| Aria "Alma mia,..." | Catherine Robbin, Tafelmusik, Alan Curtis | | | 5:00 | |
| Aria "Bramo te sola, non penso all' impero..." | Catherine Robbin, Tafelmusik, Alan Curtis | | | 4:50 | |
| Aria "Mia bella, godo che son per te..." | Catherine Robbin, Tafelmusik, Alan Curtis | | | 5:12 | |
| Aria "Questi ceppi e quest'orrore..." | Catherine Robbin, Tafelmusik, Alan Curtis | | | 4:45 | |
| Aria "Se dolce m'era già..." | Catherine Robbin, Tafelmusik, Alan Curtis | | | 6:44 | |
| Béatrice et Bénédict, H. 138, Act 1: “Voici la belle Héro … Je sais bien bon gré à mon père” (Bénédict, Héro, Ursule) | Sylvia McNair, Catherine Robbin, Jean-Luc Viala, Orchestre de l’Opéra de Lyon, John Nelson | | | 1:46 | |
| Béatrice et Bénédict, H. 138, Act 1: “Vous soupirez, Madame ?” (Ursule, Héro) | Sylvia McNair, Catherine Robbin, Orchestre de l’Opéra de Lyon, John Nelson | | | 9:57 | |
| Béatrice et Bénédict, H. 138, Act 2: “Ici l’on voit Bénédict l’homme marié” (Héro, Ursule, Claudio, Don Pedro, Bénédict, | Gilles Cachemaille, Chœur de l’Opéra de Lyon, Sylvia McNair, Catherine Robbin, Vincent Le Texier, Jean-Luc Viala, Orchestre de l’Opéra de Lyon, John Nelson | | | 0:52 | |
| Béatrice et Bénédict, H. 138, Act 2: “Je vais d’un coeur aimant” (Héro, Béatrice, Ursule) | Susan Graham, Sylvia McNair, Catherine Robbin, Orchestre de l’Opéra de Lyon, John Nelson | | | 9:29 | |
| Béatrice et Bénédict, H. 138, Act 2: “Qu’as‐tu donc, Béatrice ?” (Héro, Béatrice, Ursule) | Susan Graham, Sylvia McNair, Catherine Robbin, Orchestre de l’Opéra de Lyon, John Nelson | | | 0:44 | |
| Behold, a Virgin Shall Conceive (alto recitative) | Catherine Robbin, Boston Baroque, Martin Pearlman | | | 0:22 | |
| Belshazzar: Act 1, Scene 2, Air "Dry thoes unavailing tears" (Cyrus) | Catherine Robbin, The English Concert, Trevor Pinnock | | | 2:12 | |
| Belshazzar: Act 1, Scene 2, Air "Great God! who, yet but darkly known" (Cyrus) | Catherine Robbin, The English Concert, Trevor Pinnock | | | 3:49 | |
| Belshazzar: Act 1, Scene 2, Recitativo "Be comforted: safe though the tyrant seem"; Accompagnato "Methought, as on the bank of deep Euphrates" (Cyrus) | Catherine Robbin, The English Concert, Trevor Pinnock | | | 2:35 | |
| Belshazzar: Act 1, Scene 2, Recitativo "Can you then think it strange" (Cyrus) | Catherine Robbin, The English Concert, Trevor Pinnock | | | 0:16 | |
| Belshazzar: Act 1, Scene 2, Recitativo "My friends, be confident" (Cyrus) | Catherine Robbin, The English Concert, Trevor Pinnock | | | 0:41 | |
| Belshazzar: Act 1, Scene 2, Recitativo "Now, tell me, Gobrias" (Cyrus, Gobrias) | Catherine Robbin, David Wilson-Johnson, The English Concert, Trevor Pinnock | | | 1:14 | |
| Belshazzar: Act 1, Scene 2, Recitativo "Well may they laugh" (Gobrias, Cyrus); Accompagnato "Oh memory! Still bitter to my soul" (Gobrias) | Catherine Robbin, David Wilson-Johnson, The English Concert, Trevor Pinnock | | | 1:19 | |
| Belshazzar: Act 2, Scene 1, Air "Amaz'd to find the foe so near" (Cyrus) | Catherine Robbin, The English Concert, Trevor Pinnock | | | 4:24 | |
| Belshazzar: Act 2, Scene 1, Recitativo "You see, my friends, a path" (Cyrus) | Catherine Robbin, The English Concert, Trevor Pinnock | | | 0:45 | |
| Belshazzar: Act 2, Scene 3, Air "Oh God of Truth! oh faithful guide!" (Cyrus) | Catherine Robbin, The English Concert, Trevor Pinnock | | | 4:37 | |
| Belshazzar: Act 2, Scene 3, Recitativo "You, Gobrias, lead directry to the palace" (Cyrus) | Catherine Robbin, The English Concert, Trevor Pinnock | | | 1:02 | |
| Belshazzar: Act 3, Scene 3, Accompagnato "Yes, I will build thy city" (Cyrus) | Catherine Robbin, The English Concert, Trevor Pinnock | | | 2:22 | |
| Belshazzar: Act 3, Scene 3, Duet "Great victor, at your feet I bow" (Nitocris, Cyrus) | Arleen Auger, Catherine Robbin, The English Concert, Trevor Pinnock | | | 3:58 | |
| Belshazzar: Act 3, Scene 3, Recitativo "Be it thy care, good Gobrias" (Cyrus); Air "Destructive War, thy limits know" (Cyrus) | Catherine Robbin, The English Concert, Trevor Pinnock | | | 2:55 | |
| Belshazzar: Act 3, Scene 3, Recitativo "Say, venerable prophet" (Cyrus, Daniel) | James Bowman, Catherine Robbin, The English Concert, Trevor Pinnock | | | 0:56 | |
| Duetto "Ah mia cara, se tu resti..." | Linda Maguire, Catherine Robbin, Tafelmusik, Alan Curtis | | | 6:47 | |
| Frauenliebe und Leben, op. 42: I. Seit ich ihn gesehen | Catherine Robbin, Michael McMahon | | | 2:20 | |
| Frauenliebe und Leben, op. 42: II. Er, der Herrlichste von allen | Catherine Robbin, Michael McMahon | | | 2:55 | |
| Frauenliebe und Leben, op. 42: III. Ich kann's nicht fassen, nicht glauben | Catherine Robbin, Michael McMahon | | | 1:29 | |
| Frauenliebe und Leben, op. 42: IV. Du Ring an meinem Finger | Catherine Robbin, Michael McMahon | | | 2:53 | |
| Frauenliebe und Leben, op. 42: V. Helft mir, ihr Schwestern | Catherine Robbin, Michael McMahon | | | 1:54 | |
| Frauenliebe und Leben, op. 42: VI. Süßer Freund, du blickest mich verwundert an | Catherine Robbin, Michael McMahon | | | 4:16 | |
| Frauenliebe und Leben, op. 42: VII. An meinem Herzen, an meiner Brust | Catherine Robbin, Michael McMahon | | | 1:31 | |
| Frauenliebe und Leben, op. 42: VIII. Nun hast du mir den ersten Schmerz gatan | Catherine Robbin, Michael McMahon | | | 3:59 | |
| Gedichte der Königin Maria Stuart, op. 135: I. Abschied von Frankreich | Catherine Robbin, Michael McMahon | | | 1:48 | |
| Gedichte der Königin Maria Stuart, op. 135: II. Nach der Geburt ihres Sohnes | Catherine Robbin, Michael McMahon | | | 1:18 | |
| Gedichte der Königin Maria Stuart, op. 135: III. An die Königin Elisabeth | Catherine Robbin, Michael McMahon | | | 1:32 | |
| Gedichte der Königin Maria Stuart, op. 135: IV. Abschied von der Welt | Catherine Robbin, Michael McMahon | | | 2:30 | |
| Gedichte der Königin Maria Stuart, op. 135: V. Gebet | Catherine Robbin, Michael McMahon | | | 1:48 | |
| Lakmé : Viens, Mallika, dôme épais où le banc jasmin | Isabel Bayrakdarian, Catherine Robbin, Toronto Symphony Orchestra, Richard Bradshaw | | | 6:02 | |
| Les Nuits d’été, op. 7, H. 81b: II. Le Spectre de la rose, H. 83b | Catherine Robbin, Orchestre de l’Opéra de Lyon, Sir John Eliot Gardiner | | | 6:42 | |
| Liederkreis, op. 39: I. In der Fremde | Catherine Robbin, Michael McMahon | | | 2:12 | |
| Liederkreis, op. 39: II. Intermezzo | Catherine Robbin, Michael McMahon | | | 1:46 | |
| Liederkreis, op. 39: III. Waldergespräch | Catherine Robbin, Michael McMahon | | | 2:08 | |
| Liederkreis, op. 39: IV. Die Stille | Catherine Robbin, Michael McMahon | | | 1:32 | |
| Liederkreis, op. 39: IX. Wehmut | Catherine Robbin, Michael McMahon | | | 2:19 | |
| Liederkreis, op. 39: V. Mondnacht | Catherine Robbin, Michael McMahon | | | 3:59 | |
| Liederkreis, op. 39: VI. Schöne Fremde | Catherine Robbin, Michael McMahon | | | 1:16 | |
| Liederkreis, op. 39: VII. Auf einer Burg | Catherine Robbin, Michael McMahon | | | 3:09 | |
| Liederkreis, op. 39: VIII. In der Fremde | Catherine Robbin, Michael McMahon | | | 1:22 | |
| Liederkreis, op. 39: X. Zwielicht | Catherine Robbin, Michael McMahon | | | 2:52 | |
| Liederkreis, op. 39: XI. In Walde | Catherine Robbin, Michael McMahon | | | 1:23 | |
| Liederkreis, op. 39: XII. Frühlingsnacht | Catherine Robbin, Michael McMahon | | | 1:20 | |
| Mass in B-flat major 'Theresienmesse', Hob.XXII:12: Agnus Dei | Nancy Argenta, Catherine Robbin, Michael Schade, Alastair Miles, The English Concert, Trevor Pinnock, The English Concert Choir | | | 7:41 | |
| Mass in B-flat major 'Theresienmesse', Hob.XXII:12: Credo | Nancy Argenta, Catherine Robbin, Michael Schade, Alastair Miles, The English Concert, Trevor Pinnock, The English Concert Choir | | | 10:02 | |
| Mass in B-flat major 'Theresienmesse', Hob.XXII:12: Gloria | Nancy Argenta, Catherine Robbin, Michael Schade, Alastair Miles, The English Concert, Trevor Pinnock, The English Concert Choir | | | 12:43 | |
| Mass in B-flat major 'Theresienmesse', Hob.XXII:12: Kyrie | Nancy Argenta, Catherine Robbin, Michael Schade, Alastair Miles, The English Concert, Trevor Pinnock, The English Concert Choir | | | 5:48 | |
| Mass in B-flat major 'Theresienmesse', Hob.XXII:12: Sanctus: Benedictus | Nancy Argenta, Catherine Robbin, Michael Schade, Alastair Miles, The English Concert, Trevor Pinnock, The English Concert Choir | | | 8:33 | |
| Mass in C major, K317 "Coronation": VI. Agnus Dei | Emma Kirkby, Catherine Robbin, John Mark Ainsley, Michael George, Winchester College Quiristers, Choir Of Winchester Cathedral, Academy of Ancient Music, Christopher Hogwood | | | 6:15 | |
| Mass in G major “Sancti Nicolai”, Hob. XXII:6: Sanctus - Benedictus. Sanctus, Dominus Deus Sabaoth - Pleni sunt coeli - Osanna - Benedictus, qui venit - Osanna | Nancy Argenta, Catherine Robbin, Michael Schade, Alastair Miles, The English Concert, Trevor Pinnock, The English Concert Choir | | | 7:51 | |
| Mass in G, "Missa Sancti Nicolai", Hob.XXII:6: Agnus Dei | Nancy Argenta, Catherine Robbin, Michael Schade, Alastair Miles, The English Concert, Trevor Pinnock, The English Concert Choir | | | 6:22 | |
| Mass in G, "Missa Sancti Nicolai", Hob.XXII:6: Credo | Nancy Argenta, Catherine Robbin, Michael Schade, Alastair Miles, The English Concert, Trevor Pinnock, The English Concert Choir | | | 5:53 | |
| Mass in G, "Missa Sancti Nicolai", Hob.XXII:6: Kyrie | Nancy Argenta, Catherine Robbin, Michael Schade, Alastair Miles, The English Concert, Trevor Pinnock, The English Concert Choir | | | 2:51 | |
| Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": II. "Gloria" | Emma Kirkby, Catherine Robbin, John Mark Ainsley, Michael George, Winchester College Quiristers, Choir Of Winchester Cathedral, Academy of Ancient Music, Christopher Hogwood | | | 4:37 | |
| Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": III. "Credo" | Emma Kirkby, Catherine Robbin, John Mark Ainsley, Michael George, Winchester College Quiristers, Choir Of Winchester Cathedral, Academy of Ancient Music, Christopher Hogwood | | | 6:24 | |
| Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": V. "Benedictus" | Emma Kirkby, Catherine Robbin, John Mark Ainsley, Michael George, Winchester College Quiristers, Choir Of Winchester Cathedral, Academy of Ancient Music, Christopher Hogwood | | | 3:18 | |
| Messiah, HWV 56: Part I, 16a. “Then shall the eyes of the blind” – Recitativo | Catherine Robbin, English Baroque Soloists, Sir John Eliot Gardiner | | | 0:21 | |
| Messiah, HWV 56: Part I, 17. “He shall feed His flock” – Duetto | Charles Brett, Margaret Marshall, Catherine Robbin, English Baroque Soloists, Sir John Eliot Gardiner | | | 4:28 | |
| Messiah, HWV 56: Part I, VIIb. Recitative (Alto) "Behold, a virgin shall conceive" | Catherine Robbin, English Baroque Soloists, Sir John Eliot Gardiner | | | 0:28 | |
| Messiah, HWV 56: Part I, VIII. Air (Alto) "O thou that tellest good tidings to Zion", Chorus "O thou that tellest good tidings to Zion" | Monteverdi Choir, Catherine Robbin, English Baroque Soloists, Sir John Eliot Gardiner | | | 5:36 | |
| Messiah, HWV 56: Part II, 20. “He was despised” – Aria | Charles Brett, Catherine Robbin, English Baroque Soloists, Sir John Eliot Gardiner | | | 10:12 | |
| Messiah, HWV 56: Part II, 34. “How beautiful are the feet” – Aria (alternative version) | Catherine Robbin, English Baroque Soloists, Sir John Eliot Gardiner | | | 2:16 | |
| Messiah, HWV 56: Part III, XLIIIb. Recitative (Alto) "Then shall be brought to pass the saying that is written" | Catherine Robbin, English Baroque Soloists, Sir John Eliot Gardiner | | | 0:15 | |
| Messiah, HWV 56: Part III, XLIV. Duet (Alto & Tenor) "O Death, where is thy sting?" | Charles Brett, Catherine Robbin, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | | | 1:20 | |
| Missa solemnis, op. 123: 1. Kyrie. Assai sostenuto (Mit Andacht) | William Kendall, Charlotte Margiono, Alastair Miles, Monteverdi Choir, Catherine Robbin, Alastair Ross, English Baroque Soloists, Sir John Eliot Gardiner | | | 8:51 | |
| Missa solemnis, op. 123: 2. Gloria. Allegro vivace | William Kendall, Charlotte Margiono, Alastair Miles, Monteverdi Choir, Catherine Robbin, Alastair Ross, English Baroque Soloists, Sir John Eliot Gardiner | | | 16:29 | |
| Missa solemnis, op. 123: 3. Creedo. Allegro ma non troppo | William Kendall, Charlotte Margiono, Alastair Miles, Monteverdi Choir, Catherine Robbin, Alastair Ross, English Baroque Soloists, Sir John Eliot Gardiner | | | 17:29 | |
| Missa solemnis, op. 123: 4. Sanctus. Adagio (Mit Andacht) - Benedictus. Andante molto cantabile e non troppo mosso | William Kendall, Charlotte Margiono, Alastair Miles, Monteverdi Choir, Catherine Robbin, Alastair Ross, English Baroque Soloists, Sir John Eliot Gardiner | | | 15:17 | |
| Missa solemnis, op. 123: 5. Agnus Dei. Adagio | William Kendall, Charlotte Margiono, Alastair Miles, Monteverdi Choir, Catherine Robbin, Alastair Ross, English Baroque Soloists, Sir John Eliot Gardiner | | | 13:34 | |
| O Death, Where Is Thy Sting? (alto & tenor duet) | Bruce Fowler, Catherine Robbin, Boston Baroque, Martin Pearlman | | | 1:09 | |
| O Thou That Tellest Good Tidings to Zion (alto air & chorus) | Catherine Robbin, Boston Baroque, Martin Pearlman | | | 5:20 | |
| Orlando: Act One XII. "Ritornava al suo bel viso" (Angelica, Medoro) | Arleen Augér, Catherine Robbin, The Academy of Ancient Music, Christopher Hogwood | | | 1:43 | |
| Orlando: Act One XIII. "Spera, mio ben…Chi possessore" (Angelica, Medoro) | Arleen Augér, Catherine Robbin, The Academy of Ancient Music, Christopher Hogwood | | | 3:47 | |
| Orlando: Act One XIV. "Ecco Dorinda" (Medoro, Dorinda) | Catherine Robbin, Emma Kirkby, The Academy of Ancient Music, Christopher Hogwood | | | 1:13 | |
| Orlando: Act One XV. "Se il cor mai ti dirà" (Medoro) | Catherine Robbin, The Academy of Ancient Music, Christopher Hogwood | | | 4:19 | |
| Orlando: Act One XX. "Angelica, deh lascia" (Medoro, Angelica) | Catherine Robbin, Arleen Augér, The Academy of Ancient Music, Christopher Hogwood | | | 0:48 | |
| Orlando: Act One XXI. "O Angelica, o Medoro" (Dorinda, Angelica, Medoro) | Arleen Augér, Emma Kirkby, Catherine Robbin, The Academy of Ancient Music, Christopher Hogwood | | | 1:13 | |
| Orlando: Act One XXII. "Consolati o bella" (Angelica, Medoro, Dorinda) | Arleen Augér, Catherine Robbin, Emma Kirkby, The Academy of Ancient Music, Christopher Hogwood | | | 5:54 | |
| Orlando: Act Three II. "Di Dorinda alle mura "(Medoro, Dorinda) | Catherine Robbin, Emma Kirkby, The Academy of Ancient Music, Christopher Hogwood | | | 1:06 | |
| Orlando: Act Three III. "Vorrei poterti amar" (Medoro) | Catherine Robbin, The Academy of Ancient Music, Christopher Hogwood | | | 3:28 | |
| Orlando: Act Three XXIII. "Trionfa oggi'l mio cor" (Orlando, Angelica, Medoro, Dorinda, tutti) | James Bowman, Arleen Augér, Catherine Robbin, The Academy of Ancient Music, Christopher Hogwood | | | 2:08 | |
| Orlando: Act Two V. "A qual rischio vi espone" (Zoroastro, Angelica, Medoro) | David Thomas, Arleen Augér, Catherine Robbin, The Academy of Ancient Music, Christopher Hogwood | | | 0:35 | |
| Orlando: Act Two VII. "Da queste amiche piante" (Angelica, Medoro) | Arleen Augér, Catherine Robbin, The Academy of Ancient Music, Christopher Hogwood | | | 0:55 | |
| Orlando: Act Two VIII. "Verdi allori" (Medoro) | Catherine Robbin, The Academy of Ancient Music, Christopher Hogwood | | | 6:36 | |
| Part One, Air: But who may abide | Catherine Robbin, Boston Baroque, Martin Pearlman | | | 3:58 | |
| Part One, Air: He shall feed His flock like a shepherd | Karen Clift, Catherine Robbin, Boston Baroque, Martin Pearlman | | | 4:39 | |
| Part Two, Air: He was despised | Catherine Robbin, Boston Baroque, Martin Pearlman | | | 8:25 | |
| Recitative "Mio re. dal tuo bel cor..." | Nancy Argenta, Ingrid Attrot, Linda Maguire, Catherine Robbin, Tafelmusik, Alan Curtis | | | 0:47 | |
| Recitativo "Dì, qual sognato delitto..." | Mel Braun, Linda Maguire, Catherine Robbin, Tafelmusik, Alan Curtis | | | 1:21 | |
