| 12 Contredances for Orchestra, WoO 14: No. 1 in C major | | | | | | | |
| 12 Contredances for Orchestra, WoO 14: No. 2 in A major | | | | | | | |
| 12 Contredances for Orchestra, WoO 14: No. 3 in D major | | | | | | | |
| 12 Contredances for Orchestra, WoO 14: No. 4 in B-flat major | | | | | | | |
| 12 Contredances for Orchestra, WoO 14: No. 5 in E-flat major | | | | | | | |
| 12 Contredances for Orchestra, WoO 14: No. 6 in C major | | | | | | | |
| 12 Contredances for Orchestra, WoO 14: No. 7 in E-flat major | | | | | | | |
| 12 Contredances for Orchestra, WoO 14: No. 8 in C major | | | | | | | |
| 12 Contredances for Orchestra, WoO 14: No. 9 in A major | | | | | | | |
| 12 Contredances for Orchestra, WoO 14: No. 10 in C major | | | | | | | |
| 12 Contredances for Orchestra, WoO 14: No. 11 in G major | | | | | | | |
| 12 Contredances for Orchestra, WoO 14: No. 12 in E-flat major | | | | | | | |
| A Concord Symphony: I. Emerson | | | | | | | |
| A Concord Symphony: II. Hawthorne | | | | | | | |
| A Concord Symphony: III. The Alcotts | | | | | | | |
| A Concord Symphony: IV. Thoreau | | | | | | | |
| A Jazz Symphony, W. 157a | | | | Symphony | | | |
| A Symphony: New England Holidays, S. 5: I. Winter: Washington's Birthday | | | | | | | |
| A Symphony: New England Holidays, S. 5: II. Spring: Decoration Day | | | | | | | |
| A Symphony: New England Holidays, S. 5: III. Summer: The Fourth of July | | | | | | | |
| A Symphony: New England Holidays, S. 5: IV. Autumn: Thanksgiving and Forefathers' Day | | | | | | | |
| Absolute Jest | | | | | | | |
| Adagio for Strings | | | | | | | |
| Agon | | | | Ballet | | | |
| Akademische Fest-Ouvertüre, op. 80 | | | | Overture | | | |
| Als mir dein Lied erklang, op. 68 no. 4 | | | | Song | | | |
| Also sprach Zarathustra, op. 30: I. Einleitung | | | | | | | |
| Also sprach Zarathustra, op. 30: II. Von den Hinterweltlern | | | | | | | |
| Also sprach Zarathustra, op. 30: III. Von der großen Sehnsucht | | | | | | | |
| Also sprach Zarathustra, op. 30: IV. Von den Freuden und Leidenschaften | | | | | | | |
| Also sprach Zarathustra, op. 30: IX. Nachtwandlerlied | | | | | | | |
| Also sprach Zarathustra, op. 30: Langsam | | | | | | | |
| Also sprach Zarathustra, op. 30: V. Das Grablied | | | | | | | |
| Also sprach Zarathustra, op. 30: VI. Von der Wissenschaft | | | | | | | |
| Also sprach Zarathustra, op. 30: VII. Der Genesende | | | | | | | |
| Also sprach Zarathustra, op. 30: VIII. Das Tanzlied | | | | | | | |
| Also sprach Zarathustra, op. 30: Ziemlich langsam | | | | | | | |
| Alternative Energy: I. Ford's Farm, 1896 | | | | | | | |
| Alternative Energy: II. Chicago, 2012 | | | | | | | |
| Alternative Energy: III. Xinjiang Province, 2112 | | | | | | | |
| Alternative Energy: IV. Reykjavik, 2222 | | | | | | | |
| Amériques | | | | | | | |
| Amor, op. 68 no. 5 | | | | Song | | | |
| An American in Paris | | | | Symphonic poem | | | |
| An die Nacht, op. 68 no. 1 | | | | Song | | | |
| Appalachian Spring Suite | | | | Suite | | | |
| Arias and Barcarolles: Greeting | | | | Song | | | |
| Arias and Barcarolles: Little Smary | | | | Song | | | |
| Arias and Barcarolles: Love Duet | | | | Song | | | |
| Arias and Barcarolles: Mr. and Mrs. Webb Say Goodnight | | | | Song | | | |
| Arias and Barcarolles: Nachspiel (In Memoriam) | | | | | | | |
| Arias and Barcarolles: Oif mayn khas'neh (At My Wedding) | | | | Song | | | |
| Arias and Barcarolles: Prelude | | | | | | | |
| Arias and Barcarolles: The Love of My Life | | | | Song | | | |
| Billy the Kid | | | | Suite | | | |
| Blumenwalzer (doppelpedalharfe) | | | | | | | |
| Boléro | | | | Ballet | | | 5 |
| Canon (on a Russian Popular Tune) | | | | | | | |
| Cantata for Mixed Chorus and Orchestra, op. 112 "Meeresstille und glückliche Fahrt" | | | | Cantata | | | |
| Cantata on the Death of Emperor Joseph II, WoO 87: I. Chorus "Tot! Tot, stöhnt es durch die öde Nacht" (solo quartet) | | - Eesti Riiklik Sümfooniaorkester, Tõnu Kaljuste, Mati Kõrts, Leonid Savitski, Teele Jõks, Fiona Cameron
- Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Christian Thielemann
- Eesti Riiklik Sümfooniaorkester, Eesti Filharmoonia Kammerkoor, Tõnu Kaljuste
- Chorus Cathedralis Aboensis, Turun filharmoninen orkesteri, Leif Segerstam
- (show 4 more)
| | | | | |
| Cantata on the Death of Emperor Joseph II, WoO 87: II. Recitative "Ein Ungeheuer, sein Name Fanatismus" (bass) | | | | | | | |
| Cantata on the Death of Emperor Joseph II, WoO 87: III. Aria "Da kam Joseph" (bass) | | | | Aria | | | |
| Cantata on the Death of Emperor Joseph II, WoO 87: IV. Aria & Chorus "Da stiegen die Menschen ans Licht" (soprano) | | | | Aria | | | |
| Cantata on the Death of Emperor Joseph II, WoO 87: V. Recitative "Er schläft" (soprano) | | | | | | | |
| Cantata on the Death of Emperor Joseph II, WoO 87: VI. Aria "Hier schlummert seinen stillen Frieden" (soprano) | | | | Aria | | | |
| Cantata on the Death of Emperor Joseph II, WoO 87: VII. Chorus "Tot, stöhnt es durch die öde Nacht" (solo quartet) | | - Eesti Riiklik Sümfooniaorkester, Tõnu Kaljuste, Mati Kõrts, Leonid Savitski, Teele Jõks, Fiona Cameron
- Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Christian Thielemann
- Eesti Riiklik Sümfooniaorkester, Eesti Filharmoonia Kammerkoor, Tõnu Kaljuste
- Chorus Cathedralis Aboensis, Turun filharmoninen orkesteri, Leif Segerstam
- (show 4 more)
| | | | | |
| Carmina Burana: Blanziflor et Helena: XXIV. Ave formosissima | | | | | | | |
| Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna | | | | | | | |
| Carmina Burana: Fortuna Imperatrix mundi: II. Fortuna plango vulnera | | - Ernst Hinreiner, Richard Brünner, Gerda Hartmann, Rudolf Knoll, Salzburg Mozarteum Chorus, The European Philharmonic Orchestra, Salzburg Mozarteum Orchestra, Hymisher Greenburg, Kurt Prestel
- Mozarteum Orchester & Chor Salzburg, Kurt Prestel
- Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti
- New Philharmonia Chorus, New Philharmonia Orchestra, Rafael Frühbeck de Burgos
- (show 82 more)
| | Cantata | | | |
| Carmina Burana: Fortuna Imperatrix mundi: XXV. O Fortuna | | | | | | | |
| Carmina Burana: I. Primo vere: III. Veris leta facies | | | | | | | |
| Carmina Burana: I. Primo vere: IV. Omnia Sol temperat | | | | | | | |
| Carmina Burana: I. Primo vere: V. Ecce gratum | | | | | | | |
| Carmina Burana: II. In Taberna: XI. Estuans interius | | | | | | | |
| Carmina Burana: II. In Taberna: XII. Olim lacus colueram | | | | | | | |
| Carmina Burana: II. In Taberna: XIII. Ego sum abbas | | | | | | | |
| Carmina Burana: II. In Taberna: XIV. In taberna quando sumus | | | | | | | |
| Carmina Burana: III. Cour d’amours: XIX. Si puer cum puellula | | | | | | | |
| Carmina Burana: III. Cour d’amours: XV. Amor volat undique | | - Mozarteum Orchester & Chor Salzburg, Kurt Prestel
- Norma Burrowes, Southend Boys’ Choir, Royal Philharmonic Orchestra, Antal Doráti
- Ann Archibald, Boys of the Temple Church Choir, London, Royal Philharmonic Orchestra, Richard Cooke
- Lucia Popp, Wandsworth School Boys’ Choir, New Philharmonia Orchestra, Rafael Frühbeck de Burgos
- (show 76 more)
| | | | | |
| Carmina Burana: III. Cour d’amours: XVI. Dies, nox et omnia | | | | | - Latin
- French, Old (842-ca.1400)
| | |
| Carmina Burana: III. Cour d’amours: XVII. Stetit puella | | | | | | | |
| Carmina Burana: III. Cour d’amours: XVIII. Circa mea pectora | | | | | - Latin
- German, Middle High (ca.1050-1500)
| | |
| Carmina Burana: III. Cour d’amours: XX. Veni, veni, venias | | | | | | | |
| Carmina Burana: III. Cour d’amours: XXI. In trutina mentis dubia | | | | | | | |
| Carmina Burana: III. Cour d’amours: XXII. Tempus est iocundum | | - Mozarteum Orchester & Chor Salzburg, Kurt Prestel
- Brighton Festival Chorus, Norma Burrowes, John Shirley‐Quirk, Southend Boys’ Choir, Royal Philharmonic Orchestra, Antal Doráti
- New Philharmonia Chorus, Lucia Popp, Wandsworth School Boys’ Choir, Raymond Wolansky, New Philharmonia Orchestra, Rafael Frühbeck de Burgos
- Rundfunk-Sinfonie-Orchester Leipzig, Herbert Kegel
- (show 77 more)
| | | | | |
| Carmina Burana: III. Cour d’amours: XXIII. Dulcissime | | | | | | | |
| Carmina Burana: Uf dem Anger: IX. (a) Reie | | | | | | | |
| Carmina Burana: Uf dem Anger: IX. (b) Swaz hie gat umbe | | | | | - German, Middle High (ca.1050-1500)
| | |
| Carmina Burana: Uf dem Anger: IX. (c) Chume, chum, geselle min | | | | | - German, Middle High (ca.1050-1500)
| | |
| Carmina Burana: Uf dem Anger: IX. (d) Swaz hie gat umbe (reprise) | | | | | - German, Middle High (ca.1050-1500)
| | |
| Carmina Burana: Uf dem Anger: IX. Reie / Swaz hie gat umbe / Chume, chum, geselle min! / Swaz hie gat umbe | | | | | - German, Middle High (ca.1050-1500)
| | |
| Carmina Burana: Uf dem Anger: VI. Tanz | | | | | | | |
| Carmina Burana: Uf dem Anger: VII. Floret silva nobilis | | | | | - Latin
- German, Middle High (ca.1050-1500)
| | |
| Carmina Burana: Uf dem Anger: VIII. Chramer, gip die varwe mir | | | | | - German, Middle High (ca.1050-1500)
| | |
| Carmina Burana: Uf dem Anger: X. Were diu werlt alle min | | | | | - German, Middle High (ca.1050-1500)
| | |
| Cello Concerto no. 1 in A minor, op. 33: I. Allegro non troppo | | | | | | | |
| Cello Concerto no. 1 in A minor, op. 33: II. Allegretto con moto | | | | | | | |
| Cello Concerto no. 1 in A minor, op. 33: III. Molto allegro | | | | | | | |
| Cello Concerto no. 1 in E-flat major, op. 107: I. Allegretto | | | | | | | |
| Cello Concerto no. 1 in E-flat major, op. 107: II. Moderato | | | | | | | |
