25: Variation 7 | | | | | | | |
Variations on a Nursery Song, op. 25: Variation 8 | | | | | | | |
Variations on a Nursery Song, op. 25: Variation 9 | | | | | | | |
Variations on a Nursery Song, op. 25: Variation 10 | | | | | | | |
Variations on a Nursery Song, op. 25: Variation 11 | | | | | | | |
Variations symphoniques pour piano et orchestre, FWV 46 | | | | | | | |
Vier geistliche Lieder, S. 562: No. 1. Litanei (auf das Fest aller Seelen) | | | | | | | |
Vier geistliche Lieder, S. 562: No. 2. Himmelsfunken | | | | | | | |
Vier geistliche Lieder, S. 562: No. 3. Die Gestirne | | | | | | | |
Vier geistliche Lieder, S. 562: No. 4. Hymne (Geisterchor aus "Rosamunde") | | | | | | | |
Wohin?, S. 565 no. 5 | | | | | | | |