| performed |
---|
| I. Kyrie | | | Koninklijk Concertgebouworkest, Nikolaus Harnoncourt, Gerald Finley, Groot Omroepkoor, Werner Güra, Elisabeth Kulman, Marlis Petersen | 11:07 |
| II. Gloria | | | Koninklijk Concertgebouworkest, Nikolaus Harnoncourt, Gerald Finley, Groot Omroepkoor, Werner Güra, Elisabeth Kulman, Marlis Petersen | 19:55 |
| III. Credo | | | Koninklijk Concertgebouworkest, Nikolaus Harnoncourt, Gerald Finley, Groot Omroepkoor, Werner Güra, Elisabeth Kulman, Marlis Petersen | 22:59 |
| IV. Sanctus | Contralto | | Koninklijk Concertgebouworkest, Nikolaus Harnoncourt, Gerald Finley, Groot Omroepkoor, Werner Güra, Contralto, Soprano | 18:02 |
| V. Agnus Dei | | | Koninklijk Concertgebouworkest, Nikolaus Harnoncourt, Gerald Finley, Groot Omroepkoor, Werner Güra, Elisabeth Kulman, Marlis Petersen | 17:43 |
| vocals |
---|
2011-04 | Anna Bolena: Atto I, Scena 1. “Deh! non voler costringere” (Anna, Smeton, Giovanna) | | alto vocals [Smeton] | Elīna Garanča, Elisabeth Kulman, Anna Netrebko, Orchester der Wiener Staatsoper, Evelino Pidò | 2:56 |
2011-04 | Anna Bolena: Atto I, Scena 1. “Legger potessi in me!” … “Non v'ha sguardo” (Anna, Smeton, Giovanna) | | alto vocals [Smeton] | Elīna Garanča, Elisabeth Kulman, Anna Netrebko, Orchester der Wiener Staatsoper, Evelino Pidò | 2:59 |
2011-04 | Anna Bolena: Atto I, Scena 1. “Si taciturna e mesta” (Anna) | | alto vocals [Smeton] | Elīna Garanča, Elisabeth Kulman, Anna Netrebko, Orchester der Wiener Staatsoper, Evelino Pidò | 2:30 |
2011-04 | Anna Bolena: Atto I, Scena 3. “Ah! parea che per incanto” (Smeton) | | alto vocals [Smeton] | Elisabeth Kulman, Orchester der Wiener Staatsoper, Evelino Pidò | 2:45 |
2011-04 | Anna Bolena: Atto I, Scena 3. “È sgombro il loco” (Smeton) | | alto vocals [Smeton] | Elisabeth Kulman, Orchester der Wiener Staatsoper, Evelino Pidò | 3:52 |
2011-04 | Anna Bolena: Atto I, Scena 3. “In quegli sguardi impresso” (Anna, Enrico, Percy, Giovanna, Smeaton, Rochefort) | | alto vocals [Smeton] | Chor der Wiener Staatsoper, Dan Paul Dumitrescu, Elīna Garanča, Elisabeth Kulman, Francesco Meli, Anna Netrebko, Ildebrando d’Arcangelo, Orchester der Wiener Staatsoper, Evelino Pidò | 4:09 |
2011-04 | Anna Bolena: Atto I, Scena 3. “Tace ognuno” (Enrico) | | alto vocals [Smeton] | Elisabeth Kulman, Francesco Meli, Anna Netrebko, Ildebrando d’Arcangelo, Orchester der Wiener Staatsoper, Evelino Pidò | 2:22 |
2011-04 | Anna Bolena: Atto I, Scena 3. Finale “In separato carcere” (Enrico) | | alto vocals [Smeton] | Chor der Wiener Staatsoper, Dan Paul Dumitrescu, Elīna Garanča, Elisabeth Kulman, Francesco Meli, Anna Netrebko, Ildebrando d’Arcangelo, Orchester der Wiener Staatsoper, Evelino Pidò | 5:33 |
2011-04 | Anna Bolena: Atto II, Scena 3. “Cielo, a' miei lunghi spasimi” (Anna) | | alto vocals [Smeton] | Chor der Wiener Staatsoper, Dan Paul Dumitrescu, Elisabeth Kulman, Francesco Meli, Anna Netrebko, Orchester der Wiener Staatsoper, Evelino Pidò | 4:02 |
2011-04 | Anna Bolena: Atto II, Scena 3. “Qual mesto suon?” (Anna) | | alto vocals [Smeton] | Chor der Wiener Staatsoper, Dan Paul Dumitrescu, Peter Jelosits, Elisabeth Kulman, Francesco Meli, Anna Netrebko, Orchester der Wiener Staatsoper, Evelino Pidò | 4:32 |
2012-05-21 – 2012-05-24 | Fünf Lieder nach Texten von Friedrich Rückert: Blicke mir nicht in die Lieder | | mezzo-soprano vocals | Elisabeth Kulman, SWR Sinfonieorchester Baden‐Baden und Freiburg, Michael Gielen | 1:35 |
2012-05-21 – 2012-05-24 | Fünf Lieder nach Texten von Friedrich Rückert: Ich atmet’ einen linden Duf | | mezzo-soprano vocals | Elisabeth Kulman, SWR Sinfonieorchester Baden‐Baden und Freiburg, Michael Gielen | 2:26 |
2012-05-21 – 2012-05-24 | Fünf Lieder nach Texten von Friedrich Rückert: Ich bin der Welt abhanden gekommen | | mezzo-soprano vocals | Elisabeth Kulman, SWR Sinfonieorchester Baden‐Baden und Freiburg, Michael Gielen | 6:31 |
2012-05-21 – 2012-05-24 | Fünf Lieder nach Texten von Friedrich Rückert: Liebst du um Schönheit (Orchestrierung: Max Puttmann) | | mezzo-soprano vocals | Elisabeth Kulman, SWR Sinfonieorchester Baden‐Baden und Freiburg, Michael Gielen | 2:24 |
2012-05-21 – 2012-05-24 | Fünf Lieder nach Texten von Friedrich Rückert: Um Mitternacht | | mezzo-soprano vocals | Elisabeth Kulman, SWR Sinfonieorchester Baden‐Baden und Freiburg, Michael Gielen | 5:49 |
2014-01-24 | Lieder eines fahrenden Gesellen: Ich hab’ ein glühend Messer | | mezzo-soprano vocals | Elisabeth Kulman, SWR Sinfonieorchester Baden‐Baden und Freiburg, Michael Gielen | 3:39 |
2014-09-25 – 2014-09-26 | Missa solemnis, Op. 123: Agnus Dei. Adagio | | mezzo-soprano vocals | Peter Dijkstra, Chor des Bayerischen Rundfunks, Elisabeth Kulman, Genia Kühmeier, Hanno Müller‐Brachmann, Mark Padmore, Symphonieorchester des Bayerischen Rundfunks, Bernard Haitink | 15:46 |
2014-09-25 – 2014-09-26 | Missa solemnis, Op. 123: Credo. Allegro ma non troppo | | mezzo-soprano vocals | Peter Dijkstra, Chor des Bayerischen Rundfunks, Elisabeth Kulman, Genia Kühmeier, Hanno Müller‐Brachmann, Mark Padmore, Symphonieorchester des Bayerischen Rundfunks, Bernard Haitink | 19:58 |
2014-09-25 – 2014-09-26 | Missa solemnis, Op. 123: Gloria. Allegro vivace | | mezzo-soprano vocals | Peter Dijkstra, Chor des Bayerischen Rundfunks, Elisabeth Kulman, Genia Kühmeier, Hanno Müller‐Brachmann, Mark Padmore, Symphonieorchester des Bayerischen Rundfunks, Bernard Haitink | 18:39 |
2014-09-25 – 2014-09-26 | Missa solemnis, Op. 123: Kyrie. Assai sostenuto | | mezzo-soprano vocals | Peter Dijkstra, Chor des Bayerischen Rundfunks, Elisabeth Kulman, Genia Kühmeier, Hanno Müller‐Brachmann, Mark Padmore, Symphonieorchester des Bayerischen Rundfunks, Bernard Haitink | 9:46 |
2014-09-25 – 2014-09-26 | Missa solemnis, Op. 123: Sanctus. Adagio | | mezzo-soprano vocals | Peter Dijkstra, Chor des Bayerischen Rundfunks, Elisabeth Kulman, Genia Kühmeier, Hanno Müller‐Brachmann, Mark Padmore, Symphonieorchester des Bayerischen Rundfunks, Bernard Haitink | 15:10 |
2016-03-23 – 2016-03-25 | Stabat Mater, op. 58: I. Quartetto e Coro. Andante con moto | | mezzo-soprano vocals | Eri Nakamura, Elisabeth Kulman, Michael Spyres, Jongmin Park, Prague Philharmonic Choir, Czech Philharmonic, Jiří Bělohlávek | 19:48 |
2016-03-23 – 2016-03-25 | Stabat Mater, op. 58: II. Quartetto. Andante sostenuto | | mezzo-soprano vocals | Eri Nakamura, Elisabeth Kulman, Michael Spyres, Jongmin Park, Czech Philharmonic, Jiří Bělohlávek | 10:09 |
2016-03-23 – 2016-03-25 | Stabat Mater, op. 58: IX. Alto solo. Andante maestoso | | mezzo-soprano vocals | Elisabeth Kulman, Czech Philharmonic, Jiří Bělohlávek | 6:03 |
2016-03-23 – 2016-03-25 | Stabat Mater, op. 58: X. Quartetto e Coro. Andante con moto | | mezzo-soprano vocals | Eri Nakamura, Elisabeth Kulman, Michael Spyres, Jongmin Park, Prague Philharmonic Choir, Czech Philharmonic, Jiří Bělohlávek | 8:06 |
2017-05-11 – 2017-05-12 | Requiem in D Minor, K. 626 "Missa pro defunctis" (Completed by F.X. Süßmayr): IIIb. Tuba mirum | | alto vocals | Genia Kühmeier, Elisabeth Kulman, Mark Padmore, Adam Plachetka, Symphonieorchester des Bayerischen Rundfunks, Mariss Jansons | 3:20 |
2017-05-11 – 2017-05-12 | Requiem in D Minor, K. 626 "Missa pro defunctis" (Completed by F.X. Süßmayr): IIId. Recordare | | alto vocals | Genia Kühmeier, Elisabeth Kulman, Mark Padmore, Adam Plachetka, Symphonieorchester des Bayerischen Rundfunks, Mariss Jansons | 5:33 |
2017-05-11 – 2017-05-12 | Requiem in D Minor, K. 626 "Missa pro defunctis" (Completed by F.X. Süßmayr): IVa. Offertorium. Domine Jesu Christe | | alto vocals | Genia Kühmeier, Elisabeth Kulman, Mark Padmore, Adam Plachetka, Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Mariss Jansons | 4:05 |
2017-05-11 – 2017-05-12 | Requiem in D Minor, K. 626 "Missa pro defunctis" (Completed by F.X. Süßmayr): VI. Benedictus | | alto vocals | Genia Kühmeier, Elisabeth Kulman, Mark Padmore, Adam Plachetka, Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Mariss Jansons | 4:57 |
2018-11 – 2018-12 | Symphony no. 2 in C minor “Auferstehung”: IV. “Urlicht”. Sehr feierlich aber schlicht | | alto vocals and solo | Elisabeth Kulman, Czech Philharmonic, Semyon Bychkov | 5:29 |
2018-11 – 2018-12 | Symphony no. 2 in C minor “Auferstehung”: Vb. “Aufersteh’n, ja aufersteh’n wirst du”. Langsam, misterioso – “O glaube, mein Herz, o glaube”. Etwas bewegter | | alto vocals and solo | The City of Prague Philharmonic Choir, Christiane Karg, Elisabeth Kulman, Czech Philharmonic, Semyon Bychkov | 15:11 |
2019-05-15 – 2019-05-22 | Symphonie Nr. 2 c-Moll für Sopran- und Alt-Solo, Chor und Orchester «Auferstehungssymphonie»: «Urlicht» Sehr feierlich, aber schlicht. Nicht schleppen | | mezzo-soprano vocals | Elisabeth Kulman, Tonkünstler-Orchester, Yutaka Sado | 5:05 |
2019-05-15 – 2019-05-22 | Symphonie Nr. 2 c-Moll für Sopran- und Alt-Solo, Chor und Orchester «Auferstehungssymphonie»: Im Tempo des Scherzo, wild herausfahrend | | mezzo-soprano vocals | Daniela Fally, Elisabeth Kulman, Slovenský filharmonický zbor, Tonkünstler-Orchester, Yutaka Sado | 36:24 |
2019-06 – 2019-07 | Madama Butterfly, Act I: Ed eccoci in famiglia (Pinkerton, Chorus, Lo Zio Bonzo, Butterfly, Goro, Suzuki) | | mezzo-soprano vocals [Suzuki] | Coro Gulbenkian, Alexander Kaimbacher, Elisabeth Kulman, Melody Moore, Stefano Secco, Kevin Short, Orquestra Gulbenkian, Lawrence Foster | 5:32 |
2019-06 – 2019-07 | Madama Butterfly, Act I: Questa è la cameriera (Goro, Pinkerton, Suzuki, Sharpless) | | mezzo-soprano vocals [Suzuki] | Alexander Kaimbacher, Elisabeth Kulman, Lester Lynch, Stefano Secco, Orquestra Gulbenkian, Lawrence Foster | 4:39 |
2019-06 – 2019-07 | Madama Butterfly, Act I: Viene la sera (Pinkerton, Butterfly, Suzuki) | | mezzo-soprano vocals [Suzuki] | Elisabeth Kulman, Melody Moore, Stefano Secco, Orquestra Gulbenkian, Lawrence Foster | 3:34 |
2019-06 – 2019-07 | Madama Butterfly, Act II: Come una mosca prigioniera (Suzuki, Butterfly) | | mezzo-soprano vocals [Suzuki] | Elisabeth Kulman, Melody Moore, Orquestra Gulbenkian, Lawrence Foster | 2:54 |
2019-06 – 2019-07 | Madama Butterfly, Act II: E Izaghi ed Izanami (Suzuki, Butterfly) | | mezzo-soprano vocals [Suzuki] | Elisabeth Kulman, Melody Moore, Orquestra Gulbenkian, Lawrence Foster | 7:41 |
2019-06 – 2019-07 | Madama Butterfly, Act II: Già il sole! (Suzuki, Butterfly) | | mezzo-soprano vocals [Suzuki] | Elisabeth Kulman, Melody Moore, Orquestra Gulbenkian, Lawrence Foster | 1:49 |
2019-06 – 2019-07 | Madama Butterfly, Act II: Glielo dirai? (Kate, Suzuki, Butterfly) | | mezzo-soprano vocals [Suzuki] | Liesbeth Devos, Elisabeth Kulman, Melody Moore, Orquestra Gulbenkian, Lawrence Foster | 2:56 |
2019-06 – 2019-07 | Madama Butterfly, Act II: Io so che alle sue pene (Sharpless, Pinkerton, Suzuki) | | mezzo-soprano vocals [Suzuki] | Elisabeth Kulman, Lester Lynch, Stefano Secco, Orquestra Gulbenkian, Lawrence Foster | 3:55 |
2019-06 – 2019-07 | Madama Butterfly, Act II: Or vienmi ad adornar (Butterfly, Suzuki) | | mezzo-soprano vocals [Suzuki] | Elisabeth Kulman, Melody Moore, Orquestra Gulbenkian, Lawrence Foster | 5:07 |
2019-06 – 2019-07 | Madama Butterfly, Act II: Povera Butterfly (Suzuki, Sharpless, Pinkerton) | | mezzo-soprano vocals [Suzuki] | Elisabeth Kulman, Lester Lynch, Stefano Secco, Orquestra Gulbenkian, Lawrence Foster | 3:15 |
2019-06 – 2019-07 | Madama Butterfly, Act II: Scuoti quella fronda di ciliegio (Butterfly, Suzuki) | | mezzo-soprano vocals [Suzuki] | Elisabeth Kulman, Melody Moore, Orquestra Gulbenkian, Lawrence Foster | 5:25 |
2019-06 – 2019-07 | Madama Butterfly, Act II: Tu, Suzuki (Butterfly, Suzuki) | | mezzo-soprano vocals [Suzuki] | Elisabeth Kulman, Melody Moore, Orquestra Gulbenkian, Lawrence Foster | 1:42 |
2019-06 – 2019-07 | Madama Butterfly, Act II: Una nave da guerra (Suzuki, Butterfly) | | mezzo-soprano vocals [Suzuki] | Elisabeth Kulman, Melody Moore, Orquestra Gulbenkian, Lawrence Foster | 2:54 |
2019-06 – 2019-07 | Madama Butterfly, Act II: Vespa! Rospo maledetto! (Suzuki, Butterfly, Goro) | | mezzo-soprano vocals [Suzuki] | Alexander Kaimbacher, Elisabeth Kulman, Melody Moore, Orquestra Gulbenkian, Lawrence Foster | 2:14 |
2019-08-23 | Symphonie Nr. 9 d-Moll, op. 125: 4. Presto – Recitativo »O Freunde, nicht diese Töne!« – Allegro assai – Presto | | mezzo-soprano vocals | Marlis Petersen, Elisabeth Kulman, Benjamin Bruns, Kwangchul Youn, Rundfunkchor Berlin, Berliner Philharmoniker, Kirill Petrenko | 15:59 |
2021-06 – 2021-07 | Un ballo in mashcera, Act 1: Che veggo! | | contralto vocals [Ulrica] | Jean-Luc Ballestra, Samy Camps, Freddie De Tommaso, Saioa Hernández, Elisabeth Kulman, Transylvania State Philharmonic Choir, Orchestre philharmonique de Monte‐Carlo, Marek Janowski | 3:03 |
2021-06 – 2021-07 | Un ballo in mashcera, Act 1: Chi voi siate, l’audace parola | | contralto vocals [Ulrica] | Freddie De Tommaso, Annika Gerhards, Elisabeth Kulman, Adam Lau, Kevin Short, Transylvania State Philharmonic Choir, Orchestre philharmonique de Monte‐Carlo, Marek Janowski | 2:35 |
2021-06 – 2021-07 | Un ballo in mashcera, Act 1: Dalla città all’occaso | | contralto vocals [Ulrica] | Freddie De Tommaso, Saioa Hernández, Elisabeth Kulman, Transylvania State Philharmonic Choir, Orchestre philharmonique de Monte‐Carlo, Marek Janowski | 4:01 |
2021-06 – 2021-07 | Un ballo in mashcera, Act 1: È scherzo od è follia | | contralto vocals [Ulrica] | Freddie De Tommaso, Annika Gerhards, Elisabeth Kulman, Adam Lau, Kevin Short, Transylvania State Philharmonic Choir, Orchestre philharmonique de Monte‐Carlo, Marek Janowski | 3:42 |
2021-06 – 2021-07 | Un ballo in mashcera, Act 1: Finisci il vaticinio | | contralto vocals [Ulrica] | Freddie De Tommaso, Annika Gerhards, Elisabeth Kulman, Adam Lau, Kevin Short, Transylvania State Philharmonic Choir, Orchestre philharmonique de Monte‐Carlo, Marek Janowski | 2:10 |
2021-06 – 2021-07 | Un ballo in mashcera, Act 1: O figlio d’Inghilterra | | contralto vocals [Ulrica] | Freddie De Tommaso, Annika Gerhards, Elisabeth Kulman, Lester Lynch, Kevin Short, Transylvania State Philharmonic Choir, Orchestre philharmonique de Monte‐Carlo, Marek Janowski | 2:22 |
2021-06 – 2021-07 | Un ballo in mashcera, Act 1: Su, fatemi largo | | contralto vocals [Ulrica] | Jean-Luc Ballestra, Freddie De Tommaso, Elisabeth Kulman, Transylvania State Philharmonic Choir, Orchestre philharmonique de Monte‐Carlo, Marek Janowski | 2:02 |
2021-06 – 2021-07 | Un ballo in mashcera, Act 1: Zitti… l’incanto non dèssi turbare – Re dell’abisso | | contralto vocals [Ulrica] | Freddie De Tommaso, Elisabeth Kulman, Transylvania State Philharmonic Choir, Orchestre philharmonique de Monte‐Carlo, Marek Janowski | 6:31 |
| Áldjon ég! | | mezzo-soprano vocals | Franz Liszt; Elisabeth Kulman, Eduard Kutrowatz | 2:47 |
| Angiolin dal biondo crin, R 593b, S 269ii, LW N1/2 | | mezzo-soprano vocals | Elisabeth Kulman, Eduard Kutrowatz | 4:12 |
| Comment, disaient-ils, R 570b, S 276ii, LW N12/2 | | mezzo-soprano vocals | Elisabeth Kulman, Eduard Kutrowatz | 1:51 |
| Die drei Zigeuner, R 612, S 320ii, LW N62/1 | | mezzo-soprano vocals | Elisabeth Kulman, Eduard Kutrowatz | 6:24 |
| Ein Fichtenbaum steht einsam, R 599b, S 309bis, LW N36/2 | | mezzo-soprano vocals | Elisabeth Kulman, Eduard Kutrowatz | 2:19 |
| Einst, R 629, S 332, LW N73 | | mezzo-soprano vocals | Elisabeth Kulman, Eduard Kutrowatz | 0:39 |
| Enfant, si j'étais roi, R 572b, C 283ii, LW N24/2 | | mezzo-soprano vocals | Elisabeth Kulman, Eduard Kutrowatz | 2:54 |
| Es muss ein Wunderbares sein, R 590, S 314, LW N49 | | mezzo-soprano vocals | Elisabeth Kulman, Eduard Kutrowatz | 1:45 |
| Es war ein König in Thule, R 594b, S 278ii, LW N9/2 | | mezzo-soprano vocals | Elisabeth Kulman, Eduard Kutrowatz | 3:26 |
| Go not, happy day, R 626, S 335, LW N76 | | mezzo-soprano vocals | Elisabeth Kulman, Eduard Kutrowatz | 3:05 |
| Ich liebe dich, R 617, S 315, LW N49 | | mezzo-soprano vocals | Elisabeth Kulman, Eduard Kutrowatz | 2:10 |
| J'ai perdu ma force et ma vie, R 620, S 327, LW N86 | | mezzo-soprano vocals | Elisabeth Kulman, Eduard Kutrowatz | 3:31 |
| Jeanne d'Arc au bûcher, R 586b, S 293iii, LW N37/4 | | mezzo-soprano vocals | Elisabeth Kulman, Eduard Kutrowatz | 7:57 |
| La perla, R 623, S 326ii, LW N67 | | mezzo-soprano vocals | Elisabeth Kulman, Eduard Kutrowatz | 5:00 |
| La tombe et la rose, R 573, S 285, LW N26 | | mezzo-soprano vocals | Elisabeth Kulman, Eduard Kutrowatz | 2:35 |
| Mignons Lied, R 592b, S 275ii, LW N8/2 | | mezzo-soprano vocals | Elisabeth Kulman, Eduard Kutrowatz | 6:43 |
| O Meer im Abendstrahl, R 637, S 344, LW N79 | | mezzo-soprano vocals | Franz Liszt; Elisabeth Kulman, Eduard Kutrowatz | 2:46 |
| S'il est un charmant gazon, R 572b, S 284iii, LW N25/2 | | mezzo-soprano vocals | Elisabeth Kulman, Eduard Kutrowatz | 1:57 |
| Über allen Gipfeln ist ruh, R 610b, S 306iii, LW N46/2 | | mezzo-soprano vocals | Elisabeth Kulman, Eduard Kutrowatz | 3:26 |
| Vergiftet sind meine Lieder, R 608, S 289ii, LW N29 | | mezzo-soprano vocals | Franz Liszt; Elisabeth Kulman, Eduard Kutrowatz | 1:30 |
| Verlassen, R 632, S 336, LW N77 | | mezzo-soprano vocals | Elisabeth Kulman, Eduard Kutrowatz | 3:06 |
| Was Liebe sei?, R 575a, S 288i, LW N7/1 | | mezzo-soprano vocals | Elisabeth Kulman, Eduard Kutrowatz | 1:14 |
| Weihnachts-Oratorium, BWV 248, I. Kantate, No. 2: "Es begab sich aber zu der Zeit", No. 3: "Nun wird mein liebster Bräutigam" | | alto vocals | Bach‐Collegium München, Peter Schreier | 2:08 |
| Weihnachts-Oratorium, BWV 248, I. Kantate, No. 4: "Bereite dich, Zion, mit zärtlichen Trieben" | | alto vocals | Bach‐Collegium München, Peter Schreier | 5:27 |
| Weihnachts-Oratorium, BWV 248, II. Kantate, No. 19: "Schlafe, mein Liebster" | | alto vocals | Bach‐Collegium München, Peter Schreier | 9:05 |
| Weihnachts-Oratorium, BWV 248, III. Kantate, No. 31: "Schließe, mein Herze" | | alto vocals | Bach‐Collegium München, Peter Schreier | 5:37 |
| Weihnachts-Oratorium, BWV 248, III. Kantate, No. 32: "Ja, ja, mein Herz" | | alto vocals | Bach‐Collegium München, Peter Schreier | 0:24 |
| Weihnachts-Oratorium, BWV 248, V. Kantate, No. 45: "Wo ist der neugeborene König der Juden?" | | alto vocals | Bach‐Collegium München, Peter Schreier | 2:05 |
| Weihnachts-Oratorium, BWV 248, V. Kantate, No. 49: "Warum wollt ihr erschrecken?" | | alto vocals | Bach‐Collegium München, Peter Schreier | 0:35 |
| Weihnachts-Oratorium, BWV 248, V. Kantate, No. 51: "Ach, wann wird die Zeit erscheinen?" | | alto vocals | Bach‐Collegium München, Peter Schreier | 5:28 |
| Weihnachts-Oratorium, BWV 248, V. Kantate, No. 52: "Mein Liebster herrschet schon" | | alto vocals | Bach‐Collegium München, Peter Schreier | 0:27 |
| Weihnachts-Oratorium, BWV 248, VI. Kantate, No. 63: "Was will der Hölle Schrecken nun" | | alto vocals | Bach‐Collegium München, Peter Schreier | 0:40 |
| Не брани меня, мои друг, S 324a, LW N64 | | mezzo-soprano vocals | Franz Liszt; Elisabeth Kulman, Eduard Kutrowatz | 2:13 |