Angiolin dal biondo crin, S. 269/2 | | | | | Song | | | |
Anna Bolena: Atto I, Scena 1. “Deh! non voler costringere” (Anna, Smeton, Giovanna) | | - Patricia Kern, Beverly Sills, Shirley Verrett, London Symphony Orchestra, Julius Rudel
- Maria Callas, Gabriella Carturan, Giulietta Simionato, Orchestra del Teatro alla Scala di Milano, Gianandrea Gavazzeni
- Susanne Mentzer, Bernadette Manca di Nissa, Joan Sutherland, Welsh National Orchestra, Richard Bonynge
- Elena Souliotis, Marilyn Horne, John Alexander, Nicolaï Ghiaurov, Wiener Staatsopernchor, Wiener Opernorchester, Silvio Varviso
- (show 2 more)
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Anna Bolena: Atto I, Scena 1. “Legger potessi in me!” … “Non v'ha sguardo” (Anna, Smeton, Giovanna) | | - Patricia Kern, Beverly Sills, Shirley Verrett, London Symphony Orchestra, Julius Rudel
- Maria Callas, Gabriella Carturan, Giulietta Simionato, Orchestra del Teatro alla Scala di Milano, Gianandrea Gavazzeni
- Susanne Mentzer, Bernadette Manca di Nissa, Joan Sutherland, Welsh National Orchestra, Richard Bonynge
- Elena Souliotis, Marilyn Horne, John Alexander, Nicolaï Ghiaurov, Wiener Staatsopernchor, Wiener Opernorchester, Silvio Varviso
- (show 2 more)
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Anna Bolena: Atto I, Scena 1. “Si taciturna e mesta” (Anna, Giovanna, Smeton) | | - Patricia Kern, Beverly Sills, Shirley Verrett, London Symphony Orchestra, Julius Rudel
- Maria Callas, Gabriella Carturan, Giulietta Simionato, Orchestra del Teatro alla Scala di Milano, Gianandrea Gavazzeni
- Susanne Mentzer, Bernadette Manca di Nissa, Joan Sutherland, Welsh National Orchestra, Richard Bonynge
- Elena Souliotis, Marilyn Horne, John Alexander, Nicolaï Ghiaurov, Wiener Staatsopernchor, Wiener Opernorchester, Silvio Varviso
- (show 2 more)
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Anna Bolena: Atto I, Scena 3. “Ah! parea che per incanto” (Smeton) | | - Patricia Kern
- Jennifer Larmore, Orchestra of the Welsh National Opera, Carlo Rizzi
- Bernadette Manca di Nissa, Welsh National Orchestra, Richard Bonynge
- Elena Souliotis, Marilyn Horne, John Alexander, Nicolaï Ghiaurov, Wiener Staatsopernchor, Wiener Opernorchester, Silvio Varviso
- (show 2 more)
| | | Aria | | | |
Anna Bolena: Atto I, Scena 3. “È sgombro il loco” (Smeton) | | | | | Aria | | | |
Anna Bolena: Atto I, Scena 3. “In quegli sguardi impresso“ (Anna, Enrico, Percy, Giovanna, Smeton, Rochefort, Coro) | | - Maria Callas, Gabriella Carturan, Plinio Clabassi, Coro del Teatro alla Scala di Milano, Gianni Raimondi, Nicola Rossi‐Lemeni, Giulietta Simionato, Orchestra del Teatro alla Scala di Milano, Gianandrea Gavazzeni
- Stuart Burrows, The John Alldis Choir, Patricia Kern, Robert Lloyd, Paul Plishka, Beverly Sills, Shirley Verrett, London Symphony Orchestra, Julius Rudel
- Chor der Wiener Staatsoper, Dan Paul Dumitrescu, Elīna Garanča, Elisabeth Kulman, Francesco Meli, Anna Netrebko, Ildebrando d’Arcangelo, Orchester der Wiener Staatsoper, Evelino Pidò
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Anna Bolena: Atto I, Scena 3. “Tace ognuno” (Enrico, Smeton, Percy, Anna) | | - Stuart Burrows, Patricia Kern, Paul Plishka, Beverly Sills, London Symphony Orchestra, Julius Rudel
- Maria Callas, Gabriella Carturan, Gianni Raimondi, Nicola Rossi‐Lemeni, Orchestra del Teatro alla Scala di Milano, Gianandrea Gavazzeni
- Jerry Hadley, Bernadette Manca di Nissa, Samuel Ramey, Joan Sutherland, Welsh National Orchestra, Richard Bonynge
- Elena Souliotis, Marilyn Horne, John Alexander, Nicolaï Ghiaurov, Wiener Staatsopernchor, Wiener Opernorchester, Silvio Varviso
- (show 2 more)
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Anna Bolena: Atto I, Scena 3. Finale “In separato carcere” / “Ah! segnata è la mia sorte“ (Enrico, Anna, Giovanna, Smeton, Percy, Rochefort, Coro) | | - Beverly Sills, Shirley Verrett, Stuart Burrows, Paul Plishka, Patricia Kern, Robert Lloyd
- Maria Callas, Gabriella Carturan, Plinio Clabassi, Coro del Teatro alla Scala di Milano, Gianni Raimondi, Nicola Rossi‐Lemeni, Giulietta Simionato, Orchestra del Teatro alla Scala di Milano, Gianandrea Gavazzeni
- Maria Callas, Gabriella Carturan, Plinio Clabassi, Gianni Raimondi, Nicola Rossi‐Lemeni, Giulietta Simionato, Orchestra del Teatro alla Scala di Milano, Gianandrea Gavazzeni
- Chorus of the Welsh National Opera, Jerry Hadley, Susanne Mentzer, Bernadette Manca di Nissa, Samuel Ramey, Giorgio Surian, Joan Sutherland, Welsh National Orchestra, Richard Bonynge
- (show 4 more)
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Anna Bolena: Atto II, Scena 3. “Cielo, a' miei lunghi spasimi” (Anna, Smeton, Percy, Rochefort, Tutti) | | - Maria Callas, John Lanigan, Philharmonia Chorus, Duncan Robertson, Joseph Rouleau, Monica Sinclair, Philharmonia Orchestra, Nicola Rescigno
- Stuart Burrows, The John Alldis Choir, Patricia Kern, Robert Lloyd, Beverly Sills, London Symphony Orchestra, Julius Rudel
- Maria Callas, Gabriella Carturan, Plinio Clabassi, Gianni Raimondi, Orchestra del Teatro alla Scala di Milano, Gianandrea Gavazzeni
- Beverly Sills, Patricia Kern, Stuart Burrows, John Alldis Chorus, Julius Rudel, London Symphony Orchestra
- (show 10 more)
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Anna Bolena: Atto II, Scena 3. “Qual mesto suon? …” (Anna, Hervey, Percy, Rochefort, Smeton, Coro) | | - Maria Callas, Gabriella Carturan, Plinio Clabassi, Coro del Teatro alla Scala di Milano, Gianni Raimondi, Luigi Rumbo, Orchestra del Teatro alla Scala di Milano, Gianandrea Gavazzeni
- Stuart Burrows, The John Alldis Choir, Patricia Kern, Robert Lloyd, Beverly Sills, Robert Tear, London Symphony Orchestra, Julius Rudel
- Maria Callas
- Chorus of the Welsh National Opera, Ernesto Gavazzi, Jerry Hadley, Bernadette Manca di Nissa, Giorgio Surian, Joan Sutherland, Welsh National Orchestra, Richard Bonynge
- (show 6 more)
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Comment, disaient-ils, S. 276/2 | | | | | Song | | | |
Die drei Zigeuner, S. 320 | | | | | Song | | | |
Ein Fichtenbaum steht einsam, S. 309 bis | | | | | Song | | | |
Einst, S. 332 | | | | | Song | | | |
Enfant, si j’étais roi, S. 283/2 | | | | | Song | | | |
Es muss ein Wunderbares sein, S. 314 | | | | | Song | | | |
Es war ein König in Thule, S. 278/2 | | | | | Song | | | |
Go Not, Happy Day, S. 335 | | | | | Song | | | |
Ich liebe dich, S. 315 | | | | | Song | | | |
J'ai perdu ma force et ma vie, S. 327 | | | | | Song | | | |
Jeanne d'Arc au bûcher, S. 293/3 | | | | | Song | | | |
Kindertotenlieder: I. “Nun will die Sonn’ so hell aufgeh’n” | | | | | Song | | | |
Kindertotenlieder: II. “Nun seh’ ich wohl, warum so dunkle Flammen” | | | | | Song | | | |
Kindertotenlieder: III. “Wenn dein Mütterlein” | | | | | Song | | | |
Kindertotenlieder: IV. “Oft denk’ ich, sie sind nur ausgegangen” | | | | | Song | | | |
Kindertotenlieder: V. “In diesem Wetter” | | | | | Song | | | |
La perla, S. 326/2 | | | | | Song | | | |
La tombe et la rose, S. 285 | | | | | Song | | | |
Lieder eines fahrenden Gesellen: I. "Wenn mein Schatz Hochzeit macht" | | | | | Song | | | |
Lieder eines fahrenden Gesellen: II. "Ging heut morgen übers Feld" | | | | | Song | | | |
Lieder eines fahrenden Gesellen: III. "Ich hab' ein glühend Messer" | | | | | Song | | | |
Lieder eines fahrenden Gesellen: IV. "Die zwei blauen Augen von meinem Schatz" | | | | | Song | | | |
Madama Butterfly: Atto I. “Ed eccoci in famiglia” (Pinkerton, Coro, Il Bonzo, Butterfly, Suzuki) | | - Norberto Mola, Maria Callas, Plinio Clabassi, Coro del Teatro alla Scala di Milano, Lucia Danieli, Nicolai Gedda, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan
- Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli
- Yordy Ramiro, Slovak Philharmonic Chorus, Jan Rozehnal, Czecho-Slovak Radio Symphony Orchestra (Bratislava), Alexander Rahbari
- Coro Gulbenkian, Alexander Kaimbacher, Elisabeth Kulman, Melody Moore, Stefano Secco, Kevin Short, Orquestra Gulbenkian, Lawrence Foster
- (show 5 more)
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Madama Butterfly: Atto I. “Questa è la cameriera” (Goro, Pinkerton) | | - Renato Ercolani, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan
- Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli
- Nelly Boschkowa, Yordy Ramiro, Jozef Abel, Czecho-Slovak Radio Symphony Orchestra (Bratislava), Alexander Rahbari
- Alexander Kaimbacher, Elisabeth Kulman, Lester Lynch, Stefano Secco, Orquestra Gulbenkian, Lawrence Foster
- (show 4 more)
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Madama Butterfly: Atto I. “Viene la sera” (Pinkerton, Butterfly, Suzuki) | | - Maria Callas, Lucia Danieli, Nicolai Gedda, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan
- Luciano Pavarotti, Christa Ludwig, Mirella Freni, Wiener Philharmoniker, Herbert von Karajan
- Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin
- Carlo Bergonzi, Fiorenza Cossotto, Renata Tebaldi, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin
- (show 37 more)
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Madama Butterfly: Atto II. “E Izaghi ed Izanami” (Suzuki, Butterfly) | | - Renata Scotto, Anna di Stasio, Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli
- Maria Callas, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan
- Mirella Freni, Christa Ludwig, Wiener Philharmoniker, Herbert von Karajan
- Fiorenza Cossotto, Renata Tebaldi, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin
- (show 22 more)
| | | Aria | | | |
Madama Butterfly: Atto II. “Il cannone del porto! Una nave da guerra…” (Suzuki, Butterfly) | | - Maria Callas, Lucia Danieli, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan
- Fiorenza Cossotto, Renata Tebaldi, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin
- Mirella Freni, Christa Ludwig, Wiener Philharmoniker, Herbert von Karajan
- Rosalind Elias, Leontyne Price, Orchestra della RCA Italiana, Erich Leinsdorf
- (show 23 more)
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Madama Butterfly: Atto II. “Or vienmi ad adornar” (Butterfly, Suzuki) | | - Maria Callas, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan
- Fiorenza Cossotto, Renata Tebaldi, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin
- Mirella Freni, Siegfried Rudolf Frese, Christa Ludwig, Wiener Philharmoniker, Herbert von Karajan
- Renata Scotto, Anna di Stasio, Orchestra del Teatro dell’Opera, Roma, Sir John Barbirolli
- (show 20 more)
| | | Aria | | | |
Madama Butterfly: Atto II. “Scuoti quella fronda di ciliegio” (Butterfly, Suzuki) | | - Maria Callas, Lucia Danieli, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan
- Fiorenza Cossotto, Renata Tebaldi, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin
- Mirella Freni, Christa Ludwig, Wiener Philharmoniker, Herbert von Karajan
- Renata Scotto, Anna di Stasio, Orchestra del Teatro dell’Opera, Roma, Sir John Barbirolli
- (show 28 more)
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Madama Butterfly: Atto II. “Vespa! Rospo maledetto!” (Suzuki, Butterfly, Goro) | | - Lucia Danieli, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan
- Mirella Freni, Evamaria Hurdes, Christa Ludwig, Michel Sénéchal, Wiener Philharmoniker, Herbert von Karajan
- Fiorenza Cossotto, Angelo Mercuriali, Renata Tebaldi, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin
- Piero de Palma, Renata Scotto, Anna di Stasio, Orchestra del Teatro dell’Opera, Roma, Sir John Barbirolli
- (show 16 more)
| | | Aria | | | |
Madama Butterfly: Atto III. “Come una mosca prigioniera” (Suzuki, Butterfly) | | - Maria Callas, Lucia Danieli, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan
- Mirella Freni, Wiener Philharmoniker, Herbert von Karajan
- Rosalind Elias, Leontyne Price, Orchestra della RCA Italiana, Erich Leinsdorf
- Renata Scotto, Anna di Stasio, Orchestra del Teatro dell’Opera, Roma, Sir John Barbirolli
- (show 21 more)
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Madama Butterfly: Atto III. “Già il sole!” (Suzuki, Butterfly) | | - Lucia Danieli, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan
- Mirella Freni, Christa Ludwig, Wiener Philharmoniker, Herbert von Karajan
- Renata Scotto, Anna di Stasio, Orchestra del Teatro dell’Opera, Roma, Sir John Barbirolli
- Fiorenza Cossotto, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin
- (show 22 more)
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Madama Butterfly: Atto III. “Glielo dirai?” (Kate, Suzuki) | | - Lucia Danieli, Luisa Villa, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan
- Carlo Bergonzi, Rolando Panerai, Silvana Padoan, Anna di Stasio, Renata Scotto, Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli
- Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli
- Maria Callas, Luisa Villa, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan
- (show 10 more)
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Madama Butterfly: Atto III. “Io so che alle sue pene” (Sharpless, Suzuki, Pinkerton) | | - Mario Borriello, Lucia Danieli, Nicolai Gedda, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan
- Robert Kerns, Luciano Pavarotti, Wiener Philharmoniker, Herbert von Karajan
- Carlo Bergonzi, Rolando Panerai, Anna di Stasio, Orchestra del Teatro dell’Opera, Roma, Sir John Barbirolli
- Carlo Bergonzi, Fiorenza Cossotto, Enzo Sordello, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin
- (show 26 more)
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Madama Butterfly: Atto III. “Povera Butterfly!” (Suzuki) | | - Lucia Danieli, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan
- Elisabeth Kulman, Lester Lynch, Stefano Secco, Orquestra Gulbenkian, Lawrence Foster
- Fabio Capitanucci, Jonas Kaufmann, Enkelejda Shkosa, Orchestra dell’Accademia Nazionale di Santa Cecilia, Antonio Pappano
- Klára Takács, Hungarian State Opera Orchestra, Giuseppe Patanè
- Miriam Pirazzini, Orchestra del Teatro dell’Opera di Roma, Gabriele Santini
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Madama Butterfly: Atto III. “Tu, Suzuki, che sei” (Butterfly) | | - Mirella Freni, Robert Kerns, Christa Ludwig, Elke Schary, Wiener Philharmoniker, Herbert von Karajan
- Renata Tebaldi, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin
- Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli
- Renata Tebaldi, Orchestra dell’Accademia Nazionale di Santa Cecilia, Alberto Erede
- (show 7 more)
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Mignons Lied, S. 275/2 | | | | | Song | | | |
Missa Solemnis D-Dur, op. 123: I. Kyrie | | - Berliner Philharmoniker, Herbert von Karajan
- Philharmonia Chorus, Philharmonia Orchestra, Otto Klemperer
- William Kendall, Charlotte Margiono, Alastair Miles, Monteverdi Choir, Catherine Robbin, Alastair Ross, English Baroque Soloists, Sir John Eliot Gardiner
- Robert Lloyd, London Symphony Chorus, Patricia Payne, Robert Tear, Anna Tomowa‐Sintow, London Symphony Orchestra, Sir Colin Davis
- (show 56 more)
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Missa Solemnis D-Dur, op. 123: II. Gloria | | - Philharmonia Chorus, Philharmonia Orchestra, Otto Klemperer
- Berliner Philharmoniker, Herbert von Karajan
- Robert Lloyd, London Symphony Chorus, Patricia Payne, Robert Tear, Anna Tomowa‐Sintow, London Symphony Orchestra, Sir Colin Davis
- Nicolai Gedda, Christa Ludwig, Elisabeth Schwarzkopf, Singverein der Gesellschaft der Musikfreunde, Nicola Zaccaria, Philharmonia Orchestra, Herbert von Karajan
- (show 46 more)
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Missa Solemnis D-Dur, op. 123: III. Credo | | - Philharmonia Chorus, Philharmonia Orchestra, Otto Klemperer
- Berliner Philharmoniker, Herbert von Karajan
- Robert Lloyd, London Symphony Chorus, Patricia Payne, Robert Tear, Anna Tomowa‐Sintow, London Symphony Orchestra, Sir Colin Davis
- Nicolai Gedda, Christa Ludwig, Elisabeth Schwarzkopf, Singverein der Gesellschaft der Musikfreunde, Nicola Zaccaria, Philharmonia Orchestra, Herbert von Karajan
- (show 39 more)
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Missa Solemnis D-Dur, op. 123: IV. Sanctus | | | | | | | | |
Missa Solemnis D-Dur, op. 123: V. Agnus Dei | | - Berliner Philharmoniker, Herbert von Karajan
- Robert Lloyd, London Symphony Chorus, Patricia Payne, Robert Tear, Anna Tomowa‐Sintow, London Symphony Orchestra, Sir Colin Davis
- Marga Höffgen, Waldemar Kmentt, Philharmonia Chorus, Elisabeth Söderström, Philharmonia Orchestra, Otto Klemperer
- Nicolai Gedda, Christa Ludwig, Elisabeth Schwarzkopf, Singverein der Gesellschaft der Musikfreunde, Nicola Zaccaria, Philharmonia Orchestra, Herbert von Karajan
- (show 44 more)
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Requiem in D minor, K. 626: III. Sequenz: b. Tuba mirum | | - Wilma Lipp, Hilde Rössel-Majdan, Anton Dermota, Walter Berry, Berliner Philharmoniker, Herbert von Karajan
- Anna Tomowa‐Sintow, Agnes Baltsa, Werner Krenn, José van Dam, Berliner Philharmoniker, Herbert von Karajan
- Magdaléna Hajóssyová, Jaroslava Horská, Jozef Kundlák, Peter Mikuláš, Slovak Philharmonic Orchestra, Zdeněk Košler
- Julia Hamari, Edith Mathis, Wiesław Ochman, Karl Ridderbusch, Wiener Philharmoniker, Karl Böhm
- (show 77 more)
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Requiem in D minor, K. 626: III. Sequenz: d. Recordare, Jesu pie | | - Wilma Lipp, Hilde Rössel-Majdan, Anton Dermota, Walter Berry, Berliner Philharmoniker, Herbert von Karajan
- Anna Tomowa‐Sintow, Agnes Baltsa, Werner Krenn, José van Dam, Berliner Philharmoniker, Herbert von Karajan
- Julia Hamari, Edith Mathis, Wiesław Ochman, Karl Ridderbusch, Wiener Philharmoniker, Karl Böhm
- Magdaléna Hajóssyová, Jaroslava Horská, Jozef Kundlák, Peter Mikuláš, Slovak Philharmonic Orchestra, Zdeněk Košler
- (show 79 more)
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Requiem in D minor, K. 626: IV. Offertorium: a. Domine Jesu Christie | | - Wilma Lipp, Hilde Rössel-Majdan, Anton Dermota, Walter Berry, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
- Anna Tomowa‐Sintow, Agnes Baltsa, Werner Krenn, José van Dam, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
- Norbert Balatsch, Konzertvereinigung Wiener Staatsopernchor, Julia Hamari, Edith Mathis, Wiesław Ochman, Karl Ridderbusch, Wiener Philharmoniker, Karl Böhm
- Wiener Singverein, Anna Tomowa‐Sintow, Helga Müller‐Molinari, Vinson Cole, Paata Burchuladze, Wiener Philharmoniker, Herbert von Karajan
- (show 79 more)
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Requiem in D minor, K. 626: V. Sanctus: b. Benedictus | | - Wilma Lipp, Hilde Rössel-Majdan, Anton Dermota, Walter Berry, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
- Anna Tomowa‐Sintow, Agnes Baltsa, Werner Krenn, José van Dam, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
- Norbert Balatsch, Konzertvereinigung Wiener Staatsopernchor, Julia Hamari, Edith Mathis, Wiesław Ochman, Karl Ridderbusch, Wiener Philharmoniker, Karl Böhm
- Magdaléna Hajóssyová, Jaroslava Horská, Jozef Kundlák, Peter Mikuláš, Slovak Philharmonic Chorus, Slovak Philharmonic Orchestra, Zdeněk Košler
- (show 81 more)
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Rückert Lieder: I. Blicke mir nicht in die Lieder | | | | | Song | | | |
Rückert Lieder: II. Ich atmet' einen linden Duft | | | | | Song | | | |
Rückert Lieder: III. Ich bin der Welt abhanden gekommen | | | | | Song | | | |
Rückert Lieder: IV. Um Mitternacht | | | | | Song | | | |
Rückert Lieder: V. Liebst du um Schönheit | | | | | Song | | | |
S’il est un charmant gazon, S. 284/2 | | | | | Song | | | |
Stabat Mater, op. 58, B. 71: I. Andante con moto “Stabat Mater dolorosa” (Quartetto e Coro) | | - Simfonični orkester RTV Slovenija, Marko Munih
- Kühnův smíšený sbor, Česká filharmonie, Libor Pešek
- Josef Schmidhuber, Chor des Bayerischen Rundfunks, Edith Mathis, Wiesław Ochman, Anna Reynolds, John Shirley‐Quirk, Elmar Schloter, Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík
- Chor des Bayerischen Rundfunks, Christian Elsner, Mihoko Fujimura, Liang Li, Erin Wall, Symphonieorchester des Bayerischen Rundfunks, Mariss Jansons
- (show 22 more)
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Stabat Mater, op. 58, B. 71: II. Andante sostenuto "Quis est homo, qui non fleret" (Quartetto) | | - Simfonični orkester RTV Slovenija, Marko Munih
- Edith Mathis, Wiesław Ochman, Anna Reynolds, John Shirley‐Quirk, Elmar Schloter, Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík
- Christian Elsner, Mihoko Fujimura, Liang Li, Erin Wall, Symphonieorchester des Bayerischen Rundfunks, Mariss Jansons
- Ingeborg Danz, Thomas Quasthoff, Marina Shaguch, James Taylor, Oregon Bach Festival Orchestra, Helmuth Rilling
- (show 21 more)
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Stabat Mater, op. 58, B. 71: IX. Andante maestoso "Inflammatus et accensus" (Alto) | | | | | | | | |
Stabat Mater, op. 58, B. 71: X. Andante con moto "Quando corpus morietur" (Quartetto e Coro) | | - Simfonični orkester RTV Slovenija, Marko Munih
- Chor des Bayerischen Rundfunks, Christian Elsner, Mihoko Fujimura, Liang Li, Erin Wall, Symphonieorchester des Bayerischen Rundfunks, Mariss Jansons
- Josef Schmidhuber, Chor des Bayerischen Rundfunks, Edith Mathis, Wiesław Ochman, Anna Reynolds, John Shirley‐Quirk, Elmar Schloter, Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík
- Ana Pusar Jerič, Eva Novšak Houška, Jurij Rega, Consortium Musicum Ljubljana, Radio Symphony Orchestra Ljubljana, Marko Munih
- (show 23 more)
| | | | | - B minor (Key)
- D major (Key)
| |
Symphony no. 2 in C minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht | | | | | | | | |
Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend | | |