| vocals |
|---|
| 1982-11 | Messiah, HWV 56: Part I, 16a. “Then shall the eyes of the blind” – Recitativo | mezzo-soprano vocals | Catherine Robbin, English Baroque Soloists, Sir John Eliot Gardiner | 0:21 |
| 1982-11 | Messiah, HWV 56: Part I, 17. “He shall feed His flock” – Duetto | mezzo-soprano vocals | Charles Brett, Margaret Marshall, Catherine Robbin, English Baroque Soloists, Sir John Eliot Gardiner | 4:28 |
| 1982-11 | Messiah, HWV 56: Part I, VIIb. Recitative (Alto) "Behold, a virgin shall conceive" | mezzo-soprano vocals | Catherine Robbin, English Baroque Soloists, Sir John Eliot Gardiner | 0:28 |
| 1982-11 | Messiah, HWV 56: Part I, VIII. Air (Alto) "O thou that tellest good tidings to Zion", Chorus "O thou that tellest good tidings to Zion" | mezzo-soprano vocals | Monteverdi Choir, Catherine Robbin, English Baroque Soloists, Sir John Eliot Gardiner | 5:36 |
| 1982-11 | Messiah, HWV 56: Part II, 20. “He was despised” – Aria | mezzo-soprano vocals | Charles Brett, Catherine Robbin, English Baroque Soloists, Sir John Eliot Gardiner | 10:12 |
| 1982-11 | Messiah, HWV 56: Part II, 34. “How beautiful are the feet” – Aria (alternative version) | mezzo-soprano vocals | Catherine Robbin, English Baroque Soloists, Sir John Eliot Gardiner | 2:16 |
| 1982-11 | Messiah, HWV 56: Part III, XLIIIb. Recitative (Alto) "Then shall be brought to pass the saying that is written" | mezzo-soprano vocals | Catherine Robbin, English Baroque Soloists, Sir John Eliot Gardiner | 0:15 |
| 1982-11 | Messiah, HWV 56: Part III, XLIV. Duet (Alto & Tenor) "O Death, where is thy sting?" | mezzo-soprano vocals | Charles Brett, Catherine Robbin, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | 1:20 |
| 1986-07 – 1986-08 | Aria | mezzo-soprano vocals | André Gagnon | 5:18 |
| 1988-02 | Lucrezia: Aria (Adagio) | mezzo-soprano vocals | George Frideric Handel | 4:51 |
| 1988-02 | Lucrezia: Aria (Adagio) | mezzo-soprano vocals | George Frideric Handel | 3:44 |
| 1988-02 | Lucrezia: Aria (Allegro) | mezzo-soprano vocals | George Frideric Handel | 3:16 |
| 1988-02 | Lucrezia: Arioso (Adagio) | mezzo-soprano vocals | George Frideric Handel | 1:21 |
| 1988-02 | Lucrezia: Furioso | mezzo-soprano vocals | George Frideric Handel | 0:46 |
| 1988-02 | Lucrezia: Furioso | mezzo-soprano vocals | George Frideric Handel | 0:46 |
| 1988-02 | Lucrezia: Recitative | mezzo-soprano vocals | George Frideric Handel | 1:01 |
| 1988-02 | Lucrezia: Recitative | mezzo-soprano vocals | George Frideric Handel | 1:14 |
| 1988-02 | Lucrezia: Recitative | mezzo-soprano vocals | George Frideric Handel | 1:03 |
| 1988-02 | Lucrezia: Recitative | mezzo-soprano vocals | George Frideric Handel | 1:08 |
| 1988-02 | Nisi Dominus: Amen (Allegro) | mezzo-soprano vocals | Antonio Vivaldi | 1:52 |
| 1988-02 | Nisi Dominus: Beatus vir (Andante) | mezzo-soprano vocals | Antonio Vivaldi | 1:08 |
| 1988-02 | Nisi Dominus: Cum dederit (Largo) | mezzo-soprano vocals | Antonio Vivaldi | 3:45 |
| 1988-02 | Nisi Dominus: Gloria Patri (Larghetto) | mezzo-soprano vocals | Antonio Vivaldi | 4:27 |
| 1988-02 | Nisi Dominus: Nisi Dominus (Allegro) | mezzo-soprano vocals | Antonio Vivaldi | 2:37 |
| 1988-02 | Nisi Dominus: Sicut erat in principio (Allegro) | mezzo-soprano vocals | Antonio Vivaldi | 1:04 |
| 1988-02 | Nisi Dominus: Sicut sagittae (Allegro) | mezzo-soprano vocals | Antonio Vivaldi | 1:29 |
| 1988-02 | Nisi Dominus: Surgite (Presto) | mezzo-soprano vocals | Antonio Vivaldi | 1:24 |
| 1988-02 | Nisi Dominus: Vanum est vobis (Largo) | mezzo-soprano vocals | Antonio Vivaldi | 1:42 |
| 1988-02 | Salve Regina: Ad te clamamus (Moderato) | mezzo-soprano vocals | Domenico Scarlatti | 1:43 |
| 1988-02 | Salve Regina: Ad te suspirans (Adagio) | mezzo-soprano vocals | Domenico Scarlatti | 1:04 |
| 1988-02 | Salve Regina: Amen (Allegro) | mezzo-soprano vocals | Domenico Scarlatti | 1:34 |
| 1988-02 | Salve Regina: Eja ergo (Andante) | mezzo-soprano vocals | Domenico Scarlatti | 1:41 |
| 1988-02 | Salve Regina: Nobis post hoc (Andante) | mezzo-soprano vocals | Domenico Scarlatti | 2:52 |
| 1988-02 | Salve Regina: O clemens, o pia (Adagio) | mezzo-soprano vocals | Domenico Scarlatti | 2:28 |
| 1988-02 | Salve Regina: Salve Regina (Andante) | mezzo-soprano vocals | Domenico Scarlatti | 3:13 |
| 1988-09 | Symphony No. 9 in D minor, Op. 125: IV. Allegro ma non tanto - Presto - Allegro assai - Alla marcia - Andante maestoso - Allegro energico | mezzo-soprano vocals | Academy of Ancient Music, Christopher Hogwood | 25:00 |
| 1989-03 – 1990-07 | Orlando: Act Three XXIII. "Trionfa oggi'l mio cor" (Orlando, Angelica, Medoro, Dorinda, tutti) | contralto vocals | James Bowman, Arleen Augér, Catherine Robbin, The Academy of Ancient Music, Christopher Hogwood | 2:08 |
| 1989-07 | Stabat Mater, Hob.XXa:1: 2. O quam tristis et afflicta | mezzo-soprano vocals | Simon Standage, Catherine Robbin, The English Concert, Trevor Pinnock | 6:30 |
| 1989-07 | Stabat Mater, Hob.XXa:1: 9. Fac me vere tecum flere | mezzo-soprano vocals | Simon Standage, Catherine Robbin, The English Concert, Trevor Pinnock | 6:27 |
| 1989-07 | Stabat Mater, Hob.XXa:1: 10. Virgo virginium praeclara | mezzo-soprano vocals | Simon Standage, Choir of the English Concert, Cornelius Hauptmann, Catherine Robbin, Anthony Rolfe Johnson, Patricia Rozario, The English Concert, Trevor Pinnock | 7:01 |
| 1989-07 | Stabat Mater, Hob.XXa:1: 13a.Quando corpus morietur | mezzo-soprano vocals | Simon Standage, Choir of the English Concert, Catherine Robbin, Patricia Rozario, The English Concert, Trevor Pinnock | 2:10 |
| 1989-11 | Cantata for Mixed Chorus and Orchestra, Op. 112 "Meeresstille und glückliche Fahrt": I. Meeresstille. Sostenuto "Tiefe Stille herrscht im Wasser" Sostenuto / II. Glückliche Fahrt. Allegro vivace "Die Nebel zerreißen" | mezzo-soprano vocals | Orchestre Révolutionnaire et Romantique, Monteverdi Choir, John Eliot Gardiner | 7:19 |
| 1989-11 | Mass in C major, op. 86: Agnus Dei | mezzo-soprano vocals | Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | 6:21 |
| 1989-11 | Mass in C major, op. 86: Credo | mezzo-soprano vocals | Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | 10:30 |
| 1989-11 | Mass in C major, op. 86: Gloria | mezzo-soprano vocals | Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | 8:49 |
| 1989-11 | Mass in C major, op. 86: Kyrie | mezzo-soprano vocals | Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | 5:35 |
| 1989-11 | Mass in C major, op. 86: Sanctus (Benedictus) | mezzo-soprano vocals | Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | 10:47 |
| 1989-11 | Missa solemnis, op. 123: 1. Kyrie. Assai sostenuto (Mit Andacht) | mezzo-soprano vocals and solo | William Kendall, Charlotte Margiono, Alastair Miles, Monteverdi Choir, Catherine Robbin, Alastair Ross, English Baroque Soloists, Sir John Eliot Gardiner | 8:51 |
| 1989-11 | Missa solemnis, op. 123: 2. Gloria. Allegro vivace | mezzo-soprano vocals and solo | William Kendall, Charlotte Margiono, Alastair Miles, Monteverdi Choir, Catherine Robbin, Alastair Ross, English Baroque Soloists, Sir John Eliot Gardiner | 16:29 |
| 1989-11 | Missa solemnis, op. 123: 3. Creedo. Allegro ma non troppo | mezzo-soprano vocals and solo | William Kendall, Charlotte Margiono, Alastair Miles, Monteverdi Choir, Catherine Robbin, Alastair Ross, English Baroque Soloists, Sir John Eliot Gardiner | 17:29 |
| 1989-11 | Missa solemnis, op. 123: 4. Sanctus. Adagio (Mit Andacht) - Benedictus. Andante molto cantabile e non troppo mosso | mezzo-soprano vocals and solo | William Kendall, Charlotte Margiono, Alastair Miles, Monteverdi Choir, Catherine Robbin, Alastair Ross, English Baroque Soloists, Sir John Eliot Gardiner | 15:17 |
| 1989-11 | Missa solemnis, op. 123: 5. Agnus Dei. Adagio | mezzo-soprano vocals and solo | William Kendall, Charlotte Margiono, Alastair Miles, Monteverdi Choir, Catherine Robbin, Alastair Ross, English Baroque Soloists, Sir John Eliot Gardiner | 13:34 |
| 1990-06 | La clemenza di Tito: Atto I, Scena II. Recitativo "Amico, il passo affreta" (Annio, Vitellia, Sesto) | mezzo-soprano vocals [Annio, amico di Sesto, amante di Servilia] | English Baroque Soloists, Sir John Eliot Gardiner | 1:11 |
| 1990-06 | La clemenza di Tito: Atto I, Scena III. No 3 Duettino "Deh, prendi un dolce amplesso" (Annio, Sesto) | mezzo-soprano vocals [Annio, amico di Sesto, amante di Servilia] | English Baroque Soloists, Sir John Eliot Gardiner | 0:48 |
| 1990-06 | La clemenza di Tito: Atto I, Scena III. Recitativo "Amico, ecco il momento" (Annio, Sesto) | mezzo-soprano vocals [Annio, amico di Sesto, amante di Servilia] | English Baroque Soloists, Sir John Eliot Gardiner | 0:28 |
| 1990-06 | La clemenza di Tito: Atto I, Scena IV. Recitativo "Adesso, oh Sesto, parla per me" (Annio, Sesto, Tito) | mezzo-soprano vocals [Annio, amico di Sesto, amante di Servilia] | English Baroque Soloists, Sir John Eliot Gardiner | 2:30 |
| 1990-06 | La clemenza di Tito: Atto I, Scena IV. Recitativo "Te della patria il Padre" (Publio, Annio, Tito) | mezzo-soprano vocals [Annio, amico di Sesto, amante di Servilia] | English Baroque Soloists, Sir John Eliot Gardiner | 1:40 |
| 1990-06 | La clemenza di Tito: Atto I, Scena IX. No 10 Terzetto "Vengo...aspettate...Sesto!" (Vitellia, Annio, Publio) | mezzo-soprano vocals [Annio, amico di Sesto, amante di Servilia] | English Baroque Soloists, Sir John Eliot Gardiner | 2:17 |
| 1990-06 | La clemenza di Tito: Atto I, Scena IX. Recitativo "Vedrai, Tito, vedrai" (Vitellia, Publio, Annio) | mezzo-soprano vocals [Annio, amico di Sesto, amante di Servilia] | English Baroque Soloists, Sir John Eliot Gardiner | 0:43 |
| 1990-06 | La clemenza di Tito: Atto I, Scena V. No 7 Duetto "Ah, perdona al primo affetto" (Annio, Servilia) | mezzo-soprano vocals [Annio, amico di Sesto, amante di Servilia] | English Baroque Soloists, Sir John Eliot Gardiner | 2:35 |
| 1990-06 | La clemenza di Tito: Atto I, Scena V. Recitativo "Non ci pentiam" (Annio, Servilia) | mezzo-soprano vocals [Annio, amico di Sesto, amante di Servilia] | English Baroque Soloists, Sir John Eliot Gardiner | 1:45 |
| 1990-06 | La clemenza di Tito: Atto I, Scena X. No 12 Quintetto con Coro "Deh, conservate, oh Dei" (Sesto, Annio, Servilia, Coro, Publio, Vitellia) | mezzo-soprano vocals [Annio, amico di Sesto, amante di Servilia] | English Baroque Soloists, Sir John Eliot Gardiner | 6:35 |
| 1990-06 | La clemenza di Tito: Atto II, Scena I. No 13 Aria "Torna di Tito a lato" (Annio) | mezzo-soprano vocals [Annio, amico di Sesto, amante di Servilia] | English Baroque Soloists, Sir John Eliot Gardiner | 2:13 |
| 1990-06 | La clemenza di Tito: Atto II, Scena I. Recitativo "Sesto, come tu credi" (Annio, Sesto) | mezzo-soprano vocals [Annio, amico di Sesto, amante di Servilia] | English Baroque Soloists, Sir John Eliot Gardiner | 1:22 |
| 1990-06 | La clemenza di Tito: Atto II, Scena VI. Recitativo "No, così scellerato" (Tito, Annio) - Scena VII. "Cesare, nol diss'io" (Publio, Tito, Annio) | mezzo-soprano vocals [Annio, amico di Sesto, amante di Servilia] | English Baroque Soloists, Sir John Eliot Gardiner | 1:17 |
| 1990-06 | La clemenza di Tito: Atto II, Scena VII. No 17 Aria "Tu fosti tradito" (Annio) | mezzo-soprano vocals [Annio, amico di Sesto, amante di Servilia] | English Baroque Soloists, Sir John Eliot Gardiner | 3:00 |
| 1990-06 | La clemenza di Tito: Atto II, Scena XII. Recitativo "Ah, Vitellia!" (Servilia, Annio, Vitellia) | mezzo-soprano vocals [Annio, amico di Sesto, amante di Servilia] | English Baroque Soloists, Sir John Eliot Gardiner | 0:50 |
| 1990-06 | La clemenza di Tito: Atto II, Scena XV. No 26 Sestetto con Coro "Tu, è ver, m'assolvi, Augusto" (Sesto, Tito, Vitellia, Servilia, Annio, Publio, Coro) | mezzo-soprano vocals [Annio, amico di Sesto, amante di Servilia] | English Baroque Soloists, Sir John Eliot Gardiner | 3:54 |
| 1990-06 | La clemenza di Tito: Atto II, Scena XV. Recitativo "Sesto, de' tuoi delitti" (Tito, Vitellia, Sesto, Servilia, Annio, Publio) - No 25 Recitativo accompagnato "Ma che giorno è mai questo?" (Tito) | mezzo-soprano vocals [Annio, amico di Sesto, amante di Servilia] | English Baroque Soloists, Sir John Eliot Gardiner | 3:13 |
| 1990-07 | Belshazzar: Act 1, Scene 2, Air "Dry thoes unavailing tears" (Cyrus) | mezzo-soprano vocals [Cyrus] | Catherine Robbin, The English Concert, Trevor Pinnock | 2:12 |
| 1990-07 | Belshazzar: Act 1, Scene 2, Air "Great God! who, yet but darkly known" (Cyrus) | mezzo-soprano vocals [Cyrus] | Catherine Robbin, The English Concert, Trevor Pinnock | 3:49 |
| 1990-07 | Belshazzar: Act 1, Scene 2, Recitativo "Be comforted: safe though the tyrant seem"; Accompagnato "Methought, as on the bank of deep Euphrates" (Cyrus) | mezzo-soprano vocals [Cyrus] | Catherine Robbin, The English Concert, Trevor Pinnock | 2:35 |
| 1990-07 | Belshazzar: Act 1, Scene 2, Recitativo "Can you then think it strange" (Cyrus) | mezzo-soprano vocals [Cyrus] | Catherine Robbin, The English Concert, Trevor Pinnock | 0:16 |
| 1990-07 | Belshazzar: Act 1, Scene 2, Recitativo "My friends, be confident" (Cyrus) | mezzo-soprano vocals [Cyrus] | Catherine Robbin, The English Concert, Trevor Pinnock | 0:41 |
| 1990-07 | Belshazzar: Act 1, Scene 2, Recitativo "Now, tell me, Gobrias" (Cyrus, Gobrias) | mezzo-soprano vocals [Cyrus] | Catherine Robbin, David Wilson-Johnson, The English Concert, Trevor Pinnock | 1:14 |
| 1990-07 | Belshazzar: Act 1, Scene 2, Recitativo "Well may they laugh" (Gobrias, Cyrus); Accompagnato "Oh memory! Still bitter to my soul" (Gobrias) | mezzo-soprano vocals [Cyrus] | Catherine Robbin, David Wilson-Johnson, The English Concert, Trevor Pinnock | 1:19 |
| 1990-07 | Belshazzar: Act 2, Scene 1, Air "Amaz'd to find the foe so near" (Cyrus) | mezzo-soprano vocals [Cyrus] | Catherine Robbin, The English Concert, Trevor Pinnock | 4:24 |
| 1990-07 | Belshazzar: Act 2, Scene 1, Recitativo "You see, my friends, a path" (Cyrus) | mezzo-soprano vocals [Cyrus] | Catherine Robbin, The English Concert, Trevor Pinnock | 0:45 |
| 1990-07 | Belshazzar: Act 2, Scene 3, Air "Oh God of Truth! oh faithful guide!" (Cyrus) | mezzo-soprano vocals [Cyrus] | Catherine Robbin, The English Concert, Trevor Pinnock | 4:37 |
| 1990-07 | Belshazzar: Act 2, Scene 3, Recitativo "You, Gobrias, lead directry to the palace" (Cyrus) | mezzo-soprano vocals [Cyrus] | Catherine Robbin, The English Concert, Trevor Pinnock | 1:02 |
| 1990-07 | Belshazzar: Act 3, Scene 3, Accompagnato "Yes, I will build thy city" (Cyrus) | mezzo-soprano vocals [Cyrus] | Catherine Robbin, The English Concert, Trevor Pinnock | 2:22 |
| 1990-07 | Belshazzar: Act 3, Scene 3, Duet "Great victor, at your feet I bow" (Nitocris, Cyrus) | mezzo-soprano vocals [Cyrus] | Arleen Auger, Catherine Robbin, The English Concert, Trevor Pinnock | 3:58 |
| 1990-07 | Belshazzar: Act 3, Scene 3, Recitativo "Be it thy care, good Gobrias" (Cyrus); Air "Destructive War, thy limits know" (Cyrus) | mezzo-soprano vocals [Cyrus] | Catherine Robbin, The English Concert, Trevor Pinnock | 2:55 |
| 1990-07 | Belshazzar: Act 3, Scene 3, Recitativo "Say, venerable prophet" (Cyrus, Daniel) | mezzo-soprano vocals [Cyrus] | James Bowman, Catherine Robbin, The English Concert, Trevor Pinnock | 0:56 |
| 1990-11 | Mass in C major, K317 "Coronation": VI. Agnus Dei | mezzo-soprano vocals | Emma Kirkby, Catherine Robbin, John Mark Ainsley, Michael George, Winchester College Quiristers, Choir Of Winchester Cathedral, Academy of Ancient Music, Christopher Hogwood | 6:15 |
| 1990-11 | Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": II. "Gloria" | mezzo-soprano vocals | Emma Kirkby, Catherine Robbin, John Mark Ainsley, Michael George, Winchester College Quiristers, Choir Of Winchester Cathedral, Academy of Ancient Music, Christopher Hogwood | 4:37 |
| 1990-11 | Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": III. "Credo" | mezzo-soprano vocals | Emma Kirkby, Catherine Robbin, John Mark Ainsley, Michael George, Winchester College Quiristers, Choir Of Winchester Cathedral, Academy of Ancient Music, Christopher Hogwood | 6:24 |
| 1990-11 | Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": V. "Benedictus" | mezzo-soprano vocals | Emma Kirkby, Catherine Robbin, John Mark Ainsley, Michael George, Winchester College Quiristers, Choir Of Winchester Cathedral, Academy of Ancient Music, Christopher Hogwood | 3:18 |
| 1990-11 | Vesperae solennes de confessore for Soloists, Chorus & Orchestra in C major, K. 339: I. "Dixit dominus" | mezzo-soprano vocals | Emma Kirkby, Catherine Robbin, John Mark Ainsley, Michael George, Winchester College Quiristers, Choir Of Winchester Cathedral, Academy of Ancient Music, Christopher Hogwood | 4:02 |
| 1990-11 | Vesperae solennes de confessore for Soloists, Chorus & Orchestra in C major, K. 339: II. "Confitebor" | mezzo-soprano vocals | Emma Kirkby, Catherine Robbin, John Mark Ainsley, Michael George, Winchester College Quiristers, Choir Of Winchester Cathedral, Academy of Ancient Music, Christopher Hogwood | 4:13 |
| 1990-11 | Vesperae solennes de confessore for Soloists, Chorus & Orchestra in C major, K. 339: III. "Beatus vir" | mezzo-soprano vocals | Emma Kirkby, Catherine Robbin, John Mark Ainsley, Michael George, Winchester College Quiristers, Choir Of Winchester Cathedral, Academy of Ancient Music, Christopher Hogwood | 4:37 |
| 1990-11 | Vesperae solennes de confessore for Soloists, Chorus & Orchestra in C major, K. 339: VI. "Magnificat" | mezzo-soprano vocals | Emma Kirkby, Catherine Robbin, John Mark Ainsley, Michael George, Winchester College Quiristers, Choir Of Winchester Cathedral, Academy of Ancient Music, Christopher Hogwood | 4:38 |
| 1991-03 | Béatrice et Bénédict, H. 138, Act 1: “Voici la belle Héro … Je sais bien bon gré à mon père” (Bénédict, Héro, Ursule) | mezzo-soprano vocals [Ursule] | Sylvia McNair, Catherine Robbin, Jean-Luc Viala, Orchestre de l’Opéra de Lyon, John Nelson | 1:46 |
| 1991-03 | Béatrice et Bénédict, H. 138, Act 1: “Vous soupirez, Madame ?” (Ursule, Héro) | mezzo-soprano vocals [Ursule] | Sylvia McNair, Catherine Robbin, Orchestre de l’Opéra de Lyon, John Nelson | 9:57 |
| 1991-03 | Béatrice et Bénédict, H. 138, Act 2: “Ici l’on voit Bénédict l’homme marié” (Héro, Ursule, Claudio, Don Pedro, Bénédict, | mezzo-soprano vocals [Ursule] | Gilles Cachemaille, Chœur de l’Opéra de Lyon, Sylvia McNair, Catherine Robbin, Vincent Le Texier, Jean-Luc Viala, Orchestre de l’Opéra de Lyon, John Nelson | 0:52 |
| 1991-03 | Béatrice et Bénédict, H. 138, Act 2: “Je vais d’un coeur aimant” (Héro, Béatrice, Ursule) | mezzo-soprano vocals [Ursule] | Susan Graham, Sylvia McNair, Catherine Robbin, Orchestre de l’Opéra de Lyon, John Nelson | 9:29 |
| 1991-03 | Béatrice et Bénédict, H. 138, Act 2: “Qu’as‐tu donc, Béatrice ?” (Héro, Béatrice, Ursule) | mezzo-soprano vocals [Ursule] | Susan Graham, Sylvia McNair, Catherine Robbin, Orchestre de l’Opéra de Lyon, John Nelson | 0:44 |
| 1991-09 | Requiem, KV. 626: IIIb. Sequenz: Tuba mirum | contralto vocals | Nancy Argenta, Catherine Robbin, John Mark Ainsley, Alastair Miles, The London Classical Players, Sir Roger Norrington | 2:46 |
| 1991-09 | Requiem, KV. 626: IIId. Sequenz: Recordare | contralto vocals | Nancy Argenta, Catherine Robbin, John Mark Ainsley, Alastair Miles, The London Classical Players, Sir Roger Norrington | 4:35 |
| 1991-09 | Requiem, KV. 626: IVa. Offertorium: Domine Jesu | contralto vocals | Nancy Argenta, Catherine Robbin, John Mark Ainsley, Alastair Miles, The London Classical Players, Sir Roger Norrington | 3:19 |
| See all 190 relationships |
| vocals |
|---|
| 1982-11 | Messiah | mezzo-soprano vocals | Händel; John Eliot Gardiner, Margaret Marshall, Catherine Robbin, Anthony Rolfe-Johnson, Robert Hale, Charles Brett, Saul Quirke, Monteverdi Choir, English Baroque Soloists | |
| Maurerische Trauermusik / Requiem / Ave Verum Corpus | contralto vocals | Wolfgang Amadeus Mozart; Nancy Argenta, Catherine Robbin, John Mark Ainsley, Alastair Miles, Schütz Choir & Consort, The London Classical Players, Sir Roger Norrington | |
| Messiah | mezzo-soprano vocals | Händel; Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | |
| Roméo & Juliette | mezzo-soprano vocals | Berlioz; Orchestre Révolutionnaire et Romantique, Monteverdi Choir, John Eliot Gardiner | |
