| 16 Waltzes, op. 39 | | | | | | | |
| 34 Valses sentimentales, D. 779 | | | | | | | |
| Concerto for 3 harpsichords, strings & continuo in D minor, BWV 1063: I. [no tempo indication] | | | | | | | |
| Concerto for 3 harpsichords, strings & continuo in D minor, BWV 1063: II. Alla Siciliana | | | | | | | |
| Concerto for 3 harpsichords, strings & continuo in D minor, BWV 1063: III. Allegro | | | | | | | |
| Concerto for 4 Harpsichords and Orchestra in A minor, BWV 1065: III. Allegro | | | | | | | |
| Concerto for Two Pianos and Orchestra in D minor, FP 61: I. Allegro ma non troppo | | - Sylviane Deferne, Pascal Rogé, Philharmonia Orchestra, Charles Dutoit
- Jacques Février, Francis Poulenc, Orchestre de la Société des Concerts du Conservatoire, Pierre Dervaux
- Frank Braley, Éric Le Sage, Orchestre Philharmonique de Liège, Stéphane Denève
- Martha Argerich, Alexander Gurning, Orchestra della Svizzera italiana, Erasmo Capilla
- (show 25 more)
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| Concerto for Two Pianos and Orchestra in D minor, FP 61: II. Larghetto | | - Sylviane Deferne, Pascal Rogé, Philharmonia Orchestra, Charles Dutoit
- Jacques Février, Francis Poulenc, Orchestre de la Société des Concerts du Conservatoire, Pierre Dervaux
- Anne Queffélec, Jean‐Bernard Pommier, City of London Sinfonia, Richard Hickox
- Frank Braley, Éric Le Sage, Orchestre Philharmonique de Liège, Stéphane Denève
- (show 32 more)
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| Concerto for Two Pianos and Orchestra in D minor, FP 61: III. Finale (Allegro molto) | | - Sylviane Deferne, Pascal Rogé, Philharmonia Orchestra, Charles Dutoit
- Jacques Février, Francis Poulenc, Orchestre de la Société des Concerts du Conservatoire, Pierre Dervaux
- Frank Braley, Éric Le Sage, Orchestre Philharmonique de Liège, Stéphane Denève
- Martha Argerich, Alexander Gurning, Orchestra della Svizzera italiana, Erasmo Capilla
- (show 25 more)
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| Divertissement à la hongroise, D. 818: I. Andante | | | | | | | |
| Divertissement à la hongroise, D. 818: II. Marcia. Andante con moto | | | | | | | |
| Divertissement à la hongroise, D. 818: III. Allegretto | | | | | | | |
| Divertissement sur des motifs originaux français, D. 823: I. Tempo di Marcia | | | | | | | |
| Divertissement sur des motifs originaux français, D. 823: II. Andantino varié | | | | | | | |
| Divertissement sur des motifs originaux français, D. 823: III. Rondeau Brillant | | | | | | | |
| Fantasia in F minor, op. 103, D. 940 | | | | | | | |
| Grand Sonata in B major, D. 617: I. Allegro moderato | | | | | | | |
| Grand Sonata in B major, D. 617: II. Andante con moto | | | | | | | |
| Grand Sonata in B major, D. 617: III. Allegretto | | | | | | | |
| Introduction and Rondo alla burlesca, op. 23 no. 1 | | | | | | | |
| Le Sacre du printemps : II. Le Sacrifice : VI. Danse sacrale (L’Élue) | | | | | | | |
| Le Sacre du printemps: I. L'Adoration de la terre: I. Introduction | | | | | | | |
| Le Sacre du printemps: I. L'Adoration de la terre: II. Les Augures Printaniers (Danses des adolescentes) | | | | | | | |
| Le Sacre du printemps: I. L'Adoration de la terre: III. Jeu du rapt | | | | | | | |
| Le Sacre du printemps: I. L'Adoration de la terre: IV. Rondes printanières | | | | | | | |
| Le Sacre du printemps: I. L'Adoration de la terre: V. Jeux des cités rivales | | | | | | | |
| Le Sacre du printemps: I. L'Adoration de la terre: VI. Cortège du Sage | | | | | | | |
| Le Sacre du printemps: I. L'Adoration de la terre: VIII. Danse de la terre | | | | | | | |
| Le Sacre du printemps: I. L’Adoration de la terre: VII. Adoration de la Terre | | | | | | | |
| Le Sacre du printemps: II. Le Sacrifice: I. Introduction | | | | | | | |
| Le Sacre du printemps: II. Le Sacrifice: II. Cercles mystérieux des adolescentes | | | | | | | |
| Le Sacre du printemps: II. Le Sacrifice: III. Glorification de l'Elue | | | | | | | |
| Le Sacre du printemps: II. Le Sacrifice: IV. Evocation des ancêtres | | | | | | | |
| Le Sacre du printemps: II. Le Sacrifice: V. Action rituelle des ancêtres | | | | | | | |
| Mazurka elegiaca, op. 23 no. 2 | | | | | | | |
| Rondo in A major, D. 951 “Grand Rondeau” | | | | | | | |
| Rondo in D Major for piano four-hands, op. 138, D. 608 | | | | | | | |
| Slawische Tänz, op. 46, nr. 1 in C-Dur, Presto (Furiant) | | | | | | | |
| Slawische Tänz, op. 46, nr. 8 in g-Moll, Presto (Furiant) | | | | | | | |
| Sonata for two pianos, FP 156: I. Prologue (Extremement lent et calme) | | | | | | | |
| Sonata for two pianos, FP 156: II. Allegro molto (Très rythmé) | | | | | | | |
| Sonata for two pianos, FP 156: III. Andante lyrico (Lentement) | | | | | | | |
| Sonata for two pianos, FP 156: IV. Epilogue (Allegro giocoso) | | | | | | | |
| Suite no. 1 for Two Pianos, op. 15: II. Valse: Allegro | | | | | | | |
| Variations in E-flat major on a Theme by Robert Schumann, op. 23 | | | | | | | |
| Variations on a Theme by Joseph Haydn, op. 56b | | | | | | | |
| פונאר | | | | Song | | | |
| שטילער, שטילער | | | | Song | | | |
